Tramontina: Meat signature iron

Advertising Agency: J. Walter Thompson, Brazil
Chief Creative Officer: Ricardo John
Head of Art: Fabio Simoes
Creative directors: Diego Wortmann, Mariana Borga, Erick Rosa
Copywriters: Rodrigo Rocha, Erick Mendonça, Fernando Duarte, Lucas Tristão
Art directors: Diego Vieira, Brunno Cortez, Robison Mattei

MatraCat: Under Construction Sites

Advertising Agency: GarnierBBDO, San José, Costa Rica
Chief Creative Officer: Manuel Travisany
Creative Director: Alan Carmona
Copywriter: Sergio Chinchilla
Art Director / Designer: Lucas Fernández
Designers: Ronaldo Peraza, Yoshua León
Production Manager: Tomás Jankovich
Producer: Walter Benavides
Account Director: Ramiro Casó
Account Executive: María Agüero
Developer Team: Telling Interactive
Web Developers: Guillermo Serrano, Javier Vindas
Media Agency: OMD Costa Rica
Media Managers: Sharon Arias, Maureen Velásquez, Raquel Lacayo

Century 21: Superpowerless

The bands were paid for their talents by Century 21 and are fully aware of what the campaign is called. These self-styled rockstars love what they do, and they’re not afraid to laugh at themselves. These bands are definitely in on the joke. This campaign is all bout the inherent humor of loud, chaotic music and noisy neighbors.

Advertising Agency: Sleek Machine, Boston, USA
Chief Creative Officer: Tim Cawley
Copywriter: Jeff Marois
Art Director: Jessica Ruggieri
Senior Integrated Producer: Ben Ouellette
Editor: Alan Duda
Audio Engineer: Mike Secher / Soundtrack
Color and Conform: Mike Silva, Nick Agri

Century 21: Summon

The bands were paid for their talents by Century 21 and are fully aware of what the campaign is called. These self-styled rockstars love what they do, and they’re not afraid to laugh at themselves. These bands are definitely in on the joke. This campaign is all bout the inherent humor of loud, chaotic music and noisy neighbors.

Advertising Agency: Sleek Machine, Boston, USA
Chief Creative Officer: Tim Cawley
Copywriter: Jeff Marois
Art Director: Jessica Ruggieri
Senior Integrated Producer: Ben Ouellette
Editor: Alan Duda
Audio Engineer: Mike Secher / Soundtrack
Color and Conform: Mike Silva, Nick Agri

Century 21: Rebuilder

The bands were paid for their talents by Century 21 and are fully aware of what the campaign is called. These self-styled rockstars love what they do, and they’re not afraid to laugh at themselves. These bands are definitely in on the joke. This campaign is all bout the inherent humor of loud, chaotic music and noisy neighbors.

Advertising Agency: Sleek Machine, Boston, USA
Chief Creative Officer: Tim Cawley
Copywriter: Jeff Marois
Art Director: Jessica Ruggieri
Senior Integrated Producer: Ben Ouellette
Editor: Alan Duda
Audio Engineer: Mike Secher / Soundtrack
Color and Conform: Mike Silva, Nick Agri

Century 21: Testostowurm

The bands were paid for their talents by Century 21 and are fully aware of what the campaign is called. These self-styled rockstars love what they do, and they’re not afraid to laugh at themselves. These bands are definitely in on the joke. This campaign is all bout the inherent humor of loud, chaotic music and noisy neighbors.

Advertising Agency: Sleek Machine, Boston, USA
Chief Creative Officer: Tim Cawley
Copywriter: Jeff Marois
Art Director: Jessica Ruggieri
Senior Integrated Producer: Ben Ouellette
Editor: Alan Duda
Audio Engineer: Mike Secher / Soundtrack
Color and Conform: Mike Silva, Nick Agri

ALDI – Pasta Sauce / Italian family – (2015) :15 (Australia)

ALDI - Pasta Sauce / Italian family - (2015) :15 (Australia)
ALDI positions themselves as “like brands, only cheaper”, and BMF Australia are cranking out the funny scenarios where this can be discussed. Like at the dinner table of a large Italian family who all speak with their hands and interrupt each other debating the merits of pasta sauce vs pasta sauce. The thing about stereotypes are that they’re an easy way to show something simple, and hopefully tickle everyones funnybone, but some people may find the stereotypes annoying.

ALDI – Vampire / Sunscreen (2015) :15 (Australia)

ALDI - Vampire / Sunscreen (2015) :15 (Australia)
Here’s another classic stereotype, the vampire. & with his grumpy declaration we learn that ALDI is like brands, only cheaper. So with this short clip BMF, Australia continue their very silly short campaign for ALDI, and have found their stride in jokes.

Pepsi, &Rosàs Know You Might Hate This Soda

Here’s an odd one from &Rosàs, an indie agency based in Barcelona that’s known for “its capacity to differentiate its clients’ brands through the use of extraordinary communication concepts” (according to itself).

The ad promotes Bitter Kas, a PepsiCo product that’s popular in Europe and almost shares a typeface with Star Wars.

The agency (and, apparently, PepsiCo) understand that not all people will like Bitter Kas. And they’re OK with that:

The release tells us that the drink is about to celebrate its 50th anniversary, at which time it will “adorn Spain’s sunny bar terraces once again with its emblematic red” and “lead the leisure, day-time beverage market as the country’s preferred aperitif.”

The helpful copy also advises us to enjoy this bubbly beverage “with ice, an olive and a twist of orange, or mixed with drinks like gin, vodka, rum or vermouth with delicious and surprising results.”

Just like the ad’s characters, we’re not quite sure whether we would enjoy that–but we do know there’s no way Pepsi would run a stateside campaign daring consumers to hate its marquee product. If you just so happen to prefer the stuff, “don’t ask why. Fortunately, it’s not something you can choose.”

Europeans: they really don’t give a shit.

 

McDonald's: Playoff beard

Go Blackhawks.

Hockey players grow a beard for good luck during the playoffs. McDonald’s used their trademarked smile to grow one of their own to support their hometown team – The Chicago Blackhawks.

Advertising Agency: Cossette, Chicago, USA
Executive Creative Director: Chuck Rachford
Art Directors: Stacy Randolph, Claudio Venturini
Copywriters: Casey Stern, Jeff Oswald
Producer: Cary Potterfield
Account Executive: Ashley Goodson
Published: June 2015

Ecovia: Bullet, 1

Not wearing a seat belt can kill.

Advertising Agency: Terremoto, Curitiba, Brazil
Creative Director: Ricardo Gandolfi
Art Director: Luis Bacellar
Copywriters: Fabian Oliveira, Ricardo Gandolfi
3D Illustrator: Magma Image
Additional credits: Carlos Rabitz, Simone Pereira

Ecovia: Bullet, 2

Not using a baby car seat can kill.

Advertising Agency: Terremoto, Curitiba, Brazil
Creative Director: Ricardo Gandolfi
Art Director: Luis Bacellar
Copywriters: Fabian Oliveira, Ricardo Gandolfi
3D Illustrator: Magma Image
Additional credits: Carlos Rabitz, Simone Pereira

Ecovia: Bullet, 3

Not using a booster seat can kill.

Advertising Agency: Terremoto, Curitiba, Brazil
Creative Director: Ricardo Gandolfi
Art Director: Luis Bacellar
Copywriters: Fabian Oliveira, Ricardo Gandolfi
3D Illustrator: Magma Image
Additional credits: Carlos Rabitz, Simone Pereira

JWT Brazil Offers a Signature, Skewered Touch for Barbecue Buffs

A year after releasing interactive cookbook The Bible of Barbecue for native cookware brand Tramontina, JWT Brazil returns with a more artisanal approach for its client in the form of a Meat Signature Maker.

As the two-minute film above shows, the target audience once again is the South American barbecue chef/aficionado, who can now add a personal, even artistic touch to his/her meat concoctions.

After first introducing the customized skewer to high-profile Argentinean chef Francis Mallmann (and soon Wolfgang Puck, Thomas Keller and Daniel Bouloud, among others), JWT Brazil and Tramontina are now rolling out the product to not just BBQ maestros and industry folks, but the general public via a special sale at T store Tramontina in Rio de Janeiro.

JWT Brazil chief creative officer Ricardo John says:

“Tramontina is truly passionate about barbecues.  No matter how many thousands of utensils they produce every month, they still have a twinkle in their eyes, like artisans. A customized piece especially forged for each barbecuer is a very special thing not just for the chefs, but also for the brand.”

What cook of any real stature wouldn’t want to sign such a carnivore’s delight?

Unexpected 3D-Printed Faucets

Voici une une gamme de robinets hors du commun signée DXV par American Standard. Issus de l’impression 3D, ces robinets en metal présentent un design hyper créatif, avec des jeux de textures et des formes quasi sculpturales. Après une durée d’impression de 24h, les pièces sont finalement polies à la main. À découvrir.

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PG Tips: Monkey’s Monumental Mission

Every Red Nose Day, celebrities take on huge, daunting challenges to raise money. We brought a beloved brand mascot – PG tips Monkey – to life in the real world. This animatronic Monkey took on a towering feat: climbing Europe’s tallest building. A 360 campaign, including hilarious film of the stunt, asked fans to support Monkey’s heroics by buying special packs. Case study: https://vimeo.com/130204607

Advertising Agency: HeyHuman, London, United Kingdom
Executive Creative Director: Bo Hellberg
Creative Director: Shnoosee Bailey
Art Director: Dai Roberts
Copywriter: Dave Mance
Agency Producer: Laura Oxley
Production Company: Unit9, London
Director: Michael Sugarman
Producer: Elliot Tagg
Published: March 2015

Felix: How to please your cat

Director: Gary Willis
Cameraman: Richard Pullar
Cameraman assistant: Gary Smith
Actress: Kelly Watts
Cat trainer: Charlotte Wilde
Vets: Trevor Farrell, Rachel Homeny

USA Network Pulls Out All The Stops for 'Mr. Robot' Launch


USA Network is looking to redefine what it means to launch a new TV series, and the marketing campaign for its hacker drama “Mr. Robot” may very well be as audacious and ambitious as the show itself.

“It’s no longer about the pilot and the premiere,” said Alexandra Shapiro, USA’s exec VP-marketing, who kicked off the “Mr. Robot” effort four months before its premiere date of June 24. “We’re treating this like an ongoing political campaign.”

A dark meditation on the absurd alienation fostered by our hyper-connected society, “Mr. Robot” is a dramatic departure from USA’s escapist “blue skies” programming formula. (“Fairly Legal” this ain’t.) As such, the show demanded a radically reconfigured marketing push.

Continue reading at AdAge.com

SapientNitro Vice President Leaves for Deloitte Digital

Alan Schulman, who has served as vice president, global digital marketing and brand content for SapientNitro since August of 2013, is leaving to become national director of content marketing and creative experience at digital consulting agency Deloitte Digital, where will be responsible for leading its recently opened content design and production studio in New York.

Schulman arrived at SapientNitro roughly three years ago in the role of regional chief creative officer for the agency’s New York office following nearly four years as CEO of digital innovations group U.DIG. Prior to that he served as executive creative director, executive director user experience at IMC2. Before that he spent two years at FutureBrand as global executive director, media and entertainment, followed by about a year as senior vice president, creative director digital at McCann Worldgroup. He has also served as a creative director at FCB Global and executive vice president, managing director at Pittard Sullivan.

“Deloitte’s strategic approach to digital transformation and marketing innovation takes a broader perspective in helping CMOs and other members of the C-Suite beyond the channel-focused strategies and tactics of disparate agencies,” said Schulman. “I couldn’t be more excited about getting further upstream and helping drive Deloitte Digital studios to deliver leading digital and physical creative experiences and content.”

Ingenious Ocean Cleaning System

Aujourd’hui, les océans sont pollués par des millions de tonnes de déchets en plastique. Boyan Slat a inventé une solution réalisable pour les nettoyer. Au lieu d’aller avec des bateaux et des filer à la recherche des ces déchets, l’inventeur hollandais propose avec son projet « The Ocean Cleanup » d’utiliser des barrières flottantes et le courant des océans pour concentrer les déchets en un même point et les collecter ensuite.

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