For Ever Amber, ennobling working class and marginalized communities
Posted in: UncategorizedBlack and White Geometric Lamps
Posted in: UncategorizedLa firme de design Shift, basée au Mexique, a commencé la collection de lampes U32 pour la marque LampsLite. Le premier modèle, U32-1, a été construit avec du métal et explore le concept de la géométrie, la tension et la structure du paysage moderne urbain. Ils se sont inspirés de formes icosaédriques pour bâtir une géométrie anguleuse et complexe.
Mobile Trackers at Shops and Bars Pay For Parking
Posted in: UncategorizedLate night patrons at Britt’s Pub and Eatery in Saint John, Canada can grab a plate of fish cakes, a pint of bitter — and an automatic parking-meter payment for their cars the next morning. Two mobile tracking devices placed on the ceiling at the British-style tavern make it happen.
Britt’s partners with Hotspot, which installs beacons in businesses that pick up on signals from phones with the Hotspot or Passport mobile parking- payment apps. The service helps businesses learn more about their patrons, though some hesitate to make marketing decisions based on what sometimes is sparse information.
The system gives Britt’s and other businesses in cities with limited parking an easy way to offer customers help with parking fees, while providing merchants and restaurants with demographic data about who visits. The Hotspot and Passport apps notify users if their parking meter time is running out. If they choose, merchants can send people with the apps a notice while they’re in-store that offers to refill the meter so they can stay longer.
Dr Charles' Lucky Iron Fish isn't as fishy as you might think.
Posted in: UncategorizedIn comment threads around the ad world (including here on Adland) and all over twitter, people have been accusing Geometry Global for stealing an idea that already existed. As if cooking with iron was space age technology in the first place – you know, we weren’t using cast iron skillets for hundreds of years just for their superior heat holding ability. The comments have pointed to Wikipedia – the most unreliable narrator on the internet – as proof that the Lucky Iron Fish existed years ago and was created by a Dr Christopher Charles. The same Charles that’s mentioned Science Alert and BBC Science news earlier this year when they reported on the project. The protesting commentators will have you know that if Dr Charles came up with the idea based on research in 2008, with a the project start in 2012, it can’t possibly win a design and PR award in 2015. Also, the protestors will have you know, it’s totally Dr Charles idea and he totally did all that PR all by his lonesome. Or somesuch. Some protestors even claim the fish design itself is Gavin Armstrong’s design, he’s the President and CEO of the lucky iron fish, and also a PhD Candidate in biomedical science. Product design must be his hobby, then.
Geometry Global has a response to all this:
Dr. Charles was involved in this project having creating the original prototype of the iron fish.
There has since been years of product development to create the workable version that was launched in October 2014 and which won the award. Dr. Charles serves on the board of Lucky Iron Fish who, together with Geometry Global, collected the award last night.
That’s right, an iron fish that stops smiling when it’s time to replace it didn’t just get designed overnight. Considering I once worked on a magazine layout grid for seven months, I can believe designing a product that will change after use may take some time and a few failed attempts. And did you notice Lucky Iron Fish was there collecting the award too? How many creatives have watched only the ECD & CCO from their agency go fetch the lion-glory they created, while they’re still at the office?
Dr. Christopher Charles wrote a thesis entitled ‘The Happy Fish’, researched from 2008-2011 at the University of Guelph. This identified that cooking with a block of iron enabled iron to be absorbed into the body and he created a fish made out of iron, but it contained contaminants and broke easily.
Gavin Armstrong joined the project in 2012, helping to improve the scientific composition of the product, bringing elements of Cambodian custom to the design and creating a fish whose smile faded when it needed to be replaced. In the same year, Lucky Iron Fish was established as a B-Corp by Armstrong to bring the product to market and realize its international scalability in collaboration with Geometry Global/Memac Ogilvy.
This latest iteration is the award-winning version that was launched in October 2014. Gavin Armstrong is CEO of Lucky Iron Fish and Dr. Christopher Charles serves on the Board of Directors.
All clear? Not quite yet – as people have pointed out how similar lucky iron fish case study is to the Lucky Iron Fish co film (below) uploaded to youtube in July of 2014. Also, the credits on the entry list involved Matt Cullen & Gary Tranter, co-founders of Singapore advertising agency Arcade who wrote an open letter at Campaignbrief calling “bullshit” on the whole thing. They created the original case film, which Geometry Global then asked if they could use. Geometry Global even added Arcade’s credits to the Cannes entry. Sharing credits now, the original sin.
So many people have been asking me about this and even congratulating me for winning at Cannes I felt I had to write something. I did not win at Cannes and my agency had nothing to do with the entry.
When the guys from Geometry Dubai called me, asking if they could use our Iron Fish footage to raise awareness for the Iron Fish project, I expressed reluctance as it’s not normal to release creative work to other agencies, but they assured me it was simply for PR purposes to generate donations.
I agreed. Anything to help this worthwhile project.
I have to say I was surprised to see they won the Product Design Grand Prix at Cannes.
Even more surprised to see they’d used the footage, music and exact words from my script, in their case study video. The video implies the agency Geometry spotted a need, came up with the Iron Fish idea and somehow designed the little fish.
Bullshit.
I spent a long time in Cambodia with Chris Charles, the actual product designer of the Iron Fish (though he’d probably hate me calling him that) shooting a spot for my client Google and in the process learnt much about the amazing work they are doing out there. It’s not just the Iron Fish you know; the ceramic pot water filtration system is simply brilliant and is delivering clean water to many villages.
In the whole time I was there, I saw no one from Geometry Dubai’s Product Design Department, beavering away to help the people of Cambodia.
If winning is at Cannes is part of the PR awareness drive, I’ve got no problem at all with it, but I don’t think you should claim an idea and design when it’s not yours.
If you’re interested, the ad I shot with Matt Cullen, Rebecca So and Chin Chin-Han Yu can be seen here. Jonathan Finnigan was the Director and the beautiful music was created by Gerard Fitzgerald at Song Zu Singapore.
Gary Tranter
Founder/ECD Arcade
It simply isn’t Cannes without plenty of rosé followed by sour grapes – but do weigh in, what do you think about the Lucky Iron Fish winning the Product Design grand prix?
Inspiring Photography by Hayley Eichenbaum
Posted in: UncategorizedLe compte Instagram d’Hayley Eichenbaum rassemble des clichés de sculptures ou des morceaux d’architectures surplombés par des paysages presque surréels. La palette de couleur et les graphismes qui se dégagent de l’ensemble confèrent un caractère très personnel à l’univers de la photographe.
Super-Pharm: Summer sale
Posted in: Uncategorized

Advertising Agency: Baumann Ber Rivnay/Saatchi&Saatchi, Israel
Director: Ram Baruch
CEO: Yossi Lubaton
Chief Creative Officer: Nadav Pressman
Creative Director: Idan Levy
Art Director: Tani Zipper
Copywriter: Eran Shushu Spanier
VP Production: Dorit Gvili
Production Manager: Gali Starkman
VP Group Account Head: Shani Shaul
Account Supervisor: Noa Sharf
Account Executive: Stav Hershkovitz
VP Strategy: Shai Nissenboim
Strategic Planner: Lora Goichman
Choreography / dancers: Inbal Pinto / Avshalom Pollak Dance Company
Lead Presenter: Suzanne Meyer
D.O.P: Emmanuel Kadosh
Editor: Dedan Ouziel
Set Designer: Samuel David Ben-shalom
Wardrobe Designer: Maor Zabar
Music: Shmulik Noifeld & Avi Belleli
Production Company: Shoshi & Udi Productions
Production House: Broadcast Media
Hyundai: Wow – Sonata
Posted in: Uncategorized

Advertising Agency: Innocean, USA
Group Creative Director: Miles Turpin
Creative Directors: Lon Davis, Skip Tramontana
Art Director: Vanessa Volonte
Copywriter: Marvin Figueroa
Executive Producer HDAA: Jennifer Pearse
Senior Producer: Melanie C. McKinnell
Production Company: Cap Gun Collective
Director: Matt Miller
Director of Photography: Eric Haase
Executive Producers: Matt Abramson, Jason Botkin
Head of Production: Marisol Herold
Line Producer: Gabrielle Yuro
Post-Production Company: Orange Editorial
Editor: Brad Wetmore
Post Producer: Chanel Boyd
Hyundai: Wow – Elantra
Posted in: Uncategorized

Advertising Agency: Innocean, USA
Group Creative Director: Miles Turpin
Creative Directors: Lon Davis, Skip Tramontana
Art Director: Vanessa Volonte
Copywriter: Marvin Figueroa
Executive Producer HDAA: Jennifer Pearse
Senior Producer: Melanie C. McKinnell
Production Company: Cap Gun Collective
Director: Matt Miller
Director of Photography: Eric Haase
Executive Producers: Matt Abramson, Jason Botkin
Head of Production: Marisol Herold
Line Producer: Gabrielle Yuro
Post-Production Company: Orange Editorial
Editor: Brad Wetmore
Post Producer: Chanel Boyd
Hyundai: Wow – Santa Fe
Posted in: Uncategorized

Advertising Agency: Innocean, USA
Group Creative Director: Miles Turpin
Creative Directors: Lon Davis, Skip Tramontana
Art Director: Vanessa Volonte
Copywriter: Marvin Figueroa
Executive Producer HDAA: Jennifer Pearse
Senior Producer: Melanie C. McKinnell
Production Company: Cap Gun Collective
Director: Matt Miller
Director of Photography: Eric Haase
Executive Producers: Matt Abramson, Jason Botkin
Head of Production: Marisol Herold
Line Producer: Gabrielle Yuro
Post-Production Company: Orange Editorial
Editor: Brad Wetmore
Post Producer: Chanel Boyd
Scoff & Banter: Lamb
Posted in: Uncategorized
How very British. Lamb hock shepherd’s pie with garden mint, shank faggot, caramelised onion and redcurrant tart.
Very British. Ridiculously walkable. Utterly Scoff & Banter.
Advertising Agency: Saatchi Masius, London, UK
Creative Director: Surrey Garland
Art Director: Mel Harvey
Copywriter: Richard Warren
Illustrator: David Lawrence
Illustrators Agent: Folio Art
Typography: Mel Harvey
Published: June 2015
Scoff & Banter: Fish
Posted in: Uncategorized
How very British. Wild bass with langoustines and crab, cider emulsion, warm mustard and spinach dumpling.
Very British. Ridiculously walkable. Utterly Scoff & Banter.
Advertising Agency: Saatchi Masius, London, UK
Creative Director: Surrey Garland
Art Director: Mel Harvey
Copywriter: Richard Warren
Illustrator: David Lawrence
Illustrators Agent: Folio Art
Typography: Mel Harvey
Published: June 2015
Scoff & Banter: Duck
Posted in: Uncategorized
How very British. Wild game terrine with gin and cucumber relish on rye bread.
Very British. Ridiculously walkable. Utterly Scoff & Banter.
Advertising Agency: Saatchi Masius, London, UK
Creative Director: Surrey Garland
Art Director: Mel Harvey
Copywriter: Richard Warren
Illustrator: David Lawrence
Illustrators Agent: Folio Art
Typography: Mel Harvey
Published: June 2015
Scoff & Banter: Cow
Posted in: Uncategorized
How very British. Rib eye of beef, watercress and marrow rissoles, potato purée, winter root vegetables and reduced beef liquor.
Very British. Ridiculously walkable. Utterly Scoff & Banter.
Advertising Agency: Saatchi Masius, London, UK
Creative Director: Surrey Garland
Art Director: Mel Harvey
Copywriter: Richard Warren
Illustrator: David Lawrence
Illustrators Agent: Folio Art
Typography: Mel Harvey
Published: June 2015
Scoff & Banter: Goat
Posted in: Uncategorized
How very British. Fried courgette flower with goat’s cheese, walnut and thyme with parsnip flavours.
Very British. Ridiculously walkable. Utterly Scoff & Banter.
Advertising Agency: Saatchi Masius, London, UK
Creative Director: Surrey Garland
Art Director: Mel Harvey
Copywriter: Richard Warren
Illustrator: David Lawrence
Illustrators Agent: Folio Art
Typography: Mel Harvey
Published: June 2015
4 Steps to a Successful Social Media Giveaway Contest
Posted in: UncategorizedSharing our activities on social media for our “friends” isn’t a new phenomenon, however, it has recently been approached with a different angle. Brands have taken the power of social media and implemented giveaways solely via their online platforms. It can be a hassle trying to figure out the best approach when implementing a giveaway […]
The post 4 Steps to a Successful Social Media Giveaway Contest appeared first on AdPulp.
'Uber' Is a Dirty Word in France; Taxi Strike Disrupts Cannes Lions
Posted in: UncategorizedTypically, thousands of attendees arrive at the festival via taxi after landing at the nearby airport in Nice, but as word spread of cancelled flights and (somewhat exaggerated) “Max Mad”-esque scenes of mayhem at Aroport Nice Cte d’Azur, sunbaked adlanders scrambled to make alternate travel arrangements. One buzzy exit strategy: using UberCopter, an option opportunistically added to the Uber app; initially priced at 160 Euros ($179) for a Cannes-to-Nice trip, high demand briefly drove surge pricing of over 800 Euros — and then, most of the time, a persistent “No Helicopter Available Now” message. (Uber drivers, judging from the lack of the available black cars and vans on the app, quietly abandoned French roads for fear of being targeted.)
At one high-profile event — the invite-only Droga5 Thursday-night dinner party at Michelin-starred restaurant La Village Archange in Le Cannet, two miles north of the Cannes beach, the strike prompted some incongruous scenes.
To get to the party, many guests piled into a series of private vans, organized by Droga, that departed around 6 p.m. from the InterContinental Carlton Cannes. But guests looking to leave the fancy dinner, once it finally wrapped up near midnight, found that the vans had been replaced by a single full-size coach bus, which was parked a long walk from the restaurant. And so a couple dozen adland grandees in evening finery and high heels drunkenly followed a squat French bus driver down a hill to board the bus.
Sirius XM Settles Royalty Dispute Over Old Recordings
Posted in: UncategorizedInteractive Sanctuary Installation Connected to Your Heartbeats
Posted in: UncategorizedCommissionné par la marque Ford, The Principals a conçu une installation interactive pendant l’événement annuel du Sight Unseen OFFSITE : un sanctuaire qui s’illumine quand le visiteur touche les murs. Des oxymètres d’impulsion de doigt sentent les battements du coeur des participants et permettent d’animer l’intérieur de cette architecture.