Miami Journal: FloridaMan Beguiles With the Hapless and Harebrained

A beguilingly anonymous Twitter author with the mug shot of an Indiana man unspools, tweet by tweet, a composite of Florida’s nuttiness.




European Night of Museums 2015: Dark circles, 1

Saturday, May 16, your favorite paintings won’t sleep either.

Creative Director / Copywriter: Laurie Mogarra
Art Director: Damien Guiol
Published: May 2015

European Night of Museums 2015: Dark circles, 2

Saturday, May 16, your favorite paintings won’t sleep either.

Creative Director / Copywriter: Laurie Mogarra
Art Director: Damien Guiol
Published: May 2015

European Night of Museums 2015: Dark circles, 3

Saturday, May 16, your favorite paintings won’t sleep either.

Creative Director / Copywriter: Laurie Mogarra
Art Director: Damien Guiol
Published: May 2015

As Letterman Retires, Late Night TV Faces a Changing Landscape

David Letterman will retire from the “Late Show” later this month, and late night television, while brimming with potential and still attracting millions of viewers, is also scrambling to redefine itself.

Broadcast TV’s Big 4 Review Their Wins and Losses

The major television networks are showcasing their pitches for the the coming fall season. Here’s a look at the new shows they’re trumpeting this week.




2015 Television Upfronts: How Is U.S. TV Changing? Ask Jane

The show “Jane the Virgin” demonstrated the power of shows that appealed to Hispanics as well as broader audiences, and networks are preparing to introduce more of them.




Paid Attention

I’ve followed @faris for a while on Twitter. I’ve live-streamed a few of his presentations. I’ve always found myself nodding in agreement with him on many of the points he makes. And in “Paid Attention”, there was just more of that. I didn’t necessarily find it groundbreaking information, but that is A) because I’ve heard some of it already, and B) working in digital I’ve experienced a lot first hand myself. Perhaps to me it isn’t “innovative” advertising, because I’m pushing the same agenda. For those who haven’t been following along or are questioning their current direction, they will find it enlightening for sure.

But it’s also not as much innovative as evolutionary.

What Faris does a great job at is walking the reader through the recent past to the now in advertising, punctuated by case studies that help add color along with good footnotes. It is the evolution of tools at our disposal that have really changed the way we communicate, and to a degree, what we communicate.

Key takeaways from the book include:

– Value of attention & why brands need it

“At the heart of many cultural tensions is the dichotomy of social beings: how to be unique as part of a group. Life is full of contradictions. Brands, like myths, provide a meta-narrative that helps people to find meaning and resolve these contradictions imaginatively, since they cannot be solved rationally.”

– How to use market research – well really more like how not to use market research

“Forcing people to consider something rationally that operates on an unconscious, emotional level, si always going to give the wrong answer.”

– Why your brand needs an emotional connection to persuade

“The meta-analysis (by the IPA) concluded that: ‘The most effective advertisements of all are those with little or no rational content‘ (emphasis added).”

– Why being awesome matters

“Awesomeness is (at least part of) the answer. It turns out that emotions spread, and that awesome content is he most spreadable. Studies done by the New York Times show that the most shared articles on their site are ones that inspire aweq. Specifically, things that are epic in scope and require ‘mental accommodation by forcing the reader to view the world in a different way.'”

– How digitization allows content to flow freely and what that means for your brand

“Brands need to understand the nature of the content that consumers desire and how they want to access it.”

– Why we need to redefine our industry language & way of thinking

“The industry polarity that starts with analogue and feeds down to digital needs to be reversed, because ‘digital’ is what is driving the most change in the ‘real world’.”

– What brands do is more important than what they say

“Brands must become behavioural templates, driving the action of the company, which should be expressed through actions and initiatives designed to earn attention.”

– Ideas are a result of remixing, not creating from scratch

“Imitation defaces, stealing makes something better, ‘or at least something different’. The key is that something else is created, something ‘new’.”

– What are the roles of creative, brainstorms, planning, and the role of the consumer in creation in the new creative process

“…because how you define a problem determines if and how you can solve it.”

– Why award shows matter

“THe research shows, among other things, that ads that win creative awards are 11 times more efficient at delivering business success than those that don’t.”

– The role of strategy & social (and hurrah for dropping “media” from social! I’ve ranted about this before too!)

“Digital is not a channel. It is a suite of platforms, channels and tactics that will, ultimately, subsume media entirely. Digital marketing is not simply a new place to disperse symbols but rather the emergence of a new behavioural grammar for companies, as they being to engage with their customers in new ways, in new spaces, where everyone has an equal voice.”

– The role of advertising agencies in the new world

“Advertising agencies, then, either ‘make’ advertising, which is a service that can be displaced, or they help corporations to solve business problems with creativity, which will remain an ongoing need as long as there are corporations–but puts ‘advertising’ agencies into a much larger competitive set alongside other business consultants, albeit with a specific competitive advantage.”

– What are new ways to create value through planning and creativity and what the new brief needs to look like

“The key thing is for brands to listen to what people are saying and then incorporate what they say, and solutions and surprises to delight them, into content and behaviour.”

My favorite part of the book is the epilogue where Faris gives advice for those getting into the industry. I’d say some in the industry would also fair well to have a read through too. These nuggets of wisdom include:

Be nice. All the time. to everyone.
Don’t be afraid to change your mind.
Never be afraid to ask questions.
Don’t get (too) cynical.
Become a geek or an expert on something–anything.
Stay interested in what you do.

The book clocks in under 200 pages and is broken up in to easy-to-digest bits, so you can knock it out, even on a busy pitch week.

Image of Paid Attention: Innovative Advertising for a Digital World

Author: Faris Yakob
Publisher: Kogan Page (2015)
Binding: Paperback, 216 pages
Image of Paid Attention: Innovative Advertising for a Digital World

Author: Faris Yakob
Publisher: Kogan Page (2015)
Binding: Paperback, 216 pages
Attachment Size
ccqzvwnuuaav6yu.jpg 61.16 KB
Ad Books: 

Cartoon Network Upbeat as Ad Season Begins

The children’s network’s ratings have climbed 16 percent over the previous year, even as its rival Nickelodeon’s have slipped.




Upfront Uproar: NBC Keeps Its Powder Dry, Holds Most New Shows for Midseason


After yet another weak finish to a season that began with so much promise, NBC is looking to improve its prime-time fortunes by holding back much of its new development slate for 2016.

The network on Sunday announced that it would open the 2015-16 campaign with five new scripted series, while keeping a collection of eight other newbies stashed away for later in the season. Among the freshman shows that will debut outside of the fall window are Dick Wolf’s “Chicago Med,” the Jennifer Lopez cop drama “Shades of Blue” and a reboot of the 1989-97 ABC sitcom “Coach.”

“The fall lineup gives you only half the story,” said Jennifer Salke, President, NBC Entertainment. “We truly program on a 52-week basis and are putting virtually the same amount of programming muscle behind our mid-season lineup.”

Continue reading at AdAge.com

Akbank Short Film Festival: The Short Way – An Interactive Instagram Adventure


Online
Akbank Short Film Festival

Users make their own stories through 37 Instagram accounts, 85 unique paths and 12 alternate endings.

 

Advertising Agency:McCann, Istanbul, Turkey
Chief Creative Officer:Ugur Cakir
Creative Director:Taygun Dömbekçioglu
Art Director:Hazel Eren
Copywriters:Omer Ceran, Duygu Yazici
Social Media Manager:Cemil Ha?imi
Community and Content Managers:Adil Dani Kohen, Melike Murat
Strategic Planner:Tu?çe Esener
Client Services Director:Özlem Milor ?slam
Account Executive:Duygu Teser
Project Managers:Emrah Dalg?ç, Ça?lar Çiftp?nar
Motion Graphic Designer:Sencer Yalç?n

Cafe Pele: Construction, Surgery, Patrol


Print
Cafe Pelé

Advertising Agency:Lew’LaraTBWA, São Paulo, Brazil
Chief Creative Officer:Manir Fadel
Executive Creative Director:Felipe Luchi
Copywriter:Andre Pallu
Art Director:Diego Lauton
Photographer:Nixon Freire

Save The Children: Pullover, Dress, Sweater, Tunic


Print
Save The Children

Advertising Agency:Lew’LaraTBWA, São Paulo, Brazil
Chief Creative Officer:Manir Fadel
Executive Creative Director:Felipe Luchi
Copywriter:Gabriel Sotero
Art Director:Rodolfo Fernandes
Art Buyers:Ale Sarilho, Caio Lobo

Fridrih Mushrooms: Discovery


Print
Fridrih Mushrooms

Make every meal a new discovery.

Advertising Agency:Imago, Zagreb, Croatia
Creative Director:Igor Mladinovic
Art Director:Darko Bosnar
Copywriters:Darko Bosnar, Igor Mladinovic, Ivan Zanetic
Illustrator:Anna Kulakowskaja

Home Credit Bank: Loans with no hidden fees


Print
Home Credit Bank

Loans with no hidden fees.

Advertising Agency:Popkultura, Kazakhstan
Creative Directors:Sergey Denisov, Yuriy Shmyg
Art Director:Ruslan Suleimanov
Illustrator:‘beauty & The Beast’
Photographer:‘beauty & The Beast’

Ariston Hotpoint: Tattoo Butterfly, Tattoo Heart, Tattoo Anchor


Print
Ariston

No stain is forever.

Advertising Agency:JWT, Milan, Italy
Chief Creative Officers:Enrico Dorizza, Sergio Rodriguez
Creative Director:Paolo Cesano
Art Director:Fabrizio Pozza
Copywriter:Paolo Cesano
Illustrator:Alice Guazzo
Photographer:Luigi Ziliani
Post Production:Michela Secchi
Production:Andrea Bertuzzi, 1806

Koodo: Free refills, Tennis, Choose happy


Film
Koodo

Advertising Agency:Camp Jefferson, Toronto, Canada
Executive Creative Director:Paul Little
Associate Creative Directors:Julie Nikolic, Chris Obergfell
Copywriters:Paul Little, Rich Cooper, Michelle Colistro, Stefan Wegner
Art Directors:Julie Nikolic, Andrew Passas, Chris Obergfell, Caroline Friesen
Designer:Andrew Passas, Mo Bofill

Penguin Books Companhia das Letras: Hamburger, Hot Dog, Cookies


Print
Penguin Books

Advertising Agency:Y&R, São Paulo, Brazil
Executive Creative Director:Rui Branquinho
Creative Director:Rui Branquinho
Art Director:Celso Alfieri
Copywriter:Rui Branquinho, Pedro Cavalcanti
Illustrator:Marco Cezar
Art Buyer:Monica Beretta, Stephanie Wang

The Sun: Helping Britain win the election


Outdoor
The Sun

Advertising Agency:Grey, London, United Kingdom
Chief Creative Officer:Nick Stringer
Deputy Executive Creative Director:Dave Monk
Creatives:Tom Reas, Sander Vos
Account team:Katja Giannella, Michelle Neads
Creative Producer:Martin McGinn
Planners:Chris Whitson, Mike Lean, Matt Kemp
Designer:Ryan Shellard
Animation House:DBLG

Hallelujah: Fractal H


Design
Hallelujah

Hallelujah is a new digital agency based in Milan. We aimed to express our Digital DNA and creativity right from our brand identity. Fractal H finds its inspiration in a new field joining together mathematics, graphic desing and even biology: fractal design. The music is an original arrangement of Handel’s Hallelujah. It is fractal too.

Advertising Agency:Hellelujah, Milan, Italy
Creative Director:Mizio Ratti
Graphic Designer:Mariachiara Tirinzoni
Strategic Planner:Valerio Franco
Music Arrangement:Jinlgebell