Smiles: Trip Book Smiles
Posted in: Uncategorized
Film, Online
Smiles
Trip Book Smiles provides readers with a unique reading experience: the story changes depending on where the reader is in the world.
Advertising Agency:FCB, Sao Paulo, Brazil
Art Director:Bruno Bueno, Eddy Guimarães, Daniel Alves
Copywriter:André Bittar, Marilu Rodrigues, Lucas Tristão
Vp Creative Director:Joanna Monteiro, Max Geraldo
Digital Creative Director:Pedro Gravena
Executive Creative Director:Rui Gonçalves Piranda
Media:Alexandre Ugadin, Cristina Omura, Monica Oliveira, Rafael Amaral, Aline Lins, Maira Vieira
Account:Mauro Silveira, Lísia Fischer, Marcel Crespin, Samya Anjos, Renata Vidal, Patricia Ferreira, Vinicius Godoy, Nathalia Ribeiro
Planner:Rapha Barreto, Luciana Mussato, Cesar Fuster, Juliano Teixeira
Project Manager:Lia D’Amico, Suelen Mariano
Technology:Gerson Lupatini and Marcio Bueno
Rtv:Charles Nobili, Ricardo Magozo, André Fonseca
Production Company:Bando
Director:Bando
Producer:Bando
Editor:Rodrigo Resende and Guilherme Tensol
Sound Producer:Satelite Audio
Account Sound Producer:Fernanda Costa, Marina Castilho
Client Supervisors:Leonel Andrade, Bruna Milet, Karina Bernardo, Adriana Kubo
Mangan Berlin Releases ‘Cat Video’ for Volkswagen
Posted in: UncategorizedMangan Berlin launched a new spot promoting Volkswagen leasing with the 60-second “Cat Video.”
The spot explores the Internet phenomenon of cat videos, with a twist: the cats are all played by people. As with most cat videos, it’s an exercise in pure ridiculousness. The connection to the brand is delivered at the very end, when a cat driving a Volkswagen says, “You don’t have to be a cat to get on the Internet. And if you want to drive a Volkswagen, you don’t have to buy one.” While that connection is a bit of a stretch, the video and accompanying catchy song will be hard for viewers to forget.
“We began this project with an intense casting session and pre-production planning that included a stunt coordinator and a special rig to simulate the curtain gag,” explained director Curtis Wehrfritz. “Cats act like diva rock stars, their demeanour is so dry, and unaffected. It’s not that the cat drops the vase but rather his ‘who gives a shit’ attitude that really makes them funny. We wanted to make sure we captured that.”
Credits:
Spot Title: Cat Video
Marketing Volkswagen Leasing: André Hajek
Marketing Volkswagen Leasing: Miriam Laridjani
Marketing Volkswagen Leasing: Rafael Schady
Marketing Volkswagen Leasing: Kristin Woltmann
Agency: Mangan Berlin
Copywriter/Concept: Christian Fries
Art Director: Christian Peters
Art Director: Felix Szymoniakn
Production Company: Tony Petersen Film Berlin
Director: Curtis Wehrfritz
Director of Photography: Stefan Austmeyer
Executive Producer: Fabian Barz
Producer: Stefanie Schuster
Casting: Ana Dávila
Production Design: Sven Gessner
Make Up: Andres Heldmann
Styling: Katja Höft
Editor: Hannes Andresen
Colour Grading: Pana Argueta
Post Production: nhb studios Berlin
Cat Animation: Fido, Sweden
Music: Steve Ibsen
As Dove Debates Beauty, Ram Celebrates Women for Being Strong to the Core
Posted in: Uncategorized
“Have you ever thought, ‘I could never do that?'”
That’s the question posted by a new minute-long Ram Trucks spot from The Richards Group, which shows women meeting challenges like mountain climbing, surfing big waves and performing on stage.
The ad, called “Courage Is Already Inside,” answers its question by assuring viewers they have plenty left in the tank to “break a stereotype—and throw it into a whole ‘nother gear.”
This empowering message is fueled by compelling, gritty visuals from director Jaci Judelson. Thematically, the commercial jibes with Ram’s recent inspirational “Roots and Wings” effort featuring country singer Miranda Lambert, who also briefly appears here.
The presence of strong women going full-throttle to achieve their goals feels especially enlightened for a truck ad. In fact, “Courage Is Already Inside” feels more real, and perhaps even has more to say about women’s self-worth, than Dove’s latest “social experiment,” which, while surely well intentioned, has gaps in logic that are large enough to drive a Ram truck through.
Top 63 Modern Trends in April – From Marble Cord Management to Joystick Style Levers (TOPLIST)
Posted in: UncategorizedM&A Activity Jumps 14% in First Quarter
Posted in: UncategorizedMergers and acquisitions activity in the marketing sector rose 14% in the first quarter of 2015, with 280 deals worth a collective $8.4 billion taking place during the first three months of the year, according to corporate finance advisers Ciesco.
The figures indicate that the fast pace of deal-making last year which was up 24% over 2013 — is on track to continue this year.
WPP and Dentsu were the most-active marketing communications companies, with five deals each, but these established players were matched by newcomer Keda Group, a Chinese conglomerate that has historically focused on infrastructure, real estate and financial services. Keda also made five marketing services acquisitions, all within China.
Éxito Razors: Coal Beard, Metal Beard, Stone Beard
Posted in: Uncategorized
Outdoor, Print
Exito
Make hard work, easy.
Advertising Agency:Sancho BBDO, Bogotá, Colombia
Chief Creative Officer:Hugo Corredor, Giovanni Martínez
Executive Creative Director:Nicolas Murillo, Miguel Rojas
Creative Director:Diego Salamanca, Arturo Suárez.
Art Director:Sandra Murillo, Julián Barrera, Diego Salamanca
Copywriter:Arturo Suárez.
Photographer:Juan David Betancur
Retoucher:David Rios.
Ogilvy Brazil Sends Moms on Soccer Security Detail to Stem Violence
Posted in: UncategorizedWith Mother’s Day around the corner, the timing seems about right for this effort from Ogilvy Brazil that focuses on a special set of moms who just want to increase the peace at a major soccer game.
Fan-on-fan violence is particularly rampant in soccer, so 30 women who happen to be mothers of fans of hometown team Sport Club do Recife decided to take action at a game against rival Nautico at Arena Pernambuco on Feb. 8. After training with military officers and private security guards, these moms took to the Arena to not only do their jobs but, hopefully, to inspire their overzealous children to calm down a tad.
In a statement, Sport Club do Recife VP of social responsibility Fábio Silva says:
“It is the sort of action that takes everyone by storm. Not in your wildest dreams would you picture coming across your mom at a football game. And, most interestingly, there she was working to promote peace at the stadium…It is the club’s belief that such a beautiful spectacle cannot be destroyed by few individuals that insist on marring it.”
At least for one night, their mission appears to have been accomplished; whether the good will sticks is another story. “Security Mons” marks Ogilvy Brazil’s second fan-focused collaboration with Sport Club in recent years, following the “Immortal Fans” campaign from 2013.
Client: Sport Clube do Recife
Agency: Ogilvy Brazil
CEO Ogilvy & Mather: Fernando Musa
Chief Creative Officer: Aricio Fortes
ECD: Paulo Coelho, Paco
Art Director: Alexandre Fernandes, Ale Koston
Copywriter: Bruno Brux
Head of Broadcast Production: Rafael Rosi
RTV: Andréa Consoleto/ Sônia Cremerius
Planner: Bruno Cunha, Thiago Krafzik
Account Executive: Luis Carlos Franco, Ana Paula Perdigão, Mauro Frota, Luiza
Varges
Production Company: Academia de Filmes
Director: Caio Rubini
Executive Producer: Paulo Schmidt
Director of photography: Felipe Meneghel
Montador:? German Espiaut
Finishing: ?Academia de Filmes
Production Sound: Jamute
Music: Corre Corre Erê
Artist: Karol Conka
Client Executives: João Humberto Martorelli, Fábio Silva, Sid Vasconcelos
GS&P Debuts First Work with Kevin Durant for Sonic
Posted in: UncategorizedGoodby Silverstein & Partners launched its first work for Sonic starring Kevin Durant, following the brand signing the Oklahoma City Thunder star small forward to its first sports endorsement deal last November.
Two new ads featuring Durant promote two new varieties of Nerds-filled slushes. Durant battles Sonic’s usual “Two Guys” (T. J. Jagodowski and Peter Grosz) for the rights to drink said slushes in “One-on-One-on-One,” with predictable results. In a second spot, Durant displays his slush “dunk” method and wonders if the “Two Guys” really hang out together. Little has changed in the tone or approach of the ads, aside from bringing Durant into the fold, transforming the “Two Guys” into a comedic trio.
“Incorporating Kevin allowed us to take the two guys out of the car and into new and unexpected scenarios that hadn’t previously been explored,” Sonic CMO Todd Smith told Adweek. “Kevin is naturally funny, and the creative concepts played off his personality, which was a perfect combination [of] Pete and TJ’s style of humor–Kevin even ad-libbed a line or two.”
Credits:
Ad Agency: Goodby Silverstein & Partners
Client: Sonic
Brand: Sonic Drive-In
Title of Creative Work: “One on One on One” :30 / “Dunk” :15
Live Dates: 4/27/15
Sonic
CEO and President: Cliff Hudson
SVP and CMO: Todd Smith
Director of Brand Advertising: Molly Brill
GS&P
Creative
Executive Creative Director/Partner: Margaret Johnson
ACD/Writer: Jon Wolanske
Art Director: Sean Smith
Copywriter: Kevin Steele
Production
Director of Broadcast Production: Tod Puckett
Broadcast Producer: Matthew Winks
Broadcast Producer: Christine Oh
Assistant Broadcast Producer: Christina Wells
Account Services
Group Account Director: Leslie Barrett
Account Director: Jenna Duboe
Account Manager: Melody Cheung
Assistant Account Manager: Olivia Mullen
Brand and Communication Strategy
Group Brand Strategy Director: Bonnie Wan
Senior Brand Strategist: Melanie Wong
Brand Strategist: Suhail Shaikh
Group Communication Strategy Director: Dong Kim
Senior Communication Strategist: John-James Richardson
Research & Analytics Director: Heather Barrett
Business Affairs
Director of Business Affairs: Bess Cocke
Business Affairs Associate Director: Judy Ybarra
Business Affairs Manager: Jane Regan
Business Affairs Manager: Chrissy Shearer
Senior Broadcast Traffic Manager: Edgar Ornelas
Outside Vendors
Production Company: Biscuit Filmworks
Director: Clay Weiner
Managing Director: Shawn Lacy
Executive Producer: Holly Vega
Head or Production: Rachel Glaub
Producer: Lisa Stockdale
Editorial: Arcade
Managing Partner: Damian Stevens
Executive Producer: Nicole Visram
Senior Editor: Nick Rondeau
Editor: Healy Snow
Online/VFX: Timber
Managing Partner: Damian Stevens
Creative Directors/Partners: Jonah Hall & Kevin Lau
Executive Producer: Chris Webb
Lead Flame Artist: Chris Homel
Audio Mix: Lime Studios
Mixer: Joel Waters
Assistant Mixer: Kayla Phungglan
Abstract Paper Collages Portraits by Charles Scott Wilkin
Posted in: UncategorizedL’artiste colleur Charles Wilkin prend des photographies vintage et portraits surannés pour y ajouter des couches de papiers colorés et fripés. Inspiré par les oeuvres de Pablo Picasso, cet artiste possède un grand sens de la composition et de la décomposition. Ses collages évoquent le déclin de l’identité par la distortion fascinante de visages et de personnages qui semblent torturés.
Elevador simula a paisagem de Nova York nos últimos 515 anos
Posted in: UncategorizedA beleza dos campos de flores da Holanda
Posted in: UncategorizedThe New York Times Is Creating a Virtual-Reality Campaign for an Advertiser
Posted in: UncategorizedThe New York Times’ native-ad department, T Brand Studio, is creating a virtual reality campaign for an advertising client, a Times executive told Ad Age.
The executive, Sebastian Tomich, who heads up the T Brand Studio, declined to name the advertiser. But expect the campaign to roll out in the next four months, he said.
“It’s a big thing for us,” he said. “The content itself is, without a doubt, the most immersive we’ve done.”
Garnier Nutrisse: Timelines
Posted in: Uncategorized
Outdoor, Print
Garnier
Women dye their hair everytime they need a change in their life. It´s a plot that indicates a new beginning.
Advertising Agency:Publicis, Mexico City, Mexico
Executive Creative Director:Hector Fernandez
Ceo:Hector Fernandez
Art Director:Gabriela Paredes
Copywriter:Luis Pedro González
Photographer:Flavio Bizarri
CNN’s Peter Hamby Is Moving to Snapchat
Posted in: UncategorizedRaising a Future Eco Warrior
Posted in: UncategorizedErik Assadourian on radical child-rearing.
From Adbusters #119: Manifesto For World Revolution Part 2
In January, a group of environmental researchers led by Will Steffen of Australian National University published an update to their earlier work on “planetary boundaries,” thresholds of nine fundamental ecological processes — like climate regulation, ocean acidification and freshwater use — which, if crossed, could potentially trigger a collapse of human civilization or at least a whole lot of human suffering.
Hopefully, we’ll correct course and prevent potentially cataclysmic ecological disruptions — including a five to six degree Celsius warmer future — “ that won’t be good for large mammals like us,” as Steffen notes. But realistically, the window to prevent this path may have already closed — or at least is so politically unviable that anyone bringing a child into the world today needs to recognize that the future of their children will in all likelihood be unstable, violent, and ugly — as eight to 10 billion humans fight to survive as droughts and disasters disrupt food supplies, access to fresh water and energy is limited, and as fertile lands and cities are consumed by a rising ocean.
When my wife and I decided to bring a child into the world, part of the agreement was to raise him to be a future ecowarrior. One who, hopefully, could help steer us toward a more sustainable path so that the nasty collapse that kills off several billion people and countless other species will be averted or at least cushioned. Or if that is impossible, at least provide him with the skills and wisdom to increase his odds of surviving the ugly transition ahead, and help others to do the same.
Let me acknowledge right from the start that the freedom to raise my son, Ayhan, this way reveals a level of privilege that only a minority of people around the world have. The fact that I can take care of Ayhan half of every day instead of working 12 hours a day mining gold, assembling iPhones in a sweatshop, or foraging for valuable scraps in landfills is a luxury many will never have. But being part of the American middle class, I do have that luxury — especially as I have made economic choices to make the math work, such as owning no car and no home, and yes, having only one child — and with it I have the freedom, and even the responsibility, to prepare my child for the radically different reality he’ll grow up in.
As Ayhan is only two and a half, I’m still navigating what it means to truly raise an ecowarrior, and a lot of my hopes and plans are to do just that. Already we’ve learned a lot, especially on how to lay a strong foundation — and just how important that foundation is, not to mention how much work it takes. Below are the key discoveries of my first years of fatherhood. I hope when you read these, you think “duh,” but in reality, I’ve met so few parents, also of the American middle class variety, that are conscious of these facts and realities, and instead simply follow blindly the cultural norms of the unhealthy, unsustainable, socially disconnected consumer culture they’re part of. Without first breaking through that mindlessness, I can’t imagine much success in teaching the more challenging ideas, skills and lessons that will need to be part of bringing up children to survive the stormy century ahead. Sometimes the first step is simply to identify what is so difficult to see.
Birth and Infancy
The first and most important lesson to learn as an expectant parent is to not blindly trust in the medical system. This seems obvious considering the levels of corruption in the American medical system, but I’ve found that many soon-to-be parents spend more time researching which smartphone to buy than how to have a safe and healthy birth. Instead, invest your time in researching what a safe, healthy, and natural birth entails. A third of American women give birth via Caesarean section — with their babies pulled from a slice in their wombs, sometimes for controversial reasons due to a dysmal American medical system. This can cause all sorts of complications — from slower healing in mothers and challenges with breastfeeding to a changed microbiome for babies (interesting fact #1: a baby’s gut bacteria is partially established from the mother’s birth canal). Increase the odds of a natural birth by eating healthily during pregnancy (goodbye white flour and sugar); choosing to deliver with midwives; writing a birth plan; having the support of a good doula; making sure your partner plays an active advocacy role during labor; and most importantly doing your homework — reading books like Pushed and watching documentaries like The Business of Being Born. If you aren’t aware of the “cascade of interventions” that can be triggered by doctors administering Pitocin to accelerate a woman’s contractions (often just for their own convenience), you may end up as part of the C-Section statistic.
Birth, however, is just the first moment of parenting. In the first two formative years, the role you play is critical — from breastfeeding your baby (or as a supportive partner) and feeding him real, home-cooked foods rather than overly processed packaged baby food, to raising your baby yourself instead of outsourcing his care to low-paid workers. Granted, all of this takes significant time and sacrifice. And it is especially difficult in a country like the U.S. (as compared to Europe), where the culture completely devalues the role of parents, rarely providing paid maternity care or even follow-up support after birth, and instead equates getting parents back to work and growing the childcare industry as beneficial to economic growth. But the joy of watching Ayhan grow, and building such a close relationship with him far exceeds any costs endured.
Plastic Wrapped
One of the most challenging steps so far in this childraising process has been to avoid raising my son as a “space age baby”. Children today are surrounded by layer upon layer of plastic: wearing disposable plastic diapers, fleece onesies, and nylon jackets. They play with plastic toys; swipe plastic iPad screens with hands coated in hand sanitizer; sucking food from plastic baby food tubes; ride in plastic strollers that are even sealed in vinyl covers on rainy days. Just the toxic burden of all that plastic should break us of this mindless activity. But perhaps a worse side effect of suiting up our children like astronauts is that from infancy on they are completely separated from the natural world.
Few children are regularly exposed to plants, birds, dirt (interesting fact #2: ingesting dirt may be necessary to prevent asthma and autoimmune diseases), wind, rain, the sun, even the stars in light-polluted cities. If nature is absent in children’s lives, they may suffer immediate and long-lasting psychological effects, as Richard Louv describes at length in Last Child in the Woods. The odds are high that they will no longer value, defend, or even understand their dependence on the Earth and its myriad ecosystem services.
Back in 1949 Aldo Leopold said, “Civilization has so cluttered this elemental man-earth relationship with gadgets and middlemen that awareness of it is growing dim. We fancy that industry supports us, forgetting what supports industry.” And today, we have far more gadgets and middlemen. We even have unlimited access to an addictive, virtual world readily accessed at every turn through smartphone and computer interface. Limiting your child’s access to media is as essential as feeding her well. Of course, it’s not easy finding the time to read 40 kids’ books a day instead of plopping a child in front of Sesame Street, but then again, it can be quite joyful, especially after your two year old starts walking down streets and points to tree stumps exclaiming “broken tree, thneed!” making the connection between the ecocide portrayed in The Lorax and the ecological destruction he witnesses in his own home city.
Beyond the Toddler Years
This is all foundational, but what about with older children? How do we go about combating misinformation and consumer socialization at every turn — in school classrooms and cafeterias, from friends, from extended family with conflicting values, from the media, which I can only imagine becomes harder and harder to protect a child from as they get older? I do not yet have answers. I daydream of homeschooling Ayhan so that I can prioritize the knowledge and values that I think will be relevant — math, languages, and ecosystem sciences, of course, but also wilderness survival, basic medicine and first aid and martial arts. I consider what it will means to raise my child as an ecowarrior — teaching him to understand that all ethical norms and choices should stem from healing our living Earth and protecting it from further ravages of Man gorging beyond his ecological niche.
Right now, I am just setting the groundwork. My son is learning English from me, Russian from my wife, and we’ll add other languages later. He’s gardening, composting, and foraging fruit from street trees with me, and will attend his first primitive skills training this spring. We’ll enroll him in a martial arts class when he’s ready, and have already taught him a bit of yoga — surely, mindfulness in this increasingly mindless world will be a valuable skill to lean on.
Whether my son rebels against all this is an open question, but even if he does — as many more experienced parents tell me he will — when the collapse comes, he’ll still be able to forage wild edible plants, purify water, process acorns to make flour and hunt, increasing the odds that he’ll survive.
BREAKING: Best Buy to Move Away from the Agency of Record Model
Posted in: UncategorizedToday we learned that Best Buy — longtime client of Crispin, Porter + Bogusky — will follow a string of big-name companies like Chobani and FIAT Chrysler in abandoning the creative agency of record model and working instead with various shops on a by-project basis.
This means that CP+B will no longer be the client’s AOR.
From a Best Buy spokesperson:
“This is part of broader changes to our marketing strategy and it is consistent with moves we have made in other areas of the business.
Some marketing work will be consolidated and other pieces will be brought in-house. We will continue to have agency support, but it will be focused on specific projects.”
Best Buy had this to say about the agency itself:
“[CP+B] has been a great partner and they are [welcome] to bid on future projects.”
So the relationship between agency and client will not end immediately and the former may indeed work with the latter on future projects. Best Buy’s campaigns for the Summer and Back to School seasons will be led by CP+B and run as scheduled, but these efforts will be the last to list Crispin as the client’s agency of record.
Crispin initially won creative duties for Best Buy’s Geek Squad promos, working on that account long before they brought Bieber and Ozzy together for Super Bowl XLV. In 2007, the agency won more work at the expense of BBDO and eventually became Best Buy’s creative AOR; its most recent BB campaign to appear on this blog was a Rushmore-inspired back to school ad that ran last July.
A source tells us that the client has already begun issuing the RFPs in question and that AKQA is one of the winning agencies.
Both CP+B and AKQA refrained from commenting on this story.
Deutsch LA Crafts Slow-Mo Destruction for Volkswagen
Posted in: UncategorizedDeustch LA launched the final spot in its campaign for the 2015 Volkswagen Passat TDI Clean Diesel, entitled “Mom.”
The 45-second spot depicts three young boys running wild in a gas station convenience store causing all kinds of destruction. Filmed in slow-motion and set to the classic country song “Mammas Don’t Let Your Babies Grow Up to Be Cowboys” (as performed by Waylon Jennings and Willie Nelson) the comic approach makes for an entertaining scene of wheezing the juice, soda explosions and excessive amounts of cheesy sauce. After the boys’ shenanigans, and a shot of the mom filling up at the pump, the spot cuts to a mom in the 2015 Volkswagen Passat TDI Clean Diesel, with three well-behaved boys in the backseat. The perfect marriage of the boys’ destruction in slow motion and the music selection make for a fine sendoff spot to the campaign and follow-up to the “Old Wives Tales” spots starring the Golden Sisters.
Credits:
Agency: Deutsch LA
Chief Creative Officer, North America: Pete Favat
EVP, Executive Creative Director: Todd Riddle
SVP, Group Creative Director: Heath Pochucha
VP, Creative Director: Paul Oberlin
Partner, Director of Integrated Production: Vic Palumbo
VP, Executive Integrated Producer: Erik Press
Integrated Producer: Kaitlin Moore
Associate Integrated Producer: Alex Saevitz
Music Director: Dave Rocco
EVP, Group Account Director: Tom Else
SVP, Group Account Director: Monica Jungbeck
VP, Account Director: Alex Gross
Account Supervisor: Aleks Rzeznik
Account Executive: Ashley Broughman
VP, Director of Product Information Jason Clark
Product Information Supervisor: Eddie Chae
Chief Strategic Officer: Jeffrey Blish
Group Planning Director: Susie Lyons
Director of Integrated Business Affairs: Abilino Guillermo
Group Director Integrated Business Affairs: Gabriela Farias
Business Affairs Manager: Jade McAdams
Director or Broadcast Traffic: Carie Bonillo
Broadcast Traffic Manager: Courtney Tylka
CEO, North America: Mike Sheldon
President, Los Angeles: Kim Getty
Live Action Production Company: Hungry Man
Director: Hank Perlman
Executive Producer: Nancy Hacohen
Executive Producer/Director of Sales: Dan Duffy
Line Producer: Caleb Dewart
Editorial Company: Spot Welders
Editor: Haines Hall
Assistant Editor: Oliver Hecks
Managing Partner: David Glean
Executive Producer, Director of Development: Victoria Guenier
Executive Producer: Carolina Sanborn
Producer: Evan Hunningham
Post Facility: Color Correct: Apache
Executive Producer, Managing Director: LaRue Anderson
Producer: Caitlin Forrest
Senior Colorist: Steve Rodriguez
Post/VFX: Arsenal FX
Executive Producer: Ashley Hydrick
Senior Producer: Pravina Sippy
Lead Flame Artist: Matt Motal
Flame Artist: Jeff Aquino
Licensed/Composed Music, Credits and Track Info:
Track: “Mammas Don’t Let Your Babies Grow Up to Be Cowboys”
Performed by Waylon Jennings and Willie Nelson
Composed by Ed Bruce and Patsy Bruce
Courtesy of Sony Music Entertainment
By arrangement with Sony ATV Music Publishing
Audio Post Company: LIME Studios
Executive Producer: Susie Boyajan
Mixer: Mark Meyuhas
Assistant Mixer: Matt Miller
FCB Toronto/FCB Chicago Share ‘Nobody’s Memories’
Posted in: UncategorizedWith the US Supreme Court beginning on the verge of hearing oral arguments on whether states can ban gay marriage, FCB Toronto collaborated with FCB Chicago to create “Nobody’s Memories” for PFLAG Canada, “Canada’s only national organization that helps all Canadians with issues of sexual orientation, gender identity and gender expression.”
“These are nobody’s memories,” the voiceover begins, over footage designed to look like old home movies of weddings with same-sex partners. “They aren’t found in photo albums, or at the bottom of anyone’s heart,” it continues, before eventually concluding with the message, “For all the memories that never happened. Let’s make marriage legal for everyone, everywhere.” It’s an emotional approach, showing happy weddings that could have been if not for the prejudices of the time. The approach also holds the implication that bigoted objections to same-sex marriages should be a thing of the past, like the grainy footage in the ad. At the end of the ad, viewers are invited to visit http://lovemadelegal.com/, where they can learn more about the campaign and sign a petition to legalize same-sex marriage.
Credits:
Title: Nobody’s Memories
Agency: FCB Toronto/FCB Chicago
Client: PFLAG Canada
Agency Credits
Creative Director: Jon Flannery Chief Creative Officer & Jeff Hilts Creative Director
Writer: Krystle Mullin
Account Team: Cynthia Roach, Rebecca Gorveatt
Print Producer: Victor Carvalho
Media – Initiative Shannon Pluem, Ryan Ghaeli
Production Credits
Production Company: Lord + Thomas, Duckpond Creative
Executive Producer: Katie Roach, Josh Greenberg
Line Producer: Carra Greenberg
Director: Ben Flaherty
Editing House: LORD&THOMAS
Editor: Ilsa Misamore
Music House/Sound: RMW
Sound Engineer: Jason Ryan
Executive Producer, Audio: Jared Stachowitz
Meet the British Brand That Gleefully Hates 'Fatties' and Their Sympathizers
Posted in: Uncategorized
Not everyone thinks having a so-called beach body means being a svelte, bikini-clad model. Now, British people are creatively reminding one advertiser of that.
U.K. fitness brand Protein World has been running billboards in the London Underground featuring a skinny woman in a revealing swimsuit, alongside the incendiary tagline, “Are you beach body ready?”
Summer is around the corner – Lets get beach body ready!!pic.twitter.com/COD2NQlo9o
— Protein World (@ProteinWorld) April 14, 2015
Unsurprisingly, a number of people have taken exception to the implied standard for beauty, and have been hijacking the campaign as a canvas for messaging about positive body image—by posting new versions online.
Some of the critiques amount to simple graffiti, adding copy like, “Yes, everybody is. Love your body the way it is.” Others have gotten more inventive—like a pair of women who photographed themselves in their own bikinis in front of a copy of the ad, and pointed out that best way to get a beach body is to “take your body to the beach.”
One particularly clever satirist even cooked up a fake response ad from soap brand Dove—ever the body-image opportunist—under the umbrella of the brand’s famous Campaign for Real Beauty tagline. (“Though we think ALL bodies are beach-ready, this image was not created or sanctioned by Dove,” reads one tweet from Dove U.K. A second further explains, “We agree with 2/3 of UK women who’d prefer to see more women of all shapes & sizes.”)
The incredibly charming Protein World, for its part, seems to be relishing the backlash, taking to Twitter to blast the “insecurities” of detractors, brand them “terrorists,” and whine about a nation of “sympathizers for fatties”—while also crowing that the campaign has tripled sales and that the company has granted its public relations team a bonus. (A Change.org petition petition to remove the ads has reached 45,000 signatures, but the company’s CEO is holding out for 1 million).
In other words, the brand doesn’t want you to think it’s being persecuted for an honest, well-intentioned misstep, and would rather be crystal clear that the whole thing is an ongoing, brazen and snide attempt at trolling that is playing out pretty much exactly as intended.
Or maybe its execs just sat out in the sun too long.
@ElectricAlley @ProteinWorld @RossalynWarren sales have tripled and the PR department has got a bonua #Winning
— Arjun Seth (@arjun_seth) April 26, 2015