Watch the First Video Ad On Tinder: Video for Bud Light's Whatever USA


Swipe, swipe, Bud Light.

Tinder, the red-hot dating app from media powerhouse IAC, ran its maiden paid video ads on Thursday. App users surfing for, um, interlocutors — they swipe right or left, the increasingly popular mobile navigation scheme that Tinder helped explode — will now possibly encouter a mobile video spot for Bud Light’s “Whatever USA” campaign. The two companies are testing various video lengths for the ads.

Anheuser-Busch Inbev is entering the second year of a big digital push for the brand’s splashy marketing stunt. Last summer, it orchestrated a surprise takeover of a town to be christened Whatever, USA, letting consumers compete on social media to win an invitation to a boozy party there. (The winner, Crested Butte, Colo, was not altogether pleased.) Tinder users (of drinking age) can, once they hit the Bud Light spots, move to a landing page and enter to win admission to the brand’s destination this summer.

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E-Commerce Revenue From B-to-B to Hit $1.1 Trillion by 2020


Driven largely by business buyers’ preferences to buy more products and services online — as well as improved e-commerce technologies — b-to-b e-commerce sales in the U.S. will grow from $780 billion this year to an estimated $1.1 trillion by 2020, according to a new report from Forrester Research.

The report, “U.S. B2B E-Commerce Forecast: 2015 To 2020,” projects that e-commerce will account for 12.1% of all b-to-b sales in the U.S. in the next five years, up from 9.3% this year.

“There are two types of b-to-b buyers: You have empowered end users who buy their own travel, printer toner for their home office, etc. and charge it back to the company, then you have professional buyers — procurement buyers — who are buying in mass,” said Andy Hoar, principal analyst at Forrester and author of the report.

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Your Favorite Show is Going to Be Canceled… And It's All Your Fault


With a little more than a month to go before the broadcast TV networks reveal their 2015-16 prime time schedules, the fate of a few dozen scripted series remains up in the air. Odds are, at least one of your very favorite shows won’t live to see the fall, and without putting too fine a point on it, you — yes, you — are largely to blame.

Since the season began last September, 27 scripted broadcast TV shows have completed their runs, either for the season or forever.

Three have been renewed and will be back: ABC’s “How to Get Away with Murder” and Fox’s “Empire” and “Sleepy Hollow.”

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Watch the First Ad On Tinder: Video for Bud Light's Whatever USA


Swipe, swipe, Bud Light.

Tinder, the red-hot dating app from media powerhouse IAC, ran its maiden paid ads on Thursday. App users surfing for, um, interlocutors — they swipe right or left, the increasingly popular mobile navigation scheme that Tinder helped explode — will now possibly encouter a mobile video spot for Bud Light’s “Whatever USA” campaign. The two companies are testing various video lengths for the ads.

Anheuser-Busch Inbev is entering the second year of a big digital push for the brand’s splashy marketing stunt. Last summer, it orchestrated a surprise takeover of a town to be christened Whatever, USA, letting consumers compete on social media to win an invitation to a boozy party there. (The winner, Crested Butte, Colo, was not altogether pleased.) Tinder users (of drinking age) can, once they hit the Bud Light spots, move to a landing page and enter to win admission to the brand’s destination this summer.

Continue reading at AdAge.com

Netflix Says ‘House of Cards’ to Return for 4th Season

The program, which stars Kevin Spacey, was one of the company’s first forays into original programming when the series debuted in 2013.



‘The Homeless Read Mean Tweets’ in PSA from Leo Burnett Toronto

Last month, Canadian agency john st. launched a campaign entitled “Kids Read Mean Tweets,” which riffed on the popular “Celebrities Read Mean Tweets” segment Jimmy Kimmel Live for the Canadian Safe School Network. Well, offering up takes on the segment appears to be a trend in PSAs out of Canada, as Leo Burnett Toronto has created the similarly-minded “The Homeless Read Mean Tweets” for Raising the Roof Canada.

Whereas “Kids Read Mean Tweets” started relatively mild and light-hearted and became progressively more brutal as the spot went on, demonstrating the emotional toll of cyberbullying, Leo Burnett’s effort, while also increasing in intensity throughout the spot, is rough right from the get-go. After viewers are informed that what follows are real mean tweets, read by people living with homelessness, a young couple reads, “I hate the homeless. I don’t feel sorry for you. If you want change, then let me throw it as hard as I can at your dirty face.” It’s hard to imagine anyone saying something so despicable in person, but once again Twitter proves a cesspool for anonymous bullying. The horrific tweets keep coming as viewers see the emotional toll they take on those reading them, which gets more and more heartbreaking over the course of the ad’s duration, becoming increasingly hard to watch (as it should be).

While the framework for the ad is hardly original, it’s hard to argue that it isn’t quite emotionally affecting, humanizing an issue that many ignore (and which doesn’t have the same in-vogue status as the issue of cyberbullying). There’s also a campaign website with further videos, exploring the reactions of those involved as well as their personal histories.

Clever McDonald's Ads Show Classic Characters Getting the Best Deliveries Ever

Here’s a simple and fun McDonald’s campaign from Leo Burnett Dubai promoting the fast-food chain’s delivery service, showing various characters receiving exactly what they love in a McDonald’s bag. (Not McDonald’s food, mind you, though you get the point.)

And that’s a key that the robot is getting, people. A key.

Via Adeevee.

More ads and credits below.

CREDITS
Client: McDonald’s
Agency: Leo Burnett Dubai, United Arab Emirates
Executive Creative Director: Andre Nassar
Creative Director: Rondon Fernandes
Art Director: Daniel Salles, Robison Mattei, Victor Toyofuku
Copywriter: Wayne Fernandes
Head Of Art: Bruno Bomediano



Missing Children: Unselfish

Advertising School: Brother Escuela de Creativos, Buenos Aires, Argentina
Copywriter: Diego Lopez
Art director: Isac Neto
Motion designer: Larry Malave

Animals Australia: How well do you know your best friend

Advertising Agency: LOUD, Australia
Executive Creative Director: Steven Thomson
Creative Director: Paul Bennell
Copywriters: Steven Thomson, Christian Kernot
Art Directors: Paul Bennell, Kiah Barker
Agency Producer: Steve Dubé
Account Director: Sam McDonnell
Account Manager: Kristy Leslie
Account Executive: Laura Tenison
Production company: Finch
Director: Gregor Jordan
Executive Producer: Roy de Giorgio
Line producer: Emma Thompson
Editor: Adam Wills
Post production: Heckler
Sound: Nylon
Music: Dustin O’Halloran 
Agency prod: Ian Ford

Nord: The City Sounds quest

Advertising Agency: SODA creative agency, Yekaterinburg, Russia
Creative Director: Vladimyr Martinov
Copywriters: Dmitry Pint, Alexander Ragozin, Alina Lekanova
Designers: Anatoly Patrushev, Uriy Toporkov
PhonoPaper: Alexander Zolotov
Published: April 2015

Mikkeller Book Of Beer: Beergotten

Beergotten, from Begotten v. beget [b????t] : (especially of a man) bring (a child, beer) into existence by the process of reproduction. It’s been fathered.

Advertising Agency: Colibri, Malmö, Sweden
Creative Director: Castor
Photographer: Martin Lindstedt
Additional credits: Music by Mastodon “Feast Your Eyes”
Published: March 2015

Gröna Lund: Zombie kiss cam

Advertising Agency: Pool, Stockholm, Sweden
Account managers: Johanna Törnblom, Eva Inde
Art Director: PJ Lindqvist
Copywriter: Björn Wigenius
Production company: Stopp
Director: Fredrik Broander
Producer: Sara Gray

Currys PC World: Show me

Advertising Agency: AMV BBDO, UK
Executive Creative Directors: Alex Grieve, Adrian Rossi
Copywriter: Clark Edwards
Agency Producer: Polly Lowles
Production Company: Blink Productions
Director: The Bobbsey Twins / Homicide
Published: March 2015

Currys PC World: Pina Colada

Advertising Agency: AMV BBDO, UK
Executive Creative Directors: Alex Grieve, Adrian Rossi
Copywriter: Clark Edwards
Agency Producer: Polly Lowles
Production Company: Blink Productions
Director: The Bobbsey Twins / Homicide
Published: March 2015

Currys PC World: Metaller

Advertising Agency: AMV BBDO, UK
Executive Creative Directors: Alex Grieve, Adrian Rossi
Copywriter: Clark Edwards
Agency Producer: Polly Lowles
Production Company: Blink Productions
Director: The Bobbsey Twins / Homicide
Published: March 2015

McDonald's: Realm of happiness

Advertising Agency: TBWA, Dublin, Ireland
Creative Director: Des Creedon
Art Director: Niall Staines
Copywriter: James Gaffey
Director: Stephen St. Leger
Published: March 2015

Foot Locker / Adidas: In the sneakers of Walcott

Advertising Agency: BBDO, Paris, France
Creative Director: Matthieu Elkaim
Art Director: Charles Dessaux
Copywriter: Emile Martin
Director: Nan
Production: Soixante Quinze
Published/Released: March 2015

Honda HR-V: Selfie edition

Advertising Agency: RPA, USA
Chief Creative Officer: Joe Baratelli
Executive Creative Director: Jason Sperling
Chief Production Officer: Gary Paticoff
Creative Social Media Director: J Barbush
Associate Creative Director: Jeff St. Jean
Junior Art Director: Craig Nelson
Junior Copywriter: David Bassine
Digital Producer: Annie Hough
Director Content: Mark Tripp
Management Account Director: Brett Bender
Group Account Director: Jeff Moohr
Account Supervisor: Chris Hand
Account Executive: Kaelin McGill
Supervisor, Digital Content Strategy: Mike Dossett
Coordinator, Digital Content Strategy: Amanda Womack
Production Co: Bö’s House of Visual Arts
Director: Mark Tripp
DP: Stephen Carmona
Producer: Tracy Chaplin
Production Designer: Mark Behn
Editorial: Butcher Editorial
Editor: Teddy Gersten
Assistant Editor: Leah Butler
Executive Producer: Rob Van
Post Producer: Alexa Atkin
Lead Flame Artist: Steven Williams
Telecine Company: The Mill
Artist: Gregory Reese
Executive Producer: Thatcher Peterson
Audio Post Company: Margarita Mix
Executive Producer: Whitney Warren
Audio Post Mixer: Paul Hurtubise
Producer: Michele Millard

Interactive Light Installation at STRP Biennale

Du 20 au 29 mars dernier avait lieu l’un des plus grands évènements artistiques et technologiques d’Europe, la Biennale STRP à Eindhoven. Pendant près de 10 jours, quatre grands halls industriels ont accueilli des installations monumentales et des performances spectaculaires. Retrouvez dans l’article, quelques-unes des oeuvres présentées lors de cette biennale concentrée sur l’omniprésence des écrans.

Guillaume Marmin & Frederic Marolleau, HARA, Photo by Hanneke Wetzer

Fuse, Ljos, Photo by Fuse

Nonotak, Parallels, Photo by Nonotak

HAKANAI, Adrien M / Claire B

Robert Henke, Destructive Observation Field, Photo by Hanneke Wetzer

Robert Henke, Lumière II, Photo by Boudewijn Bollmann

Kimchi and Chips, Light Barrier II, Photo by Boudewijn Bollmann

Lemercier & Ginzburg, BLPRNT, Photo by Hanneke Wetzer

Vertical Cinema

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How Hotels Can Challenge Airbnb for Millennials' Hearts


Millennials travel differently than previous generations — both for leisure and for business — and hotels have been slow to adapt their offerings in ways that appeal to millennials. Teresa Lee, an analyst — and self-described millennial — at hospitality researcher HVS took at swipe at the industry in a 2014 report by asking this simple question about the industry’s attempts to modernize: “Is this 2009?”

It’s no surprise.Hotels are trying to appeal to the under-35 set, but they’re going at it in the wrong way. While brands like Marriott, Hilton and Hyatt have begun embracing technology, modernization isn’t solely about technology. It’s not just about allowing guests to check in via phones, equipping staff with tablets, or inventing robot butlers. It’s not even about having a great ad campaign.

It’s about rethinking the experiences. Millennials aren’t simply a “technology” generation that salivates over technology for its own sake. When millennials talk about Airbnb, do they talk about the booking process? No, they talk about the unique accommodations. When they talk about Uber, do they talk about the app experience? No, they talk about how great it is to not have to physically call or wave down a cab. Both brands rely on technology, sure, but technology is not the story. Technology is simply the enabler of new experiences.

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