Is This Weird Hostess Tweet for Opening Day a Home Run or a Strikeout?

Now that spring has sprung and March Madness is nearly at its dramatic conclusion, baseball season is upon us. And a few brands have begun to celebrate by creating their own style of Twitter fodder—for better or worse.

Enter Hostess, purveyor of snack cakes, which topped all the other brands this morning with what many are calling a bad-on-purpose “slam dunk” of a tweet. It shows cupcakes decorated like baseballs and the word “Touchdown.”

Which left many people scratching their heads at the mixed sports phrasing.

It stands to reason this was completely intentional. It’s been more than three hours, and the tweet is still up. And anyway, no one can be that dumb, right? Lots of people seem to think it was a straight-up gaffe, though Hostess’ lone tweet since then—a reply to Sports Illustrated—seems to imply the opposite:

I’d argue that in our hoax-driven, faux-viral culture, this was a genius move. Showing genuine excitement would have gotten lost pretty quickly, while this stands out. And it makes more sense to be the butt of the joke intentionally, rather than accidentally. 

Check out some other reactions below.



Complex Paper Cut Artworks by Joseph James

L’artiste Joseph James travaille avec du papier monochrome et des affiches multicolores sur lesquels il dessine, au dos, des formes géométrique complexes. Après les avoir découpées, il dispose ces lamelles de papiers sur un support. Les œuvres réalisées peuvent représenter des figures humaines, des paysages urbains ou des compositions complètement abstraites.

Complex Paper Cut Artworks by Joseph James_9
Complex Paper Cut Artworks by Joseph James_8
Complex Paper Cut Artworks by Joseph James_7
Complex Paper Cut Artworks by Joseph James_6
Complex Paper Cut Artworks by Joseph James_5
Complex Paper Cut Artworks by Joseph James_4
Complex Paper Cut Artworks by Joseph James_3
Complex Paper Cut Artworks by Joseph James_2
Complex Paper Cut Artworks by Joseph James_1
Complex Paper Cut Artworks by Joseph James_0

Pedigree mostra que um cãozinho pode ser bem mais amigo do que os seus amigos

pedigree-real-friend-2

Sempre lambendo e abanando o rabinho, independentemente do que você faça

> LEIA MAIS: Pedigree mostra que um cãozinho pode ser bem mais amigo do que os seus amigos

Brainstorm9Post originalmente publicado no B9
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Apple permite experimentar o Watch através de vídeo-guias

applewatch_guidedtours960

Afinal, é preciso convencer quem ainda está em dúvida a garantir sua unidade dentro dos próximos dias

> LEIA MAIS: Apple permite experimentar o Watch através de vídeo-guias

Brainstorm9Post originalmente publicado no B9
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Chase Promotes Digital Products With Major 'Masters' Campaign


JPMorgan Chase & Co. is kicking off one of its largest campaigns for its consumer banking business this week in an effort to reach the growing number of consumers who bank digitally.

Called “Masters,” the push aims to show how Chase’s digital banking products — like mobile banking, ATM check deposits and online bill pay — make life easier, so customers can spend more time pursuing their passions.

“Ultimately it’s about empowering people to live the lives they want,” said Donna Vieira, CMO for Chase Consumer Banking. “Our role is really to make it easier for customers by allowing them to bank on their terms.”

Continue reading at AdAge.com

Three Creative Directors to Leave BBH

BBH-LogoThree creative directors will soon be leaving BBH in the midst of a reshuffle, Campaign reported. Sam Oliver and Shish Patel, who have worked together as a creative pair since 1999 will be leaving the agency, as will Matt Doman. Details of the departures of still being finalized, but, according to Campaign, the creative directors are not leaving for another agency and at the present time “do not have jobs to go to.”

Oliver and Patel joined BBH from W+K in 2013, and have also worked together at DDB London, where they worked on the Cannes Grand Prix-winning “Parallel Lines” for Phillips in 2010. Doman arrived at BBH from BMB in 2010, along with creative partner Ian Heartfield, who will remain at BBH. The pair previously worked together at Abbott Mead Vickers BBDO, where they won a Film Grand Prix at Cannes in 2006 for their work on Guinness’ “noitulove.”

The creative departures follow the arrivals of Paco Conde and Beto Fernandez, the executive creative directors behind Dove’s Titanium Grand Prix-winning “Real Beauty Sketches” campaign in November of 2014.

“We’re very glad Sam, Shish and Matt are staying with us for the next few months to help us complete some really exciting projects,” Nick Gill, BBH executive creative director, told Campaign. It is unclear specifically when the trio of creative directors will depart the agency.

Personagens conhecidos recebem seus itens favoritos do McDonalds

maggie

Mario, o Homem de Lata, o Gato de Botas, Maggie Simpson e Cinderela estão entre eles

> LEIA MAIS: Personagens conhecidos recebem seus itens favoritos do McDonalds

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Garnier mostra o quanto uma mulher pode envelhecer em um único dia

garnier

Criação é da Publicis Conseil, de Paris.

> LEIA MAIS: Garnier mostra o quanto uma mulher pode envelhecer em um único dia

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Poll: Should the RadioShack Brand Live on in Rescued Stores? (It Might Not)


Last week, hedge fund Standard General saved RadioShack from liquidation. The takeover of the crumbling electronics chain rescued 1,700 of RadioShack’s 4,000 locations. But while Standard General secured the stores, it neglected to buy the brand name. According to The New York Times:

One immediate uncertainty is the RadioShack brand. Salus, the largest creditor, still owns the rights to the RadioShack name. Without a deal, the retailer has only six months left to use the often-mocked yet highly recognized moniker. Standard General said that it would try to buy the name, but that it was also open to calling the stores something new.

A new brand name may be just what RadioShack needs to achieve the turnaround it’s been working toward. In fact, the weakness of RadioShack’s name may have contributed to the 94-year-old company’s downfall.

Continue reading at AdAge.com

Firstborn Founder Michael Ferdman on Ditching Adland for (Possibly) Making Sandwiches


Like most loving parents, a teary-eyed Michael Ferdman will bid adieu to his Firstborn after 18 years in June. He has no plans to turn the shop into an exercise studio.

Instead, he’s leaving the digital creative shop he founded almost two decades ago and sold to Dentsu Aegis four years ago in the hands of president Dan LaCivita. Mr. Ferdman’s departure is part of a carefully crafted four-year earn-out-and-succession plan that moves Mr. LaCivita into the CEO role, overseeing over 100 staffers and a diverse client roster that includes All Nippon Airways, L’Oreal and Rolex.

Unlike other earn-out and succession tales, Mr. Ferdman doesn’t hold onto a chairman title, or plan to take on another marketing role. He’s leaving advertising and not looking back.

Continue reading at AdAge.com

W+K Portland Creates ‘Ripple’ for Nike Golf

At the end of February, W+K Portland released an ad for Nike Golf called “Why Change?” featuring Tiger Woods and Rory McIlroy, among a host of other athletes. Now, Woods and McIlroy are back for a new spot, released in 60 and 120-second versions, exploring the nature of athletic idols inspiring young athletes.

The ad, entitled “Ripple” tells the story of McIlroy as a dedicated young golfer who looks up to Woods as his hero. He watches Woods on TV with hypnotic awe, and practices his game relentlessly. A young McIlroy hits a plastic ball around the house, as he ages he is so devoted to the game he’ll practice driving in the pouring rain and beg his father to let him hit a few more as it gets dark. It ends with McIlroy now a proffesional golfer, playing alongside his idol. While “Why Change?” took a humorous approach, complete with sarcastic narration from Key & Peele’s Keegan-Michael Key, “Ripple” instead goes for emotion, based on the insight that athletic idolatry creates a ripple effect, with one generation inspiring the next.

“It’s been an incredible journey for me, going from massive fan to competitor,” said McIlroy, in a statement. “To think that not too long ago I was that little boy watching him on TV to where I am now. It’s been a cool journey and I’m very lucky I get to compete with and against him, because he inspired me as a kid and he inspires me now. He’s the best player I’ve ever seen.”

“I’ve been in that same situation,” added Woods. “Growing up, Jack [Nicklaus] was my idol. My first recollection of The Masters was 1986, when Jack won. I remember him making a putt at 17 and lifting that putter up. Fourteen years later at the 2000 PGA Championship, I got to play with and against him – someone I looked up to.”

(The campaign is particularly relevant given the fact that Woods fell out of the Official World Golf Rankings’ Top 100 last week for the first time since 1996.)

Credits:

W+K PORTLAND

Creative Directors Chris Groom / Stuart Brown

Copywriter Brock Kirby

Art Director Derrick Ho

Producer Jeff Selis

Interactive Strategy Reid Schilperoort

Strategic Planning Andy Lindblade / Brandon Thornton

Media/Comms Planning Alex Dobson / Jocelyn Reist

Account Team Alyssa Ramsey / Rob Archibald / Heather Morba / Ramiro Del-Cid

Business Affaires Dusty Slowik

Project Management Nancy Rea

Executive Creative Directors Joe Staples / Mark Fitzloff

Head of Production Ben Grylewicz

PRODUCTION

Production Company Biscuit Filmworks

Director Steve Rogers

Executive Producer Holly Vega

Line Producer Vincent Landay

Director of Photography Nicolas Karakatsanis

EDITORIAL

Editorial Company Joint Editorial

Editor Peter Wiedensmith

Post Producer Leslie Carthy

Post Executive Producer Patty Brebner

VFX

VFX Company The Mill

VFX Supervisor Tim Davies

Flame Artist

VFX Producer Will Lemmon

Titles/Graphics

MUSIC + SOUND DESIGN

Music+Sound Company

Composer Ludovico Einaudi

Sound Designer

Song (if applicable) Nuvole Bianche

Producer

DIGITAL / INTERACTIVE

CONTENT TYPE Online Media

LAUNCH DATE 4/5-12/15

DURATION 1.5 weeks

W+K PORTLAND

Creative Director Chris Groom / Stuart Brown

Copywriter Brock Kirby

Art Director Derrick Ho

Producer Jeff Selis

Interactive Strategy Reid Schilperoort

Strategic Planning Andy Lindblade / Brandon Thornton

Media/Comms Planning Alex Dobson / Jocelyn Reist

Account Team Alyssa Ramsey / Rob Archibald / Heather Morba / Ramiro Del-Cid

Executive Creative Directors Joe Staples / Mark Fitzloff

Agency Executive Producer Ben Grylewicz

Digital Designer Rob Mumford

Exec Interactive Producer Patrick Marzullo

Content Producer Byron Oshiro

Broadcast Jeff Selis

Art Buying Amy Berriochoa

Photographer Luke Delong

What It Costs: Ad Prices From TV's Biggest Buys to the Smallest Screens


Sticker shock. Annoyance. Envy. Amazement. No matter where you sit in the marketing ecosystem — whether you’re a buyer or seller of media, or both — you’re likely to experience a range of reactions and emotions as you browse thorugh this sample from our inaugural What It Costs package. If you also end up feeling a fresh surge of curiosity — about the price tags for other media products and placements — the good news is that the following sample is just the beginning; What It Costs will live on as an ever-expanding weekly feature in Ad Age’s soon-to-relaunch DataCenter.

$400,000

The average outlay for a commercial during the fifth season of AMC’s “The Walking Dead,” making it the costliest scripted series on TV. The Oct. 12, 2014, season premiere drew 17.3 million viewers; the March 29 season finale, 15.8 million. According to averages from media buyers compiled by Ad Age during the upfronts; ratings according to Nielsen.

Continue reading at AdAge.com

More eBay Merchants Migrating to Amazon in Search of Sales Growth


EBay’s once-loyal merchants are moving more of their business to Amazon, saying they get more for their money by selling merchandise via the web retailer.

Amazon’s pool of merchants doubled to about 2 million in 2014, while the number of sellers on eBay has remained flat at 25 million in the past two years. Businesses that at first set up online storefronts on eBay say they’re surprised how quickly sales surge on Amazon once products appear on both sites.

The move to Amazon, which boasts a bigger user base and offers more ways to ship merchandise, poses a threat to eBay, which pioneered the idea of an Internet marketplace where merchants big and small could hawk wares.

Continue reading at AdAge.com

Marchi Joins Havas, Barkely Hires Elm and More


Havas Media Group hired Damien Marchi as global head of content, following the Group’s recent launch of the Global Music Data Alliance with Universal Music Group and its partnership with NewsCred. Marchi was previously a member of the executive committee of Euronews in charge of innovation and products. He has over 15 years experience specializing in cross-platform content production, commercialization and marketing in TV and digital, across entertainment, drama and news. He has worked with brands such as Red Bull, Air France, Procter & Gamble and L’Oral and won an Emmy in 2006 while working for the production company Streampower in Paris on its interactive TV programme “Cult”.

Independent agency Barkley has named Jason Elm executive creative director. Elm, who will work directly with Chief Idea Officer Tim Galles, joins with previous experience in creative leadership roles at DDB California and Deutsch LA, where he spent 15 years and worked on campaigns such as Sony PlayStation and its “Kevin Butler” campaign, Diamond Foods, Expedia.com and TGIFriday.

Continue reading at AdAge.com

Should the RadioShack Brand Live on in Rescued Stores?


Last week, hedge fund Standard General saved RadioShack from liquidation. The takeover of the crumbling electronics chain rescued 1,700 of RadioShack’s 4,000 locations. But while Standard General secured the stores, it neglected to buy the brand name. According to The New York Times:

One immediate uncertainty is the RadioShack brand. Salus, the largest creditor, still owns the rights to the RadioShack name. Without a deal, the retailer has only six months left to use the often-mocked yet highly recognized moniker. Standard General said that it would try to buy the name, but that it was also open to calling the stores something new.

A new brand name may be just what RadioShack needs to achieve the turnaround it’s been working toward. In fact, the weakness of RadioShack’s name may have contributed to the 94-year-old company’s downfall.

Continue reading at AdAge.com

The Real 'Mad Men' Diaries: Was There Really That Much Sex in the Office?


The horniest executives of the Mad Men days seemed to work at Y&R.

So recalls former Ogilvy copywriter Jane Maas in the return of our award-winning Real ‘Mad Men’ Diaries video series. The shop was “a hotbed of sex in that era,” she said, surrounded by about six hotels, which “made nooners easy.”

The Y&R title might be disputed by Jerry Della Femina, whose shop was notorious for an agency-wide sex contest inaugurated in 1967, recounted in his memoir “From Those Wonderful Folks Who Gave You Pearl Harbor.”

Continue reading at AdAge.com

Top 100 Auto Ideas in April – From Inexpensive 3D-Printed Cars to Sporty Plug-In Cars (TOPLIST)

(TrendHunter.com) Sustainable, compact and affordable are three qualities that can be found in many of the top April 2015 auto ideas. With smart dashboards and Bluetooth technology that allows drivers to make store…

Top 35 Luxury Products in April – From Opulent Maternal Fashion to Invitation-Only Arts Associations (TOPLIST)

(TrendHunter.com) These April 2015 luxury goods indicate opportunity for affluent consumers looking for first-class products and services. This includes activities some would consider more elite or exlusive as well…

Top 100 Health Ideas in April – From Lung Exercise Horns to Biological Cell Printers (TOPLIST)

(TrendHunter.com) Spring cleaning isn’t something that takes place in the home, but also when it comes to people’s bodies as these top April 2015 health ideas show. As people ween off of the winter months&#…

Apple Watch Gets a Series of 'Guided Tour' Videos Showing You Exactly How It Works

Thump-thump, thump-thump, thump-thump…

Will your heart beat faster for the Apple Watch after you’ve previewed its hotness in four “guided tour” videos the company posted on Friday?

Probably. Especially if, like me, you’re counting the seconds until April 24, when the high-tech timepiece goes on sale, and you can finally use it to send a pulse signal—that’s your heartbeat—to other wearers of the device.

That feature is among many explored in the “Digital Touch” and “Messages” tutorials. “Faces,” meanwhile, is all about customizing the home screen. (Add the current temperature or a calendar—go nuts!)

In addition to these clips, each running less than two minutes, there’s a nearly five-minute “Welcome” overview. It’s chock full of information, including details on how to use various interactions—like swiping up or down on the screen—to access apps and control content. Apple even explains why some technologies that work for its iPhones, such as pinching to zoom, are impractical on a watch display—hence the need for a “digital crown” dial, which you can use to manipulate magnification, among other things. (More Apple Watch videos are on the way. Topic include “Phone Calls,” “Maps,” “Music” and “Siri.”)

Of course, the company discussed a lot of this stuff during its March product announcement, and the watch has been widely profiled in the press, so there are no stunning revelations. Even so, the guided tours concisely cover a great deal of material and serve as both practical how-tos and effective advertising.

In fact, given the nature of the product in question, such detailed demonstrations seem especially on point. The company bills the watch as its “most personal device yet,” designed to engage the tactile senses in novel ways and function almost as an extension of our physical selves. That sounds grandiose, but consider: Along with heartbeat messaging, it monitors your pulse rate, “taps” you when messages arrive and springs to life when you raise your wrist (going dark when you reverse the gesture).

That’s a fairly high level of casual intimacy—of human/machine rapport. Fittingly, these videos transcend product specs and glossy style pitches to give users a feel for the technology and explain how it can touch their lives.