Take a Tour of Lego's Simpsons Kwik-E-Mart Set Before It's Unveiled at SXSW

One of the coolest branded buildings at SXSW this year will be particularly difficult to get into. That’s because it’s only 5 inches high, 14 inches wide and 10 inches deep. D’oh!

Having had great success with its first Simpsons construction set and minifigures, Lego will physically unveil its new Simpsons product at SXSW on Friday—the iconic Kwik-E-Mart featured regularly in the show.

The set goes on sale May 1. For hard-core fans of the Fox cartoon, it’s a treasure trove. And it also has Easter eggs for Lego fans, including very rare dark orange bricks.

Among its more interesting features:

• Six minifigures: Homer Simpson, Bart Simpson, Marge Simpson, Apu Nahasapeemapetilon, Chief Wiggum and Snake (aka Jailbird)
• Opening rear walls, a removable roof with secret vegetable garden, Kwik-E-Mart signage, light-blue walls, dusty blue floors, turquoise welcome mat, shelves, refrigerated cases, counter, Buzz Cola soda fountain, juice dispensers, coffee machine, two arcade games, ATM, crates of Powersauce bars, surveillance cameras, rear storage closet with a rat, cheese, rat hole and an exit door
• Shelves featuring beauty products, diapers, dog food, pastries, fruits, vegetables and more—including Krusty-O’s and Chef Lonelyheart’s Soup for One
• Refrigerator cabinets with a variety of beverages including cans of Buzz Cola … and frozen Jasper
• Counter with a cash register, magazine and card display, lottery machine, hot dog oven, donut display and a Squishee dispenser with 2 Squishees
• Chief Wiggum’s police car featuring an opening trunk, removable roof and space for three minifigures

Many more pics below.



Utensils Design by James Stoklund

Le designer James Stoklund a imaginé une collection d’objets et ustensiles de cuisine avec des matériaux flexibles tels que le silicone ou l’inox. Cela donne des verres amusants qui se déforment, des fourchettes souples, et beaucoup d’autres accessoires étonnants.


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Canada Loosens Local Program Quotas in Age of Netflix Streaming


Canada’s communications regulator is reducing quotas for how much nationally produced programming must appear on TV, as more consumers watch content via broadband Internet through providers such as Netflix.

The Canadian Radio-Television and Telecommunications Commission will reduce program requirements for broadcasters during the day, Jean-Pierre Blais, the CRTC’s chair, said in prepared remarks for a speech in Ottawa.

“Radio begat television, television begat cable and satellite, and broadband internet has changed everything,” Mr. Blais said.

Continue reading at AdAge.com

Agora é oficial: Disney já está preparando uma sequência de “Frozen”

November 1st, 2013 @ 20:51:56

Fãs deAnna, Elsa, Olaf e Kristoff, esta é para vocês: a Disney anunciou hoje via Twitter que está preparando Frozen 2, sequência em longa-metragem da animação de maior sucesso de 2014. Mais uma vez, os diretores Chris Buck e Jennifer Lee ficarão encarregados da produção.

A notícia chega a poucos dias da estreia do curta-metragem Frozen – Uma Febre Congelante, que chega aos cinemas brasileiros no próximo dia 2 de abril, com exibição antes de Cinderela.

Será que alguém tem dúvida de que o inverno está mesmo chegando?

Brainstorm9Post originalmente publicado no Brainstorm #9
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CD Otto Bell Leaving OgilvyEntertainment

otto bellToday we learned of more staffing changes at the New York office of Ogilvy & Mather: Creative Director Otto Bell and Director of Creative Management Lisa Clunie will be leaving the agency.

Unfortunately, we don’t have any specifics at the moment on why either party is leaving or where they plan to go.

Bell has been with OgilvyEntertainment for nearly a decade after working in brand planning at Y&R and becoming the second member of the unit after founder Doug Scott. He was hired during a WPP fellowship after graduating from Oxford and went on to create content for such Ogilvy clients as DuPont, Cisco, Phillips, and IBM.

Clunie joined Ogilvy in 2011 as a senior partner and director of creative management for North America. Previous agency roles include stints in accounts at Carmichael Lynch and Fallon. She also served as group account director of BBH NY and managing director of Saatchi & Saatchi’s New York office before joining the O&M organization.

These moves follow the August departures of former CCO Calle Sjoenell and Scott, who went to WME/IMG (William Morris Endeavor) as EVP of Marketing and Brand Solutions. At the end of January, the agency promoted Corinna Falusi to replace Sjoenell; no word on plans to replace either Scott or the outgoing Bell.

Updates as they come in.

160Over90 Asks ‘Who Wants Next?’ for the Atlantic 10 Conference

Last year, 160Over90 launched its “Next” campaign promoting the Atlantic 10 Conference.

Now, in time for March Madness, the agency has launched the, uh, next phase of the campaign with a new anthem ad. The 60-second spot celebrates the hard work and determination of Atlantic 10 athletes. “Next will be brought to you by hard work,” says the ad’s voiceover, “and it will be paid for long in advance in driveways, playground and gyms.” Fast cuts of training, in-game footage and celebration match the impression of fast-paced play given by the voiceover, ending by declaring “Next is Now” and asking “Who Wants Next?”

“Last winter, we launched the ‘Next’ brand campaign for the A-10. It was the first time the conference took to a national stage to tell the story of the grittiness and uncompromising work ethic embedded in its men’s basketball programs,” Brendan Quinn, creative director at 160over90, said in a statement. “This year, we’re building on that story line. This spot takes the underlying theme of hard work and tenacity one step further by highlighting the league’s constant commitment to advancing — on the basketball court, and likewise in the classroom. It’s a great way to hype conference fans heading into March Madness.”

Credits:

Chief Executive Officer: Shannon Slusher
Chief Creative Officer: Darryl Cilli
Executive Director of Client Services: Sonya Cooper
Executive Producer: Tom Ammon
Director: Konstantinos Psimaris
Producer: Derick Crucius
Editor: Anderson Bradshaw
Creative Director: Brendan Quinn
ACD/Copywriter: Kris Blake
Digital ACD: Chris Lee
Motion Designers: Joe Dunlap, Jay Keree
Account Director: Jeremy Kanefsky
Account Executive: Andrew Larsen
Project Manager: Ted Quann
Musical Score: RJD2
Voice-Over: Saul Williams

Blossoming Flowers Timelapse

Le vidéaste Thomas Blanchard, dont nous avons déjà parlé précédemment, a capturé des fleurs en pleine éclosion avec la technique du timelapse, en 4 mois et 9624 clichés RAW. Les races de fleurs défilent devant des fonds aux motifs rétro-psychédéliques. Sur une musique de Linda Scott – « Three Guesses », la vidéo est à découvrir dans la suite.

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L'Oreal USA Moves to Make All Types of Ads — Online and Off — 'Shoppable'


L’Oreal USA has reached a deal with Powa Technologies that could allow the beauty giant to essentially tag any of its advertising, promotions or in-store materials to allow for instant e-commmerce purchases of the featured products.

L’Oreal said in a statement that the PowaTag technology can “transform any consumer touch point, from print and TV advertising to e-commerce, retail stores and social media into a platform for mobile transactions, promotions and more on person’s smartphone.”

PowaTag provides 2-D barcodes that consumers can scan with an app to order products quickly.

Continue reading at AdAge.com

Google's TV and Internet Service Is 'Like Ebola,' Analyst Says: Very Scary, but …


Google’s foray into high-speed internet and TV-service has signed up an “incredibly small” number of customers and isn’t a threat to cable and satellite investors, according to MoffettNathanson analyst Craig Moffett.

Google Fiber, which started in 2012, has 27,000 video subscribers combined in Kansas City, Kansas, and Kansas City, Missouri, and less than 3,000 in the other cities, according to U.S. Copyright Office data collected by MoffettNathanson. The service originated in Kansas City and expanded to Provo, Utah, and later Palo Alto, California.

“Google Fiber is a bit like Ebola: very scary and something to be taken seriously … but the numbers are very small, it gets more press attention than it deserves, and it ultimately doesn’t pose much of a risk (here in the U.S. at least),” Mr. Moffett said in a note Thursday.

Continue reading at AdAge.com

CardKit cria imagem com aspas, dribla 140 caracteres do Twitter e ajuda na viralização

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Imagine que você quer espalhar uma mensagem pelo Twitter. Ela é linda, impactante, mas não cabe de jeito nenhum em 140 caracteres. O que você faz?

No jornalismo, o tempo que você tem para ajustar esse texto é muito curto, e tempo é algo que não se perde nas redações. Por isso a solução encontrada pelos jornais The Times e Sunday Times foi criar o CardKit, uma ferramenta que transforma trechos de texto em imagens compartilháveis em redes sociais, com direito a incluir um logo, imagem ilustrativa e o nome da fonte.

O resultado é bem interessante, e funciona especialmente bem na hora de mostrar aspas de um determinado entrevistado ou de uma personalidade. A criação da imagem final é super fácil, e pode ser testada por qualquer um, já que a ferramenta tem código aberto.

Ao acessar o site do CardKit, é possível escolher um tema (claro ou escuro), as dimensões da imagem (para Twitter, Facebook ou vídeo), inserir o texto, cor de fundo, adicionar uma imagem ilustrativa e até o logo da publicação. O sistema é simples, porém altamente eficiente e veloz.

O resultado são tuítes multimídia como esse do The Times, ou até essas postagens do BuzzFeed FWD durante o evento da Apple no início da semana.

Cada publicação pode tentar customizar o CardKit de um jeito que melhor lhe convenha, trocando estilos ou fontes para refletirem a identidade da marca.

Os desenvolvedores do CardKit contam que se inspiraram no Meme Tool da Vox Media, mas também é possível ter um resultado semelhante utilizando ferramentas grátis como o Canva.

Brainstorm9Post originalmente publicado no Brainstorm #9
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Heróicos objetos do dia a dia ganham destaque em campanha da IKEA

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Toda vez que aparece uma campanha nova da IKEA, minha reação quase sempre é a de me perguntar: “tem como não amar?” A comunicação da rede varejista de móveis costuma ser bastante consistente, sempre trazendo um elemento de diversão para a conversa ou, de alguma forma, causando algum tipo de reflexão.

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São esses os ingredientes de Everyday Heroes, filme recente da marca sueca criado pela Forsman & Bodenfors. O comercial foca nos objetos do dia a dia que podem até não ter o charme de alguns móveis assinados por designers, mas que desempenham com dignidade algumas funções essenciais para que nós, seres humanos, tenhamos mais conforto.

A ideia toda é muito bem sacada e, por um momento, lembra a narração de Here’s to the Crazy Ones, da Apple. No Twitter, o perfil @EverydayHeroes365 reúne as “desventuras” diárias destes heróis esquecidos.

Everyday Heroes conta com legendas em português.

Brainstorm9Post originalmente publicado no Brainstorm #9
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Toshiba "Bring Life Forward" (2015) :55 (USA)

Here’s a spot for Toshiba, touting their green energy solutions, and a giant hand that turns smokestacks into wind power, adds solar panels to houses, and adds EV buses to the city. Thanks for making the world a better place, giant hand!

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Mazda "The power of dance" (2015) 2:03 (Uk)

Maza has a branded content series called Rebels With A Cause in which they showcase innovators in technology.

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Opel "The rebirth of an old car" (2015) 3:15 (Belgium)

Saying good bye to your old car is hard. Thankfully Opel believes in reincarnation and melts down a friend’s old faithful on four wheels, turning it into a new Opel Kadett. So the car will live on.

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Words can Save (2015) 2:10 (Russia)

Words can Save (2015) 2:10 (Russia)

Words can harm, but they can also save. This anti-bullying video points you to a larger website activation called Words can Save. This site helps highlight signs and symptoms of cyber bullying in an interactive way.

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Coke "Make every day special" (2015) :30 (The Netherlands)

Coke’s got a new value pack out in The Netherlands. It’s special enough to even make a hardcore teen start playing Chris De Burgh.

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Y&R Names New Global CMO

alex hughesToday Y&R CEO David Sable promoted Alex Hughes to the global CMO position.

Hughes, who has spent nearly 27 years with the larger Y&R/Wunderman organization, most recently served as general manager of its European operations.

In the new gig, he will work directly with Beth Wade, CMO of sister org VML, in integrating the various services offered by the two entities. He will also serve as “liason” to the larger WPP organization on new “integrated” business.

Hughes has been with Y&R since 1994, working his way up through the accounts side of the business to become global client development leader before ascending to the European GM role in 2013.

The reason for his promotion is the departure of Cathy Cohan, who joined the agency in the newly-created global chief growth officer role back in 2012. Cohan worked in accounts at TBWA, JWT, and BBDO Atlanta before moving into an EVP/consultancy role and Roth Associates in 2007.

At the time of her appointment, one of our readers predicted that her tenure would last “approximately 2 years”; he was off by six months.

The release tells us that Cohan will transition away from her role in order to “pursue some of her other passions.” In a statement, Sable writes:

“Alex has spent 27 years at Y&R Advertising and Wunderman…he has worked across our various disciplines, all around our global network, and on accounts large and small — and on top of that, speaks four languages. He knows how to leverage the agency’s resources to deliver the best work and results.

Cathy has been an enormous asset to this agency.  And while we are sad to see her leave, we fully support her desire to follow some of her other interests.”

BBH London Imagines a ‘Colourless Future’ for Dulux

BBH London released an ambitious new ad for paint brand Dulux, entitled “Colourless Future,” imagining a dystopian future where color is banned.

The cinematic, 60-second spot is something of a spiritual successor to a spot BBH London created last year depicting prohibition if color had been banned instead of alcohol. It opens with the text, “Once upon a time in the future.” A woman bumps into a man and spills colored paint on him, setting off an alarm for a “Colour Violation” in the sector. After the two manage to escape, she takes him to a hideout full of all kinds of color and Dulux paint cans everywhere. The two hatch a plan to make a pretty drastic change.

While the ridiculous premise might be a bit hard to swallow, BBH London execute the ad well. The scope of the visual effects makes the ad feel like a sci-fi blockbuster, with the agency integrating the product well. No one who watches for more than a few seconds will confuse this for anything but an advertisement for paint, which is a good thing, but its cinematic ambitions set it apart and make it memorable.

Credits:

Agency: BBH London
Creative directors: Martha Riley, Nick Allsop
Creatives: Richard Hooley, Victoria Jagger
Production company: Somesuch
Director: Daniel Wolfe

Whole Neighborhood Learns Sign Language to Surprise Deaf Resident in Samsung Ad

Samsung Turkey has launched a website with a video call center for the hearing impaired, and it’s announced it with quite the stunt.

In the video below, titled “The Most Emotional Surprise of the Year,” we follow Muharrem, a hearing-impaired man, through his morning routine. A month of preparation (including sign language training) and many cameras later, Muharrem goes through the city and is greeted by people who can communicate just like he does.

It ends with Muharrem approaching a large screen, with a woman signing to him “A world without barriers is our dream, as well.” She announces the video call center for the hearing impaired, and then the “gotcha” moment happens.

Lot of tears. From Muharrem and maybe a viewer or two.



Digital Animal Sculptures

Maxim Shkret est un digital artiste et infographiste russe. Dans cette série intitulée « Wolf & Hoof », l’artiste propose des portraits d’animaux dont le traitement leur donne une allure sculpturale en trois dimensions. A découvrir dans la suite de l’article.

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