Bezeq Cloud: Kid

Advertising agency: ACW Grey, Tel Aviv, Israel
Executive Creative Director: Tal Riven
Creative director: Ziv Meiri
Client manager: Elad Hermal
Art director: Nimrod Maiman

NF: The Stuntman

Advertising Agency: W&Cie, Paris, France
Executive Creative Director: Ivan Pierens
Art Director: Arnaud Wacker
Copywriter: Renan Cottrel
Production: Rods
Director: Thierry Poiraud
Producer: Alexandre Richardot
Music&SFX: Kouz Prod
Published: January 2015

ICICI Bank: What's on Your Card?

This video is a part of the digital media campaign #LiveWithoutCash created for ICICI Bank, the largest private bank of India. A breakthrough campaign that urges people to go cashless and discover the benefits of using cards.

Advertising Agency: Blink Digital, Mumbai, India
Creative Director: Dooj Ramchandani
Art Director: Yogesh Shirke
Copywriter: Pooja Joshi
Animator: Mayur Bet
Account Director: Rikki Agarwal
Account Executive: Snigdha Rao
Published: February, 2015

Tiny Church in Magical Russian Landscape

Qu’on soit croyant ou non, la petite église St. Andrew ne laissera personne indifférent. Avec son architecture atypique, ce petit édifice situé sur la rivière Vuoksa en Russie est porté par un petit îlot entouré d’une nature en constante métamorphose. Parfois la rivière se transforme en fantastique lac de glace, rendant l’église inaccessible, si elle n’est pas déjà subtilement dissimulée par la brume. À découvrir à travers les images de photographes talentueux.

Alexander Atoyan.

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IAB Points to Vendor Reporting as Key Issue in Viewability Debate


The new chairman of the Interactive Advertising Bureau began his tenure yesterday with a stark look at the challenges confronting publishers and ad-tech companies being pressured to transact on viewable impressions.

“We are living through this transition in real time and it’s confusing and time consuming for all involved,” said the new chairman, David Morris, at the IAB’s Annual Leadership Meeting in Phoenix.

Mr. Morris, also the chief revenue officer of CBS Interactive, delivered his speech amid increasing pressure on publishers to charge only for those ads which have the chance to be seen. The IAB recently came out with a recommendation that advertisers seek 70% viewability during 2015, which it called a “year of transition.”

Continue reading at AdAge.com

Leaf-Blower Manufacturers Need to Suck It Up


I would like to spend my allotted time with you on the leaf-blower industry, and how the marketers of this much-maligned and in many ways infuriating mechanism have done a lousy job of defending themselves.

One could argue that the leaf blower is a model of efficiency and even water conservation, but the only argument emanating from leaf-blower makers is that any efforts to tone down their noise and fumes will lead to less powerful products.

The leaf-blowing industry, in other words, has been asleep at the switch. And while they have been making excuses for themselves, the evidence piles up that leaf blowers are a plague on humanity.

Continue reading at AdAge.com

Facing the Fear: Take Control of Your Career Transition

Category: Career Oxygen
Summary: Thinking of making a career change immobilizes most people with fear. Whether you are aiming for a slight adjustment or a dramatic shift, altering your career path in any way can be overwhelming. And let’s face it — conducting a job search is not anyone’s idea of a good time. Often, job seekers choose to ignore the challenge instead of face it head-on. As a result, they end up years later in the same job they do not enjoy, wondering where the time went.

Goodyear: Ice-Grip

Advertising Agency: Leo Burnett, Berlin, Germany
Chief Creative Officer: Andreas Pauli
Art Director: Yigit Unan
Copywriter: Mark-Marcel Müller
Creative Director / Art Director: Gabriel Mattar
Creative Director / Copywriter: Axel Tischer
Production company: Photoby
Illustrator: Zombie

Goodyear: Flat-Proof

Advertising Agency: Leo Burnett, Berlin, Germany
Chief Creative Officer: Andreas Pauli
Art Director: Yigit Unan
Copywriter: Mark-Marcel Müller
Creative Director / Art Director: Gabriel Mattar
Creative Director / Copywriter: Axel Tischer
Production company: Photoby
Illustrator: Zombie

Goodyear: Wet-Grip

Advertising Agency: Leo Burnett, Berlin, Germany
Chief Creative Officer: Andreas Pauli
Art Director: Yigit Unan
Copywriter: Mark-Marcel Müller
Creative Director / Art Director: Gabriel Mattar
Creative Director / Copywriter: Axel Tischer
Production company: Photoby
Illustrator: Zombie

Meningitis Now: Fastest Hour

Advertising Agency: Leo Burnett Change, UK
Executive Creative Director: Justin Tindall
Creative Director: Beri Cheetham
Copywriters / Art Directors: Ben Newman, Milo Williams
Agency Producer: Helen Choonpicharn
Production Company: Bare Films
Director: James Lawes
Senior Executive Producer: Helen Hadfield
Producer: Tom Ford
Director of Photography: Malte Rosenfeld
Post-Production Company: Framestore
VFX Supervisor: Tim Greenwood
Editing Facility: The Quarry
Editor: Jim Robinson
Sound Design Company: 750mph
Sound Designer: Sam Robson

Galvus: Broader coverage

Advertising Agency: McCann Health, Dubai, UAE
Art Directors: Fernando Freitas, Joe El Naggar
Copywriter: Mark Shadwell
Digital Artists: Ebrahim Barakat, Fernando Freitas

Sicredi: Car

Our credit you already have now you just need your license examiner’s approval.

Advertising Agency: Toyz, Encantado, Brazil
Creative Director: Fernando Caio
Art Director: Jéssica Bagatini
Copywriter: Leandro Caio
Illustrator: Oliven Studio
Additional credits: Fernando Fabris, André Mússio, Diego Schmidt
Published: October 2014

Sicredi: Drum set

Our credit you already have, now you just need your neighbors’ approval.

Advertising Agency: Toyz, Encantado, Brazil
Creative Director: Fernando Caio
Art Director: Jéssica Bagatini
Copywriter: Leandro Caio
Illustrator: Oliven Studio
Additional credits: Fernando Fabris, André Mússio, Diego Schmidt
Published: October 2014

Sicredi: Pool table

Our credit you already have, now you just need your wife’s approval.

Advertising Agency: Toyz, Encantado, Brazil
Creative Director: Fernando Caio
Art Director: Jéssica Bagatini
Copywriter: Leandro Caio
Illustrator: Oliven Studio
Additional credits: Fernando Fabris, André Mússio, Diego Schmidt
Published: October 2014

Inside Flamingo Office

Le studio Neri&Hu basé à Shanghaï redonne vie au toit d’un espace industriel et le transforme en bureaux pour le cabinet d’études Flamingo. D’énormes plates-formes en béton couvrent maintenant la totalité de l’espace donnant un caractère minimaliste et brut à ce lieu devenu un lieu de travail insolite.

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Alibaba Is Making $590 Million Investment in Mobile


Alibaba has agreed to invest $590 million in Chinese smartphone maker Meizu, boosting the e-commerce company’s push to get its mobile operating system on millions of handsets in China.

Asia’s largest internet company will hold a minority stake in Meizu and integrate the smartphone’s hardware with Alibaba’s YunOS software, Alibaba said in a statement Monday. Meizu, which last year released the MX4 and Meizu Blue Charm, didn’t rank among China’s top five smartphone manufacturers as of the September quarter, according to researcher Canalys.

Alibaba Group Holding is counting on YunOS to help it grow beyond selling clothes and gadgets into the entertainment and health-care fields, as it tries to capture a greater share of China’s 557 million smartphone users. With a market value of $211 billion, Alibaba has struggled to expand the software’s reach in China, where more than nine out of 10 mobile devices run Google’s Android software.

Continue reading at AdAge.com

Mad Men Chops Its Pilot Episode Into 154 Clips and Wants Fans to Reshoot Each One

Ahead of Mad Men’s final episodes on AMC this spring, the series has launched The Fan Cut, a contest that lets would-be auteurs remake scenes from the show’s pilot episode in (almost) any way they see fit.

That first episode has been cut up into some 154 clips ranging from 8 to about 40 seconds long. Up to five fans can “claim” each scene, and they have 30 days to create and upload their own versions. Ultimately, the entire pilot will be re-assembled and screened online based on select submissions.

The rules warn us: “Any depiction of consuming alcohol or smoking tobacco should be simulated.” (The crew behind the camera, presumably, can get as sloshed as they like.) And just in case any wisenheimers get ideas about crashing this bash and bragging about it to the ad blogs, the inclusion of third-party brands is strictly prohibited. (But if you do manage to sneak in a plug for a real client, be sure to tell AdFreak about it first!)

On the one hand, The Fan Cut is a creative way to connect with the landmark show and puts a sort of reverse spin on breaking through the fourth wall, letting the audience do it instead of the cast. On the other, it’s a huge waste of time, just like the ad business itself!

Kidding, of course. The competition promises to be a ton of fun and should yield some intriguing, and possibly insane entries. Look for anime Don, emoji Pete and sock-puppet Peggy. I’m also expecting scenes featuring helium-voiced stand-ins for the regular cast, along with cuddly puppies and adorable babies.



On Top of the World

Les deux jeunes cinéastes Serhan Meewisse et Jurian Gravett ont invité 11 personnes à se joindre à l’aventure d’un film intitulé « On Top of the World ». Ils ont traversé l’Europe, la Turquie et la Grèce, tout cela vraiment de budget mais avec la volonté de découvrir de nouveaux horizons. Une vidéo qui nous laisse tout simplement rêveur à découvrir dans la suite.

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Helen Mirren rallies against old age in debut ad for L'Oréal

Helen Mirren stars in an ad for the cosmetics brand L’Oréal, which tackles the issue of women feeling invisible as they get older.