Three: Surfers

Advertising Agency: W+K, London, UK
Creative Directors: Larry Seftel, David Day
Copywriter: Erin Swanson
Art Director: Pierre Jouffray
Producer: Lou Hake
Group Account Director: Paulo Salomao
Account Director: Sophy Woltman
Account Manager: Alex Blacklock
Executive Creative Directors: Tony Davidson, Iain Tait
Agency Executive Producer: Danielle Stewart
Production Company: MJZ
Director: Rocky Morton
Line Producer: Chris McBride
Director of Photography: Todd Antonio Somodevilla
Editorial Company: Final Cut
Editor: Joe Guest
Producer: Frankie Elster
VFX Company: Framestore
2D Lead Artist : Ben Cronin
2D Artists: Ben Cronin & Tri Do
VFX Executive Producer: Mary Nockles
2D Lead Artist: Ben Cronin
Titles/Graphics: Pierre Jouffray
Music Company: Sarah Bridge
Composer: Brains and Hutch
Music Supervisor: Sarah Bridge
Song: Surf Spam / Dessert Spam
Mix Company: Wave Studios
Mixer: Jack Sedgwick
Producer: Amy Daniels

McDonald's: Petrol pump

Advertising Agency: Leo Burnett, London, UK

Fiat: We love pink

Advertising Agency: Saatchi & Saatchi Leo Burnett, Netherlands
Concept: Jan Bosch, Tim ten Dam
Art Director: Tim ten Dam
Copywriter: Jan Bosch
Account: Mathieu Veldhuijzen, Vanessa Snoeij, Simone Ottenbros
Production: Matemade / The Floating Company

Sims4: Change

Advertising Agency: FCB West, Australia
Agency Producer: Rob Lee
Group Creative Director: Colin McRae
Senior Art Director: Chase Madrid
Senior Copywriter: Elaine Cox
Production Company: Rattling Stick / Goodoil Films
Director: Hamish Rothwell
Executive Producer: Sam Long
DoP: Crighton Bone
Editor: Peter Sciberras / Method Studios
Visual Effects: ALTVFX
Production Designer: Sara Mathers
Music: The Octopus Project

Anti Tobacco League: Executive

Creative Directors: Oli Beale, Alex Holder
Producer: Jon Clarke
Production Company: Rattling Stick
Director: Sara Dunlop
Producer: Stuart Bentham
Production Manager: Polly Ruskin
DOP: Nanu Segal
Editor: Anne Perri / Work
Post Production: The Mill

Eszter Kazinczy: Cannes Mad Men Party

The party was organized at my friend’s club near the Croisette, so I did not had to pay for anything hence the zero budget.

Advertising Agency: Miami Ad School, Berlin, Germany
Art Director/Copywriter: Eszter Kazinczy

Telhanorte: The Concreted Magazine

Advertising Agency: DM9DDB, Brazil
Creative directors: Marco Versolato, André Pedroso, João Mosterio
Art director: Leonardo Rotundo
Copywriter: Fred Sekkel
Account Managers: Marcelo Passos, Daniel Malavazzi, Thibis Rebellato, Patricia Lucato
Media: Adrian Ferguson, Fabricio Bermello de Andrade, Esly Louisi Silva de Paiva, Erminia Campolino, Tatiana Dejavite
Art Buyers: Clariana Costa, Nereu Marinho, Eriana Simões
Printer: MockUp 10

Harpoon Signs Furlong, B-Reel's Anderson Joins Native and More


Harpoon Pictures has signed director and writer Anthony Furlong for commercial representation. With a background in theater, computer programming, and design and animation, Furlong has shot campaigns for brands including Ikea, Panasonic, Nokia, Ford and IBM. He started his career as a creative director, then made films working with companies such as Motion Theory, Stink, 1stAveMachine and Brand New School.

Continue reading at AdAge.com

Social App WeChat Is Testing Ads on News Feeds


WeChat is huge in China it’s the ubiquitous all-in-one social app that’s a stand-in for WhatsApp, Facebook, Skype and Instagram. But it hasn’t been easy for brands to figure out.

Tencent, the Chinese internet giant that owns WeChat, has been committed to user experience, proceeding cautiously with monetization since it launched in 2011. And the WeChat environment has been mostly ad-free. Brands can interact with users through official accounts, though they’re quite limited in how often they can reach out to their fans.

This week, though, WeChat made a big move, testing ads in its “Moments” feature, which is similar to Facebook’s news feed.

Continue reading at AdAge.com

3D Printed Fonts

Zhou Hongtao est un designer, artiste et chercheur travaillant dans les domaines interdisciplinaires de la conception de meubles, installation sculpturale et architecture. Son oeuvre « Textscapes » fusionne police de caractère et impression 3D pour générer des documents 3D dont le processus de lecture devient une expérience artistique et interactive, non seulement pour l’audience générale, mais aussi pour les personnes non-voyantes.

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Digital, Social e Mobile 2015 – um compilado de dados e tendências digitais

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Vira e mexe alguém reclama que não tem estatísticas para mostrar para os clientes, ou que não consegue quantificar a importância de uma presença digital. Esse post é para você parar de chorar e conseguir uma argumentação melhor para as suas ideias.

Produzida pela agência de marketing social We Are Social, o relatório Digital, Social e Mobile de 2015 destaca o que mudou na internet e no uso dela pelos consumidores no último ano.

São dados como total de usuários de internet ativos, usuários totais de mídias sociais, usuários mobile, taxas de crescimento e detalhes de comportamento dos usuários, como tempo investido em cada dispositivo ou mídia social.

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As primeiras 50 páginas são sobre dados globais, mas para quem vive chorando que não tem dados nacionais, já que o comportamento do brasileiro não é igual ao da média mundial, não há motivo para mimimi. Basta pular para a página 71, ou rolar pelas imagens abaixo, para conferir os dados focados no Brasil.

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Essa é pra guardar nos favoritos, salvar no Dropbox e consultar sempre que preciso. Confira abaixo a versão Slideshare.

Brainstorm9Post originalmente publicado no Brainstorm #9
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Sensory Marketing Is the Next Frontier in Mobile Advertising


As mobile usage accelerates, we’re seeing more marketers and more dollars flowing into this platform. But for all its promise, mobile ad technology still hasn’t realized its full potential. Aside from location-based targeting, which can only be done effectively in mobile, all other mobile ad offerings are just smaller, less-effective versions of desktop ad units. Mobile user interactions and mobile device hardware are unique; therefore, our approach to mobile advertising needs to be unique. In order for mobile advertising to fulfill the promise to create immersive user experiences and thereby engage people on an emotional level, sensory marketing is the next frontier.

To accomplish this, mobile ads must feature contextually relevant, rich creative served through delivery mechanisms that facilitate memorable levels of engagement. Seems straightforward enough, so why do we continue to deliver the exact opposite? A recent Forrester report showed that 57% of U.S. adult smartphone owners who see in-app ads think that the ads interrupt their user experience.

To prevent this trend from continuing, we shouldn’t forget the basics of brand advertising. Brand marketers are storytellers who engage people by appealing to their emotions. So in today’s mobile world, mobile ad tech has to unlock device utility to enable the medium (i.e. mobile ads) to enhance digital brand marketers’ emotionally charged narratives.

Continue reading at AdAge.com

Dave Trott: On the other hand

Joe Stegner had often been asked to make recommendations to the board on profitability.

This week's top Vines: Burger King, Royal Mail and Toyota

Marketing, with the help of social media experts Unruly, showcases three must-watch branded Vines, featuring rabbit holes, cyber chips and painted cars.

The Megyn Kelly Moment

The anchor has brought Fox News a more unpredictable approach to red-meat politics. Can she draw a more unpredictable audience?



Kellogg’s Pop-Tarts: New Arrival

Advertising Agency: Leo Burnett, Chicago, USA
Chief Creative Officer: Susan Credle
Executive Creative Director: Graham Woodall
Creative Director: Mike Doyle
Senior Art Director: Harish Valsan
Senior Copywriter: Eric Schwieger
Executive Producer: Tom Cronin
Producer: Steve Tabor
Production Company: BENT

ABSA: Tooth Fairy

Advertising Agency: The Jupiter Drawing Room, Johannesburg, South Africa
Executive Creative Director: Tom Cullinan
Creative Director: Frank Kunene
Art Director: Mpumi Guliwe
Copywriter: Jason Murison
Agency Producer: Wakhile Sithole
Production Company: Velocity Films
Director: Anton Visser
Producer: Zayd Halim
Published: September 2014

MTN Global: Space

Advertising Agency: MetropolitanRepublic, South Africa
Executive Creative Director: Paul Warner
Creative Directors: Candice Hellens, Moira-Gene Sephton Gous
Agency Producer: Nicola Martin
Art Director: Moira-Gene Sephton Gous
Copywriter: Candice Hellens
Director: Michael Middleton
Cinematography: Michael Middleton
Producer: Janet Sender
Production Company: Jump Films
Editor: Kobus Loots
Audio Engineer: Lorens Persson
Music Composition: Kevin Smuts
Visual Effects: Sinister Studios
Visual Effects Supervisor: Christian van der Walt
Lead Animator: Rob van den Bragt

Friboi: The Special Christmas

Advertising Agency: Ketchum Brazil
Creative: Gabriel Araujo
Copywriters: Gabriel Araujo, Daniel Kfouri
Art Director: Anderson Borges
Planner: Sergio Avila
Production Company: Phospro.com
Directors: Peter Lucas, Gustavo Araujo
Audio: Lucha LIbre

Man With Large Butt Struts and Twerks in 7-Inch Heels in Barmy British Ad

Some ads tug at the heartstrings and move viewers to tears. The newest spot for the British price comparison website MoneySuperMarket is not one of those.

Dave steps out of his car in a jacket and tie. “Don’tcha” by the Pussycat Dolls starts playing. And we see that Dave is wearing super tight shorts and impossibly high stilettos, as he struts down the street in celebration of his newly found savings thanks to MoneySuperMarket.

He twerks. He swerves. He drops it down low and brings it up slow. Most impressive, I think, is his ability to work that sidewalk in 7-inch heels, a task many women can’t do without looking like a newborn foal learning to walk.

It’s narrated by Sharon Osbourne, who also makes a cameo at the end, but Dave and his butt are obviously the stars of the show.

Following its ad last year where an elephant sashayed down a busy street, MoneySuperMarket nails silly and ridiculous and entertaining in one fell swoop (or depending on how you feel about the term, slutdrop).