Israeli Brand Buys Super Bowl Time to Support Fictional Team

As we inch closer to Sunday’s big game, here’s a somewhat peculiar effort marking what we’ve been told is the first Super Bowl commercial by an Israeli agency for a strictly Israeli brand.

This campaign comes from Tel-Aviv-based YehoshuaTBWA for Fattal Hotels, a hospitality chain that is quite forthcoming regarding its lack of football knowledge. The brand decided to cull its own fictional team from the Midwest — North Platte, NE, specifically — to help reach the audience during the Patriots-Seahawks matchup.

North Platte is used to basking in the Super Bowl spotlight after the Will Ferrell ads from 2011’s championship game.

The campaign targets those seeking a little post-game respite. According to the parties involved:

“We don’t know anything about American football, that’s why we’re the perfect getaway spot for football fans that want to relax their mind after a tiring season. As part of this concept, we decided to pull a small publicity stunt and choose a distant town in Nebraska that has nothing to do with the Super Bowl. Actually, it doesn’t even have a college team. Since we don’t understand anything about this sport, we created a commercial that will be broadcasted strictly in North Platte, Nebraska and stand out by wishing their local (nonexistent) team best of luck in the big game and inviting them for a vacation in Fattal Hotels Israel – a country that knows nothing about football but knows a lot about hosting and vacations.”

Agency: YEHOSHUATBWA, Tel-Aviv, Israel

VP Creative: Maya Kerman

VP Media: Nevo Carmi

Media: Naomi Gabison

Copywriters: Avihai Nizri, Alon Hadad, Tal Schweiger

Art Directors: Ofer Hajayov, Miki Hakim, Noam Laist

All the Most Engaging Ads on TV Right Now Have to Do With the Super Bowl


Every weekday, we bring you the Ad Age/iSpot Hot Spots, new and trending TV commercials tracked by iSpot.tv, a company that catalogs, tags and measures activity around TV ads in real time. The New Releases here ran on TV for the first time yesterday. The Most Engaging ads are showing sustained social heat, ranked by SpotShare scores reflecting the percent of digital activity associated with each one over the past week. See the methodology here.

Among the new releases, the Priceline Negotiator shows off his connections all over the world, while UnitedHealthcare’s “real” insurance means you don’t have to live in a bubble. And Popeyes’ spokeswoman, Annie, pushes the restaurant’s fresh fish over frozen fast-food paddies.

All the most engaging ads, meanwhile, have something to do with the Super Bowl — not a huge shock given the amount of curiosity online about them, even if viewers haven’t seen them appear on TV.

Continue reading at AdAge.com

World Briefing: Iran: Washington Post Reporter’s Trial to Be ‘Soon,’ but Charges Are Unclear

Jason Rezaian, the Washington Post’s Tehran correspondent, who has been incarcerated since July 22, “will be tried soon,” Iran’s state-run Islamic Republic News Agency said Wednesday.

David Landau, British-Israeli Journalist, Dies at 67

Mr. Landau was affiliated with The Jerusalem Post, Haaretz and The Economist, and wrote a recent biography of former Prime Minister Ariel Sharon.

SoundExchange Says It Paid $773 Million in Music Royalties Last Year

The nonprofit agency pays performing artists when their material is heard on Internet and satellite radio services.

Fiat Chrysler Plans Three Super Bowl Commercials


Super Bowl XLIX this Sunday will include three commercials from Fiat Chrysler Automobiles, the owner of brands including Chrysler, Dodge, Fiat, Jeep and Maserati, the company said Thursday.

The first ad will run in the first slot after the first half’s two-minute warning, Fiat Chrysler said. The others will appear during the third quarter.

Last year ads from the group included a 90-second ad for Maserati, a 60-second Jeep commercial and a spot for Chrysler starring Bob Dylan asking whether there’s anything more American than America. (He concluded by telling viewers to let Germany brew their beer and let Asia assemble their phone because “We,” — America — “will build your car.”)

Continue reading at AdAge.com

Wearable Concrete Jewelry

Le studio d’architecture Douglas & Company sort de ses carcans habituels et de son univers consacré à la création de batîments. La firme propose une série de bagues en béton intitulée Form Matters et examine à travers ce prisme le chevauchement entre l’architecture, l’art et la mode. A découvrir.

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Canadian Viewers Win Right to See U.S. Super Bowl Ads


Canadians will be able to watch U.S. Super Bowl ads after the country’s telecommunications regulator ended a practice of letting broadcasters substitute their own ads during the football game.

“Canadians have told us loud and clear: advertising is part of the spectacle associated with this event,” Jean-Pierre Blais, chairman of the Canadian Radio-television and Telecommunications Commission, said in a speech today in London, Ontario.

Ads broadcast in the U.S. during previous Super Bowl games weren’t available to viewers in Canada because broadcasters had permission under a program called “simultaneous substitution” to run their own content in foreign feeds such as the Super Bowl or the Oscars.

Continue reading at AdAge.com

Gap, Banana Republic Eliminate Global CMO Roles

Gap, Inc. is eliminating the global CMO positions for the Gap and Banana Republic brands, effective immediately, the company said today. The role will be replaced by a head of customer experience, a new position that broadens the CMO role to include e-commerce and reports to the individual brands’ global presidents.

The move is part of a restructuring effort aimed at merging the brands’ marketing and e-commerce teams to create a unified approach that centers on the customer.

“Now’s the time to intensify our customer focus and break-through with a truly dynamic and integrated approach to building relationships with our customers,” said Jeff Kirwan, global brand president of Gap, in a statement.

Continue reading at AdAge.com

BBDO NY Kickstarts Strange Dance Party for Mountain Dew

BBDO New York released an extended 90-second version of a new spot for Mountain Dew Kickstart entitled “Come Alive,” which will run during the Super Bowl pregame show.

In the ad, three guys are sitting in a basement playing video games when one of them asks for a Kickstart. As they each take a sip, the music starts up (“Out The Speakers feat. Rich Kidz” by A-Trak, Milo & Otis) and things start to get weird. The three guys are compelled to start dancing, seemingly without intent — but that’s just the beginning. Soon everything in the room, from the dog to a head of a buck to a traffic sign hanging on a wall, join in for one super strange dance party, ending with the tagline, “It All Starts With a Kick.” The implication is that the highly-caffeinated beverage will provide you with energy for all manners of endeavor (not that it will take control over your body and perception, setting off a chain reaction of dance-madness over which you have no control). After the ad makes its Super Bowl pregame debut, the brand will promote it on social channels including Twitter, Vine, Snapchat and, of course, YouTube.

Credits:

Agency: BBDO New York
Client: Mountain Dew
Title: Come Alive

Chief Creative Officer, Worldwide: David Lubars
Chief Creative Officer, New York: Greg Hahn
Executive Creative Director: Tim Bayne
Executive Creative Director: Lauren Connolly
ACD/Copywriter: Dan Kelly
ACD/Art Director: Todd Rone Parker
Group Executive Producer: Julian Katz
Producer: Sofia Doktori
Executive Music Producer: Melissa Chester
Sr. Account Director: Ladd Martin
Account Director: Patrice Reiley
Account Manager: Kylie Halperin
Account Executive: Jillian Netzel
Planning Director: Jessica Summerfield

Production Company: Caviar
Director: Keith Schofield
Executive Producer: Michael Sagol
Executive Producer: Jasper Thomlinson
Executive Producer: Cathleen Kisich
Head of Production: Kelly Bowen
DOP: Damian Acevedo
Producer: Adrianne McCurrach

Edit House: Rock Paper Scissors
Executive Producer: Eve Kornblum
Producer: Lisa Barnable
Editor: Carlos Arias
Assistant Editor: Alexandra Debricon

Mix House: Heard City
Mixer: Phil Loeb

Post EFX: eightvfx
EP/Owner: Baptiste Andrieux
CD/Owner: Jean Marc Demmer
Executive Producer: Shira Boardman,
Executive Producer: Alyssa St. Vincent
VFX Supervisor: Yannick Leblanc
CG Lead: Jean-Baptiste Cambier
Lead Designer: Jaguar Lee
VFX Artist: Yann Mallard
Animator: Sue Campbell
Rigging: Kevin Culhane
Modeler: Diego Melgar
Look Dev: Damien Bataille
Flame Lead NY: Fabien Coupez
Flame Lead LA: Philip Ineno
Flame Compositor: Steve Miller
Flame Compositor: Alex Kolasinksi
Roto/Paint: Marianne Magne
Producer: Chad Carbone
Producer: Michael Shores
Coordinator: Kyle Leonard

Music:
Licensed Master: “Out The Speakers feat. Rich Kidz” by A-Trak, Milo & Otis

72andSunny Wins Global Creative for AXE

Last week sources told us that household chemical behemoth Unilever plans to launch multiple creative reviews for its various brands, and today the corporation made a big change on the AXE account.

Various trade pubs report that creative for the client, which has been with BBH for nearly a decade, will now be run by 72andSunny with the agency’s Amsterdam office playing lead.

BBH’s “Hotel,” which debuted just over a month ago, looks to be the agency’s last work for the client; sources tell Adweek and others that 72 beat out R/GA, Lowe, 180, and the incumbent for the business.

2014’s “Make Love, Not War” Super Bowl campaign marked a large shift for the brand, which previously specialized in sexually-charged ads targeted to pimple-popping teenage boys. Sources claim that the new agency will focus on re-positioning the brand, so we assume that 72andSunny’s work for the Unilever client will not resemble its stateside campaigns for Carl’s Jr.

From ECD Carlo Cavallone:

“Axe is a legendary brand which has consistently impacted culture. As men and manliness change and progress, Axe will be at the forefront of the next evolution. We’re very excited to be at their side.”

We’ve reached out to 72andSunny for more details; updates when we receive them.

Clever Animals

In some remote corner of the universe, poured out and glittering in innumerable solar systems, there was once a star on which clever animals invented knowledge. That was the haughtiest and most mendacious minute of a “world history” — yet only a minute. After nature had drawn a few breaths the star grew cold, and the clever animals had to die.

— Nietzsche

Read more on Adbusters.org

Source

Behind the Work: The Air Makes It Home in Droga5's Latest for Air Wick


When you think of air freshener, perhaps the first thing that comes to mind is that cloying smell spreading from the bathroom plug-in at Auntie Betty’s, or maybe it’s an image of that desiccated wax cone that sat above the potty in Grandma’s powder room. Droga5 New York sets out to make us rethink stereotypes about air care with its new anthem ad for Reckitt-Benckiser’s Air WIck, centered on the tag that “Home Is in the Air.”

The agency has debuted a surprisingly moving, poetic film that takes viewers through every nook and cranny of a household. The camera zooms and twirls in and out through various rooms, drifting across the kids’ craft table, sweeping past a sleeping son’s mouth, swirling along with a ceiling fan and even making its way into radiator vents, where it encounters lost action figures and a spider. A folksy guitar tune plays as a V.O. reflects on the little things that make a house a home.

The “Home Is in the Air” campaign first manifested last year, with the touching holiday film that brought “home” to a soldier during the holidays in the form of candles that reproduced familiar scents from his household.

Continue reading at AdAge.com

Retro Future Macintosh Hybrid

Le site web allemand CURVED/labs spécialisé dans le domaine de la technologie a imaginé ce que pourrait être le Macintosh du futur d’Apple avec une fusion hybrid entre le Macintosh 128k et un Macbook air de 11 pouces, parvenant même à trouver une nouvelle utilisation pour le lecteur de disquette emblématique sur le côté inférieur droit de la face avant. A découvrir.

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SNICKERS – “The Brady Bunch” / Marsha – (2015) : 30 (USA)

SNICKERS - “The Brady Bunch” / Marsha - (2015) : 30 (USA)

Snickers adds a twist to the by now familiar “you’re not you when you’re hungry” as they make it all about Marsha Marsha Marsha in the Brady Bunch. Sans Marsha, of course.

Country: 

Commercials: 

Top 10 Valentine's Day Gifts for Lovers of Luxury (GALLERY)

(TrendHunter.com) With Valentine’s Day just weeks away, the hunt is on for the perfect gift to make that special someone in your life melt. While chocolates and flowers are nice, those with more lavish tastes…

Flutie, Rice, Rhino Team Up in Avocados SB Spot

The Super Bowl debut from fresh produce brand Avocados from Mexico stars two hall-of-fame ex-football pros who talk babysitting payment etiquette along with a rhino crouched in some sort of prehistoric dustbowl.

Continuing in this year’s pre-Big Game teaser trend, Avocados (with the creative help of Austin, TX agency GSD&M) brings lauded NFL alums Doug Flutie and Jerry Rice out of retirement to discuss an odd subject.

While other teasers give the audience an inkling of what’s to come, we’re not sure what to expect following this 30-second clip emblazoned with #FirstDraftEver. It’s a bold move from a burgeoning brand targeting its core guac-flavored market during the biggest game of the year.

Here are your credits:

Chief Creative Officer: Jay Russell

President: Marianne Malina

Creative Director: Tom Hamling

Creative Director: Tim Eger

Sr. Copywriter: Leigh Browne

Sr. Art Director: Jon Williamson
Director of Production: Jack Epsteen

Account Director: Sabia Siddiqi, Norah Rudyk

Account Supervisor: Elizabeth Perez

Business Affairs Manager: Linda Nhan

Chief Strategist: Andrew Teagle

Strategist: Katie Fitzgerald

Studio Art: David Fawcett, Summer Ortiz, Marcus Davis

Project Manager: Marlo Gil, Alicia Ross

Sr. Art Producer: Shannon McMillan

 

Production Company: Biscuit Filmworks

Director: Matt Dilmore

Director of Photography: Darko Suvak

Managing Director: Shawn Lacy

Executive Producer: Colleen O’Donnell

Line Producer: Carr Donald

 

Editorial: Cut + Run

Editor: Jay Nelson

Producer: Remy Foxx

Managing Director: Michelle Eskin

Executive Producer: Carr Schilling

Music/Sound Design: Robot Repair

Composer/Sound Designer: Doug Darnell

 

Visual Effects: A52

Effects Supervisor: Andy Barrios

Executive Producer: Kim Christensen

Producer: Heather Johann

 

Mix: Eleven Sound

Mixer: Jeff Payne

 

 

Digital Extensions:
Chief Creative Officer: Jay Russell

President: Marianne Malina

Creative Director: Tom Hamling

Creative Director: Tim Eger

Sr. Copywriter: Barrett Michael

Sr. Art Director: Chris Carlberg

Product Strategy Director: Rye Clifton
Director of Production: Jack Epsteen

Executive Producer: Paul Gallardo

Associate Producer: Spencer Gilliam

Account Director: Sabia Siddiqi, Norah Rudyk

Account Supervisor: Elizabeth Perez

Business Affairs Manager: Linda Nhan

Director of Social Media: Janice Suter

Sr. Social Media Manager: Chelsea Davis

Digital Media Director: Daniel Leal

Designer: Greg Thomas

UX Lead: Victor Solares

Director in House Production: Agathe Fay
Production Company: Biscuit Filmworks

Director: Matt Dilmore

Director of Photography: Darko Suvak

Managing Director: Shawn Lacy

Executive Producer: Colleen O’Donnell

Line Producer: Carr Donald

 

Editorial: Cut + Run

Editor: David Beerman

Producer: Remy Foxx

Managing Director: Michelle Eskin

Executive Producer: Carr Schilling

Music: Asche and Spencer

 

Visual Effects: A52

Effects Supervisor: Andy Barrios

Executive Producer: Kim Christensen

Producer: Heather Johann
Graphics: King and Country

Creative Director: Efrain Montañez

Designer: David Perry

Animator: Henry Castleton

Executive Producer: Jerry Torgerson

Associate Producer: Seth Gantman

 

Mix: Juice Studios

Mixer: Bob Gremore

Dentsu Aegis Network Names Rob Horler as U.S. CEO

dentsuDentsu Aegis announced the appointment of Rob Horler, formerly CEO of Dentsu Northern Europe, to the newly-created role of U.S. CEO. Horler will officially assume the role at the beginning of April, relocating from London to New York while continuing to report to Nigel Morris, CEO of Dentsu Aegis Network Americas & EMEA.

“Over the next three to five years, we absolutely have the goal to double the size of the business in the U.S. We see the U.S. as both strategically important and as a significant source of growth,” Morris told AdAge. “We really need hands-on operational leadership to be able to bring that together.”

Horler originally joined the Dentsu Aegis Network as managing partner of Carat in 2000. He was promoted to a managing director role two years later, and since has been responsible for helping to open digital agency Diffiniti, growing Dentsu’s relationship with Facebook and revitalizing McGarryBowen in the U.K. In his new role, Horler will be responsible for driving exponential growth, and will continue to hold global executive responsibilities for Dentsu’s iProspect and Data2Decisions properties.

 

 

GrubHub: Cobb salad

GrubHub: Burrito