These Subtly Animated Posters for Disney's Into the Woods Are Creepily Compelling

Animated posters for movies? Sounds annoying. Wait, subtly animated posters? Now you have my attention.

Disney’s cinema adaptation of the Broadway musical Into the Woods is being teased with a series of animated portraits that do a good job setting the mood for a dark fairy tale. In most of the GIFs, the only movement is in the form of shifting shadows and reflected moonlight. 

Subtle animation is quite a creative trend these days, so it’s not like Disney’s marketing team invented the idea. But it’s still a great example of when form and function work well together.

Check them all out below, via Disney Insider.

 



Montreal SPCA / Association for the Protection of Fur Bearing Animals / LUSH: Fur trap

Advertising Agency: Republik, Canada

Abstract Crumpled Posters

Originaire de Houston, l’artiste Heath West réalise des toiles froissées, déchirées et recomposées en utilisant des matériaux tels que le papier, de l’acrylique, et de l’aluminium. Par le biais de ces éléments, il compose des oeuvres abstraites aux graphismes et aux textures variées. Plus de détails dans la galerie.

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GoldieBlox Hammers Barbie-Style Dolls in This Creepy-Cool Homage to Apple's '1984'

GoldieBlox is back with a charged ad aimed once again at tackling sexism in children’s toys.

The spot, which is structured much like Apple’s famed “1984” commercial, features young girls decked out in all manners of glitter and pink (you know, “girly” things) lining up to grab perfect Barbie-like dolls while a “Big Sister” drones, over and over: “You are beauty, and beauty is perfection.”

What is it about Orwellian spots and hammers? Why is smashing things to smithereens so satisfying? Anyway, you can guess the ending.

This time GoldieBlox taps Metric’s “Help I’m Alive” for its soundtrack, which is a little on the nose since the chorus of the song says hammer a bunch of times. Though the company must have been pretty careful with its song choice after what happened last time.

While the spot certainly isn’t perfect, it’s still such a thrill to see advertising that’s so passionate about throwing entrenched gender norms out the window. 

Via Time.



Ad Revenue Tumbles at Owner of L.A. Times, Chicago Tribune


Third-quarter advertising revenue at Tribune Publishing — owner of 10 daily newspapers including Los Angeles Times, Chicago Tribune and Baltimore Sun — was off 9.5% compared with the previous year to $221 million, the company said Wednesday.

Digital sales, where some traditional media companies have seen sharp gains, fell 7.5% to $44 million.

“We are not satisfied with the company’s advertising performance in the third quarter,” CEO Jack Griffin said during an investor call Wednesday explaining the quarterly results. “We are taking significant steps to address ad revenue performance going forward.”

Continue reading at AdAge.com

Transfixion Films: PSA – Bath time

Fake Public Service Announcements that satirize the PSA “formula” – show something scary or disturbing, cut abruptly, use statistics and simple commands and questions.

Production Company: Transfixion Films

Transfixion Films: PSA – Another face

Fake Public Service Announcements that satirize the PSA “formula” – show something scary or disturbing, cut abruptly, use statistics and simple commands and questions.

Production Company: Transfixion Films

Transfixion Films: PSA – Summer time

Fake Public Service Announcements that satirize the PSA “formula” – show something scary or disturbing, cut abruptly, use statistics and simple commands and questions.

Production Company: Transfixion Films

Transfixion Films: PSA – The goat

Fake Public Service Announcements that satirize the PSA “formula” – show something scary or disturbing, cut abruptly, use statistics and simple commands and questions.

Production Company: Transfixion Films

Transfixion Films: PSA – Television

Fake Public Service Announcements that satirize the PSA “formula” – show something scary or disturbing, cut abruptly, use statistics and simple commands and questions.

Production Company: Transfixion Films

Sanuk: Never uncomfortable – Drummer boy

Advertising Agency: Ignited, USA
Creative Director: Graham Simon
Associate Creative Director: Karin Djelaj
Senior Art Director: Jeremy Carson
Senior Copywriter: Dan Elmslie
Producer: Mike Dobbs
Account Director: Christel Roldan
Account Executive: Janai McElroy
Photographer: Tyler Gray
Production House: Original Films
Director: Tom DeCerchio
Executive Producer: Joe Piccirillo
Producer: Dennis McCollough
Director of Photography: Michael Bonvillian
Editor: Jonathan Del Gatto
Music: Sebastian Robertson / We the People
Sound Design/Audio Mix: Sonic Magic

Sanuk: Never uncomfortable – #1 fan

Advertising Agency: Ignited, USA
Creative Director: Graham Simon
Associate Creative Director: Karin Djelaj
Senior Art Director: Jeremy Carson
Senior Copywriter: Dan Elmslie
Producer: Mike Dobbs
Account Director: Christel Roldan
Account Executive: Janai McElroy
Photographer: Tyler Gray
Production House: Original Films
Director: Tom DeCerchio
Executive Producer: Joe Piccirillo
Producer: Dennis McCollough
Director of Photography: Michael Bonvillian
Editor: Jonathan Del Gatto
Music: Sebastian Robertson / We the People
Sound Design/Audio Mix: Sonic Magic

Pepín Bread: Burger

An essential part of all your summer activities. Hamburger buns.

Advertising Agency: DLC / Ogilvy & Mather San Juan, Puerto Rico
Creative Director: Rafael Sepúlveda
Art Director: Jennifer Zierenberg
Copywriter: Ricardo Martí
Illustrator: Zoom Digital Studio
Published: July 2014

Pepín Bread: Hot dog

An essential part of all your summer activities. Hot dog buns.

Advertising Agency: DLC / Ogilvy & Mather San Juan, Puerto Rico
Creative Director: Rafael Sepúlveda
Art Director: Jennifer Zierenberg
Copywriter: Ricardo Martí
Illustrator: Zoom Digital Studio
Published: July 2014

The Salvation Army: Coin, 1

Inequality has two sides.

Advertising Agency: WMcCann, São Paulo, Brazil
Creative Director: Milton Mastrocessario
Art Director: Guilherme Valverde
Copywriter: Giovani Baggio
Illustrator: Boreal
Accounts: Maximiliano Lacerda, Rafaela Reis, Caio Amaral
Art Buyer: Ricardo Lívio
Published: June 2014

The Salvation Army: Coin, 2

Inequality has two sides.

Advertising Agency: WMcCann, São Paulo, Brazil
Creative Director: Milton Mastrocessario
Art Director: Guilherme Valverde
Copywriter: Giovani Baggio
Illustrator: Boreal
Accounts: Maximiliano Lacerda, Rafaela Reis, Caio Amaral
Art Buyer: Ricardo Lívio
Published: June 2014

RAF Bomber Command: Harry

Advertising Agency: Jabberwocky, Bath, UK
Creative Director / Copywriter: Mark Humphries
Art Director / Director / Producer: Dave Young
Published: November 2014

RAF Bomber Command: Doug

Advertising Agency: Jabberwocky, Bath, UK
Creative Director / Copywriter: Mark Humphries
Art Director / Director / Producer: Dave Young
Published: November 2014

RAF Bomber Command: Gordon

Advertising Agency: Jabberwocky, Bath, UK
Creative Director / Copywriter: Mark Humphries
Art Director / Director / Producer: Dave Young
Published: November 2014

Reporters Without Borders: Tweet free as a bird

Advertising Agency: Publicis, Belgium
Creative Directors: Tom Berth, Geert De Rocker?
Creatives: Marc Richard Vander Heyden, Kermit Cota?
Graphic Designer: Kenzo Mayama Kramarz
?Account: Fiona Amoroso?
Digital Producer: Jonathan Wieme?
Connection Planner: Floris Adriaenssens ?
Video Editor: Arnaud Hemroulle?
Sound Design: Lucky Frames
?Development: Lucky Frames ?
Front end development: Gabriel Mladin?
Bird photographers: Dmitry Yakubovich, Chris Romeiks