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Relationship with your agency on the rocks? Looking for love with a new one? Just want to check out the playing field? A just-released app is like Tinder for clients seeking a connection with some of the best agencies in Amsterdam.
It’s called Pitcher. Available on iOS and Android phones, it lets you specify criteria like brand category, campaign type and pitch fee—and then you swipe through a selection of Amsterdam’s top ad agencies, each with a short profile and overview of their latest work.
Swipe left to dismiss, swipe right to select.
You can create a shortlist of up to five agencies, then call them directly or send an email inviting them to take part. No information is stored or shared with any third parties.
Pitcher was created by ad agency Woedend!, which is Dutch for “Furious!” (Maybe take its bio with a grain of salt?) The content for the app is supplied by Amsterdam Ad Blog.
“The current pitch culture [in the Netherlands] is not sustainable,” says Woedend! creative director Merien Kunst. “Brands are increasingly flirty, and agencies need to invest more time and money in smaller projects and shorter relationships. … We believe that this free app really adds value for marketeers.”
It’s a slow-down in name only. Launched last night, today’s “Internet Slowdown” is a web initiative aimed at raising awareness about the negative effects of potential Internet rule changes. But consumers don’t have to fret over slowly loading videos or cat pictures.
The protest is manifested by an animated gif representing time lapsing as files load, which is meant to serve as a recognizable symbol of a sluggish Internet experience. That and other images link to tools connecting people via phone with congressional members’ offices to express their opinions on net neutrality, or allowing them to sign a letter to Federal Communications Commission Chairman Tom Wheeler.
“We are writing to urge you to implement strong and unambiguous net neutrality rules that protect the internet from discrimination and other practices that will impede its ability to serve our democracy, empower consumers, and fuel economic growth,” begins the letter on the Battle for the Net site.
Dans le cadre de The 2014 EyeEm Festival & Awards, voici les dix portraits choisis par le jury du festival. Ces magnifiques images ont toutes été prises à l’aide de smartphones, et le résultat en est d’autant plus incroyable. Hommes, femmes, enfants de tous horizons sont à découvrir en images.
By Dinalf.
By Heomira.
By Selvatica.
By Theflyshutter.
By Saskia Boelsums.
By FaisalTheF.
By Junic.
By Locusapien.
By Zhijiechang.
By Peterfranc9.
Apple’s smart watch won’t be released until early next year, but the company is already stocking up its wearable app store.
Facebook, Yahoo, Pinterest and Twitter are among the companies developing apps for Apple Watch, which the company unveiled on Tuesday. While those four companies operate ad-supported businesses, marketers shouldn’t rush to prep campaigns for the companies’ even-smaller-screen apps.
Apple VP Kevin Lynch only showed the ability to receive and act on Facebook notifications, but gave a slightly more in-depth look at a couple other social networks’ wearable apps. Twitter’s Watch app will let people check their timelines and tweet. Pinterest’s Watch app will take things someone has previously pinned on desktop or phone app with a location and show them that pin when they are physically near it as well as directions for how to get to it.
This morning we have an update and some breaking news regarding Ogilvy: the agency made its Coke Zero win official and won new business from client Kimberly-Clark.
On the Coke front, a source tells us that an internal memo regarding the win (which we broke last month) recently circulated around the agency’s offices. The source noted that this is the first major agency move made by top marketer Wendy Clark since she assumed leadership of Coca-Cola North America in May.
The following tweet from Ogilvy CMO Lauren Crampsie seems to confirm that the party started last week…
New Career Opportunities Daily: The best jobs in media.
Last year, the 3% Conference held its inaugural event. In various ways, the conference came at the fact that just 3% of creative directors are women. I was there and it was an insightful, educational experience.
Sadly, I can’t make this year’s conference but there is good news to share. The conference may have to change its name because women now make up 11% of all creative directors.
Nine years ago, University of Texas graduate student Kasey Windels wrote a dissertation entitled,”Proportional Representation and Regulatory Focus: The Case for Cohorts among Female Creatives” and a follow up paper entitled “An Exploration into the Representation of Female Creatives in Today’s Advertising Agencies.” As part of that work, she examined the genders of award winners in the 1984, 1994 and 2004 Advertising Annuals of Communication Arts to arrive at the fact that just 3.6% of creative directors are female.
Obviously, it’s been a while since that study and things have changed. A new study has been conducted by The 3% Conference. That study followed the very methodology of the initial study by examining the 2013 Communication Arts Advertising Annual. And that 3.9% has increased by 319% to 11.5%.
Kat Gordon, founder of the 3% Conference, is well aware of the fact that this type of research is far from perfect and far from accurate and she’s advocating for better metrics around the topic that take into consideration that award winners may not be an accurate representation of the actual numbers of women who work in creative. In addition, a look at broader range of titles would help as well. She notes that the Bureau of Labor Statistics does not currently measure Creative Director as a title making it difficult to arrive at a comparable metric in relation to other industries.
From the study:
Women control 73% of consumer purchasing and $20 trillion of the world’s annual consumer spending.
They are more active on social networks and more likely to share a brand’s message with others. Women also represent the majority of early tech adopters4, social gamers5, and are amassing wealth at rates that will culminate in control $22 trillion of US wealth by the end of this decade.
But perhaps the figure that matters most comes from Greenfield Online for Arnold’s Women’s Insight Team, where 91% of women reported they didn’t think that advertisers understood them.
In short, the consumers who brands should want to fall in favor with most report overwhelming dissatisfaction with the way brands speak to them. While good creatives are trained to market anything to anyone, a 97% skew (now recalculated to 89% skew) creates a level of groupthink that represents a group not holding the consumer reins.
The advertising industry does not have a recruitment problem, but a retention
problem when it comes to gender diversity in creative departments. Portfolio schools are
graduating equal (if not greater) number of women than men. Yet these same women “disappear” from the field right around the time they have the appropriate level of experience to be CDs. The 3% Conference tackles the many reasons why: lack of mentorship, lack of visibility of female CDs, award show jury bias, lack of support for motherhood and other factors.
Gordon urges advertising agencies to take a company-wide look at the state of gender diversity to arrive at a benchmark from which benchmarks and goals can be set and from which measurements of progress can be made. She argues the same effort should be applied to ethnic and cultural diversity, long a hot (and, frankly, never solved) topic in the advertising industry.
The next 3% Conference will take place November 3-4 at the Intercontinental Hotel in San Francisco
Advertising Agency: TBWAPARIS, France
Creative Director: Marianne Fonferrier
Art Director: Ingrid Varetz
Copywriter: Antoine Colin
Production Company: Les Télécréateurs
Director: Peter Thwaites
Head of TV: Maxime Boiron
TV producer: Caroline Petrucelli
Advertising Agency: Bodega, USA
Coordinating Producer: Fred Gaudelli
Creative: Mark Levy
Creative Director / Director: Tripp Dixon
Senior Associate Director: Charlie Vanacore
Creative Director: Haley Geffen
Head of Production: Michael Flexner
Line Producer: Rayna Saslove
Director of Photography: Chuck Ozeas
Production Designer: Evan Rohde
Editor: Alan Chimenti / Northern Lights
Executive Producer: Robin Hall
VFX Company: Rodeo VFX
Advertising Agency: Big Bag Films, Ekaterinburg, Russia
Creative Director / Producer: Alexey Stasyuk
Director: Georgy Molodtsov
Copywriter: Alexey Stasyuk
Photographer: Ivan Ustinov
Line producer: Darya Petrova
Sound director: Gleb Burganov
Published: June 2014
It’s a good time to make an ad with Serena Williams, and Beats by Dre has done a particularly good job of it. Hot off the tennis star’s sixth U.S. Open win, her 18th major victory overall, the headphone brand is spotlighting the gym routine that helps her get so much crushing power on the court.
It would be standard-fare fitness footage if not for the fact that it continues Beats by Dre’s habit of creating ads that feel more like exceptionally shot, psychologically rich sports-themed music videos rather than commercials.
In this case, the clip (from R/GA’s London and Los Angeles offices) weaves in flashbacks to Williams’s childhood in Compton, Calif., as she pushes through her workout, while the song “Black Unicorn” by 2 Chainz featuring Sunni Patterson plays.
The track is a spectacular match, with beautiful lyrics about struggle and success. And that goes a long way to making the spot feel greater than the sum of its parts—packed with a inspiring storyline about an athlete at the top of her game, rewarding to listen to and watch—even if it is also loaded with product shots that demonstrate the value proposition.
Microsoft Corp., maker of the Xbox video-game console, is in discussions to acquire Mojang AB, the software company behind the popular game Minecraft, for more than $2 billion, three people with knowledge of the talks said.
Microsoft, the world’s largest software maker, is in serious talks with 4-year-old Mojang, said the people, who asked not to be named because the negotiations aren’t public. The deal may be concluded as soon as this week, though next week is more likely, said two people.
A purchase of Mojang would be the biggest deal struck since Satya Nadella took over as Microsoft’s CEO in February, succeeding Steve Ballmer. Mr. Nadella has been shifting the company’s focus more toward Web-based services and cloud computing. It has also renewed a push to woo serious gamers to the Xbox, following a lackluster attempt to turn the system into a device to serve up broader content such as movies and music.
Graphic designer and recent Tyler School of Art grad Max Amato created these print ads for Smartwater. When I was in portfolio school I had a teacher who used to say “Visual solutions rarely solve anything.” And while I don’t entirely agree, I think it’s hard to sustain a really big idea with them. In this case, these ads do come across as see say.
Moia, the ministry of aliyah and immigration wants YOU to come get a higher education in Israel.
Para divulgar o nome Yakult no mercado norte-americano, a marca resolveu contar um pouco de sua história de 80 anos, voltando no tempo até a época em que o médico e fundador Minoru Shirota se dedicou à pesquisa de lactobacilos que pudessem atuar na medicina preventiva. O resultado de anos de estudo foi a descoberta do Lactobacillus casei Shirota, base do leite fermentado Yakult.
A animação produzida pelo estúdio Passion Pictures faz parte de uma campanha criada pela agência Piston, de San Diego.
Post originalmente publicado no Brainstorm #9
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É inegável a influência que a internet tem hoje na política. A eleições de 2014 contam com uma série de ferramentas, aplicativos, sites e plataformas para que o eleitorado possa fazer as melhores escolhas, mas não são apenas as iniciativas sérias que têm vez.
O AngryPolitics, por exemplo, é um game aparentemente inocente, mas que convida o jogador a relembrar a importância do seu voto.
Usando a dinâmica do game AngryBirds, é possível escolher um político e derrubar itens empilhados no cenário de uma praia carioca. Dá para reparar que o jogo não foi atualizado depois da entrada de Marina na corrida presidencial, provavelmente porque a brincadeira foi criada com investimentos pessoais dos 3 criativos cariocas envolvidos.
“Amamos morar no Rio, mas chegamos à conclusão de que a cidade tem ficado infernal, trânsito, violência, oportunidades, pelo menos para as camadas mais baixas”, conta ao B9 um dos publicitários que criaram o AngryPolitics. Eles preferem não se identificar, dada a sensibilidade do tema político, mas ressaltam que tudo foi feito sem muitos recursos.
“Óbvio que se tivéssemos verba, seria uma iniciativa mobile friendly, mas foi desta forma que tentamos contribuir com a sociedade ou tentar alertar os eleitores”, defenderam. No rodapé, avisos lembram que os criadores não têm nenhuma associação política, e que qualquer semelhança com a realidade “é mera zoeira”.
Ao final de cada uma das fases, uma mensagem lembra que “política não é um jogo”, e pede ao jogador que não “jogue qualquer político no Rio [de Janeiro]”. Para jogar, basta acessar o site angrypolitics.cc
Post originalmente publicado no Brainstorm #9
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Le photographe portugais Rui Calçada Bastos, basé à Berlin, donne une nouvelle vision de la ville avec sa série « The Mirror Suitcase Man ». La rue se découvre à travers une valise-miroir qui la reflète et l’emporte. Des fragments de réverbères, d’immeubles, de bancs et de trottoirs où la ville se dévoile et se lit par morceaux.
Viacom’s proposed acquisition of Channel 5 from Northern & Shell for £450 million has been given the green light by European regulators.