Archimachine transforma países em máquinas

A gente já mostrou por aqui alguns dos projetos do ilustrador e arquiteto Federico Babina, que costuma fazer releituras de filmes e artistas, imaginando-os como obras arquitetônicas. Entre seus projetos mais recentes, está Archimachine, que transforma países em máquinas, misturando alguns conhecidos tesouros da arquitetura de cada um desses lugares.

No caso da França, por exemplo, é possível reconhecer a Torre Eiffel e o Centro Georges Pompidou, enquanto na Inglaterra vemos o Big Ben e London Eye. Mais um projeto muito bacana para o portfolio do artista. Confira abaixo.

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Brainstorm9Post originalmente publicado no Brainstorm #9
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Reciclando celulares para salvar as florestas do desmatamento

Sabe aquele calmo som da floresta, com farfalhar de folhas, barulhos de animais e cantorias de passarinhos? Ele pode ser drasticamente alterado com a chegada de motosserras de quem ilegalmente desmata uma região protegida.

A Rainforest Connection resolveu usar o próprio som do ambiente para ajudar a evitar o desmatamento ilegal. Usando celulares reciclados e uma estrutura que capta energia solar, a startup instalou diversos desses aparelhos da foto para monitorar o som local, detectando o estridente ruído das motosserras  e avisando as autoridades locais via SMS para que elas possam tomar uma providência.

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Além disso, o equipamento permite que nós tenhamos um contato mais direto com as florestas, podendo ouvir em tempo real, através de um aplicativo, a sinfonia silvestre das matas.

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Segundo os desenvolvedores do projeto, a ‘proteção’ das árvores gerada por cada equipamento instalado é o equivalente à retirar 3 mil carros das estradas – além, é claro, de ser uma incrível nova utilidade para aqueles milhões de celulares desatualizados que são jogados fora todos os dias.

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É uma pena que até agora o projeto só tenha arrecadado 20% do esperado. A expectativa é alcançar 100 mil dólares, o que não é exatamente um valor alto para os padrões do Kickstarter, e se esse valor for ultrapassado, há planos de instalar equipamentos do tipo na Amazônia brasileira e também na Indonésia.

Brainstorm9Post originalmente publicado no Brainstorm #9
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IKEA monta um site dentro do Instagram

Para divulgar a sua coleção de 34 novas peças da coleção IKEA PS, a conhecida marca de móveis decidiu criar um site feito completamente dentro do Instagram.

A recente funcionalidade de marcar outros usuários nas fotografias ajudou a desenvolver o fluxo de navegação, que se inicia na conta Ikea_ps_2014. A intenção é que todo o acesso fosse feito via smartphone, gerando o visual de navegação da foto abaixo (se você abrir o link em uma página na web, o resultado é bem diferente).

Lá, as 12 imagens que aparecem na primeira página de fotos de um usuário no Instagram formam um mosaico do site, que destaca as suas principais categorias.  Cada um dos produtos também ganhou sua própria conta no Instagram, permitindo que seja tagueado no catálogo principal e por quem mais quiser fazer referência ao produto quando fotografá-lo.

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Feito com uma montagem cuidadosa de postagens, que precisam aparecer em uma determinada ordem para gerar o visual desejado, a iniciativa mostra um jeito interessante de usar o Instagram como mídia sem precisar, necessariamente, comprar uma inserção de anúncio na ferramenta.

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A ação é da agência russa Instinct.

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Watch New TV Spots From Adidas, Honda, Visa and More


Every weekday, we bring you the Ad Age/iSpot Hot Spots, new and trending TV commercials tracked by iSpot.tv, a company that catalogs, tags and measures activity around TV ads in real time. The New Releases ran on TV for the first time yesterday. The Most Engaging ads are showing sustained social heat, ranked by SpotShare scores reflecting the percent of digital activity associated with each one over the past week. See the methodology here.

Among the new releases, Adidas uses a wordless, dramatically lit spot to plug its Adizero F50 soccer cleats — the World Cup has you in the mood for new ftbol gear, right? — while Visa serves up a bunch of Nobel Peace laureates and nominees who are, yes, excited about ftbol too. (Creativity previewed the spot and made it an Editor’s Pick.) And Hispanic comedian Felipe Esparza stars in an English-language Honda Fit spot that has a Spanish hashtag (#UnBuenFit).

As always, you can find out more about the making of the best commercials on TV at Ad Age’s Creativity.

Continue reading at AdAge.com

Book review: Art & Ecology Now

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The book moves through the various levels of artists’ engagement, from those who act as independent commentators, documenting and reflecting on nature, to those who use the physical environment as the raw material for their art, and those committed activists who set out to make art that transforms both our attitudes and our habits continue

Lemonade Films: War

Great movies, tiny budgets.

Advertising Agency: Leo Burnett Tailor Made, Sao Paulo, Brazil
Chief Creative Officer: Marcelo Reis
Creative Directors: Vinicius Stanzione, Alessandro Bernardo
Art Director: Ricardo Alonso
Copywriter: Flavia Coradini
Photographer: Nano Cunha
Graphic Producers: Zezinho Lima, Ricardo Sotelo
Art Buyers: Stella Crippa, Mauro Moura
Graphic: Burti
Accounts: Pablo Arteaga, Cintia Mourao, Daniela Ferreira, Caio Perez, Giovanna Rodrigues
Planners: Marcello Magalhães, Tiago Lara

Lemonade Films: Erotic

Great movies, tiny budgets.

Advertising Agency: Leo Burnett Tailor Made, Sao Paulo, Brazil
Chief Creative Officer: Marcelo Reis
Creative Directors: Vinicius Stanzione, Alessandro Bernardo
Art Director: Ricardo Alonso
Copywriter: Flavia Coradini
Photographer: Nano Cunha
Graphic Producers: Zezinho Lima, Ricardo Sotelo
Art Buyers: Stella Crippa, Mauro Moura
Graphic: Burti
Accounts: Pablo Arteaga, Cintia Mourao, Daniela Ferreira, Caio Perez, Giovanna Rodrigues
Planners: Marcello Magalhães, Tiago Lara

Lemonade Films: Drama

Great movies, tiny budgets.

Advertising Agency: Leo Burnett Tailor Made, Sao Paulo, Brazil
Chief Creative Officer: Marcelo Reis
Creative Directors: Vinicius Stanzione, Alessandro Bernardo
Art Director: Ricardo Alonso
Copywriter: Flavia Coradini
Photographer: Nano Cunha
Graphic Producers: Zezinho Lima, Ricardo Sotelo
Art Buyers: Stella Crippa, Mauro Moura
Graphic: Burti
Accounts: Pablo Arteaga, Cintia Mourao, Daniela Ferreira, Caio Perez, Giovanna Rodrigues
Planners: Marcello Magalhães, Tiago Lara

Ex-CP+B ECD Roper Heads to EnergyBBDO

After spending the last two years as a writer/director at production company Partizan, Tim Roper has returned to the agency world, joining up with EnergyBBDO in “a senior creative capacity” according to sources familiar with the matter.

Roper, who we’ve been told arrived at the Chicago-based agency last month, spent the majority of his ad career at Crispin Porter + Bogusky–15 years in all–moving from Miami to the L.A. office over a decade ago and eventually settling in its Boulder HQ before leaving for Partizan in 2012. No word yet on his exact title at EnergyBBDO (we’re hearing ECD), but during his lengthy stay at CP+B, Roper worked on campaigns including the Burger King “Simpsonize Me” effort, the Will Arnett-starring Hulu spots and Sprite “Sublymonal.” During his career, Roper also worked early on as a copywriter/CD at Mullen.

New Career Opportunities Daily: The best jobs in media.

New Platform Tongal Crowdsources Advertising

A new platform called Tongal allows users to pitch ideas for ad campaigns directly to brands.

The way it works is pretty simple. A brand announces it is looking for a new ad campaign, and users can then pitch a tweet-length to them. The brand then picks their favorites, pays the people who came up with them, and gets in touch with directors (also part of the Tongal community) to shoot the ads. Once the process is complete, the winning video is chosen as the brand’s official new ad. The site already boasts over 50,000 users participating in daily ad contests. Brands involved include McDonald’s, LEGO, Ford, Pringles, and Oral-B.

“Myself, Rob (Salvatore) and Mark (Burrell) had come from Hollywood studios and were frustrated about how much waste we saw with creative talent,” Co-founder James De Julio told PSFK. “It seemed to be a closed system – the same people receiving multiple offers because of personal connections, seniority…we wanted to change that. That’s why the Tongal platform works, it gives everyone access to work. We like that we’ve created a meritocracy where people can earn real money and get their best work on a global stage.”

New Career Opportunities Daily: The best jobs in media.

Adidas, Poker Site Back Away From Surez After World Cup Bite


Before long, a pre-existing Adidas ad featuring a picture of a toothy, snarling Mr. Surez was attracting people and their cameras as well.

Adidas spokesperson Lauren Lamkin said its endorsement deal with Mr. Surez “remains unchanged at this time,” but the company is unhappy about the incident. “We certainly do not condone Luis Surez’s recent behavior and we will again be reminding him of the high standards we expect from our players,” Ms. Lamkin said in an email.

Poker website 888poker said Friday that it was dropping Mr. Surez as a brand ambassador, just six weeks after announcing that it had signed him up.

Continue reading at AdAge.com

How to Reduce the Danger of Risky Creative


With another round of advertising’s top honors bestowed, you can expect to see some people soon dashing from the Cannes Lions to the edge of the cliff.

No, it’s not a mass suicide by the world’s most consequential marketers. It’s that after sitting through a blizzard of notably great work, brand stewards are hell-bent on elevating their own marketing efforts. The flight home from Cannes was spent tapping out calls for something funnier or sharper or edgier. But is that really such a good idea?

It is if you can pull it off. It is when you see all those guys named Ronald McDonald pitching Taco Bell’s breakfast tacos. It is when you’re laughing at the long-haired man getting a shampoo while coddling his Southern Comfort.

Continue reading at AdAge.com

Don’t Drive Drunk Ads

La Don’t Drive Drunk Foundation a demandé à Leo Burnett Thailand de concevoir ces prints afin de sensibiliser le public aux dangers de la conduite en état d’ivresse. Ces clichés nous rappelle que prendre le volant après avoir pu consommer de l’alcool peut être similaire à celui de jouer à la roulette russe.

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Audi: Deer

Danger can appear before expected. Audi Pre Sense.

Advertising Agency: almapBBDO, Sao Paulo, Brazil
Chief Creative Officer: Marcello Serpa
Executive Creative Director: Luiz Sanches
Creative Directors: Bruno Prosperi, Renato Simões
Art Director: Ronaldo Fonseca
Director of Client Services/management: Gustavo Burnier
Account Vice President: Fernanda Antonelli
Account Director: Pedro Franco
Account Manager: Isabela Crestana

Audi: Child

Danger can appear before expected. Audi Pre Sense.

Advertising Agency: almapBBDO, Sao Paulo, Brazil
Chief Creative Officer: Marcello Serpa
Executive Creative Director: Luiz Sanches
Creative Directors: Bruno Prosperi, Renato Simões
Art Director: Ronaldo Fonseca
Director of Client Services/management: Gustavo Burnier
Account Vice President: Fernanda Antonelli
Account Director: Pedro Franco
Account Manager: Isabela Crestana

Leica: Sailor/nurse/kiss

Capturing history for 100 years.

Advertising Agency: Geometry Global, Berlin, Germany
Chief Creative Officer: Christian Mommertz
Creative Directors: Felix Duerichen, Anita Stoll
Associate Creative Director: Jutta Haeussler
Senior Art Directors: Sabine Brinkmann, Oliver Rapp
Art Directors: Mona Pust, Nina Gruen, Sabine Bartels
Senior Copywriter: Philipp Von Buttlar
Deputy Managing Director: Maik Hofmann
Project Manager: Tim Eisenhauer

Leica: Napalm/girl/road

Capturing history for 100 years.

Advertising Agency: Geometry Global, Berlin, Germany
Chief Creative Officer: Christian Mommertz
Creative Directors: Felix Duerichen, Anita Stoll
Associate Creative Director: Jutta Haeussler
Senior Art Directors: Sabine Brinkmann, Oliver Rapp
Art Directors: Mona Pust, Nina Gruen, Sabine Bartels
Senior Copywriter: Philipp Von Buttlar
Deputy Managing Director: Maik Hofmann
Project Manager: Tim Eisenhauer

Intermarche: Grotesque apple

Intermarche’s inglorious fruits and vegetables: a glorious fight against food waste.

Advertising Agency: Marcel, Paris, France
Chief Creative Officers: Erik Vervroegen, Anne de Maupeou
Executive Creative Director: Dimitri Guerassimov
Creative Director: Julien Benmoussa
Copywriters: Julien Benmoussa, Gaëtan Du Peloux, Youri Guerassimov
Art Directors: Youri Guerassimov, Gaëtan Du Peloux, Anais Boileau
Account Supervisor: Blandine Mercier
Account Manager: Lou de Keyzer
Project Manager: Noëlla Neffati
Strategic Planning: Guillaume Le Gorrec, Leoda Esteve
Global Print Manager: Jean Luc Chirio
Art Buyer: Soone Riboud
Producer: Justine Beaussart
Photographer: Patrice de Villiers
Retouching: L’asile Paris

Intermarche: Disfigured eggplant

Intermarche’s inglorious fruits and vegetables: a glorious fight against food waste.

Advertising Agency: Marcel, Paris, France
Chief Creative Officers: Erik Vervroegen, Anne de Maupeou
Executive Creative Director: Dimitri Guerassimov
Creative Director: Julien Benmoussa
Copywriters: Julien Benmoussa, Gaëtan Du Peloux, Youri Guerassimov
Art Directors: Youri Guerassimov, Gaëtan Du Peloux, Anais Boileau
Account Supervisor: Blandine Mercier
Account Manager: Lou de Keyzer
Project Manager: Noëlla Neffati
Strategic Planning: Guillaume Le Gorrec, Leoda Esteve
Global Print Manager: Jean Luc Chirio
Art Buyer: Soone Riboud
Producer: Justine Beaussart
Photographer: Patrice de Villiers
Retouching: L’asile Paris

Intermarche: Ugly carrot

Intermarche’s inglorious fruits and vegetables: a glorious fight against food waste.

Advertising Agency: Marcel, Paris, France
Chief Creative Officers: Erik Vervroegen, Anne de Maupeou
Executive Creative Director: Dimitri Guerassimov
Creative Director: Julien Benmoussa
Copywriters: Julien Benmoussa, Gaëtan Du Peloux, Youri Guerassimov
Art Directors: Youri Guerassimov, Gaëtan Du Peloux, Anais Boileau
Account Supervisor: Blandine Mercier
Account Manager: Lou de Keyzer
Project Manager: Noëlla Neffati
Strategic Planning: Guillaume Le Gorrec, Leoda Esteve
Global Print Manager: Jean Luc Chirio
Art Buyer: Soone Riboud
Producer: Justine Beaussart
Photographer: Patrice de Villiers
Retouching: L’asile Paris