Galapagai Festival 2013: Lake

Escape the roof.

Advertising Agency: GRAD studio, Vilnius, Lithuania
Creative Directors: Regis Pranaitis, Tomas Gruzdys
Photographer: Fotelier
Published: June 2013

Galapagai Festival 2013: Mud

Give up the earphones.

Advertising Agency: GRAD studio, Vilnius, Lithuania
Creative Directors: Regis Pranaitis, Tomas Gruzdys
Photographer: Fotelier
Published: June 2013

Galapagai Festival 2013: Stage

Tear off the chair.

Advertising Agency: GRAD studio, Vilnius, Lithuania
Creative Directors: Regis Pranaitis, Tomas Gruzdys
Photographer: Fotelier
Published: June 2013

Man ‘Levitates’ Alongside London Bus in Pepsi Max Stunt

pepsi_max_dynamo_levitate.png

OK this is cool and all but, really? Please! On the other hand, we suppose there are plenty of people out there, as seen in the video, who are more than happy to be wowed by a guy who levitates alongside a London bus crossing the Westminster Bridge.

The stunt, created last month by Arnold KLP for Pepsi Max, involved English magician Dynamo affixing himself to the side of a London bus so that he appears to levitate alongside the bus as it crosses the bridge.

While the ad world hasn’t discussed this much, there has been plenty of breathless “secret revealed” coverage in English media. There’s even a video which digs deep into the mechanical aspects of the stunt.

Of course the bus and everyone on it was in on the stunt and his rising up and lowering down were shot separately from the footage of agog Londoners recording the event on their digital devices.

Sure, the stunt is cool and sure, Pepsi gleaned plenty of publicity. But, much like sci-fi movies which have had to become ever more logically realistic for increasingly jaded and more enlightened consumers, stunts like this are far less likely to pull the wool over anyone’s eyes for very long.

Strangers Portraits

Le photographe américain Richard Renaldi parcourt les rues de la ville de New-York et demande à des inconnus de poser ensemble. Sa série intitulée « Touching Strangers » force la communication et le contact entre les individus, obligés de se toucher lorsqu’ils se font photographier. De très belles photos à découvrir.

 width=

 width=

 width=

 width=

 width=

 width=

 width=

 width=

 width=

 width=

 width=

st7
st9
st11
st5
st4
st3
st2
st1
st
st6
st8

Tesco tells UK to ‘Love Every Mouthful’

Tesco staff and suppliers are telling customers to “Love Every Mouthful” in a TV, cinema, out-of-home, press, social media and digital campaign designed to celebrate “food in all its glory”.

Twisted take on summer promotes Andy Warhol Museum

A hotdog bun filled with worms rather than a sausage, a meat-laden kebab skewer impaling a man’s nipple and a miniaturised beachball as an S&M gag in a woman’s mouth are among the images being used to promote The Andy Warhol Museum in Pittsburgh in the US.

Lonely Planet: London

Travel beyond trip.

Advertising Agency: Lua Propaganda, Brazil
Creative Director: Átila Francucci
Art Director: Caio Grafietti
Copywriter: Davi Sabry
Strategic Planner: Paula Righetti
Account Manager: Ricardo Polmon
Agency Producers: Anna Bohm, Sabrina Inui
Photographer: Pict studio
Published: October 2012

Lonely Planet: New York

Travel beyond trip.

Advertising Agency: Lua Propaganda, Brazil
Creative Director: Átila Francucci
Art Director: Caio Grafietti
Copywriter: Davi Sabry
Strategic Planner: Paula Righetti
Account Manager: Ricardo Polmon
Agency Producers: Anna Bohm, Sabrina Inui
Photographer: Pict studio
Published: October 2012

Lonely Planet: Paris

Travel beyond trip.

Advertising Agency: Lua Propaganda, Brazil
Creative Director: Átila Francucci
Art Director: Caio Grafietti
Copywriter: Davi Sabry
Strategic Planner: Paula Righetti
Account Manager: Ricardo Polmon
Agency Producers: Anna Bohm, Sabrina Inui
Photographer: Pict studio
Published: October 2012

Staedtler: Thousands of stories, 3

12 colors, thousands of stories.

Advertising Agency: Simple, Santiago, Chile
Executive Creative Director: Tony Sarroca
Creative Directors: Max König, Pablo Urrutia
Copywriter: Francisco González
Art Director / Illustrator: Diego Gómez
Account Supervisor: Mauricio Amenábar
Advertiser’s Supervisor: Gonzalo Mutis

Staedtler: Thousands of stories, 2

12 colors, thousands of stories.

Advertising Agency: Simple, Santiago, Chile
Executive Creative Director: Tony Sarroca
Creative Directors: Max König, Pablo Urrutia
Copywriter: Francisco González
Art Director / Illustrator: Diego Gómez
Account Supervisor: Mauricio Amenábar
Advertiser’s Supervisor: Gonzalo Mutis

Staedtler: Thousands of stories, 1

12 colors, thousands of stories.

Advertising Agency: Simple, Santiago, Chile
Executive Creative Director: Tony Sarroca
Creative Directors: Max König, Pablo Urrutia
Copywriter: Francisco González
Art Director / Illustrator: Diego Gómez
Account Supervisor: Mauricio Amenábar
Advertiser’s Supervisor: Gonzalo Mutis

The Most Rewarding Marketing Mistake I Ever Made

doh_homer.gif

Recently, a colleague asked me, “What was the most rewarding mistake you ever made in business?”

It’s a great question, and I quickly had an answer for him because it was an incredibly painful mistake. However, it proved to be an invaluable lesson that has served me well in the years since. I’m sharing so perhaps you can learn it the easy way.

The lesson: Don’t ever stop marketing because you think you’ve reached the point where you don’t need to. And, secondarily, believe the old adage that warns, “Don’t put all your eggs into one basket.”

There’s a story, of course…

Years ago, my public relations company connected with a large publishing house that served many prestigious authors. The first few of its authors we accepted as clients had such successful campaigns, we quickly became the publicity firm of record for this publisher. I thought we’d tapped the mother load! The publisher kept a steady stream of clients flowing to us, and eventually, they became about 80 percent of our business.

We were so focused on delivering for these authors that we became much less focused on getting our company name out to prospective new clients. We slowly stopped marketing. Our newsletters ground to a halt. We didn’t waste time networking. We quit our efforts to get the same publicity for our company that we get for clients. Why bother? We didn’t need new clients!

We had a whole basket full of beautiful perfect eggs and we were happily skipping along with it.

And then … it broke.

The publisher ran into some serious problems with its investors and the business came crashing down. And guess who almost went with it?

Our eggs were cooked.

Faced with only a few clients and no prospects, we got busy fast and cranked up the marketing department (me!) again. It took awhile to regain the momentum we’d lost but, thankfully, we had a side business that could help pay the bills in the interim. Slowly but surely (this was before the age of social media, which really speeds things up), we built up a new list of prospects and clients – only this time from a diverse array of sources.

It was a terrible but powerful experience that demonstrated very clearly: No matter how great things seem to be going, you never stop marketing. It needs to be a constant hum because if that hum stops, you know there will be a big problem ahead.

I stopped marketing because I thought I had all the clients I needed. Over the years I’ve seen others make the same mistake but for different reasons. Here are a few:

One great publicity hit is a really bad reason to stop marketing. I’ve talked to people who believed if we could just get them on “The Oprah Winfrey Show” (before 2011) or “The Ellen DeGeneres Show,” that was all they’d need. They’d be done. Yes, a big national show can give you a tremendous launch, but you won’t keep soaring unless you do something to stay in the public eye. I guarantee you, there are plenty of people you never heard of who got their “big break” and then disappeared because they stopped marketing.

Most of us won’t get those huge hits – and that’s not a reason to stop, either. I haven’t been on “Oprah” but I often hear from prospective clients that I or my business was recommended to them by someone I’ve never met and don’t know. That’s what good, sustained marketing does. It may not always create fireworks, but that doesn’t mean it’s not working for you.

Yesterday’s story is old news. Look for fresh new ways to stay in the public eye. The publicity you get today can continue to work for you online, but eventually, it’s going to be old news. We encourage our clients to post links to their publicity on their websites; it shows visitors that they have credibility with the media. But if those visitors see only publicity and testimonials that are five or 10 years old, they’re going to wonder why no one’s been interested in you more recently.

Just as I put all my eggs in one basket by relying on one source for clients, it’s also a mistake to rely on just one marketing tool. Maximize the reach of the publicity you get in traditional media by sharing it on social media. Put a blog, or other content you can renew and refresh, on your website. Write a book. Do speaking engagements (for free, if necessary). Your audience is likely not all huddled together in one corner of the world. To reach them, use a variety of marketing tools.

Whatever it is you’re promoting – your business, your product, your book, yourself – keep the momentum going. If you want people to know you’re out there, you have to stay out there.

This guest post was written by Marsha Friedman, a 23-year veteran of the public relations industry. She is the CEO of EMSI Public Relations, a national firm that provides PR strategy and publicity services to businesses, professional firms, entertainers and authors. Marsha is the author of Celebritize Yourself and she can also be heard weekly on her Blog Talk Radio Show, EMSI’s PR Insider every Thursday at 3 p.m. EST. Follow her on Twitter: @marshafriedman.

Introducing the Social-TV Ecosystem Chart 2.0


Last month Ad Age asked for reader input as we worked with our editorial partner Trendrr, the social-media monitoring firm, on updating our Social-TV Ecosystem chart — a graphic representation of key companies in the sprawling social-TV space. Today, we’re presenting the results of that collaboration.

Some notes: We’ve bumped up the chart to a 2.0 version because it’s structurally a little different from previous 1.x charts, in that we cut back and consolidated the number of “slices” of the pie to simplify things a bit. And, once again, we’ve added a bunch of companies while removing others. Some of the adjustments were for happy reasons (for instance, Bluefin Labs is gone because it got purchased by and absorbed into Twitter in February in a deal said to be in the $100 million range). Others, less happy (Umami, maker of a social-TV iPad app, “concluded its beta trial period” in the spring, and last we heard, had put its intellectual property up for sale).

As always, this chart isn’t the last word on the rapidly morphing social-TV sector, so we’ll keep updating it. Stay tuned…

Continue reading at AdAge.com

If You Have Eight Minutes to Spare, Here’s a New Cannes Lions Doc

We’re sure many of you on the East Coast have already checked out by this point, but here’s a short film anyways produced by Jack Morton Worldwide that somewhat documents the Cannes Lions experience. Beginning with shots of creative notables including AKQA CCO Rei Inamoto in some sort of meditative pose as they ponder the questions being asked, the video eventually gives us a sense (especially those of us who’ve never made it out there) of what it’s like to win, or just be at the week-long event in general. That’s good enough for us at this point, thanks.

Regarding the doc, which also features the likes of David Droga, Jack Morton director of moving image, EMEA Adam Norris tells Campaign Brief, “Cannes Lions is far more than an industry event; it’s the key gathering of creative minds from across the globe.   Creating the documentary is a singular opportunity to shine a light on this world and reveal what makes Cannes unique.” And we suppose it basically does.

New Career Opportunities Daily: The best jobs in media.

Pepsi Max: Bus Levitation

The video features wildly popular English magician Dynamo in a first-ever-performed stunt levitating from the side of a branded London bus while crossing the Westminster Bridge.

Advertising Agency: Arnold KLP, UK
Creative Director: Andrew Watkinson
Production Company: Inner Circle
Director: Alex Hartman

Russian social network Odnoklassniki uses 404 error message for WWF push

Users who accidentally reach a “404 not found” webpage on Russian social media site Odnoklassniki will be presented with an image of an endangered species and text telling them that the animal is in danger of “not existing”.

Embryo Treehouse

Antony Gibbon livre une création aussi design qu’elle est éco-responsable, Embryo. Des habitats recouverts de bardeaux de cèdre tout en courbes, suspendu à l’aide d’entretoises de façon à ne pas entraver l’évolution naturelle des arbres auxquels ils sont accrochés. Une façon pour l’artiste de reconnecter avec la nature.

 width=

 width=

 width=

 width=

 width=

 width=

ei1
em
ei3
em4
ei
ei2
em5

Curvaceous Cartoon Superheroes – These Disney Princess Superheroes are Killer Character Adaptions (GALLERY)

(TrendHunter.com) Most of us grew up watching Disney movies and have strong attachments to the characters we would watch; however, we have never seen our favorite characters quite like these Disney princess…