WWF: Last Words of the Javan Rhino

As the sun sets over the waterhole its rays turn the water red, the same colour as my blood. I have loved wallowing in the mud of this waterhole and hiding in my little corner of the forest. But, this will probably be my last sunset. Millenia from now you might remember the species called the Javan Rhino, but we will be long gone. Maybe when you see my horn on display in the museum you will realize how savage and cruel people are.

Advertising Agency: Linksus, Beijing, China
Creative Directors: Polar Qiao, Liu Qiang, Gentrad
Art Directors: Polar Qiao, Sui ZhanFeng
Copywriters: Gentrad, Tian LinYan
Illustrators: Guo QingWen, Guo Ge
Photographer: G7studio
Published: December 2012

WWF: Last Words of the Mauritius Dodo

I’m happy to have no regrets. I have loved watching the sun come up over my beautiful island home of Mauritius, and even though I am about to die, I’m lucky to have survived longer than any other of my kind. People say that as a bird we are very stupid and fat and that we can’t even fly, in fact they say we’re only good for eating. Is there nothing people won’t eat? Even though I’ll shortly be served up on a platter, I have satisfaction in knowing I will be the last meal of my kind. Bon appetite.

Advertising Agency: Linksus, Beijing, China
Creative Directors: Polar Qiao, Liu Qiang, Gentrad
Art Directors: Polar Qiao, Sui ZhanFeng
Copywriters: Gentrad, Tian LinYan
Illustrators: Guo QingWen, Guo Ge
Photographer: G7studio
Published: December 2012

MoneyGram: Flags, Lebanon-Philippines

Bringing you closer

By juxtaposing the right 2 flags, the form of an arrow is revealed, thereby symbolizing the act of transfer from one country to another.

Advertising Agency: Drive Dentsu, Beirut, Lebanon
Creative Director: Alain Shoucair
Art Director: Jad Nassif
Published: Month, Year: January 2013

MoneyGram: Flags, Germany-Jordan

Bringing you closer

By juxtaposing the right 2 flags, the form of an arrow is revealed, thereby symbolizing the act of transfer from one country to another.

Advertising Agency: Drive Dentsu, Beirut, Lebanon
Creative Director: Alain Shoucair
Art Director: Jad Nassif
Published: Month, Year: January 2013

MoneyGram: Flags, UAE-Djibouti

Bringing you closer

By juxtaposing the right 2 flags, the form of an arrow is revealed, thereby symbolizing the act of transfer from one country to another.

Advertising Agency: Drive Dentsu, Beirut, Lebanon
Creative Director: Alain Shoucair
Art Director: Jad Nassif
Published: Month, Year: January 2013

Movistar: Backup address book

Advertising Agency: Y&R, Peru
Executive Creative Director: Flavio Pantigoso
Head of Art: Christian Sanchez
Creative Directors: Jorge Soto, Charlie Valderrama
Copywriters: Jorge Soto, Andre Toledo
Art Director: Charlie Valderrama
Agency Executive Producer: Patricia de la Cuba
Agency Producer: Malena Mellado
Planner: Eduardo Grisolle
Account Director: Manuel Ahumada
Account Executive: Gabriela Misari
Production: Rebeca
Director: Miguel Bueno
Photography: Mischa Llunch
Art Direction: Mario Frias
Assistant Director: Guido Merea
Executive Producer: Alejandro Noriega
Production Supervision: Eduardo Guerra
Production Assistant: Andrea Ruiz
Line Production: Neo Producciones
Line Producer: Mirella Delgado
Online / Post Production: Makaco
Post Producer: Oscar Ballon
Offline: Rossana Samanamud
Audio: Noize Sound
Music: Pelo Madueño
Music Producer: Raquel Rodriguez
Audio Post Production: Lucho Garcia

Iluminar: Keith Richards

The Light Transforms

Advertising Agency: Reciclo, Belo Horizonte, Brazil
Creative Director / Copywriter: Marcone Procópio
Art Director: Matheus Gomes
Photographer: Cícero Mafra
Published: November 2012

Iluminar: Ballerina

The Light Transforms

Advertising Agency: Reciclo, Belo Horizonte, Brazil
Creative Director / Copywriter: Marcone Procópio
Art Director: Matheus Gomes
Photographer: Cícero Mafra
Published: November 2012

Iluminar: Conductor

The Light Transforms

Advertising Agency: Reciclo, Belo Horizonte, Brazil
Creative Director / Copywriter: Marcone Procópio
Art Director: Matheus Gomes
Photographer: Cícero Mafra
Published: November 2012

No Theatre: The Sketch

A poster for a play, based on famous short story by Russian writer Nikolai Gogol and shaped like a diary, throughout which the main character “creates himself” by trying to answer the essential questions of life.

Advertising Agency: Love, Vilnius, Lithuania
Creative Director: Mindaugas Juozapavicius
Art Director: Martynas Birskys
Copywriter: Gabrielius Jucevicius
Illustrator: Povilas Gavorka
Published: November 2012

Hi-Chew: Toothbrush Hero

Challenge: Our challenge is to encourage children to brush their teeth as a No.1 candy brand, Hi-Chew’s corporate social responsibility. Also, earn trust from mothers who actually buy the product.

Core idea: Toothbrush hero. To answer is to turn hateful tooth brushing into a kids loving rhythm game. Tooth-brushing is done while children play and compete for the points!

Results: We invented this device, let kids experience at events, made it into a movie and help a campaign to win the chance to experience Toothbrush Hero. 30 thousand people applied for the prize promotion. Starting with Yahoo, other main news websites covered it. “To have fun” is the key to the activation of childcare and business.

Advertising Agency: Hakuhodo, Tokyo, Japan

Copenhagen Skatepark: Upside down and mirrored poster

Our Indoor Skatepark is Never too wet to Skate

We placed posters at skateparks in Copenhagen. The message was printed upside down and mirrored, so it was only readable in the reflections in the puddles on the ground. By targeting the skaters in the beginning of the autumn, we positioned Copenhagen Skatepark as the obious choice for skating during the wet season.

Creative: Mikkel Møller
Published: October 2012

Ford LiftGate technology: Shoe

Your foot gives you a hand
The new Ford Escape with Foot Activated Liftgate

Advertising Agency: Zubi Advertising, Miami, USA
Executive Creative Director: Ivan Calle
Copywriter: Jorge Jacome
Art Director: Francisco Losada
Photographer: Mauricio Candela
Illustrator: Oscar Alonso
Published: March 2013

Ford LiftGate technology: Boot

Your foot gives you a hand
The new Ford Escape with Foot Activated Liftgate

Advertising Agency: Zubi Advertising, Miami, USA
Executive Creative Director: Ivan Calle
Copywriter: Jorge Jacome
Art Director: Francisco Losada
Photographer: Mauricio Candela
Illustrator: Oscar Alonso
Published: March 2013

Ford LiftGate technology: Converse

Your foot gives you a hand
The new Ford Escape with Foot Activated Liftgate

Advertising Agency: Zubi Advertising, Miami, USA
Executive Creative Director: Ivan Calle
Copywriter: Jorge Jacome
Art Director: Francisco Losada
Photographer: Mauricio Candela
Illustrator: Oscar Alonso
Published: March 2013

Or Yarok: Crosswalk

Kids daydream even on the road

Advertising Agency: Lead, Israel
Executive Creative Director: Lior Zaid
Creative Director: Ifat Shlazinger
Copywriter: Nir ambar
Art Director: Yarden Kot-Gur
Illustrator: Mati Bar
Account Supervisor: Anat Shriber
Executive Account Director: Shelly Shpilman Yaari
Executive Strategy Director: Yossi Baruch

Rajaram Rajendran : Digital Art

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Rajaram Rajendran, runs a Bangalore based tiny film production studio called Eleven Elements, where he makes films, and does digital image production. He consults on interactive and app design, runs occasional free workshops on designing for the digital medium, digital filmmaking and matte painting. He also clicks some photos sometimes, writes an article here and there and makes some music.

Why are you an Illustrator?
I’ve been making random images since 2004, but never knew what to call it. Then i started visiting Deviant Art sometime in 2008, and suddenly a whole world of Digital Art opened up. Because of the kind of work I saw there then, I got super inspired, started messing with more digital illustrations and some photo manips, and from there it kinda kicked on, as I kept learning.

Did you attend school for fine art or design?
No. But we have the internet.

You have a distinct style of illustration. How long did it take you to develop your style?
Quite a while in fact. When I started off I had absolutely no clue what i was doing. With digital, you know, if you keep messing with the software enough, something or the other that looks interesting will come up. I feel the trick is to be aware and push past that phase, till you’re able to create what you visualize. Sooner or later, some kind of pattern or a style will kick in.

Were there any particular role models for you when you grew up?
Oh yeah. I was a big fan of 2Advanced. Also Fantasy Interactive, 247 studios, Joshua Davis, Gmunk, North Kingdom, Group 94 and a whole bunch of others.

Who was the most influential personality on your career in Illustrations?
There were so many, i really can’t list out. But Ingo Ramin of 247 media studios  comes to mind first. His work kind of made me understand the word ‘detail’.

Do  you take workshops on designing on Digital medium.
Yes I do. Not a hell lot so far, but i want to find the time to do that a lot more this year. We have a lot of talent around in print design, and it really is super easy for print designers to move to digital / app design.

What made you decide to become a freelance illustrator? When did you start freelancing? Do you illustrate for advertising? Are many advertising agencies getting illustrations made these days? Do you work more with agencies or publishers?
Somewhere around 2005-2006. I also worked in a company for a year or so during then. The only ‘proper’ job I ever had. From then on it’s been mostly freelance/small studio set-ups/learning and working at the same time.
I do illustrate for advertising, not too much till now though. Films take up most of my time. When I do, I work with agencies, yes. I prefer, I guess just like everyone else, working with agencies/clients who make it personal. Who put themselves into the work they do.

Was there any time when you wanted to quit Illustrations?
Nope. Never. Digital illustrations are my best way to experiment with new colors, learn new techniques, learn more on composition or typography, you know, the basics. You can never learn that enough.

Have you considered turning your illustrations into graphic novels?
Not yet. Plus, i don’t think i’m that good at it to confidently create a graphic novel.

Any other Indian Illustrators who you admire?
Deepu Sasikumar. Brilliant style, and quite humble about it. I really like George Mathen’s work too.

Do you have any favourite fellow illustrators or resources relating to your fields?
Behance to see the best creatives going on around the world. Deviant Art has great resources. Abduzeedo is a fantastic resource for everything. Greyscale Gorilla for 3D, Video Copilot for Aftereffects and Motion Design, FFFFFound or Devour or even Pinterest, for inspiration.

Tell us something about Eleven Elements.
Eleven Elements has always been my personal portfolio/experimental work site. In 2011, i kinda registered it and started working with that name. It’s just me, my computer and a studio / room really, with real talented people collaborating on a project basis. We do films and digital image production.

You have such a wide experience as a top working professional. What advice do you have for aspiring creative professionals? Would you advise them to take on Illustration as a career option? Is it paying well enough?
Ha ha, I don’t know about ‘top working professional’. Well, start with something you’re really interested in. Be good at it enough to walk into a place and accept responsibility for the output. And don’t stop learning. Observe. Do not worry about the money in the beginning, if you put out good work, honestly, the money will follow.

Who would you like to take out for dinner?
Anyone who’s interesting enough to have a conversation. Since i’m not.

What’s on your iPod?
Apparat, James Blake, A A Bondy, Thom Yorke, Fink, Bob Dylan, The XX, Four Tet, Johnny Cash, Madras, Led Zep, Sulk Station, Cake, Sigur Ros, Leonard Cohen, and a hell lot of others. I mean, don’t you think iTunes’ India pricing is fabulous? :)

Mac or PC?
Mac.

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Iluminar: Conductor, Ballerina, Keith Richards

“The Light Transforms”

Advertising Agency: Reciclo, Belo Horizonte, Brasil
Creative Director: Marcone Procópio
Art Director: Matheus Gomes
Copywriter: Marcone Procópio
Photographer: Cícero Mafra

Control Arms Campaign: The exhibition that shouldn’t exist, Young girl, victim of a stray bullet

Leo Burnett Lisbon created the “The exhibition that shouldn’t exist” campaign for Control Arms – a worldwide coalition fighting to approve the Arms Trade Treaty later this month. The exhibition is a collection of paintings designed to look like abstract artworks in a first sight. But then, when people read their placards, they realize they’re actually in front of gunshots stories. Through a QR code on each placard, people can see the ballistics test that simulated the related story on the painting. “The Exhibition that shouldn’t exist” portrays the reality of the irresponsible arms trade around the world, turning visible a violent truth that many don’t see. The paintings will be displayed in the Electricity Museum in Lisbon and then sent to Control Arms in NY. They will show them in their opening press briefing, held at the UN Secretariat. The exhibition also has an online version, where people can have the same experience with the paintings and their videos.

AdvertisingAgency: Leo Burnett, Lisboa, Portugal
Executive Creative Director: Luciana Cani
Copywriters: Pedro Ribeiro, Steve Colmar
Art Directors: Emanuel Serôdio, Fabio Cristo
Designer: Emanuel Serôdio
Digital production: ComOn
Account Director: Marta Guimarães
Account Executive: Teresa Ferreira
Production Director: Cristina Almeida
Producers: Hugo Lage, António Franca
Edition: Hugo Lage
Production Company: Take it Easy

Control Arms Campaign: The exhibition that shouldn’t exist, Reporter executed by terrorist group

Leo Burnett Lisbon created the “The exhibition that shouldn’t exist” campaign for Control Arms – a worldwide coalition fighting to approve the Arms Trade Treaty later this month. The exhibition is a collection of paintings designed to look like abstract artworks in a first sight. But then, when people read their placards, they realize they’re actually in front of gunshots stories. Through a QR code on each placard, people can see the ballistics test that simulated the related story on the painting. “The Exhibition that shouldn’t exist” portrays the reality of the irresponsible arms trade around the world, turning visible a violent truth that many don’t see. The paintings will be displayed in the Electricity Museum in Lisbon and then sent to Control Arms in NY. They will show them in their opening press briefing, held at the UN Secretariat. The exhibition also has an online version, where people can have the same experience with the paintings and their videos.

AdvertisingAgency: Leo Burnett, Lisboa, Portugal
Executive Creative Director: Luciana Cani
Copywriters: Pedro Ribeiro, Steve Colmar
Art Directors: Emanuel Serôdio, Fabio Cristo
Designer: Emanuel Serôdio
Digital production: ComOn
Account Director: Marta Guimarães
Account Executive: Teresa Ferreira
Production Director: Cristina Almeida
Producers: Hugo Lage, António Franca
Edition: Hugo Lage
Production Company: Take it Easy