Nivea to sponsor The Cube on ITV
Posted in: UncategorizedBeiersdorf is to promote its Nivea Stress Protect antiperspirant through sponsorship of the returning ITV Saturday-night show The Cube.
Beiersdorf is to promote its Nivea Stress Protect antiperspirant through sponsorship of the returning ITV Saturday-night show The Cube.
Health pressure groups are to demand the phasing out of all alcohol advertising as part of their latest campaign to tackle Britain’s drinking problem.
Drunk Driving Kills. Issued in public interest on the eve of New Year by Orbits.
Advertising Agency: Media Nexxt Inc., Mumbai, India
Creative Director / Copywriter: Ambar Prakash
Art Director: Shekhar
Illustrator: Himali Dighe
Brand Services Director: Nishith
The post Orbits : Drunk Driving Kills by Media Nexxt appeared first on desicreative.
Advertising Agency: Dare, Vancouver, Canada
Executive Creative Directors: Rob Sweetman, Bryan Collins
Associate Creative Directors / Art Directors / Copywriters: Addie Gillespie, Mia Thomsett
Agency Producer: Mike Hasinoff
Account Lead: Natalie Wu, Marcel Da Silva
Planner: Catherine Piercy
Production Company: We the Collective
Producer: Jeremy Burrows
Developer: Liam Egan
Photographer: Anthony Redpath
Retouchers: Paul Lang / The Orange Apple, Anthony Redpath
Advertising Agency: Dare, Vancouver, Canada
Executive Creative Directors: Rob Sweetman, Bryan Collins
Associate Creative Directors / Art Directors / Copywriters: Addie Gillespie, Mia Thomsett
Agency Producer: Mike Hasinoff
Account Lead: Natalie Wu, Marcel Da Silva
Planner: Catherine Piercy
Photographer: Anthony Redpath
Retoucher: Paul Lang / The Orange Apple, Brett Simms
Advertising Agency: Dare, Vancouver, Canada
Executive Creative Directors: Rob Sweetman, Bryan Collins
Associate Creative Directors / Art Directors / Copywriters: Addie Gillespie, Mia Thomsett
Agency Producer: Mike Hasinoff
Account Lead: Natalie Wu, Marcel Da Silva
Planner: Catherine Piercy
Photographer: Anthony Redpath
Retoucher: Paul Lang / The Orange Apple, Brett Simms
The BC Children’s Hospital simply did not have enough space to perform the level of care required on an ongoing basis. A growing population, bigger operating teams, larger equipment and longer hospital stays are just some of the reasons why a new and larger site is required. To illustrate the issue, the Dare campaign uses optical illusions to visually bring the space shortage to life for potential donors. To achieve the optical illusion, an Ames Room was created with all the walls and furniture built with skewed angles.
Advertising Agency: Dare, Vancouver, Canada
Executive Creative Directors: Rob Sweetman, Bryan Collins
Associate Creative Directors / Art Directors / Copywriters: Addie Gillespie, Mia Thomsett
Agency Producer: Mike Hasinoff
Account Lead: Natalie Wu, Marcel Da Silva
Planner: Catherine Piercy
Director: Miles Jay
Production Company: OPC FamilyStyle
Executive Producers: Harland Weiss, Donovan Boden
Producer: Tony Di Marco
Director of Photography: Andre Pienaar
Post Production: PosterBoy Edit
Editor: Mark Paiva
Telecine: Alter Ego
Colorists: Eric Whipp, Wade Odlum
Online: Crush
Sound Design: Adelphoi Music
Voice-over Casting and Record: GGRP
Sound Mix: Koko Productions
Jump-start your sight.
Art Directors: Leandro Bechara, Marcelo Andrade
Copywriter: Pedro Drable
Concept: André Santos, Raoni Nery
3D & Retouch: Raoni Nery
Published: February 2013
Advertising Agency: Toy Agency, Paris, France
Creative Director: Nicolas De Dampierre
Art Director: Giselle Navarrette
Productors: Soixante-Quinze
Published: February 2013
React.
Advertising Agency: Y&R, Sao Paulo, Brazil
Creative Director: Rui Branquinh
Art Director: Felipe Pavani
Copywriter: Raphael Quatrocci
Illustrator: Gabriel Bueno
Print Agency Producer: Elaine Carvalho
Art Buyers: Mônica Beretta, Stephanie Wang
Photography: Ação
Account Manager: Vivianne Brafmann
Planners: Eliana Yamaguchi, Erika Kitabayashi
Media team: Gustavo Gaion, Marcello Bolla
Published: February 2013
React.
Advertising Agency: Y&R, Sao Paulo, Brazil
Creative Director: Rui Branquinh
Art Director: Felipe Pavani
Copywriter: Raphael Quatrocci
Illustrator: Gabriel Bueno
Print Agency Producer: Elaine Carvalho
Art Buyers: Mônica Beretta, Stephanie Wang
Photography: Ação
Account Manager: Vivianne Brafmann
Planners: Eliana Yamaguchi, Erika Kitabayashi
Media team: Gustavo Gaion, Marcello Bolla
Published: February 2013
React.
Advertising Agency: Y&R, Sao Paulo, Brazil
Creative Director: Rui Branquinh
Art Director: Felipe Pavani
Copywriter: Raphael Quatrocci
Illustrator: Gabriel Bueno
Print Agency Producer: Elaine Carvalho
Art Buyers: Mônica Beretta, Stephanie Wang
Photography: Ação
Account Manager: Vivianne Brafmann
Planners: Eliana Yamaguchi, Erika Kitabayashi
Media team: Gustavo Gaion, Marcello Bolla
Published: February 2013
Advertising Agency: Media Contacts, São Paulo, Brazil
Creatives: Mateus Oliveira, Felipe Delphorno, Fabio Lemos
Creative Director: Luis Renato Constantino
Account: Raul Lemos
Approval: Larissa Charnet
Advertising Agency: Media Contacts, São Paulo, Brazil
Creatives: Mateus Oliveira, Felipe Delphorno, Fabio Lemos
Creative Director: Luis Renato Constantino
Account: Raul Lemos
Approval: Larissa Charnet
Advertising Agency: Media Contacts, São Paulo, Brazil
Creatives: Mateus Oliveira, Felipe Delphorno, Fabio Lemos
Creative Director: Luis Renato Constantino
Account: Raul Lemos
Approval: Larissa Charnet
Pandora is placing a 40-hour-per-month limit on free mobile listening, company founder Tim Westergren announced in a blog post on Wednesday. The decision is designed to move Pandora’s heaviest mobile users to paying subscribers in order to offset rising royalty costs.
Mr. Westergren said the move is antithetical to the company’s goal of trying to provide the music service to as wide an audience as possible, but necessary given ad revenue isn’t sufficient to pay music royalty rates. Pandora said this change will affect less than 4% of its users, heavy mobile users who don’t pay for a subscription.
“Limiting listening is a very unusual thing to do, and very contrary to our mission so we wanted to share a quick explanation,” Mr. Westergren wrote. “Pandora’s per-track royalty rates have increased more than 25% over the last 3 years, including 9% in 2013 alone and are scheduled to increase an additional 16% over the next two years.”