Top Gear editor departs
Posted in: UncategorizedConor McNicholas has left his role as editor of the BBC Worldwide’s Top Gear magazine after less than 12 months in the role.
Conor McNicholas has left his role as editor of the BBC Worldwide’s Top Gear magazine after less than 12 months in the role.
Advertising Agency: TBWA\CHIAT\DAY, New York, USA
Chief Creative Officer: Mark Figliulo
Creative Director: Jonathan Mackler
Copywriter: Grant Smith
Agency Producer: Jason Souter; Executive Producer Of Media Arts: Matt Bijarchi
Planner: Brand Manager: Jonathan Lee
Account Supervisor: Andrew McCree
Production Company: BISCUIT FILMWORKS Los Angeles, USA
Director: Tim Godsall
Senior Executive Producer: Shawn Lacy
Executive Producer: Holly Vega
Line Producer: Rick Jarjoura
Editor: Ian Mackenzie, Mackenzie Cutler
Executive Producer: Melissa Miller
Asst. Editor: Mona Salma
Sound Design/Arrangement: Sam Designer, Mackenzie Cutler: Sam Shaffer; Audio Mix: Sound Lounge; Mixer: Tom Jucarone
Animation: Efx: Framestore; Head Of Production: Laney Gradus; Cg Supervisor/Lead Flame Artist: Murray Butler
Art Director: Richard Ardito
Post Production: Telecine: Company 3; Colorist: Tim Masick; Graphics: Brand New School; Executive Producer: Ned Brown
Director Of Broadcast Production: Ozzie Spenningsby
Head Of Production (Graphics): Darren Jaffe; Mo
Advertising Agency: Droga5, New York, USA
Executive Creative Director: Ted Royer/Duncan Marshall
Creative Director: Neil Heymann
Copywriter: Erik Hogfeldt
Agency Producer: Dana May/Andrew Allen
Production Company: KNUCKLEHEAD London, UK
Director: Ben Gregor
Producer: Ben Mann
Editor: Alaster Jordan, The Whitehouse
Sound Design/Arrangement: Envy
Art Director: Petter Hernmarck
Post Production: The Mill
Creative Chairman: David Droga
Head Of Integrated Production: Sally-Ann Dale
Designer: Jon Donaghy
Digital Production Company: Lolz, LLC
EMI classical artist Myleene Klass is to be the music ambassador for a new venture between the record company and Casio, which will champion children’s involvement in music.
Une superbe série de photographies, issues de The Underwater Project, et qui montre toute l’élégance et la beauté d’un point de vue sous-marin. Une captation des mouvements de l’eau et des nageurs par le photographe Mark Tipple. A découvrir en images dans la suite.
The BBC will share some of its online video news content with four national newspapers for the first time, in a landmark deal.
This is one for those who think one of the reasons for lack of diversity in advertising is a lack of students exposed to — much less interested in — the field. For 13 weeks, creative and production staffers from McCann, New York, worked with students from East Harlem's Isaac Newton Middle School to create advertising.
According to the
U.S. General Accounting Office, by 2015, roughly half of U.S. states may face water shortages. With half of all Americans receiving their drinking water from surface water sources such as rivers and lakes, the Kraft Foods Crystal Light brand team and its public relations partner, Ketchum, knew it had found the perfect cause. After all, water is at the core of Crystal Light, as the brand focuses on helping women drink more water every day. Here, Ketchum's Noelle Perillo discusses Crystal Light's partnership with the Nature Conservancy.
Kerry Taylor, vice-president, marketing, creative and consumer press at MTV Networks, has taken on content and commissioning responsibilities across MTV’s range of channels on a temporary basis.
div class=”imageleft”a href=”http://www.adrants.com/images/goal_line_technology_specsavers.jpg”img alt=”goal_line_technology_specsavers.jpg” src=”http://www.adrants.com/images/goal_line_technology_specsavers-thumb.jpg” width=”150″ height=”202″ //a/div
Now this is just funny.
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a href=”http://feedads.g.doubleclick.net/~a/p1FJmpzYI_ihNfFnWKAMjs03-EU/1/da”img src=”http://feedads.g.doubleclick.net/~a/p1FJmpzYI_ihNfFnWKAMjs03-EU/1/di” border=”0″ ismap=”true”/img/a/p
Advertising Agency: Ogilvy, Paris, France
Executive Creative Director: Gerry Human/Chris Garbutt
Copywriter: Samuel Moore
Agency Producer: Lynn Roer
Advertiser’s Supervisor: Steve Miles
Account Manager: Samantha Wilson
Account Supervisor: Linda Cornelius
Production Company: MJZ Los Angeles, USA
Art Director: Juri Zaech/David Aronson
div class=”imageleft”a href=”http://www.adrants.com/images/burger_king_Xenia_Tchoumitcheva.png”img alt=”burger_king_Xenia_Tchoumitcheva.png” src=”http://www.adrants.com/images/burger_king_Xenia_Tchoumitcheva-thumb.png” width=”150″ height=”78″ //a/div
Hmm. Since when did Burger King ads go high fashion?
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a href=”http://feedads.g.doubleclick.net/~a/MMadaAtKXfBYUtaRaWv530WPb_Q/1/da”img src=”http://feedads.g.doubleclick.net/~a/MMadaAtKXfBYUtaRaWv530WPb_Q/1/di” border=”0″ ismap=”true”/img/a/p
Advertising Agency: DDB, Düsseldorf, Germany
Chief Creative Officer: Amir Kassaei
Executive Creative Director: Eric Schoeffler
Creative Directors: Oliver Kapusta, Alexander Reiss
Art Director: Dan Strasser
Copywriter: Mihai Botarel
Account Supervisor: Soenke Bruns
Art Buyer: Anette Gruetter
Illustrator: Pablo Bernasconi Represented by www.debutart.com
Barclaycard’s follow-up to its popular Waterslide Extreme iPhone game, Rollercoaster Extreme, has become the highest new entrant in Brand Republic’s branded app chart this week.
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In advertising, we pick up a lot of habits – “creative” habits, mostly – that we occasionally are and aren’t proud of, depending on our mood and who’s looking. The Cannes Lions becomes a magnifier of all those habits: there, trapped in paradise for a week, people don’t just drink until 5 in the morning; they often smoke as if all the weight of the world depends on it.
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a href=”http://feedads.g.doubleclick.net/~a/4Jo3pd3m1ULTr4V56PnMVwLFhUg/1/da”img src=”http://feedads.g.doubleclick.net/~a/4Jo3pd3m1ULTr4V56PnMVwLFhUg/1/di” border=”0″ ismap=”true”/img/a/p
Le photographe new-yorkais Gregory Crewdson réalise des oeuvres impressionnantes sur les mythes américains. En montrant l’envers du rêve américain grâce à une touche de surréalisme, cet artiste reconnu étale son talent avec brio. Plus de visuels dans la suite de l’article.
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This is one of those questionable moves that brands make or, rather, CMOs make when they get bored and think the brand needs a little kick in the ass or, rather, the CMO needs to mark his territory, when, in reality, everything is just fine.
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a href=”http://feedads.g.doubleclick.net/~a/O5MOC_F6hDUNL-dGiOdLFKBbQ6A/1/da”img src=”http://feedads.g.doubleclick.net/~a/O5MOC_F6hDUNL-dGiOdLFKBbQ6A/1/di” border=”0″ ismap=”true”/img/a/p
Quem trabalha com comunicação em época de Copa sabe como é: você também tem que estar preparado para a Seleça ser desclassificada, ter peças para a vitória e a derrota. O problema é quando alguém manda um arquivo errado para ser impresso num dos maiores jornais do país.
Vale botar a culpa no estagiário?
Via @zeporto.
Post originalmente publicado no Brainstorm #9
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