The network, whose prime-time audience has fallen about 17 percent, is under pressure as it prepares to present its fall schedule to advertisers.
In Hollywood’s sea of bravado, Kevin Tsujihara, the quiet new chief executive of Warner Bros., may seem miscast. But he is already making bold bets to keep the studio on top.
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Gov. Andrew M. Cuomo announced that Walt Disney and Marvel Studios would spend about $200 million shooting the live-action series in New York City. All of the shows will debut on Netflix.
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An Iron Man-themed thrill ride, photo pavilion and shopping area will open at Hong Kong Disneyland in late 2016.
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Al Jaffee, best known for the three-panel fold-ins in Mad magazine, is donating many of his cartoons, along with other material from his personal archives, to Columbia.
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Walt Disney Studios got more thumbs up than down from the crowd as it previewed projects like “Maleficent” and “Frozen,” the latter a likely Oscar contender.
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The movie “2 Guns,” adapted from the comic books from Boom Studios, opens this week. Thanks to Boom’s “creator share” model, both the publisher and comic’s writer reap benefits.
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The market is surging, with digital sales of comic books almost tripling in a year’s time.
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A concert at Comic-Con in San Diego by the band is promoting a movie for Picturehouse, a distributor of art films that folded in 2008.
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The Vertigo imprint was introduced in 1993 for mature audiences, but has struggled to compete against popular superhero fiction.
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The president, Jeff Robinov, has faced questions about the direction of the Warner Brothers Pictures Group.
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True to form for the network, many of the shows are aimed at women, and two have ties to ABC’s parent, the Walt Disney Company.
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