The California Lottery Places Its 5-Year, $150 Million-Plus Account in Review

California’s state lottery system is officially seeking a general market vendor for “lead agency advertising services,” as per an RFP issued at the end of last week.

Independent El Segundo shop David&Goliath has been creative and media agency of record on the account since late 2010, when it beat out Omnicom’s Alcone Marketing Group and McCann’s since-shuttered L.A. office.

BBDO San Francisco had been the Lottery’s agency of choice since 2004 before being “eliminated early in the process.”

This most recent review comes about not due to any specific client demands but, rather, the fact that David&Goliath’s current contract expires on August 18, 2018. The Lottery group, which was founded in 1984 to help fund public schools without raising taxes, seeks one agency to handle both creative and media duties but will also “consider proposals from partnerships and joint ventures, for example, a creative advertising agency and a media agency.” (Shout out to Havas.)

The RFP does, however, note that “The Lottery’s goal is to become the largest lottery in the U.S.” It currently trails New York.

As with past reviews, the contract will last five years with up to two separate, one-year extensions issued at the client’s discretion.

Of course you’ve all seen RFPs before, but this one is pretty close to universal. It touches on tech “disrupting” the ad landscape, an increased need for ROI and planning services, and a greater alignment of creative, media and social. The client seeks “a strategically-based, highly creative Agency with best-in-class capabilities in media planning, buying, and analytics across all channels,” which is pretty much how every “full-service” organization describes itself. And yes, there’s a line about “think[ing] outside the box.”

Questions that agency reps must answer in the intent to bid round include “How should the Lottery communicate with and reach California’s diverse population through marketing and advertising efforts” and “How can the Lottery ensure that it continues to be relevant in the ever-changing consumer landscape and with new generations of California adults?”

This list of qualifications is also fun.

In 2010, Nielsen estimated that the Lottery spent approximately $35 million per year on its marketing efforts, and that pattern has largely held up. The latest numbers from Kantar Media have the group spending around $30 million in each of the last two years.

This means that the contract, with two extensions, could ultimately be worth more than $200 million. Agencies have to submit their answers and written questions by August 16.

Beyond D&G, the Lottery’s current agency lineup includes Casanova//McCann for Spanish-language efforts, Muse Communications for African-American consumer marketing, Alcone for shopper, Time Advertising handling “Asian in-language” advertising and Olson, which won a review in late 2015, on digital.

The fact that the client extended its contract with David&Goliath twice strongly implies that it has been happy with the agency’s work. Representatives for both D&G and the Lottery have not yet responded to queries regarding the review and the former’s presumed plans to defend its business.

We Hear: 72andSunny to Take Over Global Creative on Infiniti from CP+B

This afternoon Adweek broke the news that Nissan has chosen to move lead global creative duties on its Infiniti brand from CP+B to 72andSunny.

The details of the shift remain somewhat unclear, but according to two reliable sources, it has already happened. Only the legal details remain to be ironed out.

Infiniti PR simply said, “We continue to work with CP+B as well as other partners,” declining to comment directly on the 72andSunny decision. Spokespeople for that agency, CP+B, and MDC Partners all referred us back to the client.

The way we hear it, 72 snapped up international duties behind CP+B’s backs while a team from Boulder swept in to retain the U.S. AOR portion of the account. It is unclear at the moment exactly why the change was made and whether the two will work together moving forward. OMD remains media agency of record for Infiniti.

Regardless, the move is bad news for the Crispin organization. When they finally won the review way back in late 2014, some called Infiniti the agency’s biggest client. After the win, they opened a Shanghai office, hired new creative, strategy and account leads across locations and moved the center of operations on the global business to Los Angeles.

Nissan spent more than $171 million on marketing for Infiniti last year, and 2014 estimates had the brand spending around $450 million globally.

In our very humble opinions, CP+B’s best work to date for this client was the spot in which a nervous son comes out to his BMW-driving, Westchester-living, sweater-wearing dad. Unfortunately, it’s no longer on YouTube.

Kentucky Agency Scoppechio Named AOR for el Jimador Tequila

Brown-Forman Tequila brand el Jimador has named Louisville, Kentucky agency Scoppechio as its agency of record.

“The tequila market is growing internationally and here in the U.S. at a healthy pace,” Scoppechio CEO Jerry Preyss said in a statement. “We’re delighted that Brown-Forman selected us to help them realize their fair share of this growth. We feel el Jimador in particular has a tremendous upside for the business, given its strong heritage and popularity in the Hispanic community, with the potential to extend that into the mass market.”

“This is an exciting win for us,” he continued. “It allows us to extend our full suite of services, including experiential marketing, in support of a brand. It’s why we crafted our agency model the way we have and we can’t wait to make it work for el Jimador.”

“We’re optimistic about this new partnership and what Scoppechio has to offer,” added Brown-Forman vice president and group brand director, tequilas Mark Grindstaff. “Their understanding and passion for marketing to our target audience, omnichannel creative thinking and sports marketing experience in the soccer community were all important considerations that drove our selection.”

Scoppechio first work for the brand will be a campaign timed around Day of the Dead celebrations, followed by a campaign timed to coincide with 2018 World Cup soccer.

“While a traditional Hispanic celebration, Day of the Dead coincides with the Halloween season and is increasingly seen by the mass market as part of that holiday period,” el Jimador Tequila senior brand manager for the North American region Ed Carias, Sr. explained in a statement. “It represents a big marketing period for us, as does the upcoming World Cup Soccer event in 2018, as we are an official sponsor of the highly touted Mexican national team. Scoppechio will be activating some exciting plans for us in support of these important initiatives.”

Church’s Chicken Names JWT Atlanta as AOR

Fast food chain Church’s Chicken has named JWT Atlanta as its agency of record, effective as of August 1.

The appointment concludes an extensive review which lasted four months and involved researching agencies of all sizes across the country, pitted JWT against another large agency in its final stages, Hector Munoz who joined Church’s Chicken from Popeyes as executive vice president and chief marketing officer in March, told AgencySpy.

“We weren’t looking just for a creative agency,” Munoz explained, “we were looking for that partner that will help us identify that key insight that will make this brand great again.”

He added that JWT Atlanta “showed tremendous passion for our business, our franchisees, our customers, high level strategic muscle, and made us feel comfortable with what they could bring to the table.”

The agency will be tasked with all brand marketing efforts, including broadcast and radio advertising, which will be led by chief creative officer Vann Graves, who was appointed to that role last December.

JWT Atlanta will partner with Munoz, Church Chicken senior director of advertising Georgia Margeson and the rest of the chain’s marketing team on a brand repositioning effort. The agency’s first campaign for the brand is expected in early 2018.

Munoz credited Graves and JWT Atlanta CEO Spence Kramer, along with the agency’s head of strategy, as “two main reasons” the brand selected the agency.

“We’re excited about the people, the caliber of their thinking, their creativity and all the resources that JWT Altanta and their parent company can bring to the table,” Munoz said. “Spence has done amazing things putting together a strong team of dedicated passionate people. One of the first things we noticed was that there’s a lot of passion in that room. They hit an emotional connection with Church’s Chicken about our brand.

Church’s Chicken formerly worked with Boulder, Colorado’s Made Movement as agency of record, a relationship which ended in late 2016. Since then the brand has been working with Erich & Kallman on a project basis and will be using the San Francisco-based agency’s work through the end of the year.

First Ever Barbie Ad — A simpler time to be sure.

I love the jingle, I love the look of the thing, I love the fact that the big voice announcer-style is STILL with us. Saw it here.

Dirt Devil: Exorcised.

Great spot. Great homage. Great production. And gee whiz, did I get a — wait for it — product benefit in there? I think I did. Thanks to Mumaw for pointing it out.

Translation Named Agency of Record for Brooklyn Nets

The Brooklyn Nets have named Translation as its agency of record, tasked with developing a new campaign ahead of the 2017-2018 season.

The campaign will include game presentation, digital, sales, and community relations initiatives around a “Brooklyn Grit” theme celebrating the borough.

“The Brooklyn Nets bring determination and hard work to every game, representing values that go to the heart of what it means to be a Brooklynite and a New Yorker,” Translation CEO Steve Stoute said in a statement. “Our campaign will be grounded in further building an authentic bond between the Nets and the Brooklyn community that truly represents the spirit and grit of the borough.”

“We believe there is an even greater opportunity to build an authentic connection between the team and the borough,” added Brooklyn Sports & Entertainment CEO Brett Yormark. “On the court, the Nets have fully embraced the mantra, ‘Brooklyn Grit,’ and our partnership with Translation will allow us to amplify that story in the community.”

The Brooklyn Nets spent nearly $3.4 million on measured media last year, down from over $8.1 million the year prior, and just $40,000 in the first quarter of 2017, according to Kantar Media.

Translation previously worked with the team on a “Hello Brooklyn” campaign in 2012, celebrating its move from New Jersey to Brooklyn. The agency also has served as creative AOR for the NBA since winning the account in December of 2014, following a review. Translation’s recent work for the league includes a campaign promoting the NBA Playoffs with spots featuring Shaquille O’Neal and Julius Erving.

The appointment follows Translation’s hiring of Eric Steele as group creative director earlier this month. The Brooklyn Nets are coming off a disappointing 20-62 season.

Hain Celestial Group Names Burns Group as Agency of Record for Terra Chips, Earth’s Best

Organic and natural foods company Hain Celestial Group selected independent New York agency Burns Group as agency of record for its Terra Chips and Earth’s Best Organic Infant Toddler Foods brands, following a review.

The Burns Group will be responsible for creating a cross-platform campaign for both brands, including digital and social initiatives.

“Burns Group is the ideal mix of smart strategic thinking and creative ingenuity,” Hain Celestial Group director of marketing Brett Hartmann said in a statement. “Their vision for transforming our brands in the consumer conversation is completely consistent with our aspirations.”

“Hain has assembled a marketing team of ambitious, highly skilled professionals with big dreams for their brands,” added Burns Group founding partner Michael Burns. “We’re thrilled to be on the team helping them to realize those ambitions. Their portfolio of brands is right on trend and there is so much potential for growth.”

The assignment follows Burns Group winning lead creative duties on Pfizer’s Centrum brand last December. Burns Group’s other clients include Chap Stick, Ricola, Columbia Business School, Yellow Tail and Disaronno.

McCann Wins $77 Million HomeGoods Account After a Review

The HomeGoods review that launched in May has ended with the discount home decor chain picking McCann as its creative and strategic agency of record.

McCann’s New York office will run the account moving forward.

From the chain’s VP, marketing director Emily Trent: “McCann brings proven strategic and integrated marketing expertise that will help us build a strong communications platform to deliver innovative, creative work that will resonate with our customers and help us stand apart in the marketplace.”

Incumbent KBS sat out the review, and it’s not clear at this time which shops competed for the business. The chain is owned by Boston-based TJX, whose roster also includes T.J. Maxx, Marshall’s and Sierra Trading Post. TJX has been a rare success story in the retail field in recent years, and a couple of months ago it announced plans to open a brand new chain called HomeSense that will have “big category and design differences” when compared to HomeGoods.

The first location of this new chain is expected to open by the end of the summer. At this time, McCann is not scheduled to complete any work on the HomeSense brand.

The parent company spent approximately $77 million promoting HomeGoods in the U.S. in both 2015 and 2016, according to Kantar Media. KBS had the business since 2009, when it beat out DDB, Energy BBDO and Lowe.

It is unclear why the MDC Partners shop did not participate in this review.

AB InBev Hands 2 Beer Brands to W+K in India

AB InBev has more confidence in Wieden+Kennedy than it did in Seth Rogen and Amy Schumer.

The multinational beverage giant expanded its relationship with the W+K network by choosing its Delhi office as strategic and creative AOR for the Budweiser and Haywards 5000 brands across the Indian subcontinent.

“The Indian market is growing rapidly amongst other Budweiser global markets, and Wieden’s drive, energy and expertise completely matches ours at this point,” said marketing director Kartikeya Sharma. “Combined with their creative excellence, we can only look forward to putting out some great work for both Budweiser and Haywards 5000, and further expanding our footprint in the country.”

W+K Delhi managing director Sidharth Loyal added, “It’s an exciting opportunity to get to work on two iconic beer brands that have helped define and shape culture in their own unique ways. We look forward to further strengthening their legacy within the ever-so-thirsty Indian market.” Thirsty!

On that point, India is indeed a rare bright spot on the global sales map for AB InBev, which saw sales decrease in the U.S., Brazil and China last year as it failed to meet revenue estimates for the first three quarters of 2016. According to a January piece in Bloomberg, Indian consumers have been drinking more thanks in large part to an expanding middle class that skews young.

As in the U.S., the craft beer industry is also booming in India. But for now Budweiser and Haywards 5000 remain two of the top five brands in that market. The latter was acquired as part of 2015’s SABMiller merger, and here’s an example of an ad for that brand that recently ran in India.

Anomaly still handles Budweiser in the U.S. while W+K has Bud Light.

The Atkins Group Wins 4-Year Contract with Visit San Antonio

San Antonio-based agency The Atkins Group won a review for a four year contract with Visit San Antonio.

Late yesterday, mySA reported that The Atkins Group was the “sole finalist” in the review for the account, which has an estimated value of up to $8 million per year. The tourism organization voted to enter into contract negotiations with The Atkins Group yesterday, Visit San Antonio spokesman Richard Oliver told the publication.

While the precise value of the contract will be determined by the negotiation process, mySA says a request for proposal sent on March 15 shows it could be up to the $8 million per year mark, or $32 million over the course of the contract. San Antonio is the second largest city in Texas and the seventh largest in the country.

The review originally included over a dozen agencies. Austin-based agency Proof Advertising, the incumbent on the account since 2011, was among its participants.

Chili’s Concludes Review by Handing Project Assignment to OKRP

Back in May, Brinker International casual dining chain Chili’s Bar and Grill put its advertising account in review, following a decade with Hill Holliday. Parties with direct knowledge of the matter told Adweek the chain would not seek another agency of record but instead work with agencies on a project basis.

Chili’s has now concluded its review, awarding an advertising project to O’Keefe Reinhard & Paul.

“Chili’s is the leader in the enduring bar and grill category whose ‘sea of sameness’ menu and advertising models are increasingly broken,” Chili’s executive vice president, chief marketing and innovation officer Steve Provost, who took that role in March after seven years with Brinker sister brand Maggiano’s Little Italy, explained in a statement. “We need to reinvest and differentiate our food and then find creative communication to convince Chili’s lovers and former Chili’s lovers to reconsider us, in a world where guests are deluged every day with promises of ‘better and ‘new.’”

“After a quick, but intensive search process, we found an agency, OKRP, that is reinventing the enduring model in their business and we felt that they are the right partner in this challenge,” he continued. “OKRP knows the rules of food advertising in order to break the rules of food advertising. They have demonstrated a quick understanding of our business, and how to connect with consumers with humor and humanity. Their scrappy, creative energy is just what we need to move our brand forward today.”

“Chili’s is an iconic brand in a category we know and love,” added OKRP CEO Tom O’Keefe. “We do our best work with brands challenging the business conventions of the day and are very excited to be working with Chili’s in its next chapter of growth.”

The agency’s new campaign for the brand is expected to launch in the early fall and run through the second quarter of 2018. Chili’s spent around $129 million on measured media in domestically last year, according to Kantar Media.

OKRP’s appointment follows an agency chance at another struggling casual dining chain which also plans to launch a new campaign this fall.

In March, DineEquity brand Applebee’s selected Grey as its creative agency of record, concluding a review launched in December. Grey’s first work for the client, a campaign introducing the chain’s new “Topped and Loaded” menu, debuted last week. The agency’s first major brand campaign for Applebee’s is expected this fall.

Internal Memo: Grey Wins Every Single Revlon Brand Without a Review

Today Revlon consolidated its advertising account with WPP, naming Grey as its global creative agency of record and naming MediaCom as its global media agency of record for its entire brand roster. MediaCom had handed the North American media business since 2010.

The appointments were made without a review.

“I wanted to share the terrific news that Grey has been selected as the global creative agency of record for Revlon, one of the world’s leading global beauty companies with sales in 150 countries,” Grey chairman and CEO Jim Heekin announced in an internal memo today.

Heekin went on to specify that Grey’s New York office will serve as the “global hub” for the account, with the agency’s responsibilities including “traditional and digital advertising, promotion and activation marketing.”

Here’ the memo in full:

I wanted to share the terrific news that Grey has been selected as the global creative agency of record for Revlon, one of the world’s leading global beauty companies with sales in 150 countries.

The global portfolio of brands we will handle includes two of the company’s largest, Revlon and Elizabeth Arden, among others.  We will provide integrated communications services including traditional and digital advertising, promotion and activation marketing.  Our flagship New York office will serve as the global hub.

Calling Grey one of the foremost beauty agencies in the world, our new client said we demonstrated superb creativity, strategic thinking, integrated capabilities and a deep understanding of the beauty sector.

Revlon’s iconic stature, rich heritage and reputation for continuous innovation has made it an industry leader since the 1930s.  It is an honor to be entrusted with Revlon’s brand portfolio and to work together to break new ground in global marketing.

I want to congratulate and thank everyone who has contributed to this win especially our intrepid beauty team leaders Debby Reiner, Seema Patel and Alice Ericsson.

This huge win, along with those of Walgreens and Applebee’s, coming as they have in our Centennial year, underscore the success of our “Famously Effective” creative philosophy.

Regards,
Jim Heekin, Chairman & CEO

We don’t currently have spending totals for all of these brands. But it’s safe to say that, in the words of Joe Biden, “this is a big fucking deal.”

We Hear: The Gap Launches U.S. Digital Media Agency Review

Mass-market retailer Gap Inc. or The Gap recently launched a review seeking an agency to handle its U.S. digital media planning and buying duties, according to parties close to the business.

We don’t yet know which agencies are involved, but since the review is being led by a consultancy, it’s fair to say that some of the major players are pitching. The review remains in its early stages.

This development is in keeping with Gap’s ongoing attempts to adjust to a rapidly shifting retail market.

Craig Brommers, formerly of Abercrombie & Fitch and Speedo, became the company’s CMO just over a year ago. Well before his arrival, however, Gap became one of the first big-name clients to publicly eschew the agency of record model by moving work away from Ogilvy toward other shops on its roster around the world.

The client eventually split with Ogilvy entirely, bringing on Wieden+Kennedy as its new creative partner in 2014 before again pivoting to project-based work with agencies like Untitled Worldwide at some point last year. Similarly, Gap does not publicize its media agency relationships.

On a conference call last August, president and CEO Art Peck announced that the company planned to expand its marketing budget in an effort to counter sales trends that have lagged behind sister company Old Navy.

On that note, Gap remains a major account. According to the latest numbers from Kantar Media, the chain spent $178 million on paid media in the U.S. last year and $42 million during the first quarter of 2017. It’s not clear what percentage of that spend is digital.

The company’s most recent OOO promotions have garnered some media attention including a mention from uptown girl Christie Brinkley, who praised Gap for featuring a 63-year old woman in its ads. (That woman is herself.)

Gap’s media relations department has not responded to requests for comment on the review.

Havas New York Wins $6 Million Con Edison Media, Creative Account

New York-based energy giant Consolidated Edison, better known as Con Ed or the company you only call when your power goes out, has named Havas New York as its new agency of record after a competitive review led by Joanne Davis Consulting.

The Gate had been creative AOR for the client.

In proper Havas fashion, the network won both creative and media duties for the company, which serves most residents of New York City and the surrounding area including Westchester, Orange and Rockland counties.

WPP’s Possible, which has been lead digital agency on Con Ed, was not involved in the review and will retain that portion of the business. The announcement also coincidentally arrives on the same day that Con Ed plans to roll out a new website and app designed by Possible.

“We look forward to a new partnership with Havas in serving our customers,” said Con Ed SVP of corporate affairs Frances A. Resheske. “Havas impressed us with their powerful data-fueled creative approach from the very start, not only through their understanding of the Con Edison brand, but how that manifests itself in our customers’ everyday relationship with their energy.”

Recently promoted Havas N.Y. CEO Laura Maness added, “It is our privilege to partner with Con Edison. We believe strongly that the brand should be seen as a critical and celebrated part of New York culture. Con Edison is not just a utility in the city, but an icon of the city that connects us all.”

Con Ed is a privately owned company that functions like a public utility. While it maintains a near-monopoly over the New York-area power grid, it is still a regional business with a relatively modest $6 million marketing budget in 2016, according to Kantar Media. Con Ed spent around $7 million the previous year.

Still, this marks a much-needed win for Havas, which lost one of its legacy clients when Heineken officially moved Dos Equis to Droga5 without a review last month. Moving forward, the new shop’s primary assignment will involve an early 2018 campaign focusing on sustainability efforts and new tools designed to help customers use energy more efficiently.

DDB Chicago Beats Out 180LA, BBH and CP+B to Win Miller Lite

As our readers have predicted for weeks, MillerCoors officially consolidated creative duties on its Miller brands within the DDB network today. Moving forward, DDB Chicago will be global AOR for Miller Lite and Adam&EveDDB will handle Miller Genuine Draft. The decision follows a formal creative review involving several other competitors.

This means the beverage giant has split with 180LA after just over one year; it will also no longer officially work with TBWA sister shop Juniper Park.

Here’s the internal memo from CMO Dave Kroll, who recently returned from medical leave.

Achieving our growth imperative and ensuring that MillerCoors becomes First Choice for Customers and Consumers requires strong performance from our American Light Lagers. We’ve made great progress over the past couple of years, but still have work to do.

Miller Lite recently celebrated its 10th straight quarter of share growth. In order to accelerate our momentum, it’s imperative that we have the strongest team possible on board. Starting this week, we are consolidating the Miller Lite creative responsibilities at DDB Chicago. This transition will be seamless as we are keeping the business within the Omnicom family. We are moving some of the best creative talent from our previous agencies 180LA and Juniper Park, into a new team at DDB in order to have a best-in-class creative and planning team. DDB has made great strides on the digital side of the Miller Lite business over the last month, and we feel confident that this expanded team will keep the brand on its positive trajectory.

In addition to consolidating the U.S. Miller Lite creative business, we will also be strengthening our relationship with DDB by moving global creative for Miller Genuine Draft to DDB’s London-based agency Adam & Eve.

In an increasingly competitive industry, it’s crucial that we reward agency partners that share our commitment and vision for the future. We have the right brand purpose, the right brand world and the right creative to bring it all together. Now we have the right team in place to capitalize on the opportunity in front of us.

Thanks,
DK

Spokespeople for DDB deferred to the client, who didn’t go beyond the memo above. 180LA has not yet provided a statement.

According to one reliable source, the Miller Lite review saw DDB Chicago beat out the L.A. offices of 180, BBH and CP+B for the business. It’s currently unclear which agencies, if any, competed against Adam&EveDDB for the other account.

Just over two months ago, MillerCoors moved digital creative duties on the Miller Lite brand from DigitasLBi Chicago to DDB, apparently without a review. Since then, MillerCoors reps have declined on more than one occasion to confirm that they would be consolidating the account with DDB.

The parent company spent $130 million promoting Miller Lite in the U.S. last year and $27 million in Q1 2017.

Frito-Lay Names BBDO as Lead Creative Agency on the Lay’s Brand

Frito-Lay, like Campbell’s Soup before it, has returned to BBDO. According to sources close to the review, BBDO New York beat out four other agencies to win lead creative duties on the Lay’s chips brand.

Competitors included TBWAChiatDay, CP+B, Deep Focus (which had been working on digital brand projects) and R/GA, which joined the pitched from its Austin office.

Neither BBDO nor Frito-Lay/PepsiCo have responded to our queries regarding the brand, which spent $80 million on paid marketing in the U.S. last year, according to Kantar Media.

Lay’s has been through several agency changes since the late Stephen Frankfurt developed the signature “Betcha can’t eat just one” tagline while at Y&R in 1963, and this is not the first or second time it’s been with the BBDO network.

BBDO New York handled the business from 1991 until losing it to fellow Omnicom shop GS&P in 2007. Chicago office Energy BBDO later picked up the Lay’s assignment before the client decided to drop the agency of record model entirely in 2015, effectively rescinding that agency’s remit.

For fun, here is classic footage from a 1966 Lay’s campaign featuring Bert Lahr (best known as The Cowardly Lion) playing both himself and the devil.

We Hear: Mitsubishi in Talks with TBWAChiatDay and Other Agencies After Dropping 180LA

TBWAChiatDay Los Angeles is in the market for a new car, and it might just be a Mitsubishi.

Earlier this year, Nissan surprised quite a few in the agency world by splitting with the Omnicom shop’s West Coast network after more than 30 years. Just over three months later, Mitsubishi—in which the company acquired a 34% stake in late 2016—also dropped 180LA as its creative agency of record.

Now we hear that TBWA hopes to make up for that loss by picking up the smaller account. According to Kantar Media, Mitsubishi spent $95 million on U.S. marketing last year.

The Nissan work didn’t leave Omnicom, it simply moved from TBWA L.A. to Zimmerman (broadcast) and the former agency’s New York team (social and digital). And since Nissan now owns part of Mitsubishi, its leadership is very familiar with the Omnicom roster. Like Pepsi, it seems that they’d prefer to keep things within the family.

On that point, one source very close to the matter tells us that TBWA’s West Coast executives recently had a meeting or meetings with Francine Harsini, senior director of marketing at Mitsubishi North America. This would not be the first time Harsini has come into contact with TBWA: she formerly served as managing supervisor there before moving in-house with DirecTV and eventually going to the Japan-based car company.

It’s not yet clear whether the two parties will work together. According to our source, Mitsubishi is notoriously hard on its agencies, and several people who worked on the account in the past told us that the client had been sending project work to independent L.A. shop Omelet and using that organization’s lower rates as leverage against 180LA.

Another party tells us that the meetings were part of a formal review involving TBWA, Omelet and other unnamed agencies.

A TBWA spokesperson deferred to the client, whose PR department has not responded to any of our calls or emails about the recent changes in its agency lineup. Omelet also declined to comment on the earlier story about its relationship with Mitsubishi.

More news to come on this account.

Heat Wins Global Creative Duties for John Hancock/Manulife

San Francisco agency Heat, which was acquired by consultancyDeloitte Digital in February of 2016, won creative duties for Canadian financial services company Manulife, which owns and operates John Hancock in the U.S.

“Heat’s creative was by far the strongest,” John Hancock Manulife global chief marketing officer Gretchen Garrigues said in a statement. “They got customer feedback on the creative they were developing [in the pitch] and it was very thoughtful and innovative. They probably benefit from the relationship they have with Deloitte because it helps them add structure to the creative side of the world in terms of research.”

The appointment concludes a global creative review launched in March, which saw John Hancock part ways with Boston agency Hill Holliday, which had handled the creative account since 1985. Hill Holliday’s recent work for John Hancock includes April’s “Retirement Rookie” spot starring former Red Sox slugger David Ortiz and this spot from last October celebrating social progress.

Heat’s first work for the client is expected in early 2018.

Manulife also hired WPP’s m/SIX and Wunderman for global media planning, buying and analytics.

Pepsi Calls on Omnicom Agencies for Closed U.S. Brand Review

PespiCo has launched a closed creative review for its Pepsi brand in the U.S., open only to Omnicom agencies.

“Omnicom has been our longstanding partner because we value the diverse array of agencies and talent they have under one roof,” a Pepsi spokesperson said in a statement. “We continually evaluate the best ways to market our brands, and in the U.S. on brand Pepsi, we are once again looking within Omnicom for custom creative solutions.”

We reached out to Omnicom shops Goodby, Silverstein & Partners, DDB, TBWAChiatDay and BBDO. The latter agency deferred to the client, while the other three agencies have yet to reply.

Omnicom has primarily handled work on the Pepsi brand in the past. In recent years, however, the brand has not restricted itself to Omnicom agencies and has worked with agencies outside the network, including Mekanism. In 2008, PepsiCo shifted lead creative duties from BBDO to TBWAChiatDay for the brand after over 50 year with the former shop. BBDO started working with the brand again in 2015.

Greg Lyons was promoted to chief marketing officer for PepsiCo’s North America Beverage Division at the beginning of the year.