Are Highway Billboards Becoming the New Home of High Art?

Advertisers may dominate the lion’s share of America’s billboards, but roadside signs seem to be an increasingly popular medium for artists as well.

A number of billboard installations have been popping up around the country, reports The New York Times. In Missouri, there’s the “I-70 Sign Show,” which seeks to spark political debate with images like a Mickalene Thomas piece on female sexuality.

In Cincinnati, the “Big Pictures” show aims to break up the daily routines of passersby with images like a toucan surrounded by Post-it notes, created by artist Sarah Cwynar. And along cross-country Interstate 10, “The Manifest Destiny Billboard Trip” has since last fall sought to call attention to issues concerning the history of westward expansion, with some 100 signs featuring the work of 10 artists.

Each example offers a bit more art theory and cultural critique than your average billboard. They’re also more modest in scope than the massive “Art Everywhere” initiative launched this summer, which has seen an advertising trade organization team up with a group of major museums to bring more than 50 crowd-curated paintings, including classics like Edward Hopper’s Nighthawks, to more than 50,000 outdoor ad spaces.

While the smaller works might not be as inventive as turning billboards into houses for the homeless, they are a nice change of pace from, say, Ashley Madison.



Striking Portraits of People Lying in Their Own Trash Show How We Get in Bed With Brands

Photographer Gregg Segal is fascinated by the trash we make. 

In his artist statement about this ongoing series, he explains “‘Seven Days of Garbage’ is a series of portraits of friends, neighbors, and other acquaintances with the garbage they accumulate in the course of a week. Subjects are photographed surrounded by their trash in a setting that is part nest, part archeological record. We’ve made our bed and in it we lie.”

“Of course, there were some people who edited their stuff. I said, ‘Is this really it?’ I think they didn’t want to include really foul stuff so it was just packaging stuff without the foul garbage. Other people didn’t edit and there were some nasty things that made for a stronger image,” Segal said in an interview with Slate. 

This series is a beautifully executed, albeit sordid case study on what we consume, and the products we polish off and discard—a veritable brand graveyard. There’s a truly poetic quality about these images; they really boil us down to the insatiably ravenous animals we are and the relationships we have with all of the crap we buy.

Via Slate.



These Trippy 3-D Paintings Will Baffle Your Brain and Spark Your Creativity

Here’s an idea that could make outdoor advertising not only more attention-grabbing but also more shareable.

Given how many award-show judges were mesmerized by Honda’s mind-bending “Illusions” ad from mcgarrybowen (which won gold at Cannes and the public choice award in The One Show’s Automobile Advertising of the Year), agencies might want to look into the real-world optical awesomeness of reverse perspective.

As you can see in the videos below from British artist Brian Weavers and “reverspective” innovator Patrick Hughes, the painters create 3-D images that seem to shift before your eyes as you look at them from different angles.

While out-of-home marketers have been using 3-D tricks for years, this approach takes it a big step further. Seeing an ad like this would certainly stop you in your tracks and likely even make you pull out your smartphone to shoot some video and blow your friends’ minds.

I couldn’t find many examples of reverse perspective in high-profile ad placements, but let us know in the comments if you know of some beyond the Nokia case study below.

 
To see even more interesting uses of reverse perspective, check out this video featuring the art style’s best-known pioneer, Patrick Hughes:

 
Here’s how Nokia used reverspective to launch the Lumia:



Artist Achieves His Dream of Turning a City Street Into a Waterslide

We've written before about artist Luke Jerram's ambitious plan to turn a Bristol street into a giant waterslide, but now he's gone ahead and done it.

Jerram's waterslide ended up being 300 feet long, and any locals who managed to get tickets for the slide were allowed to use it. A whopping 96,000 people applied, but only 360 were selected at random to participate. Comparisons to the golden tickets from Charlie and the Chocolate Factory were made, and they're not wrong. The slide itself looks insanely fun, and a lot of people dressed for the event (the guy wearing a Flash costume is the most obvious, but there were others).

I don't know how many questions were raised about the intricacies and costs of urban planning, which was the original point of doing this, but whatever. It was a nice day and a lot of people enjoyed themselves. Sometimes that's enough.