Disney’s logo and branding are a tale as old as time–but even classic stories need a new chapter every now and again. In March, Disney+ unveiled its full Hulu integration for bundle subscribers, combining the Disney+ and Hulu libraries in one application. This came with refreshed branding, an opening orchestral mnemonic created by Oscar-winning composer…
Based in Bangalore, Indian illustrator Muhammed Sajid creates imagery rich in feeling, yet dreamlike and surreal – as vibrant as unusual. His psychedelic color palettes always catch the eye, while fascinating themes engage the mind by drawing on both the modern and traditional in unique ways. People, colour, culture, and nature all play important roles in Muhammed’s work. One of his goals setting out as an artist was to depict the lives and way of life in his home village in Kerala. However, rather than folk art or traditional landscapes, his imagery is reminiscent of a high-end graphic novel, where the characters grapple with everything from ancient, mystical beliefs to the latest technology. Muhammed’s clients include global brands, who praise his ideas, creativity, and execution. He’s an artist who always brings something different to a project – something only otherwise seen in dreams or visions.
Why are you a designer- Illustrator?
I started drawing when I was in 3rd std. After completing 12th I just realized biology science doesn’t work for me, so accidentally I applied for a Bachelor of Fine Arts. I realized I got the right path and started enjoying what I was doing. I love showcasing my art and love the way my audience approaches me. That thrives me to do more.
Did you attend school for fine art or design?
Yes, I graduated with a Bachelor of fine Arts from the College of Fine Arts Trivandrum.
You have a distinct style of illustration. How long did it take you to develop your style?
I can’t say that I have a distinct style because I realized that creating an identity was just not for me because my culture is already an identity. I do not want to stick to any specific style; I like to keep exploring different styles that I like. My work has some natural elements, cultural inspirations, an architectural feel, and some surreal approaches.
Were there any particular role models for you when you grew up?
I can’t point to one person, There are a lot of artists I got inspired from but, ya my grandma wants me to learn more and she is the one who is more passionate about my life. For my career (Art) I was influenced by my mom. She drew a lot when I was a kid.
Who was the most influential personality on your career in Design and Illustrations?
There are few people I worked with who inspired me alot. But I want to point out one person, that is Munz, He’s the design lead from Dunzo, the company I worked for the last five years.
He inspired me a lot as a good person, a good leader and a great designer.
Who are your main clients? Publishers? Brands? Advertising agencies?
I don’t have a particular client to point out, because I’m not a full time freelancer, I’m working as visual Designer at Kiwi. So I took a freelance job that I love.
So my clients include Apple, Google, Adobe, Procreate, Pinterest, Bira, Amazon Books and more.
Was there any time when you wanted to quit Design & Illustrations?
Considering this as a job, yes, I want to quit ASAP :). For me, it’s not easy and I can’t quit like that. But I love being an artist, setting up a studio, and doing whatever I want to paint, illustrate, etc.
Have you considered turning your illustrations into graphic novels?
Hmm, Not really, because I haven’t done anything suited to a graphic novel, But I thought about publishing a book with all my illustrations!
Any other Indian Illustrators who you admire?
There are a few – Ibrahim Rayintakath, Sameer Kulavoor, Reshidev, Elwin Charly, Ananand etc.
Do you have any favorite fellow designers or resources relating to your fields?
Yes, a few designers I admire are Soozaq, Jojo, Hareesh TR, Aaqib Wani, etc.
You have such a wide experience as a top working professional. What advice do you have for aspiring creative professionals? Would you advise them to take on Design or Illustration as a career option? Is it paying well enough?
I think the best advice that anyone can give an artist is to have an open heart. It will open you to beautiful experiences and perhaps your art can find a way to express it for the rest of the world to see.
Taking design as a career it’s a big yes, Everything needs a designer’s touch, so If AI comes over I don’t know what the future looks like, but I’ve tried AI and still I have some hope for the designers:)
Whats your dream project?
I wanted to do a big wall art or graffiti and work on more editorials, including The New York Times, Amazon, etc.
Mac or PC?
Mac
Who would you like to take out for dinner?
My wife 
What’s on your iPod? Spotify?
Dabzee, Baby Jean, Sushin Shyam, and Pink Floyd,
Whats your Twitter Handle? Instagram?
Instagram: https://www.instagram.com/muhammedsajid.n/
Twitter/X: https://x.com/muhammedsajidn
Based in Bangalore, Indian illustrator Muhammed Sajid creates imagery rich in feeling, yet dreamlike and surreal – as vibrant as unusual. His psychedelic color palettes always catch the eye, while fascinating themes engage the mind by drawing on both the modern and traditional in unique ways. People, colour, culture, and nature all play important roles in Muhammed’s work. One of his goals setting out as an artist was to depict the lives and way of life in his home village in Kerala. However, rather than folk art or traditional landscapes, his imagery is reminiscent of a high-end graphic novel, where the characters grapple with everything from ancient, mystical beliefs to the latest technology. Muhammed’s clients include global brands, who praise his ideas, creativity, and execution. He’s an artist who always brings something different to a project – something only otherwise seen in dreams or visions.
Why are you a designer- Illustrator?
I started drawing when I was in 3rd std. After completing 12th I just realized biology science doesn’t work for me, so accidentally I applied for a Bachelor of Fine Arts. I realized I got the right path and started enjoying what I was doing. I love showcasing my art and love the way my audience approaches me. That thrives me to do more.
Did you attend school for fine art or design?
Yes, I graduated with a Bachelor of fine Arts from the College of Fine Arts Trivandrum.
You have a distinct style of illustration. How long did it take you to develop your style?
I can’t say that I have a distinct style because I realized that creating an identity was just not for me because my culture is already an identity. I do not want to stick to any specific style; I like to keep exploring different styles that I like. My work has some natural elements, cultural inspirations, an architectural feel, and some surreal approaches.
Were there any particular role models for you when you grew up?
I can’t point to one person, There are a lot of artists I got inspired from but, ya my grandma wants me to learn more and she is the one who is more passionate about my life. For my career (Art) I was influenced by my mom. She drew a lot when I was a kid.
Who was the most influential personality on your career in Design and Illustrations?
There are few people I worked with who inspired me alot. But I want to point out one person, that is Munz, He’s the design lead from Dunzo, the company I worked for the last five years.
He inspired me a lot as a good person, a good leader and a great designer.
Who are your main clients? Publishers? Brands? Advertising agencies?
I don’t have a particular client to point out, because I’m not a full time freelancer, I’m working as visual Designer at Kiwi. So I took a freelance job that I love.
So my clients include Apple, Google, Adobe, Procreate, Pinterest, Bira, Amazon Books and more.
Was there any time when you wanted to quit Design & Illustrations?
Considering this as a job, yes, I want to quit ASAP :). For me, it’s not easy and I can’t quit like that. But I love being an artist, setting up a studio, and doing whatever I want to paint, illustrate, etc.
Have you considered turning your illustrations into graphic novels?
Hmm, Not really, because I haven’t done anything suited to a graphic novel, But I thought about publishing a book with all my illustrations!
Any other Indian Illustrators who you admire?
There are a few – Ibrahim Rayintakath, Sameer Kulavoor, Reshidev, Elwin Charly, Ananand etc.
Do you have any favorite fellow designers or resources relating to your fields?
Yes, a few designers I admire are Soozaq, Jojo, Hareesh TR, Aaqib Wani, etc.
You have such a wide experience as a top working professional. What advice do you have for aspiring creative professionals? Would you advise them to take on Design or Illustration as a career option? Is it paying well enough?
I think the best advice that anyone can give an artist is to have an open heart. It will open you to beautiful experiences and perhaps your art can find a way to express it for the rest of the world to see.
Taking design as a career it’s a big yes, Everything needs a designer’s touch, so If AI comes over I don’t know what the future looks like, but I’ve tried AI and still I have some hope for the designers:)
Whats your dream project?
I wanted to do a big wall art or graffiti and work on more editorials, including The New York Times, Amazon, etc.
Mac or PC?
Mac
Who would you like to take out for dinner?
My wife
What’s on your iPod? Spotify?
Dabzee, Baby Jean, Sushin Shyam, and Pink Floyd,
Whats your Twitter Handle? Instagram?
Instagram: https://www.instagram.com/muhammedsajid.n/
Twitter/X: https://x.com/muhammedsajidn
Based in Bangalore, Indian illustrator Muhammed Sajid creates imagery rich in feeling, yet dreamlike and surreal – as vibrant as unusual. His psychedelic color palettes always catch the eye, while fascinating themes engage the mind by drawing on both the modern and traditional in unique ways. People, colour, culture, and nature all play important roles in Muhammed’s work. One of his goals setting out as an artist was to depict the lives and way of life in his home village in Kerala. However, rather than folk art or traditional landscapes, his imagery is reminiscent of a high-end graphic novel, where the characters grapple with everything from ancient, mystical beliefs to the latest technology. Muhammed’s clients include global brands, who praise his ideas, creativity, and execution. He’s an artist who always brings something different to a project – something only otherwise seen in dreams or visions.
Why are you a designer- Illustrator?
I started drawing when I was in 3rd std. After completing 12th I just realized biology science doesn’t work for me, so accidentally I applied for a Bachelor of Fine Arts. I realized I got the right path and started enjoying what I was doing. I love showcasing my art and love the way my audience approaches me. That thrives me to do more.
Did you attend school for fine art or design?
Yes, I graduated with a Bachelor of fine Arts from the College of Fine Arts Trivandrum.
You have a distinct style of illustration. How long did it take you to develop your style?
I can’t say that I have a distinct style because I realized that creating an identity was just not for me because my culture is already an identity. I do not want to stick to any specific style; I like to keep exploring different styles that I like. My work has some natural elements, cultural inspirations, an architectural feel, and some surreal approaches.
Were there any particular role models for you when you grew up?
I can’t point to one person, There are a lot of artists I got inspired from but, ya my grandma wants me to learn more and she is the one who is more passionate about my life. For my career (Art) I was influenced by my mom. She drew a lot when I was a kid.
Who was the most influential personality on your career in Design and Illustrations?
There are few people I worked with who inspired me alot. But I want to point out one person, that is Munz, He’s the design lead from Dunzo, the company I worked for the last five years.
He inspired me a lot as a good person, a good leader and a great designer.
Who are your main clients? Publishers? Brands? Advertising agencies?
I don’t have a particular client to point out, because I’m not a full time freelancer, I’m working as visual Designer at Kiwi. So I took a freelance job that I love.
So my clients include Apple, Google, Adobe, Procreate, Pinterest, Bira, Amazon Books and more.
Was there any time when you wanted to quit Design & Illustrations?
Considering this as a job, yes, I want to quit ASAP :). For me, it’s not easy and I can’t quit like that. But I love being an artist, setting up a studio, and doing whatever I want to paint, illustrate, etc.
Have you considered turning your illustrations into graphic novels?
Hmm, Not really, because I haven’t done anything suited to a graphic novel, But I thought about publishing a book with all my illustrations!
Any other Indian Illustrators who you admire?
There are a few – Ibrahim Rayintakath, Sameer Kulavoor, Reshidev, Elwin Charly, Ananand etc.
Do you have any favorite fellow designers or resources relating to your fields?
Yes, a few designers I admire are Soozaq, Jojo, Hareesh TR, Aaqib Wani, etc.
You have such a wide experience as a top working professional. What advice do you have for aspiring creative professionals? Would you advise them to take on Design or Illustration as a career option? Is it paying well enough?
I think the best advice that anyone can give an artist is to have an open heart. It will open you to beautiful experiences and perhaps your art can find a way to express it for the rest of the world to see.
Taking design as a career it’s a big yes, Everything needs a designer’s touch, so If AI comes over I don’t know what the future looks like, but I’ve tried AI and still I have some hope for the designers:)
Whats your dream project?
I wanted to do a big wall art or graffiti and work on more editorials, including The New York Times, Amazon, etc.
Mac or PC?
Mac
Who would you like to take out for dinner?
My wife
What’s on your iPod? Spotify?
Dabzee, Baby Jean, Sushin Shyam, and Pink Floyd,
Whats your Twitter Handle? Instagram?
Instagram: https://www.instagram.com/muhammedsajid.n/
Twitter/X: https://x.com/muhammedsajidn
Based in Bangalore, Indian illustrator Muhammed Sajid creates imagery rich in feeling, yet dreamlike and surreal – as vibrant as unusual. His psychedelic color palettes always catch the eye, while fascinating themes engage the mind by drawing on both the modern and traditional in unique ways. People, colour, culture, and nature all play important roles in Muhammed’s work. One of his goals setting out as an artist was to depict the lives and way of life in his home village in Kerala. However, rather than folk art or traditional landscapes, his imagery is reminiscent of a high-end graphic novel, where the characters grapple with everything from ancient, mystical beliefs to the latest technology. Muhammed’s clients include global brands, who praise his ideas, creativity, and execution. He’s an artist who always brings something different to a project – something only otherwise seen in dreams or visions.
Why are you a designer- Illustrator?
I started drawing when I was in 3rd std. After completing 12th I just realized biology science doesn’t work for me, so accidentally I applied for a Bachelor of Fine Arts. I realized I got the right path and started enjoying what I was doing. I love showcasing my art and love the way my audience approaches me. That thrives me to do more.
Did you attend school for fine art or design?
Yes, I graduated with a Bachelor of fine Arts from the College of Fine Arts Trivandrum.
You have a distinct style of illustration. How long did it take you to develop your style?
I can’t say that I have a distinct style because I realized that creating an identity was just not for me because my culture is already an identity. I do not want to stick to any specific style; I like to keep exploring different styles that I like. My work has some natural elements, cultural inspirations, an architectural feel, and some surreal approaches.
Were there any particular role models for you when you grew up?
I can’t point to one person, There are a lot of artists I got inspired from but, ya my grandma wants me to learn more and she is the one who is more passionate about my life. For my career (Art) I was influenced by my mom. She drew a lot when I was a kid.
Who was the most influential personality on your career in Design and Illustrations?
There are few people I worked with who inspired me alot. But I want to point out one person, that is Munz, He’s the design lead from Dunzo, the company I worked for the last five years.
He inspired me a lot as a good person, a good leader and a great designer.
Who are your main clients? Publishers? Brands? Advertising agencies?
I don’t have a particular client to point out, because I’m not a full time freelancer, I’m working as visual Designer at Kiwi. So I took a freelance job that I love.
So my clients include Apple, Google, Adobe, Procreate, Pinterest, Bira, Amazon Books and more.
Was there any time when you wanted to quit Design & Illustrations?
Considering this as a job, yes, I want to quit ASAP :). For me, it’s not easy and I can’t quit like that. But I love being an artist, setting up a studio, and doing whatever I want to paint, illustrate, etc.
Have you considered turning your illustrations into graphic novels?
Hmm, Not really, because I haven’t done anything suited to a graphic novel, But I thought about publishing a book with all my illustrations!
Any other Indian Illustrators who you admire?
There are a few – Ibrahim Rayintakath, Sameer Kulavoor, Reshidev, Elwin Charly, Ananand etc.
Do you have any favorite fellow designers or resources relating to your fields?
Yes, a few designers I admire are Soozaq, Jojo, Hareesh TR, Aaqib Wani, etc.
You have such a wide experience as a top working professional. What advice do you have for aspiring creative professionals? Would you advise them to take on Design or Illustration as a career option? Is it paying well enough?
I think the best advice that anyone can give an artist is to have an open heart. It will open you to beautiful experiences and perhaps your art can find a way to express it for the rest of the world to see.
Taking design as a career it’s a big yes, Everything needs a designer’s touch, so If AI comes over I don’t know what the future looks like, but I’ve tried AI and still I have some hope for the designers:)
Whats your dream project?
I wanted to do a big wall art or graffiti and work on more editorials, including The New York Times, Amazon, etc.
Mac or PC?
Mac
Who would you like to take out for dinner?
My wife
What’s on your iPod? Spotify?
Dabzee, Baby Jean, Sushin Shyam, and Pink Floyd,
Whats your Twitter Handle? Instagram?
Instagram: https://www.instagram.com/muhammedsajid.n/
Twitter/X: https://x.com/muhammedsajidn
Reconhecida como “a empresa mais sustentável do Brasil” no ISEB3, a Vivo convocou Rafael Nadal para lançar uma nova campanha destacando a relação entre o esporte e a preservação ambiental. Criada pela GALERIA.ag, a comunicação traz cenas de Nadal em ação, intercaladas com fenômenos naturais, enfatizando a importância da sustentabilidade. ? Objetivo da Campanha: A …
Leia Vivo convoca Rafael Nadal para estrelar campanha pelo futuro do planeta na íntegra no B9.
A empresa russa VK, responsável pelo ICQ desde 2010, anunciou na sexta-feira que o serviço deixará de funcionar a partir de 26 de junho. A mensagem publicada pela VK incentiva os usuários a migrar para outras soluções de chat oferecidas pela empresa. ? Legado do ICQ: Lançado em 1996 pela empresa israelense Mirabilis, o ICQ …
Leia ICQ, o pioneiro das mensagens instantâneas, será oficialmente encerrado em 26 de junho na íntegra no B9.
var HYVOR_TALK_WEBSITE = 10957;
A Nike, fornecedora oficial de uniformes para o Time Olímpico de Refugiados do COI, revelou uma campanha para enfatizar o futuro dos atletas, e não seu passado. Com criação da Wieden & Kennedy Amsterdam, a iniciativa apresenta a boxeadora Cindy Ngamba, primeira atleta refugiada a assinar um contrato de patrocínio com a empresa. ? Atletas …
Leia Nike assina seu primeiro contrato com atleta refugiada e lança campanha para o Time Olímpico de Refugiados na íntegra no B9.
Jeep claims to be “Inspired by Nature”, Toyota SUVs are engineered for off-road driving, other brands show their monster cars scaling the heights of mountain landscapes, crossing turbulent rivers, cutting through dense forests, speeding through deserts, etc. The use of spectacular and pristine natural locations in the advertising of mega cars, however, is at odds with the invisible pollution, the neocolonialist extractivist practices and the depletion of natural resources that their production requires.
Mathieu Asselin, Undefined Landscape Renault Austral & LVA – Bright Copper – Fiat, 2023
Mathieu Asselin, Undefined Landscape Mercedes Clase V Marco Polo 2014 & M6B – Lizard Green – Porsche, 2023
BOSCH_EDC17C46, 2022. The actual computer hosting the deceptive software that prompted the Dieselgate scandal framed in perspex box
With his project True Colors, currently on show at the EXPOSED Photo Festival in Turin, Mathieu Asselin sabotages the advertising material produced by the automotive industry as part of its deceitful ecological narrative.
The starting point of the project is the Dieselgate. In 2014, it was revealed that Volkswagen was using software to circumvent air pollution tests on certain car models. When it detected pollutant emission tests, the software modified the engine to reduce emissions. In real-life driving conditions, however, the vehicles emitted levels of nitrogen oxide pollutants that were considerably higher than the standards authorised by environmental institutions. It was later revealed that other car manufacturers, such as Audi, BMW, Renault, Fiat and Jeep, had put in place similar fraudulent practices.
True Colors confronts the industry’s environmental violations, lack of action, its “nature-rinsing” strategy and unwillingness to accept that the future of human mobility might not lie in individual cars.
Over the past few years, the car industry has been reinventing itself as an actor that holds the solutions to our environmental troubles. It is manufacturing “clean vehicles”, selling “zero emission” cars and developing biofuels and technologies that will “decarbonise our roads.” The claims sound wonderful but their main purpose is actually to keep the consumer demand for new cars growing. By repurposing the industry’s imagery, Asselin project sheds light on the gap between its professed environmentally friendly efforts and the unpalatable reality of its ecological and neocolonialist extractivist consequences.
The outcome of the artist’s research is a series of photographs, archive materials, an essay and some spectacular diptychs.
Mathieu Asselin, Undefined Landscape MERCEDES CLASE E CABRIO 2017 & B21 – ATACAMA YELLOW – BMW, 2023
Mathieu Asselin, Undefined Landscape VW PASSAT ALLTRACK 2015 & 462 – BLEU FJORD – FIAT, 2023
The “Exhausted Landscapes” diptychs bring side by side two panels, glossy and metallic like the bodywork of a car. One shows a landscape, the other is made of a solid colour stamped with a Pantone-like reference featuring a vehicle model, a colour and a biome.
The landscapes were appropriated from tv advertisements for cars involved in the Dieselgate scandal. The images were enlarged, given a new printing pattern and screenprinted on high gloss coloured steel plates. The black carbon-negative ink was produced from fine dust extracted from the exhaust pipes of diesel vehicles. The whole process involves capturing emissions, separating carbon from these emissions and then combining the carbon with oils and solutions. The process employs a patented device and a technique called KAALINK developed at MIT for soot filtration, capturing carbon and other pollutants. By using this ink, the artist makes tangible the invisible car pollution that permeates the air and the landscape.
The water-based colours used in the prints were selected from the wide spectrum of 257 colours commonly used in the automotive sector. Their names refer to invaluable ecosystems. A lake surrounded by pine trees appears on the backdrop of Volkswagen’s ‘Montana Green,’ a mountaintop is covered in Renault’s ‘Glacier Blue,’ an ocean view appears in ‘Atlantico Blue” of a Fiat vehicle and a desert is bathed in BMW’s ‘Arizona Sun.’ ‘Coral Red’ is perhaps the most uncomfortable of the colours because it evokes (to me at least) the vivid colours used during weather forecast tv programmes to signify the often unbearably hot temperatures that some parts of the world increasingly experience.
Mathieu Asselin, Undefined Landscape Renault Kadjar 2016 & P3/2 – Montana Green Met – Volkswagen, 2023
Mathieu Asselin, Undefined Landscape AUDI A3 2010 & 34/A – TUNDRA GREEN – FIAT, 2023
Mathieu Asselin, Undefined Landscape Blanc Glacier Renault, 2023
Mathieu Asselin, Undefined Landscape Blanc Glacier Renault, 2023
The curators of the EXPOSED festival were brave to exhibit this work in Turin, the Italy’s car capital, where Jeep sponsors the Juventus football club and many citizens have memories associated with the history of FIAT.
Mathieu Asselin, True Colors. Installation view at Villa della Regina
Mathieu Asselin, True Colors. Installation view at Villa della Regina
Mathieu Asselin, True Colors. Installation view at Villa della Regina
Mathieu Asselin, True Colors. Installation view at Villa della Regina
True Colors was curated by Sergio Valenzuela Escobedo. The exhibition remains open at the Villa della Regina in Turin until 2 June 2024. It is part of EXPOSED, the city’s brand new Photo Festival.
In 2018, a Black-owned small business accomplished an incredible feat on Black Friday by selling $1 million of cosmetics in less than 90 minutes. The Box of Crayons product was also featured on Oprah’s Favorite Things list… twice. Founder Raynell “Supa Cent” Steward has since built a $50 million cosmetic brand without traditional marketing support….
His Moon Knight was a hit in the 1970s, 30 years after he began his career. Bloodshot, another popular superhero, followed two decades later.
His Moon Knight was a hit in the 1970s, 30 years after he began his career. Bloodshot, another popular superhero, followed two decades later.
Memorial Day weekend ticket sales in North America are expected to total $125 million, down 40 percent from last year.
His Moon Knight was a hit in the 1970s, 30 years after he began his career. Bloodshot, another popular superhero, followed two decades later.
His Moon Knight was a hit in the 1970s, 30 years after he began his career. Bloodshot, another popular superhero, followed two decades later.
Ads are here, there — almost everywhere — on streaming services now.
In this month’s roundup, true stories of air disasters (and why they’re so rare), as well as love letters to life in the skies.
Ted Sarandos helped lead Netflix to victory in streaming, but the war for your attention isn’t over.
This is site is run by Sascha Endlicher, M.A., during ungodly late night hours. Wanna know more about him? Connect via Social Media by jumping to about.me/sascha.endlicher.
