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Advertising Agency:Åkestam Holst NoA, Sweden
Creatives:Johan Landin, Filip Laurent, Erik Nordenankar, Julia Sebesteny
Account Manager:Bella Lagerquist
Client Director:Jesper Ander
Strategist:Karl Wikström
Creative Designers:Kenna Magnusson, Sara Bellafesta
Entrant Company:BKRY
Graphic Designer:Jens Broman
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Audials Radio
Audials is a music streaming service with the largest selection of music radio stations from all over the world, allowing its users to choose from 13000+ stations from all genres and stream all day long for free. We brought this to life in this initiative from ideation, all the way to sketching, studying, CGI and creative retouching.
24/7 Music radio stations. Enjoy your favorite genres with 13000+ AM, FM & online stations.
Advertising Agency:LEAP Studios, Cairo, Egypt
Managing Director:Shadi Zeiian
Creative Director:Kerollos Magdy
Art Directors:Kerollos Magdy, Shadi Zeiian
Copywriters:Amr El Massri, Kerollos Magdy, Ibrahim Satour
Illustrator:Mohamed Hamid
3D artists:Shadi Zeiian, Ibrahim Satour, Mohamed Ibrahem
Marvelous Designer:Mohammed Nasr
Retoucher:Mohammed Nasr
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Vodacom Mozambique Fashion Week
More than 100,000 marine animals die each year from trash dumped into our planet’s oceans. In Mozambique, in addition to the lack of a sustainable recycling system, there is a bad habit of littering along the country’s vast coastline, mainly on beaches and especially during the holiday season. December 4 was World Wildlife Conservation Day and in order to draw society’s attention to this situation, Mozambique Fashion Week launched the Unwanted Fashion campaign, transforming the trash that is dumped into the oceans in fashion accessories and the animals in digital influencers. The initiative wasn’t just live on digital. Also offline, the event’s catwalk was entirely built with 5,000 tiles made from 250,000 plastic bottle caps. Mozambique Fashion Week also featured exhibits of sculptures of marine animals and a 6-meter tree, both made from recycled materials and illuminated with energy from solar panels. In all, more than 1 ton of plastic was used to build these works.
Advertising Agency:DDB, Maputo, Mozambique
Ceo:Vasco Rocha
Coo:Cristiana Oliveira
Creative Directors:Christiano Vendramine, Albachir Muinde
Creative Supervisor:Ivo Alves
Art Directors:João Lucas Roque
Copywriter:Gonzaga Neto
Digital Retoucher:Curgy Junior
IHOP wants TikTok users to let its syrups do the talking or, more accurately, the singing. The restaurant chain kicked off its first-ever TikTok challenge Monday, #SyrupTurnUp. TikTok users are encouraged to have their IHOP syrup bottles “sing” along to its frenzied version of holiday classic “Silent Night,” called, “Not So Silent Night.” Dancing and…
Competitive salary and benefits:
Ebiquity Plc:
We are a leading independent global marketing and media consultancy. We have an excellent opportunity for an exceptional Client Partner.
New York City, New York (US)
Yearly Salary:
BerlinRosen:
ABOUT THE TECH TEAM BerlinRosen’s burgeoning technology and innovation practice represents some of the biggest newsmakers defining the future of te…
New York, New York, United States, 10038
Base salary, paid vacation, +benefits:
Canon USA:
The Channel Strategy & Retail Marketing Support group is seeking a specialist. In this role, the specialist will be responsible for assisting in th…
Melville, New York (US)
A multi-subject campaign about the electronic cigarette, based on the advantage: you can use it anywhere, in contrast to traditional cigarettes.
Embora faça grandes investimentos na CCXP desde a criação do evento, a Netflix sempre parece estar atrás de um formato definitivo que contemple da melhor forma suas produções originais dentro do auditório Cinemark. O serviço de streaming já fez um tour de praticamente todos os formatos e horários, de painel na quinta-feira com “Marco Polo” …
O post Netflix abraça o espetáculo na CCXP 2019 com a ajuda de “The Witcher” e “La Casa de Papel” apareceu primeiro em B9.
Saloni Ramteke, 20, is an illustrator based in Mumbai. Her love for drawing put her on a path to study animation and eventually take up illustration. She enjoys watching anime, working out and playing on her Nintendo DS.
Why are you an Illustrator?
I don’t know how to express this better than just saying that I love to draw.
I was going to do medicine but realized at the last moment that it wasn’t for me and decided to do what I was truly passionate about which was animation.
Having studied it for the past three years, I realized that my interests mainly lie in illustration and pre production work and hence, decided to stick to that.
Tell us about your current institute for studying the visual arts.
I studied animation in DSK Supinfocom, in Pune. The course started off with teaching us basics of 2D Animation and Motion Graphics. Over time, the course started focusing on 3D animation. Around my 3rd year, I realized that I liked 2D more than 3D so I completed my Bachelors Degree and started investing more time and practice learning illustration and 2D animation. Currently, I am not studying in an institute. I am interning at a really fun studio!
You have a distinct style of design. How long did it take you to develop your style?
I don’t think I have a definitive style of my own yet. I am still learning and have to keep molding myself to keep up with the ever changing trends in the industry. However, what I have right now is a culmination of me trying out and learning new techniques over the last three years.
How did you focus so much on graphic illustration? When did you realize you loved doing it and wanted more of it?
I realized that my passions lay in illustration when I was first introduced to it in college. I remember getting excited whenever we had a character design or an illustration class. Just knowing that I enjoyed doing it without caring about being graded was a huge indicator. I also started enjoying any classes that were complementary to these like color theory and concept art.
Were there any particular role models for you when you grew up?
My parents have always encouraged me to do what I want and have told me time and again that passion is the biggest driver. Just knowing that no matter what I do, my family would always support me even if I fail, has always given me the confidence to step out of comfort zone. Hence, my parents are my biggest role models.
Who was the most influential personality in your career in graphic design/illustration?
During my second year of college, we had a masterclass by Raag Raisinghani, who is a motion designer. Seeing my interest in motion graphics, he pushed me to work harder and made me realize what I actually wanted to do. He helped widen my understandings of design and has been a constant mentor even while approaching studios for internships.
Do you freelance?
I recently graduated and started an internship straightaway so I haven’t got an opportunity to freelance yet.
Was there any time when you wanted to quit animation?
There have been times while studying 3D animation, that I felt I was out of it and didn’t feel passionate, hence, wanted to quit doing that. So I decided to stick to my instincts and pursue 2D animation and pre production.
After graduation, where do you want to work? Advertising agency? Design shop? Tech startup?
I just graduated with a bachelors degree and I’m interning at a fun studio. I would love to work at a motion design or a branding studio similar to the place where I am currently at.
Any other Indian graphic designers who you admire?
Asavari Kumar, Shaivalini Kumar, Aditi Kakade Beaufrand, Vivan Kamath, Sudeepti Tucker, Sandhya Prabhat, Chaaya Prabhat.
Is there something you wish your design college taught you?
I believe every design college should have a separate class on making invoices, charging clients and making decks to present to them. This is because a lot of times design services are underpaid or underestimated, especially if you are new in the industry. So it’s always important to know that you should not undersell yourself. Inculcating this in students will in return help uplift our field by setting a budget standard for clients who don’t believe that design is an investment.
Mac or PC?
Mac, however if you’re starting out and don’t wish to spend that much, PC works just fine.
Who would you like to take out for dinner?
Yukai Du
What’s on your iPod?
Yaeji – Noonside
Brad Stank – O.T.D
Whats your Twitter handle? Instagram?
You can follow my art account on Instagram: @salowknee
This Christmas, Orange relaunches Santa’s iconic French number : 0836656565, and offers its customers a unique in-store and digital experience : to try and find the real Santa among all of his lookalikes, through an innovative platform. French people can visiocall Santa using the phone booths installed in Orange stores, and by connecting to the website 0836656565.fr. With the help of Orange Connected home’s features, they can interact with all the different Santas and discover clues which will help lead them to the real Santa.
More than 100,000 marine animals die each year from trash dumped into our planet’s oceans. In Mozambique, in addition to the lack of a sustainable recycling system, there is a bad habit of littering along the country’s vast coastline, mainly on beaches and especially during the holiday season. December 4 was World Wildlife Conservation Day and in order to draw society’s attention to this situation, Mozambique Fashion Week launched the Unwanted Fashion campaign, transforming the trash that is dumped into the oceans in fashion accessories and the animals in digital influencers. The initiative wasn’t just live on digital. Also offline, the event’s catwalk was entirely built with 5,000 tiles made from 250,000 plastic bottle caps. Mozambique Fashion Week also featured exhibits of sculptures of marine animals and a 6-meter tree, both made from recycled materials and illuminated with energy from solar panels. In all, more than 1 ton of plastic was used to build these works.
The work explores the impact of media on peoples attitude’s towards Islam.
Some people live in a bubble of ignorant bliss about the Syrian refugee crisis. This campaign brings the struggle of Syrian refugee children to our world in a way that’s difficult to ignore. We wanted to highlight the loss of childhood for refugee children through a medium commonly associated with childlike innocence. In this case, that medium is colorful clay. There’s a natural juxtaposition between the playful nature of the clay and the deadly nature of the objects themselves that, when paired with the other parts of the ad, is simply…jarring.
A girl receives a parcel in the morning and dies the same evening. The mystery is unravelled as two guys take a road trip.
This is site is run by Sascha Endlicher, M.A., during ungodly late night hours. Wanna know more about him? Connect via Social Media by jumping to about.me/sascha.endlicher.
