Snickers: You're not you when you're hungry

Snickers Print Ad - You're not you when you're hungry
Snickers Print Ad - You're not you when you're hungry
Snickers Print Ad - You're not you when you're hungry

WKUP Coffee: No FOMO

WKUP Coffee Print Ad - No FOMO
WKUP Coffee Print Ad - No FOMO
WKUP Coffee Print Ad - No FOMO

No need to FOMO no more. WKUP gives you the kick to do more. Print advertisement created for WKUP coffee shop as student work within Miami Ad School Hamburg, Germany.

Philisa Abafazi Bethu: Real Monsters of SA

Philisa Abafazi Bethu Ambient Ad - Real Monsters of SA
Philisa Abafazi Bethu Ambient Ad - Real Monsters of SA
Philisa Abafazi Bethu Ambient Ad - Real Monsters of SA
Philisa Abafazi Bethu Ambient Ad - Real Monsters of SA

South Africa has the fourth highest rate of femicide in the world and in 2019, the country experienced a dramatic spike in reported incidents of gender-based violence. Yet many men are unable to comprehend that women see them daily as the biggest danger to their well-being. To get men to face the reality that South African women see them as a potential threat, Philisa Abafazi Bethu (Heal Our Women) launched a tactical campaign on Halloween. Decals referencing iconic horror movies were placed on men’s bathroom mirrors in bars, restaurants, clubs and pubs. When men looked into the mirrors, they would see themselves becoming the “stars” of the movie – the real monsters South African women actually fear.

Visine: Overworked Eyes

Visine Print Ad - Overworked Eyes
Visine Print Ad - Overworked Eyes
Visine Print Ad - Overworked Eyes

Even when you stop, your eyes keep working.

Ziploc: Stay Fresh

Ziploc Print Ad - Stay Fresh
Ziploc Print Ad - Stay Fresh
Ziploc Print Ad - Stay Fresh

Ziploc keeps items fresh no matter how much time has passed.

Long Roofing: The Things You Don't See

The things you don’t see often make the biggest difference, as Long Roofing’s new spokesman demonstrates.

Canadian Premature Babies Foundation: Preemie Graduation

Video of Preemie Graduation | Canadian Premature Babies Foundation

Medha Gupta : Graphic Designer, Illustrator

Medha Gupta is a freelance graphic designer and illustrator, who also dabbles in content writing work from time to time. A graduate in art & design from Srishti School of Art, Design & Technology, she has 2 years of full-time job and nearly 3 years of full-time freelancing work experience.

At her jobs, she worked with clients like Del Monte and Amazon for varied projects such as packaging and social media creatives. As a full-time freelancer, she’s worked with brands like Encyclopaedia Britannica for illustrated children’s textbooks, Harper Collins for a book cover among others, Lenskart for social media animations. She’s worked with various b2b brands and startups on projects such as illustrated Planners, Logos, Brochures, websites, stop-motion animation and more.

She’s a passionate reader, incessant converser, and currently, hobbyist watercolourist.

Why are you a Graphic Designer?
I actually wanted to be a creative director in advertising. But the curriculum for English Honours as Correspondence was really boring so I decided to not pursue that avenue. Graphic design just sort of happened as a result of that.

Did you attend school for fine art or design?
Primarily for design. But I got pulled into exploring different fields of design in my first two years and that led to an education that had elements of both design and art.

You have a distinct style of Design. How long did it take you to develop your style?
I feel I’m still in the process of developing my style! I believe design is a solution to a problem, so as such it shouldn’t be the designer’s style that determines the output, but the needs of that brand or product and what would appeal to the target audience should determine the style and output of the design.

How did you focus so much on graphic illustrations? When did you realise  you loved doing it and wanted more of it?
Graphic illustrations happened because I was constantly running away from having to do layouts! Ironically though, I started to love working on layouts as well. What I enjoy most about doing illustrative work is how meditative the process is and how satisfactory a particularly intricate output can feel.

Were there any particular role models for you when you grew up?
My mum. She has such a specific taste, that getting her seal of approval for anything I created was really tough. So I was constantly trying to get her to say ‘wow’ through the next thing I made! I think I’m still waiting for that ‘wow’ ?

Who was the most influential personality on your career in graphic design?
I would say my boss at my first job. I still work with him on freelance projects from time to time and I find those projects to be satisfyingly challenging and so I end up learning a lot from them.

When did you start freelancing?
February 2017

Was there any time when you wanted to quit graphic design?
Oh, many times! I find it to be a challenging field, specially as a freelancer, and especially when working for Indian clients. It’s tough to maintain a balance between quality, time and money for most projects. Cleints either have very tight deadlines or they underpay or don’t appreciate the value of the work you’re doing. It’s hard to find a client who checks all those boxes.

Are many advertising agencies hiring graphic designers? Do you work more with agencies or publishers or direct clients?
I think they are, but they prefer in-house designers to freelancers. I work either with direct clients or through other freelancers who maybe handling many aspects of the brand and I’m hired to do some of that work.

Do you have clients who give you steady work or do you advertise for new clients often?
More of the former, actually. I’ve found myself advertising very less for new work.

How do you market yourself?
Actually, in the last 1.5 years, I haven’t really marketed myself, I’ve been blessed like that. I’ve mostly worked with repeat clients or with people who came to know of me through word-of-mouth.

Any other Indian graphic designers who you admire?
I think I follow more illustrators than graphic designers! I love Mallika Favre and Ranganath Krishnamani’s work!

What advice do you have for aspiring creative professionals? Would you advise them to take on graphic design as a career option?
Be prepared to take on the roles of client servicing, sales, accounts, admin and HR if you decide to get into freelancing. Only focussing on design will take you only so far. I think graphic design is a great career option, you can get in touch with so many others worlds and industries through the variety of work you can do, so it’s never boring. Plus, as a freelance career, you can do small and big projects, so it’s easier to sustain yourself.

Do you think Clients are opening up to keeping aside a decent respectable budget for design work? Do you think clients are understanding that they need to invest in Design as a communication tool and also to cut the clutter, and that good design comes at a price?
Some are. But I think “selling” the value of graphic design is part of a designer’s job profile. The trick is to be able to gauge whether the client is coming from a space of genuinely not knowing the value of good design, and hence the price it entails, or they’re just plain ignorant and unlikely to change their mindset.

Mac or PC?
Mac

Who would you like to take out for dinner?
Copywriters who wrote for vintage print ads. I’d love to know what they think of advertising now and how they would rise up to the challenge of an audience having a short attention span that’s overdosed with information.

What’s on your iPod?
Some indie music, some Bollywood tracks and Harry Potter audiobooks.

Whats your Twitter Handle? Instagram?
Twitter – mg_ccjd
Instagram – medhagupta7

Medha Gupta Graphic Design
Medha Gupta Graphic Design
Medha Gupta Graphic Design
Medha Gupta Graphic Design
Medha Gupta Graphic Design
Medha Gupta Graphic Design
Medha Gupta Graphic Design
Medha Gupta Graphic Design
Medha Gupta Graphic Design
Medha Gupta Graphic Design

Re-Imagined/Extinct Indian Musical Instruments

Sneha Suresh is a visual communicator and printmaker born and brought up in Goa. She is a graduate from Srishti Institute of Art, Design and Technology and is currently working on her own brand, Tucksac. Her latest body of work is inspired by Indian musical instruments that are either forgotten or are on the verge of extinction.

This series of illustrations is a playful re-interpretation of lesser known Indian musical instruments that are either forgotten or are on the verge of extinction. Each illustration is a tribute to one such instrument with an aim to push people to think, wonder, imagine and perhaps even create. A year ago, Sneha’s father visited his boarding school 4 decades later where he found and re-united with his tabla after 40 whole years. The sheer joy on his face while holding an instrument that he played 40 years ago inspired her to work with forgotten indian musical instruments.

This project along with her previous projects Prajne and Inaipu, is a part of a brand that she founded 5 years ago called Tucksac. Tucksac’s logo is a carrier pigeon as a major part of the the brand’s work involves making certain narratives from the past (Indian Cultural Heritage) more accessible.

4 of Inktober 2019’s prompt words were used to create this series of illustrations. All illustrations have been hand painted and photographed by Sneha Suresh

TausxAncient by Sneha Suresh
Instrument: Taus / Mayuri Veena? Prompt: Ancient
NagfanixMorchang by Sneha Suresh
Instruments: Morchang + Nagfani Prompt: Ring
YazhxBait-2 ny Sneha Suresh
Instrument: Yazh (Makara Yazh (Crocodile) and Matsya Yazh (Fish) Prompt: Bait

Extinct/EndangeredMusicalInstruments_SnehaSuresh

“To design is much more than simply to assemble to order or even to edit: It is to add value and meaning
to illuminate, to simplify, to clarify, to modify, to dignify, to dramatize, to persuade and perhaps even to
amuse. To design is to transform prose into poetry.” – Paul Rand

The Holy Journey: A Journey into the land of peace

The Holy Journey Integrated Ad - A Journey into the land of peace
The Holy Journey Integrated Ad - A Journey into the land of peace
The Holy Journey Integrated Ad - A Journey into the land of peace
The Holy Journey Integrated Ad - A Journey into the land of peace
The Holy Journey Integrated Ad - A Journey into the land of peace
The Holy Journey Integrated Ad - A Journey into the land of peace
The Holy Journey Integrated Ad - A Journey into the land of peace
The Holy Journey Integrated Ad - A Journey into the land of peace
The Holy Journey Integrated Ad - A Journey into the land of peace
The Holy Journey Integrated Ad - A Journey into the land of peace
The Holy Journey Integrated Ad - A Journey into the land of peace
The Holy Journey Integrated Ad - A Journey into the land of peace

It is a Service Campaign about religious tourism,Targeting (Adult 55+) who are Retirement ages. Competitors:Palestine (Holy land), Jordan, France and Italy.this poster will be published in ,(Primo Italian magazine), ( Christianity today magazine)magazines.

Dr. Scholl's: The Definition of Comfortable

Dr. Scholl's Print Ad - The Definition of Comfortable
Dr. Scholl's Print Ad - The Definition of Comfortable
Dr. Scholl's Print Ad - The Definition of Comfortable

In order to understand just how comfortable Dr. Scholl’s is, you must compare it to the most uncomfortable.

29 Savvy Stars Changing the Way We Think About Branding

There’s no shortage of great talent in the fields of entertainment, marketing, media and tech, but each year, we endeavor to identify the people who insist on setting the bar even higher–for themselves and their respective industry. Our picks for this year’s list of Young Influentials define what it means to be an overachiever, whether…

The New York Times’ Journey Into Audio Following the Success of The Daily

With endless programming to choose from, countless ways to consume media and never-ending social distractions, The New York Times has broken through the noise to win over consumer attention. The Daily, its first daily news podcast, which showcases the NYT’s reporting and reporting process, established a new way of storytelling by showing the journalism behind…

Jay Shetty Went From Monk to New Media Mogul With His Message of Mindfulness

Jay Shetty is not your typical celebrity. Sure, he looks like a laid-back model with his crystalline green eyes and perfectly coiffed hair. He shifts effortlessly in his seat as he locks in with the camera lens. “Somehow I knew you’d be easy to shoot,” our cover photographer says. To prepare for the shoot, she’s…

The First Brandweek Constellation Awards Celebrate the Remarkable Power of Marketing Teams

This might just be the era of the individual–a time of self-care, being your best self and selfies galore. And yet collaboration is an incredibly powerful phenomenon. For proof, look no further than the winners of our first annual Constellation Awards in which a jury of senior Adweek editors selected the best team-led marketing efforts…

4 Lessons Madison Avenue Can Learn From Silicon Valley

We’ve heard it ad nauseam: The agency model is broken. Consulting companies are coming for us, and Big Tech is stealing our best people with cafeterias that promise carving stations and kombucha on tap. As an agency based in San Francisco, we don’t see doom; we see an opportunity to reinvent ourselves. Silicon Valley is…

Infographic: How Much Influencers Like to Take a Stand

Influencers care about their work and about who they work with. The majority of influencers are more likely to work with a cause-based brand, according to Mavrck. The influencer marketing platform found many of them (23%) want to give back as part of the campaign. Other factors for engaging include an authentic fit with the…

Promart Homecenter Teletón: K1DS


Film
Promart Homecenter

We portray a different reality of kids with disabilities by showing the essence of being a kid: antics

Advertising Agency:Fahrenheit DDB, Lima, Peru
CCO:Ricardo Chadwick
Ecd:Sergio Franco Tosso
Head Of Art:Luciano Leone
Art Director:Joe Almeida
Copywriter:Alonso Castillo
Production House:Rebeca
Film Director:Roddy Dextre

America Television: Beto and Elena


Film
America Television

This is a spot that tells the incredible story of Beto -the main character of “De Vuelta al Barrio”, the most popular series on Peruvian television- and Elena, a fan of the TV series. Through its storytelling, the film -which never loses sight of the product as the center of its idea- shows us the absolute essence of what happens between people (viewers) and their favorite TV series.

Advertising Agency:Circus Grey, Lima, Peru
Cmo:Jacques Aragonés
Brand Manager:Ana Paola Mazuelos
Inhouse Art Director:Mauricio Torres.
Pr Manager:Mariana Ibarcena
Ceo:Pedro Jose De Zavala
CCO:Jose Luis Rivera Y Pierola
Executive Creative Director:Charlie Tolmos
Creative Director:Yasu Arakaki, Rodrigo Melgar
Head Account Manager:Zinka Mendoza
Account Director:Jackeline Sztrancman
Account Supervisor:Vanessa Ortega
Account Executive:Alejandra Cardenal
Head Of Production:Renzo Talavera
Group Executive Producer:Claudia Alvarez
Assistant Producer:Ximena Rojas, Maria Fernanda Mendoza
Production Company:Rebeca
Director:Manuel Oxenford
Executive Producer:Alejandro Noriega
Production Manager:Karen Nolte
1st assistant director:Eduardo Bezerra
2nd Assistant Director:Renato Arestegui
DoP:Julian Amaru Estrada
Gaffer:Lander Torres
Focus Assistant:NICOLAS LASTSCHENKO
Camara Assistant:Carlos Ezeta
Video Assistant:Sergio Peña
Data Manager:GianCarlo Segovia
Art Director:Coco Miranda
Productora de Campo:OH MARGOT
Art Producer:Cecilia Herrera
Custome Designer:Claudia Mansillas
Makeup Artist:Nery Romero
Casting:Zebra
Off line:Rossana Samanamud, Makaco
Editing:Rossana Samanamud, Makaco
On Line:Makako
Color:Makako
Sound and Music Designer:Zumba
Cover Lead Singer:Arianna Fernández
Original Music:Autocontrol

Ressacol Ressacol: Don't let the hangover ruin the following day

Print
Ressacol

Ressacol is a remedy that avoid hangover. The campaign makes reference to an ordinary morning after.

Advertising Agency:Delantero Comunicação, Fortaleza, Brazil
Art Director:Samuel Ribeiro
Copywriter:Pedro Ximenes
Creative Head:Giovanna Castro
Executive Creative Director:Marcel Pinheiro, André Miyasaki, Pádua Sampaio