ArtClass Signs Acclaimed Ad & Film Director Cody Stokes

ArtClass is pleased to announce an exciting addition to their team of next generation storytellers. Joining the roster of the LA and NY-based production studio is award-winning director Cody Stokes. Hailing from the Midwest, Stokes makes poignant commercials, narrative films, and documentaries that touch the heart.

As Executive Producer Geno Imbriale says, “Authenticity is the pillar of Cody’s work. He knows how to trigger emotion and connect with the viewer, a skill that runs throughout his expansive portfolio. At ArtClass, we’re looking forward to taking Cody’s artistry and production pedigree into new and unexpected avenues.”

The prolific Stokes has over a hundred commercial projects under his belt. He’s crafted ads for brands including Toyota, Nike SB, American Express, Microsoft, Yahoo, BMW, ESPN, and Dreambone. Inspired by his mother’s love of craft, and his father’s love of story (and classic 60’s films like Butch Cassidy and the Sundance Kid), Stokes was primed to impart a depth, richness, and relatability to all of his work.

In his short films, it takes Stokes only a couple of minutes to translate complex or deep emotions, be it mourning a loss, bearing loneliness, rooting for escape, or delighting in whimsy. His sense for pacing and performance results in narratives that are genuine, captivating, sometimes uplifting, and always emotive. The recipient of the Princess Grace Award for filmmaking, Stokes’ use of light and sound brilliantly punctuates scenes and transitions, especially in shorts like Paper Hallways, A Year Long Morning, and The Loneliest Place On Earth.

Stokes’ first full-length narrative, a crime drama called The Ghost Who Walks, is rounding the film festival circuit in summer 2019. It has already won six awards at the St. Louis Filmmakers Showcase, including Best Narrative Feature, and won the Jury Award at the 2018 US IN PROGRESS section of the Champs-Elysees Film Festival.

For Stokes, having a supportive team can make all the difference, which is why he found himself linked up with ArtClass, having previously worked with EP Geno Imbriale. “ArtClass is the kind of company that helps directors – and creators of all kinds – be the best versions of themselves. They provide a platform to explore new ideas and really hone one’s craft,” says Stokes. “I feel very privileged to be part of such a diverse group of creatives.”

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Carbonite Endpoint – We're backed up, right? – (2019) :30 (USA)

If you are the type to dramatically drop your computer on the street, delete your local disks or storm out of meetings yelling “I quit” it might be nice to know that you are backed up. 

Agency: Quirk Creative

  • Director: Gaelan Draper

  • Producer: Annmarie Stec

  • Copywriter: Matt Lazarus

  • Art Director: Wren Sieber

  • Account Director: Yael Nachajon

 

Client: Carbonite

  • Marketing Campaign Director: Luis Fleitas

  • Marketing Campaign Manager: Allison Cook

  • Channel Marketing Specialist: Iriana Rodriguez

“Jurassic World” vai ganhar curta-metragem na FX

A saga “Jurassic Park” teve uma trajetória um tanto quanto peculiar nos últimos anos. Após uma primeiro trilogia encerrada em 2001 com “Jurassic Park III”, a Universal conseguiu reviver a série com sucesso com “Jurassic World” e “Jurassic World: Reino Ameaçado”, que foram sucesso absoluto de bilheteria em seus respectivos lançamentos em 2015 e 2018 …

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‘I Think You Need to Rewrite It’: Ruth Reichl on What Makes an Editor Great

The Gourmet editor remembers Susan Kamil, who died this week.

Sabrina Caluori, HBO’s Digital Experience Maven, Is Leaving

After 12 years, Sabrina Caluori, executive vice president of digital media and marketing at HBO, is leaving the network. Caluori broke the news in a LinkedIn post, recounting the numerous events and initiatives her team has brought to life at HBO and thanking them for their hard work. As of now, Caluori plans on staying…

Sean Astin Returns for ‘Rudy II,’ Except Rudy’s Now Colonel Sanders and It’s All a KFC Ad

There is a small fraternity of entertainers who can claim the honor of portraying the Keeper of the Original Recipe. Though their celebrity-fueled campaign began only in 2015, KFC and agency Wieden + Kennedy Portland have managed to enlist a number of major names to don the snowy mustache-and-goatee look and telltale gold-rimmed spectacles, including…

Rio Carioca Beer – Grumpy old man / #Losers (2019) 3×10 (Brazil)

 

A grumpy old man hates de Rio Carioca Beer ads and find them a bunch of losers.

 

“These Rio Carioca Beer ads, love to mock everybody. That’s why they don’t sell anything, or have money to appear on TV. LOSERS!”

“Rio Carioca Beer ads never shoed a woman in a bikini!”

The grumpy old man insists: “I’m not being funny about these Rio Carioca Beer ads. My son likes them. He’s a loser too.”

Campaign: #losers

Brand: Rio Carioca Beer

Agency: 11:21

Criative Director: Gustavo Bastos

Copywriter: Gustavo Bastos

Account Manager: Diego Crisostomo

Media Manager: Rodrigo Sani

Production Company: Movie Machine

Director: Bruno Miguel

Approved by: Luiz Eduardo Vieira

REBBL: REBBL with a Cause

REBBL Film Ad - REBBL with a Cause
REBBL Film Ad - REBBL with a Cause
REBBL Film Ad - REBBL with a Cause
REBBL Film Ad - REBBL with a Cause

Human trafficking is the fastest growing illegal industry of our time with 45.8 million people currently being exploited worldwide. Solutions to this and many of the largest challenges facing our planet lie in finding ways to use business as a force for good. Rather than just a product with a mission, this is the story of a mission – to eradicate the root cause of human slavery – with a product. This is REBBL’s origin story. It is also a story of an organic ingredient, the mighty Brazil Nut, one of over 70 that REBBL sources from around the world to help uplift communities.

The New York Times: The Truth Has a Voice: Gender Equality

Video of The Truth Has a Voice: Gender Equality

Glo Bolt: Undisputed Grand Master of the Fastest Internet

Glo Bolt Print Ad - Undisputed Grand Master of the Fastest Internet

It is a tactical creative Ad, meant to strengthen the Glo internet speed in the competitive market. Speed here, is used in a metaphoric way by using the F1 race car to depict speed consumers will experience, when Glo bolt internet dongle is purchased.

Stuntman Public Relations: Account Executive

Up to $40,000 per year + benefits:

Stuntman Public Relations:
Stuntman PR is seeking an Account Executive who is full of creative ideas and eager to contribute on a large scale in an intimate agency setting, w…
10013, New York City

Data Users Need to Reclaim Their Humanity Among All the Algorithms

Editor’s note: Industry consultant Shelly Palmer is taking his popular newsletter and turning it into an Adweek article once per week in an ongoing column titled “Think About This.” An invitation to walk in a Labor Day Parade got me thinking about labor law as an alternative path to meaningful data privacy regulation. There is…

How P&G’s ‘The Look’ Broadens the Black Experience in Media

When media and advertising train its eye on black men, the results are often shallow and stereotypical at best. At worst, portrayals focus solely on what activist DeRay Mckesson calls “the sad story” of poverty, hardship, addiction and imprisonment. That’s why he was heartened by P&G’s “The Look,” a groundbreaking short film about unconscious bias…

Billfold – cashless payments that doubles as ad space (for your venues drinks etc)

Someone realized that absolute pain it is to drag a wallet out every time you hit the bar at various clubs and concerts. Introducing Billfold, which wanst to be the solution.

We all know how it works by now, we stand in line forever. Either we’re standing in line to buy drink tickets, and then standing in another line to get the actual drink (argh), or we are fumbling with cash and wallets in crowded spaces where we’d rather not be.

 

Billfold, an RFID point-of-sale for high-volume service, (that’s nerdy speak for “cashless payment system”) is designed specifically to help facilitate the speed with which the line goes, by making all transactions faster. 

Not only that, the display doubles as POS ad space, the screen which the customer sees can show drink specials, for example, and increase sales on specific items. 

At over 400 events, Billfold has boosted patron spending up to 67%.

Billfold is the product of two veteran operators, Stas Chijik and Benjamin Roshia, who specialized in large-scale events in New York City. Stas and Ben are best known for launching the food and beverage operations at the 85,000 sq. ft. mega venue, The Brooklyn Mirage / Avant Gardner. After years of successful events and a constant drive for efficiency, they tackled the final pain point in their bottom line: the glacial speed of transactions and the resulting customer wait times.

“We’ve catered and operated events since 2008, and our area of expertise is high-volume beverage service. In 2012, we began specializing in warehouse parties and became partners in high production value events that took New York by storm, growing rapidly from 1,000 to 10,000 attendees per event,” says Stas. “We saw that payments were taking up too much time and affecting sales.” A traditional point-of-sale (known as POS) takes bartenders at least a minute to run a card and get a signature, and that’s after the patrons have already held up the line, fumbling through their wallet or purse. 

Unlike similar RFID systems, which require you to ‘put’ a specific amount on your RFID wristband and top that sum up as you go along spending during the night, this system doesn’t make you wait in two lines. The specific problem – one line for drink tickets, and one line for drinks – was the issue that needed solving so that party-goes could get down to business and party. Billfold creates a secure connection to a patron’s credit or debit card at a self-serve kiosk or online, which takes about 30 seconds. From then on, it’s head to the bar, order and pay in a matter of seconds, and off to the dance floor. “We needed it to be seamless and intuitive,” says Ben. “So we created a system that’s easy to learn for attendees and staff. The system can generally be set up with less than a week’s notice, it works with existing inventory software, and it’s priced to fit venue budgets, something most RFID systems can’t provide. It works for all aspects of an event, from food vendors to coat check and merch.” 

But that’s not all, you get quick interaction, faster drink sales without the hassle of card-swiping or screen signatures – and data too.

 

Billfold gives operators, event organizers, and sponsors valuable first-person data about actual purchasing behavior on site. It links emails to purchases, so that organizers can follow up with targeted offers tailored to their customers’ habits. This data can also be used to create instant product pushes. If a certain beverage isn’t selling as anticipated, organizers can trigger a flash sale and promote it on the customer-facing screens. Leftover inventory can influence profitable specials. 

One recent example: The team was running a 27-hour New Year’s Eve party. After the midnight toast, they were dismayed to see cases of champagne left over. They whipped up an on-the-fly mimosa special, displaying it to Billfold’s customer-facing screens. “We sold 327 mimosas in the first hour,” recalls Ben.

Safety Cake: the cake that can save lives

Would you treat a cake better than you would your friends? Turns out, most people do. Research shows that when Belgian motorists have food on the passenger seat 87% of them drive with extra care. Because they really don’t want to ruin that cake.

This insight led mortierbrigade to come up with the idea of the Safety Cake. A beautiful and fragile piece of pastry that has an immediate impact on the motorists’ driving behaviour. Joost Berends, Creative Director at mortierbrigade, explains:

“The idea started from the principle that we drive more careful when we transport food on the passenger seat, like for instance a pizza, some Chinese takeaway or a cake. An inquiry further confirmed this observation. With the Safety Cake we seek to bring across a very clear message about our driving behavior not being very logical, in a way that people can recognize. Because why wouldn’t you be just as careful with your passengers as with the cake standing next to you?”

With the hashtag #TreatYourFriendsLikeACake mortierbrigade invites motorists to treat their friends like a cake. I mean, with care.

Laura Gonzalez Schena, coordinator at RYD:

“With the Safety Cake we want to address road safety in an original and positive way. We don’t want to moralize or point fingers, yet seek to open the discussion with a positive message.”

The Safety Cake is part of a global awareness campaign and also has a wide social component, in order to reach as many young people as possible. With the hashtag #TreatYourFriendsLikeACake RYD and Renault invite young motorists to treat their friends as they would a cake. Motorists can find the campaign movie on www.safetycake.be, along with the recipe to drive safely.

Ad agency: mortierbrigade – Brussels

SXSW 2020 confirma ex-presidente da Nintendo e Kim Gordon como primeiros palestrantes

O SXSW 2020 enfim começou a mostrar as cartas ao público. A administração do evento anunciou nesta segunda-feira, 9 de setembro, os primeiros palestrantes confirmados na 34° edição, que acontecerá na cidade Austin no fim de março do ano que vem. Entre os nomes elencados pelo SXSW na publicação oficial, destaca-se a presença de Reggie …

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Coca-Cola: Do You Do


Film
Coca-Cola

Advertising Agency:Wieden+Kennedy, London, United Kingdom

Technomart: Not a Gift


Integrated
Technomart

Situation. The 8 of March is an international women’s holiday, celebrated annually as a day of solidarity with women in their fight for equal rights and emancipation. However, sales reports for March 8 over the past few years in Texnomart stores say that more than 70% of sales are household appliances (vacuum cleaners, irons, washing machines).

Advertising Agency:TBWACAC, Tashkent, Uzbekistan
Client Service Director:Nargiz Kamalova
Creative Director:Farkhod Norbaev
Copywriter:Samara Akhmad
Art Director:Vitaliy Khalzunov
Graphic Designers:Viktoria Sharafutdinova, Shakhzod Saliev
Marketing Manager:Otabek Sharapov

Yamaha: Dear Glenn


Film
Yamaha

Advertising Agency:Dentsu, Tokyo, Japan
Creative Director:Toshihiko Tanabe
Art Director:Hirofumi Isoya & Seri Tanaka
Director:Laurent Barthelemy
Production:Engine Film (JP) & Mt. MELVIL (US)
Producers:Hiroshi Jingu, Makoto Sometani, Grace Kawahara, Airi Yamawaki
Service:Bestlight Media
Director Of Photography:Koho Kotake (Japan), Kris Belchelvski (Toronto)
Offline Editor:Chris Amos, Final Cut La
Color:Kristopher Smale, MPCLA
Sound Effect and Mix:Q Department
Online:Breakaway Post & Engine Film
Special Super Support:Glenn Gould Foundation

Cadbury: Donate Your Words


Film
Cadbury

Advertising Agency:Vccp, London, United Kingdom
Pr:Sophie Carey, Director
Manger:Chanel de Yong
Manager:Dagmara Bandura
Ecd:Darren Bailes
Art Director:Rob Ellis
Copywriter:Peter Reid
Business Director:Matt Smith
Senior Account Director:Gen Hole, Hayley Gilson
Account Manager:Florence Wong
Integrated Producer:Romana Kit
Planner:Sophie Kerbegian, Hannah Martin. Shannon Singh
CSU Director:Sophie Kerbegian, Hannah Martin. Shannon Singh
Designer:Adam Edwards, Rob Churcher
Photographer:Tal Silverman
Media Planner:Lauren Kenny, Jessica Batiste
Production Company:Academy
Director:Frederic Planchon