Berger: Wrong Bodle Rongin Kori

Berger Outdoor Ad - Wrong Bodle Rongin Kori
Berger Outdoor Ad - Wrong Bodle Rongin Kori
Berger Outdoor Ad - Wrong Bodle Rongin Kori
Berger Outdoor Ad - Wrong Bodle Rongin Kori
Berger Outdoor Ad - Wrong Bodle Rongin Kori
Berger Outdoor Ad - Wrong Bodle Rongin Kori

“Wrong bodle rongin kori” means making the world colorful by changing the wrongs, both social and intellectual. By breaking the outdoor advertising clutter, we have used the walls of buildings as canvas and draw artworks on them regarding different social issues.

Headspace: Make dark your buddy

Meuhedet Healthcare Services: Hybrid HealthCare Ad (Pregnant Lady)

Showing the two sides of healthcare in one shot In order to promote the new ‘Hybrid Healthcare Services’ by Meuhedet, BBR Saatchi & Saatchi & director Shushu E. Spanier created a crafty ad With a two-sided set and two-sided wardrobe, in order to show The two ways that consumers can enjoy healthcare services- By going to the clinic or simply chat with the doctor on a video chat.

Video of Hybrid Healthcare ads – Behind The Scenes

Move over Vantablack, MIT scientists create the blackest material ever, by accident. And then they coated a $2M diamond with it.

I may have said this before, but great news for Art Directors, designers and typographers – we can now get an even blacker turtleneck! I did say I am wearing black until I find something darker, and finally, an MIT scientist team has actually found something darker. Eeeek, I’ve been using this joke since at least 04* when they discovered the blackest of blacks, and again when Vantablack appeared.

Like the moody perfectionist creative types, scientists seem to have a thing for black. Because light-absorption has other applications, of course. This time, however, the scientists weren’t even looking for this, they stumbled on it by happy accident. The material, which is 10 times blacker than anything ever before reported, is made from carbon nanotubes (CNTs) and cuts out over 99.99% of light.
Postdoc Kehang Cui, now a professor at Shanghai Jiao Tong University, and his team were experimenting with different ways to create CNTs. These are extremely thin tubes of carbon that are strong and excellent conductors of heat and electricity, very useful stuff, but they ran into a problem. They found that a layer of oxide would coat the aluminium as soon as it was exposed to air, and this layer stopped it from conducting heat and electricity thus making it useless. To remove the oxide layer, Wardle and colleagues used salt to dissolve the layer.

That’s when he noticed how dark it got;

“I remember noticing how black it was before growing carbon nanotubes on it, and then after growth, it looked even darker,” Cui recalls. “So I thought I should measure the optical reflectance of the sample.”

Now, in collaboration with Brian Wardle, professor of aeronautics and astronautics at MIT, and his group they looked into this more, to create something new.

“Our group does not usually focus on optical properties of materials, but this work was going on at the same time as our art-science collaborations with Diemut, so art influenced science in this case,” says Wardle.

Wardle and Cui, who have applied for a patent on the technology, are making the new CNT process freely available to any artist to use for a noncommercial art project. 

Diemut Strebe is an artist-in-residence at the MIT Center for Art, Science, and Technology, and with this black in collaboration with Wardle and Cui, they coated a diamond with it.

The yellow diamond before and after coating with carbon nano-tubes. Image by Diemut Strebe

Not just any diamond. This work of art a 16.78-carat natural yellow diamond from LJ West Diamonds, estimated to be worth $2 million, which the team coated with the new, ultrablack CNT material. The effect is mind-blowing. The gem, normally brilliantly faceted and obviously 3D, now appears as a flat, black void.

The cloak-like material as part of a new exhibit today at the New York Stock Exchange, titled “The Redemption of Vanity.”

“Any object covered with this CNT material loses all its plasticity and appears entirely flat, abbreviated/reduced to a black silhouette. In outright contradiction to this we see that a diamond, while made of the very same element (carbon) performs the most intense reflection of light on earth. Because of the extremely high light absorbtive qualities of the CNTs, any object, in this case a large diamond coated with CNT’s, becomes a kind of black hole absent of shadows,“ explains Strebe. “The unification of extreme opposites in one object and the particular aesthetic features of the CNTs caught my imagination for this art project.” “Strebe’s art-science collaboration caused us to look at the optical properties of our new CNT growth, and we discovered that these particular CNTs are blacker than all other reported materials by an order of magnitude across the visible spectrum”, says Wardle. The MIT team is offering the process for any artist to use. “We do not believe in exclusive ownership of any material or idea for any artwork and have opened our method to any artist,” say Strebe and Wardle. “The project explores material and immaterial value attached to objects and concepts in reference to luxury, society and to art. We are presenting the literal devaluation of a diamond, which is highly symbolic and of high economic value. It presents a challenge to art market mechanisms on the one hand, while expressing at the same time questions of the value of art in a broader way. In this sense it manifests an inquiry into the significance of the value of objects of art and the art market,” says Strebe. “We are honored to present this work at The New York Stock Exchange, which I belie

art

Glenfiddich: A Journey To Celebrate

Glenfiddich Print Ad - A Journey To Celebrate
Glenfiddich Print Ad - A Journey To Celebrate
Glenfiddich Print Ad - A Journey To Celebrate

A journey to celebrate, is a print campaign for Glenfiddich, that is targetted towards celebrating the lives of baby boomers. It celebrates the unique moments that shaped the audiences’ individual identity and makes the target audience reminisce of their personal battles that made them.

Nile Air: Into a new dimension

Nile Air Digital Ad - Into a new dimension
Nile Air Digital Ad - Into a new dimension
Nile Air Digital Ad - Into a new dimension
Nile Air Digital Ad - Into a new dimension
Nile Air Digital Ad - Into a new dimension

Though this iconic direction, Every visual represents a different dimension reflecting a service or a quality standard, Applied by the plane jet fan in each visual to push a strong mental image that sticks on customers perception.

Esthero hacks Spotify to rail against the company's awful royalty payments

Canadian singer Esthero joins other musicians and groups like Vulfpek who have found a way (or at least tried) to circumvent Spotify’s notoriously low royalty payments to make a living wage. As the BBC points out,

“Fans streaming the new single by pop singer Esthero have discovered it’s been deliberately doctored to protest against Spotify’s royalty rates.

Ninety seconds into Gimme Some Time, the music dips, and Esthero explains the full version of the song will only be available on her website.

The money Spotify generates is “really not a liveable income,” she explains.

“I really hope you enjoy my music enough to actually go and support and buy the song from me.”

The BBC didn’t bother to add the part where Esthero directs you to her website to download the song, so I will add her link. And I will add it a second time, too.

This isn’t the first time an artist has shall we say intervened with the listener. Back in 2003 Madonna rightly knew that torrents and other sites would take a chunk out of her livelihood. So when she “leaked” American Life, it was actually a trolling message demanding to know “What the fuck do you think you’re doing,” which is why I will forever love her. But people didn’t listen then which is why Spotify appeared as the wolf in sheep’s clothing to dole out a pittance to musicians, masquerading as a legitimate business. A legitimate business who constantly has to settle lawsuits from the very people it depends on to keep its service going.

While Madge was typically on brand with her chutzpah, Esthero’s message was more refined and heartfelt about it,  explaining why it’s important to support artists. Most people have no idea that if they use Spotify’s free service very little money goes to the musicians they love, just as the majority of people have no idea that even if they use the paid service, it’s not a one-for-one payment system. So even if you support Esthero by listening to her stuff hundreds of times, that money is pooled to other artists. So it’s unfair on countless levels.

Meanwhile, as people finally wake up to the so-called gig economy only exiting to benefit the corporations (meet the new boss, worse than the old boss) more and more musicians are hopefully coming to the conclusion that playing a gig is one thing, but adding their songs to the gig economy is not paying. Good for Esthero for speaking out.

We’ll see how long Spotify takes before they pull the song for “violating their terms of service,” or whatever reason they make up. Because if it’s one thing Spotify is really bad at, it’s getting musicians and singers and bandmates on its side. No, not fake artists it invents so it doesn’t have to pay the real ones, but real ones.

big tech

big tech

Glassdoor Finds That Twitter Is the Top-Paying Social Network in 2019

Twitter topped its social network competition on job and recruiting site Glassdoor’s list of the 25 highest paying companies in 2019, coming in at No. 3 overall with a median base salary of $162,852. Other social networks to crack the top 25 were LinkedIn (No. 7, $157,402) and Facebook (No. 8, $152,962). The list was…

Massive Indoor Bicycle Parks – Ector Hoogstad Architecten Boats a Sizable Park in the Netherlands (GALLERY)

(TrendHunter.com) Ector Hoogstad Architecten has completed the “world’s largest bicycle park.”

The development is located below the Utrecht Central Station in the Netherlands and it is sure to…

How Facebook’s Independent Content Oversight Board Will Choose Its Cases

Facebook shared an update on the independent content oversight board that was initially proposed by CEO Mark Zuckerberg last November and fleshed out more in January. Director of governance and global affairs Brent Harris released a charter for the board, as well as a letter from Zuckerberg, and he detailed how the board will select,…

Truckers Often Suffer in Silence, So Volvo Trucks Gave Them a Charming Moment of Self Care

Road trips are brutal on a body. The aches that come with spending hours upon hours sitting in one spot as mile signs fly by the window are ingrained in all of us. But for the people whose job is to traverse the country and then turn around and do it again, back and neck…

Havas group pursues its expansion in India with its second digital acquisition this year: Langoor

Havas Group today announced the acquisition of one of India’s leading independent agencies – Langoor. A full-service digital agency led and driven by creative technologists, Langoor has grown steadily since being founded in 2010, and is now present across India, the Middle East and Australia.

Reading left to right: Venugopal Ganganna, Chief Executive Officer, Langoor, Ruchir Punjabi, Founder & Chair, Langoor, Vishnu Mohan, Chairman & CEO, Havas Group India & South East Asia, Bobby Pawar, Chairman & CCO, Havas Group India, Girisha Gowda, Chief Operations Officer, Langoor, Kishore Karumbaiah, Chief Creative Officer, Langoor and Rana Barua, Group CEO, Havas Group India

Its team of 170 specialists provide meaningful digital experiences and connections to MNCs, local brands and start-ups across strategy, online marketing, website planning and development, data analytics, marketing automation, e-commerce and SEO.

Langoor will be rebranded as Langoor Havas and be led by its co-founder – Venugopal Ganganna – who will take on the newly-created position of Chief Digital Officer, Havas Group India, reporting to Rana Barua – Group CEO, Havas Group India.

Langoor Havas will have three key focus areas – health, business and vernacular – and will expand their services to markets outside of India in the coming months.

Yannick Bolloré, Chairman and CEO Havas Group comments: “Digital business is booming in India and bringing Langoor on board is an important new step to further strengthening our digital skills locally. Through their unique blend of data, creativity and technology, Langoor enables brands to engage their customers meaningfully and drive growth. Earlier this year, we acquired the leader in user experience and digital design in India, Think Design, making Langoor our second acquisition in the country in 2019. The combined expertise of Think Design and Langoor boost Havas’ digital offer in one of the world’s fastest growing ad markets. India continues to be a priority for the Group, we aim to triple our presence there by the end of 2019 and have put in place a solid new management team to lead this expansion.”

Vishnu Mohan, Chairman & CEO, Havas Group India & South East Asia adds: “In the current, rapidly changing marketing landscape, a technology-based solution needs to be intuitive, interactive and extremely customer-centric. Langoor has emerged as an unmissable player in the digital transformation space in India due to its ability to deliver outstanding, innovative results, leveraging creativity and technology. The acquisition will reinforce our integrated offering and digital expertise in India and complement our existing capabilities. I am delighted to welcome Langoor to the Havas family.

We pride ourselves in having created an agency focused on digital brand thinking – which is the future. The integration within Havas Group will add scale to the depth of our services and help us to grow even further. This acquisition is an incredible opportunity for Langoor and the team and we are excited to be part of this new journey towards further success,” said Ruchir Punjabi & Venu Ganganna, co-founders of Langoor in a joint statement.

announcement

announcement

Jessica Hartley joins The Humblebrag – to drive creativity as a force for good

Jessica Hartley, a creative PR and advertising expert with several Cannes seasons under her belt, is teaming up with New Zealander Lucy von Sturmer, a sustainability and thought leadership expert – who is also an outspoken environmental activist. This partnership brings something new to the market. 

Lucy, who founded The Humblebrag in 2017, has a background working in NGOs and sustainability, while Jessica has deep roots in the creative industries, having instigated the PR strategy for some of Amsterdam’s most thought provoking and awarded campaigns such as The Next Rembrandt and School for Justice. 

Von Sturmer on the left, and Hartley on the right.

After six years as an independent consultant, Jessica is now joining The Humblebrag as Managing Partner, bringing two decades of experience in advertising, marketing and PR as well as numerous clients with her. 

 

Jessica Hartley, Managing Partner The Humblebrag:

“I have spent many years as an independent consultant working with some of the best creative talent on campaigns I’m very proud of.  However the reason I am joining Lucy at the Humblebrag is to continue working on the best creative work, but with a strong mission to create positive impact. Lucy and I have the same vision which is to deploy business as a force for good. This is why The Humblebrag is much more than a commercial communications agency. We are investing time, resources and capital into social, environmental and cultural projects that align with our mission. The most urgent topic being the climate crisis.”

 

Hartley moved to Amsterdam from the UK in 2006 when she joined 180 Amsterdam as head of PR and awards, working extensively on adidas campaigns such as Impossible is Nothing, +10 and numerous World Cup and Olympic campaigns. During Hartley’s five years at 180 Amsterdam, the agency grew incrementally and won numerous awards and accolades. Originally from London, Hartley was first trained in film production in Soho in the 1990’s, then moved into advertising to work with Trevor Robinson’s progressive agency, Quiet Storm. Settling permanently in the Netherlands, after her stint at 180 Amsterdam, Hartley gained extensive brand marketing and consumer PR experience by working at brands such as TomTom and Bugaboo. 

Most recently she has been working as an independent consultant on award-winning campaigns with agencies such as J. Walter Thompson Amsterdam, DDB Unlimited, HERC the agency, HEIMAT Berlin, &Co Copenhagen and many more. An advocate for creativity and the importance of different and diverse voices within it, Hartley was this year’s Amsterdam ambassador for the inaugural Gerety Awards, a creative benchmark for advertising – judged only by women. 

Lucy von Sturmer, Founder & Managing Partner, The Humblebrag:

“As any entrepreneur will know, finding the right partner is a key. Jess is strategic, forward-thinking and very passionate, but most importantly on a day-to-day level, she’s really fun to work with. Having Jess on board gives me the confidence to take our mission to the next level – already we have an amazing client roster who are striving to create social impact, and I’m excited to see what we can do next.”

 

Lucy is also the Founder of The Amsterdam Creative Entrepreneurs (ACE) Collective, a community of 400+ creative entrepreneurs in Amsterdam for which she hosts a range of seminars, events and networking opportunities and she is the podcast host for B Building Business. 

 

The Humblebrag is a strategic communication and thought leadership agency, dedicated to amplifying the voices of innovators, forward-thinkers and industry disruptors who are driving positive change. Working with a mix of brands, NGOs, creative agencies, sustainable fashion and digital disruptors – the agency is setting the agenda for a new breed of fearless business leaders. While deploying time and resources to agenda-setting initiatives on the climate – and building communities around topics like diversity, social inclusion and creative entrepreneurship. 

 

Hartley adds:

“The direction I hope to take with The Humblebrag is to instigate wider change within the creative industry, moving away from a ‘brief and respond’ way of working to a place where we are setting the agenda and pushing back on commissions that don’t align with our values – and the needs of our planet. This is hard, and it’s an imperfect process, but I feel strongly that this needs to happen.”

announcement

announcement

PR

No Connected Smart Mobility, o futuro da mobilidade está na sustentabilidade

Pequenas ou enormes, as metrópoles do mundo vivem à beira do colapso em termos de mobilidade, e não são poucas as pessoas que já perceberam o tamanho da crise que ameaça estourar nestes grandes centros. É tão verdade esta afirmação que o Connected Smart Mobility, um evento a princípio dedicado a proporcionar novas oportunidades que …

O post No Connected Smart Mobility, o futuro da mobilidade está na sustentabilidade apareceu primeiro em B9.

McDonald’s’ restaurants are home to the night owls – print, France

I have to say, I love the retro / Outrun sort of look these ads have, with the nod to Miami Vics neon signs and foggy empty streets. McDonald’s, France, is here to remind you that they are open late. Like after that last laser game, late.  Or after you danced yourself plenty hungry at that old school night club, late. After the last movie, late. In short, McDonald’s’ restaurants are home to the night owls.

Client : McDonald’s™ France

 

Agency : TBWAParis

Advertising Managers : Xavier ROYAUX, José JACINTO, Benoit KOLB, Charles GOURMELON

Agency Managers : Jonathan SEROG, Julie MONTAGNÉ, Marine LETOURNEUR, Alisson PLACHIER-JUHEL

Executive Creative Directors : Benjamin MARCHAL & Faustin CLAVERIE

Art Directors : Julia DESHAYES et Lena MONCEAU

Art Buyer : Carine GALLUFFO

Photographer : Aurélien CHAUVAUD

Studio image : Magenta 95

Canada is Sorry

Canada apologizes for not living up to its land conservation promises
 

New campaign from Outside Thinkers points out that Canada is falling behind other UN countries on its commitment to protect 17% of its land by 2020

Canada is doing what it does best—apologizing—in an awareness campaign for the non-profit collaborative Outside Thinkers that acknowledges the country’s continued failure to honour its global commitment to critical environmental protection. 

The ads take the form of an apology from the fictitious Gord Burton, the self-appointed Deputy of the Canadian Bureau of Foreign Apologies. They acknowledge Canada’s failure to uphold its promise to permanently protect 17% of its land by 2020 as part of the Aichi Biodiversity Targets.

Approximately 10.6% of Canada’s land was already protected when it became one of 195 countries around the world to make the commitment to the Aichi Targets in 2010, but that number has risen to barely 11% in the nine years since then. Canada ranks a lowly 124th among countries that signed the initial agreement, and is last among the G7 nations.

 

Outside Thinkers wanted to call out Canada’s foot-dragging on this key issue and urge Canadians to push for further action. The campaign is led by a 90-second video showing Burton seated at his desk, outlining the original promise and pointing to some of the more than 100 countries that have exceeded Canada’s achievements.

“I want to personally apologize to every country in the world because we are letting them down,” he says, before urging Canadians to take action quickly because he’s already booked what will likely be an expensive Uber trip to Equatorial Guinea.

 

The campaign also features a series of videos apologizing to countries that have done a better job than Canada of preserving their biodiversity, such as Andorra, Brazil, Chad and Hungary. In addition, a series of influencer videos direct apologies to notable environmental advocates, such as noted Swedish climate change activist Greta Thunberg.

The second phase arrives just days after the annual G7 Summit in France, which included climate change as one of its key areas of focus. It also follows the Canadian government’s pledge of $175 million towards 67 conservation initiatives in every province and territory, as part of Canada’s Nature Legacy initiative.

Outside Thinkers is encouraging people to spread the messages via social media and visit the website for the Canadian Bureau of Foreign Apologies (cbofa.ca) to send a letter to their local provincial politicians.

Also, here is the campaign video, launched earlier this year.

Here’s another video, from Autumn Peltier, Chief Water Commissioner of the Anishinabek Nation

Naomi Klein, Canadian author, social activist, and filmmaker weighs in too.

Greta Thunberg, Swedish student who is credited with raising global awareness of the risks posed by climate change.

Client: Outside Thinkers (outsidethinkers.ca), a working collaborative of foundations including: Woodcock Foundation, Voilà Foundation, National Environment Treasure

Media Agency: Empathy Inc.
President: Mo Dezyanian
Strategist: Vittoria Natarelli
PR: Erin Richards, Hype PR

 

Production Company: Someplace Nice

Director: Shaun McBride

Editorial: Saints 

Editor: Aaron Dark

Sound and Audio: Vapor Music

Director: Karen Goore

Sound Technician: Ryan Chalmers

Transfer and Online: The Vanity

AESIO Mutual insurance company: The link


Film
AESIO

Advertising Agency:WNP, Paris, France
Executive Creative Director:Mathieu Vinciguerra
Art Director:François-Xavier Barré
Head Of Production:Jeremie Woog
Director:Rodrigo Saavedra
Producer:Hugo Diaz
Sound Design:Caleson

GPS Foundation: Share your food

Outdoor, Print
Gps Foundation

Campaign created for the GPS Foundation, a humanitarian institution that helps thousands of underprivileged Brazilians through social programs and the donation of clothes and food.

Advertising Agency:Binder, Brasília, Brazil
Client:Gps Foundation
Brand:Gps Foundation
Creative Directors:Cauby Tavares, Marcos Apostolo
Creatives:Cauby Tavares, Silvio Rodrigues, Diogo Arruda, junior Freire, Lucas Grisi
Producers:Marcio Monteiro, Adriana Berquó
Account:Lorena Oliveira, Janaína Cavalcante, Bruno Sellani.
Photographer:Hugo Santarem.

Pfizer: Egyptian Annual Conference for Woman & Family Care

Pfizer Print Ad - Egyptian Annual Conference for Woman & Family Care
Pfizer Print Ad - Egyptian Annual Conference for Woman & Family Care
Pfizer Print Ad - Egyptian Annual Conference for Woman & Family Care

Pfizer hosts a variety of continuous medical development conferences for family and women’s healthcare professionals. Pfizer Oncology is hosting an annual conference consisting of three days of sharing experience and knowledge with Healthcare providers. With a main objective to enhance and empower healthcare professional. enabling them to provide advanced medical care for women and family health. Under the umbrella of pfizer global mission “Patients Comes First.”

Horizn: Traveling Suitcase

Horizn Integrated Ad - Traveling Suitcase

Video of Horizn Studios – Casefilm