State of play: the events tech market in 2018
Posted in: UncategorizedFast-evolving technology is transforming the way in which the events industry, brands and visitors alike approach interactive and immersive experiential.
Fast-evolving technology is transforming the way in which the events industry, brands and visitors alike approach interactive and immersive experiential.
Fanta turned its focus to experiences away from TV campaigns to make its brand more relevant to 16- to 19-year-olds. Kim Benjamin finds out why the brand created a spooky 13th floor party.
By using technology M&S and Shelter were able to bring home the reality of being a homeless family at Christmas. Kim Benjamin discovers how VR helped deepen levels of engagement
Four creative agencies are pitching for Moneysupermarket.com, Britvic is reviewing a new ad account, and UM joins this year’s media new-business rankings.
Scott Moorhead, whose firm Aperto One has advised Sky and Barclays on their recent media reviews, explains how advertisers can have smarter partnerships with their agencies.
Bountiful Cow founder Henry Daglish says the doubters who dismiss industry awards are mistaken and offers five reasons why they matter.
If Lloyds had a horse for every problem with this ad, they’d have this ad.
The trick is combining AI skills effectively to create amazing personalised experiences, says Imagination’s group chief technology officer.
James Page can clearly see why the travel website said “We belong together” to the superstar diva.
The Royal British Legion has hired Leagas Delaney as its creative agency of record, with its first brief to launch a campaign to mark the centenary of the end of the First World War.
Executives at The Washington Post, The Economist and National Geographic discuss Facebook, cross-publisher collaboration and the return of context.
While Facebook’s share price may be taking a beating, advertisers are spending 62% more year-on-year on the platform in the first quarter of the year.
Pippa Glucklich has been named chief executive of Dentsu Aegis Network’s media investment arm, Amplifi UK, as part of a move to simplify the UK operation and make it “more client-centric”.
BT’s Zaid Al-Qassab joins the ASA council while a Sale-based agency gets the name of adland’s trade body wrong – very wrong.
competitive:
Creative Circle:
Position: Media ManagerLocation: NashvilleStatus: Full-timeEstimated Duration: Full-timeStarts: Within a Couple WeeksRate: up to $50,000/yr. Job De…
Nashville, Tennessee
competitive:
Creative Circle:
Position: Media ManagerLocation: Downtown Kansas CityStatus: Full-timeEstimated Duration: Full-timeStarts: Within a Couple WeeksRate: up to $50,000…
Kansas City, Missouri
A federal inquiry is examining the relationship between a tabloid company, President Trump and his lawyer Michael D. Cohen, whose office was raided by the F.B.I.
Think you have what it takes to inspire a world of marketersor better yet, do you have what it takes to change the world?
That’s the heart of this year’s brief for Ad Age’s annual young creatives cover contest. For the ninth consecutive year, Ad Age is inviting creatives 30 or younger to design the cover of our Creativity issue, which will be distributed at the Cannes Lions International Festival of Creativity in June. The winner will not only see their work on magazine, they’ll also get a free trip to the annual ad fest in France.
While the brief in the past has centered on the broader idea of “creativity,” we believe this year calls for something new. Over the last several months, we’ve seen voices once unheard or silent coming to the fore to have tremendous impact on the world around themwe’ve seen it with #MeToo, the Women’s March and most recently March for Our Lives and Never Again. Inspired by this momentum, we’d like to see how you can put your creativity to good work too, and we challenge you to create an image that shows how creativity can change the world.