Montreal Symphony Orchestra: Synesthesia
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Influencer marketing is currently undergoing something of a trust crisis. Recent media attention around problems such as follower buys, perceived inauthenticity and disclosure shortcomings have shaken confidence in partnerships between brands and the influencers with whom they work. Some have gone so far as to question the ultimate effectiveness and staying power of the practice…
New York Magazine’s The Cut is wading into the merchandise business. For $24.99, white T-shirts modeled after The Cut’s Instagram quote cards, featuring phrases, headlines and pop culture references are now available on Amazon. “We thought it was funny, basically. Several of us said we’d love to make our own custom T-shirts and we thought…
Ageism is toxic both for the culture of the advertising industry and its creative output.
Channel 4 has launched a 60-second ad for Genderquake, its new season of programmes on the gender debate, that provides a potted history on the two tribes of humanity: the “penises” and “vaginas”.
The street artist known for taking over billboards with poetry believes advertising has the power to create social change and warns creatives against cynicism.
Chris Clarke will be leaving his position as chief creative officer, international, at Digitas on Monday.
ITV has appointed Uncommon to work alongside ITV Marketing and ITV Creative on a future-facing brand strategy, following a competitive pitch.
Welcome to Ad Age’s Wake-Up Call, our daily roundup of advertising, marketing, media and digital news. What people are talking about today: Facebook has been facing relentless PR crises, but its ad sales are doing just great, actually. Facebook had ad revenue of $11.8 billion in the first quarter, up 50 percent from the same period a year ago, as Ad Age’s Garett Sloane writes. For months, the company has faced flak for allowing the spread of misinformation and propaganda made by Russian trolls. Then came the Cambridge Analytica user data privacy scandal — which broke near the end of the first quarter, so its potential impact on ad sales isn’t clear yet. Anyway, this is another reminder that advertisers and users don’t share the same concerns. And also, as Sloane writes, advertisers want more data on Facebook users, not less.
Also: A new nationwide campaign from Facebook reminisces about the good old days of Facebook, when it made us feel “a little less alone.” It promises to put the focus back on friends, like how it was before Facebook’s problems with “spam, clickbait, fake news and data misuse.” Read more by Ad Age’s I-Hsien Sherwood, and watch the spot here. (Trigger warning: This video contains footage of people flashing engagement rings, showing off baby bumps and celebrating their birthdays with friends who look so much more fun than yours. Enjoy!)
Parental approval
Robert Senior, who stepped down as global chief executive of Saatchi & Saatchi at the start of 2017, has joined Irish agency Boys and Girls as non-executive chairman.
The John Lewis Partnership has launched a new format for its retail tech innovation programme JLAB – which will now run throughout the year.
Wavemaker has promoted Jason Dormieux to global chief transformation officer and Paul Hutchison to succeed him as UK chief executive.
Outgoing chairman of Cannes Lions, Terry Savage, will join The Marketing Academy as its first global chairman when he leaves his current role in June.
Kenco and SimplyBe have kicked off advertising reviews, Subway and Sky have appointed new agencies, and The & Partnership London joins this year’s creative new-business rankings.
Sir Martin Sorrell stayed too long as WPP chief executive, even before the personal conduct row that abruptly ended his tenure after 32 years.
In Tokyo, Campaign asked Michael Houston about WPP without Martin Sorrell, why big clients are increasingly dissatisfied, and how the industry can be more welcoming.
Billionaire Vincent Bollore was charged by French investigators as part of a probe into the possible use of bribes in two African countries to obtain port contracts from public officials, according to a statement from his company.
The charges stem from a case focusing on suspicions of foul play when Bollore SA was awarded contracts to operate container terminals in Lome, Togo, and Conakry, Guinea. The case has a link to ad group Havas as well. Bollore has wide-ranging business interests, and at the time of the alleged events in 2010, he was Havas’ chairman and controlling shareholder.
Bollore “remains presumed innocent” as the investigation continues, according to the statement. In France, charges are announced prior to any decision on whether to refer the case to trial and can be dropped later. The move allows his defense team to have access to the case files underpinning the allegations, which they haven’t seen so far, and “have the opportunity to answer these unfounded accusations,” according to the statement.
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A peripatetic childhood, a love of old fashioned magazines and a self-described “zany” sensibility have converged in Hanya Yanagihara to make her a uniquely unique candidate to edit the New York Times’ T Magazine. For almost exactly a year now, she has been molding the lifestyle and culture magazine in her image”urgent” and “joyful” are her watchwords. A recent refresh brought in a new logo and typeface, but the full bleed art, smart cultural journalism and, yes, the adsso many adsare still going strong.
“Different editors have interpreted what T is in different ways,” Yanagihara says in this episode of the Ad Lib podcast. “I think of mine as more of a general interest, culture and art magazine that’s masquerading as a fashion magazine.”
Innocent, the smoothies brand owned by the Coca Cola Company, is creating a series of dance performances to bring its latest TV ad to life.