Burger King: Whopperdog


Media
Burger King

Advertising Agency:Grabarz & Partner, Hamburg, Germany
Chief Creative Officer:Ralf Heuel
Group Creative Director:Tobias Ahrens
Creative Directors:Matthias Preuss (Art), Jakob Eckstein (Copy)
Art Direction:Jan Stempfle (Art Director), Ludwig Neumerkel (Graphic Artist)
Copywriter:Kai Reuter
Account Management:Mark Hassan, Tim Mangels, Marion Stöber
Moving Images:Saskia Hinz
Sound Production:Hesse Tonstudio
Film Production Company:Bigfish Filmproduktion
Director:Tobias Perse

Hospital Moinhos de Vento: Eye, Kidney, Heart

Print
Hospital Moinhos de Vento

Who will inherit your greatest wealth?
Become an organ donor.

Who will inherit your greatest wealth?
Become an organ donor

Advertising Agency:McCann Health, Sao Paulo, Brazil
Creative Director:Bruno Abner Rebelo
Art Directors:Thiago Silva, Daniel Machado
Designer:Marcelo Segovia
Copywriters:Monica Tritone, Nando Franchim
Client Service:Ricardo Takahashi
Planning Director:Fernanda Galvão
Media Planning:Adriano Botter, Allan Gomes
Illustration:Lightfarm, Brazil
Client Approval:Mohamed Parrini, Marga Acioli, Debora Elmo

Thalys: Human Monuments


Media
Thalys

Advertising Agency:Rosapark, Paris, France
CoFounders:Jean-Patrick Chiquiar, Gilles Fichteberg, Jean-Francois Sacco
Managing Director:Delphine Drutel
Group Account Director:Aurore Cornen
Account Manager:Camille Hemet, Anthony Damario
Account Executive:Tristan Blondeau
Copywriter:Nicolas Gadesaude
Art Director:Julien Saurin
Tv Producer:Thomas Laurent
Production:Sovage
Producer:Willy Morrencé
Production Director:Lorette Delva
Director:Julian Nodolwsky, Yvan Touhami
DoP:Nicolas de St Quentin
Postproduction:Firm
Hologram:Orbis

Ponle Freno: Bouquets


Film
Ponle Freno

The Spanish media group Atresmedia and its platform dedicated to road traffic safety, Ponle Freno, wanted to make a tribute to the more than 20,000 fatal victims in road accidents over the past ten years and raise awareness about the importance of safe driving.

Advertising Agency:AFTERSHARE.TV, Madrid, Spain
Creative Directors:Juanjo Casañas, Risto Mejide
Art Director:Jaime Campiña
Copywriter:Javier Jimeno

Perception Kayaks: Yakoffs


Film
Perception Kayaks

Brand Invention Agency Humanaut has created a long-form video for new client Perception Kayaks that exposes the murky world of cheap kayak knockoffs, or “yakoffs.” A send-up of low-budget instructional videos, the digital campaign teaches people how to spot the difference between inferior-quality imitators and real Perception Kayaks. It’s all in an effort to make sure no one ever gets “yakked off.”

Kayaking is a rapidly growing sport, and it’s attracted numerous me-too manufacturers that are trying to make a quick buck. This trend is causing first-time buyers to fall victim to cheaply made kayaks and cheap price points, available at superstore retailers. Perception, on the other hand, has been a leader in the kayak market for more than 40 years, making kayaks in the US in Greenville, South Carolina.

The humorous, three-minute instructional video uses victim’s testimonials, re-enyakments, undercover footage and more to tell cautionary tales of what can happen if you end up in a yakoff. “I was out buying some toilet paper and I saw a kayak for $199,” one subject recalls in the video. “I thought, ‘Kayaks should not be that cheap. I was right.”

Humanaut did what they do best,” said Todd King, VP of Marketing. “They helped us find the cultural tension within our category and delivered important information in a highly technical category where mis-information abounds. All while being entertaining and very funny.”

The work launched on YouTube with banners and a landing page that dives further into spotting the signs.

Advertising Agency:Humanaut, Chattanooga, USA
Chief Creative Director:David Littlejohn
Copywriter:David Littlejohn, Andy Pearson, Liza Behles
Chief Strategist:Andrew Clark
Senior Integrated Producer:Tommy Wilson
Director Of Content:Dan Jacobs
Account Supervisor:Michelle Sturgis
Creative Director:Andy Pearson
Designers:Carrie Warren, Coleson Amon
Production Company:Humanaut Productions
Director:Dan Jacobs
Producer:Tommy Wilson
DoP:John Matysiak
Art Director:Carrie Warren
Post Production:Fancy Rhino
Editor:Tyler Beasley
Post Producer:Katie Nelson

IKEA: IKEA x Teleman – Repeater #WonderfulEveryday


Film
IKEA

Advertising Agency:Mother, London, United Kingdom
Creative Directors:Thom Whitaker, Danielle Outhwaite-Noel
Creatives:Marcelo Duarte, Georgina Brisby
Production Director:Emma Hodson
Production Company:Pulse Films
Director:Oscar Hudson
Managing Director:James Sorton
Executive Producer:Lucy Kelly
Producer:Arlene McGann
1st assistant director:Daniel Smith
DoP:James Blann
Production Designer:Luke Moran-Morris
Costume:Verity May Lane
Editor:Ellie Johnson
Post Production:Framestore
Colourist:Jessica Vile

The Tears Foundation: #MeToo

Film, Print
The Tears Foundation

The #metoo movement is one of the most important in our time, with more than 250,000 mentions daily and 242,556,572,641 impressions so far. Casting a spotlight on sexual abuse and harassment had led to thousands and thousands of women coming forward. Men have responded in support and a dozen secondary hashtags have sprung up all over Social Media. Except, little children aren’t on Social Media. They have no voice on Twitter or Facebook, and in a lot of countries, sexual abuse of children is more prevalent than with adults. They need to be heard. They deserve to have a voice. So we set out to help them join the conversation.

Advertising Agency:McCann Worldgroup, South Africa
Creative Directors:Michael Blore, Mike Müller, Hennie Stander
Art Directors:Bruce Murphy, Mike Müller
Copywriters:Eric Wittstock, Hennie Stander
Illustrator:Bruce Murphy
Director:Bevan Cullinan
Production House:Picture Tree
Account Manager:Carolyn White

L’Impatience: Time is Pleasure


Film
L’Impatience

Advertising Agency:Y&R, Paris, France
Account managers:Edouard Teixeira, Marina Caghassi
Creative Director:Jeremie Bottiau
Art Director:Pierre Souleau
Copywriters:Grégoire Peronne, Marianne Lenoir
Tv Production:Adam Rodness
Director:Davin Black
Production House:Popp Rok
Executive Producers:Taj Critchlow, Director X
PostProducer:Chris Limisis
Postproduction:Adam Gagnon, Redlab
Sound Production:Tom Hutch
Music Production:Ethan Myers, Daenen Bramberger

Avon: ?amouflage

Print
Avon

During the Red Price Tags campaign everyday products become not only more inexpensive but also more conspicuous, attractive and desirable. Red price tags rip the camouflage off the popular products and make “Hunt for Red Price Tags” easier for a customer.

It is impossible not to notice

Advertising Agency:Royal Kusto, Almaty, Kazakhstan
Art Director:Andrew Khalov
Copywriters:Nail Muratov, Dmitriy Larionov

Action Innocence: Engraved Memories


Film
Action Innocence

Advertising Agency:Havas Geneva (Switzerland)
Creative Director:Gabriel Mauron
Art Director:Simeon Brandner
Copywriters:Antoine Karpat, Mathieu Cuvelier
Creative:Raphael Stein
Lead Technology:Camille Delesalle, Kevin Schroeyers
Project Manager:Pauline Charuel
Production Company:Cher Ami
Video Company:Semper.Tv

Bihor Couture: Bihor Couture – The Story


Integrated
Bihor Couture

Advertising Agency:McCann, Bucharest, Romania
CCO McCann Worldgroup Romania:Catalin Dobre
McCann CEE Creative Director:Catalin Dobre
Group Creative Director:Ioana Zamfir
Content Creator:Ionut Cojocaru
Copywriter:Adina Cîrstea
Art Director:Sabina Popa
Regional Senior Account Manager:Alexandra Albu
Corporate PR Executive:Corina Nica
Pr Manager:Andreea Predescu
Account Director:Andreea Sofrone
AV Manager:Tiberiu Munteanu
Producer:Alex Popa
Director:Andrei Mandru
DoP:Radu Voinea
Second Unit:Valentin Ruscan

Burger King: King Popcorn


Direct Marketing
Burger King

Advertising Agency:McCann, Lima, Peru
General Creative Directors:Christian Caldwell, Mauricio Fernandez-Maldonado
Copywriters:Christian Caldwell, Carlos Banda
Art Director:Kevin Contreras
Account Executive:Pamela Gómez
Production:Alonso Palomino
Animation:Daniel Carhuanca
Producer:Fértil
Studio Sound:Sin Anestesia
Client:Diego Torrejon, Christian Córdoba

Kuba Audio: Details

Print
Kuba Audio

Hear the details.

Advertising Agency:Agência3, Rio De Janeiro, Brazil
Creative Director:Fábio Onofre
Art Directors:Felipe Paganoti, José Luis Vaz
Copywriter:Bira Alves
Illustrator:Studio ModaFoka

Optrex: Actimist


Film
Optrex

Advertising Agency:Havas, London, United Kingdom
Executive Creative Director:Ben Mooge
Deputy Executive Director:Elliot Harris
Art Director:Jade Andrews
Copywriter:Masha Shukkore
Managing Partner:Ainhoa Wadsworth
Senior Account Director:Anne Puech
Account Manager:Sarah Jacob
Creative Producer:Maggie Roberts
Project Manager:Maggie Roberts
Strategy Director:Tilly Swan
Junior Strategist:Jenika Hadipour
Production Company:1stAveMachine
Producer:Kerry Smart
Director:Morgan Harary
DoP:Ben Magahy
Editor:Jake Armstrong
Editing Company:Marshall Street Editors
Postproduction Producer:Jenna Noury
Music Company:Mcasso
Audio Postproduction House:Angell Sound
Sound Engineer:Tom Lane
Narrator:Daisy May

Distracted-driving victims deliver shocking monologues for AT&T's 'It Can Wait' campaign


Since 2010, AT&T has pushed the dangers of texting while driving to the forefront with its emotionally charged “It Can Wait” campaign. In recent years, it has depicted heart-rending, fictional tragedies resulting from mindless moments of device distraction; it also dug deep into real-life stories, as in a documentary film from Werner Herzog. The latest campaign, from BBDO New York and directed by acclaimed documentary filmmaker Errol Morris, combines fact and fiction as it imagines what could have been for victims of distracted driving.

The effort stars two young men, Caleb Sorahan and Forrest Cepeda. Two spots show them contemplating the would-haves and could-haves of their livesSorahan remembers how he wanted to be an athlete or trainer; Cepeda had wanted to make video games. Something kept them from realizing their dreams, but with it’s not clear what. On-screen copy ultimately reveals their fate.

The campaign “resurrected” the pair, who had been killed as teenagersSorahan due to his own moment of distraction, and Cepeda the victim of someone else’s careless textingwith the help of a forensic artist and visual effects from The Mill.

Continue reading at AdAge.com

Friday Wake-Up Call: Get inspired by D&AD winners (and by a brilliant Craigslist ad for a '99 Corolla)


Welcome to Ad Age’s Wake-Up Call, our daily roundup of advertising, marketing, media and digital news. What people are talking about today: The award for copywriter of the week goes to a guy from Houston who needed to sell his ’99 Toyota Corolla. Jason Hlavenka is not an adman (actually, he’s a software designer), but he clearly has a gift. His hilarious and profane Craigslist ad is a “copywriting masterclass on how to make something desirable with just brutal, brutal honesty,” as Fast Company writes. Yes, there have been other funny viral ads for used cars, but it’s Friday, and frankly, this one is really good. Here’s a much-too-brief excerpt from Hlavenka’s ad for his elderly, gray 1999 Corolla:

This car will outlive you, it will outlive your children.

Things this car is old enough to do:

Continue reading at AdAge.com

Distracted-driving victims deliver shocking monologues for AT&T's 'It Can Wait' campaign


Since 2010, AT&T has pushed the dangers of texting while driving to the forefront with its emotionally charged “It Can Wait” campaign. In recent years, it has depicted heart-rending, fictional tragedies resulting from mindless moments of device distraction; it also dug deep into real-life stories, as in a documentary film from Werner Herzog. The latest campaign, from BBDO New York and directed by acclaimed documentary filmmaker Errol Morris, combines fact and fiction as it imagines what could have been for victims of distracted driving.

The effort stars two young men, Caleb Sorahan and Forrest Cepeda. Two spots show them contemplating the would-haves and could-haves of their livesSorahan remembers how he wanted to be an athlete or trainer; Cepeda had wanted to make video games. Something kept them from realizing their dreams, but with it’s not clear what. On-screen copy ultimately reveals their fate.

The campaign “resurrected” the pair, who had been killed as teenagersSorahan due to his own moment of distraction, and Cepeda the victim of someone else’s careless textingwith the help of a forensic artist and visual effects from The Mill.

Continue reading at AdAge.com

What winning at Campaign Big Awards meant to me: McCann's Mike Oughton for Doctors of the World

McCann London’s director of copy Mike Oughton talks about winning a Campaign Big for “Reality Xmas” on behalf of Doctors of the World.

Foul-mouthed parrot fronts campaign to promote print media

Print Power, a European trade association promoting the use of print media, has launched a new campaign featuring a potty-mouthed parrot character.

Muscant suddenly exits as Dentsu Aegis Network North CEO

Elliot Muscant, chief executive of Dentsu Aegis Network North, the UK’s biggest regional ad agency group outside London, has stepped down with immediate effect.