JWT Vets Launch Juliet in Toronto

Former JWT Toronto chief creative officer Ryan Spelliscy (pictured right) is launching an independent agency in Toronto called Juliet, along with co-founder, head of art Denise Cole (pictured left) and co-founder, chief strategy officer Sarah Stringer (pictured center).

“Juliet doesn’t need to be your full service anything,” Spelliscy, who will serve as Juliet’s chief creative officer, said in a statement. “We’re a tap made up of creative strategists, writers, designers, producers, media planners and other rebellious minds, that attaches to your existing infrastructure. Our one true love is creative-thinking.”

“We don’t believe that any one place can do everything well,” he added. “For example, analytics isn’t our speciality. But we have huge respect for it. So we partner with the best player in that field rather than try to be them.”

Spelliscy spent the past four years at JWT Toronto, serving as senior vice president, executive creative director and then chief creative officer. Before joining JWT he spent a year with BBDO Toronto as an associate creative director, followed by nearly two years as co-creative director for Sid Lee Toronto.

Stringer explained that the agency’s name was inspired by a certain Shakespeare character.

“Juliet was a badass who had the conviction to chase what could be over what’s always been,” she said in a statement. “We can relate because we believe a lot of what’s always been in the advertising industry should be left behind. If we want to connect with human beings, we need to tell more interesting stories, in more interesting places, and add real value to their lives. Helping brands reach their true potential requires solving challenges beyond the walls of traditional marketing departments.”

Stringer most recently served as vice president, human insights and brand strategy at Tornto consultancy Jackman Reinvents, following around a year and a half as vice president, strategic planning director at JWT Toronto. Prior to that she spent a year as director of strategy for KBS+ Toronto and has previously worked in account supervisor and account director roles with Ogilvy & Mather New York and BBH New York, working with clients including Kraft, AT&T, Unilver and Levi’s.

Cole arrives following nearly four and a half years with JWT Toronto, as art director and associate creative director. Prior to joining JWT she served as an art director with TBWAToronto for over four and a half years, working with brands including Visa, Energizer, Nissan, Infiniti, Whiskas and Yellow Tail.

Juliet also launches with Susan Holden as chief financial officer. Holden spent nearly five and a half years as chief financial officer for Mother New York, where she also ran a venture investments profile. She went on to serve as a member of the Hillary for America Finance Committee and then served as chief financial officer for experiential agency Midnight Commercial and Lone Mountain Wagyu. She also happens to be a two-time Emmy nominee.

“I think the fact that our CFO has been nominated for two Emmys tells you just how committed we are about having creative thinking permeate all aspects of this company,” Cole said in a statement. “No one really knows what questions tomorrow will bring, but the answers will always be found in creativity. We believe that with all of our heart. Even if it kills us.”

Monday Odds and Ends

-Ogilvy London launched its first work for Boots with this “#ShowThemYouLoveThem” Christmas spot (video above).

-Say hello to the new Cannes Lions.

-BBDO Canada created this “Time$hits” parody video for Strategy magazine’s Agency of the Year event.

-Digiday examines how NBCUniversal ad sales head Linda Yaccarino “became the media’s evangelist on fixing digital advertising.”

-New York and Atlanta-based production company/consultancy Hone Production hired Eli Rotholz as director of business development and content EP.

-Norwalk, CT’s Match Marketing Group hired Scot Wheeler, formerly director of consumer insights and analytics at online grocer Peapod, as senior vice president, applied analytics and head of its data division.

Geico: Randy Jackson's Dawg Show

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Very: Anna and Ulfie

Online department store Very.co.uk, encourages shoppers to ‘get more out of giving’ this Christmas by taking viewers on an animated journey. A young girl, Anna, embarks on an epic adventure, in an attempt to make Christmas the best she can for all the people she loves. Aided by her cherished toy wolf, kind hearted Anna is determined to give a pink cubed gift to everyone on her list, including the person who deserves it the most, as he never receives presents of his own; Santa.

Very.co.uk Christmas Advert 2017 – Get More Out of Giving

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Vodafone: Future Technologies – Luna “Dream Recorder”

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AVG: Privacy

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Google: Ask More of Your Phone

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Nedbank: I Don't Live for Money

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Friday Health Plans: Rocks

After a long, draining week, many people see Friday as an oasis from the stress of work and responsibility, and they celebrate the day with the hashtag #FridayFeeling. Aptly named Friday Health Plans applies this concept to health insurance. The low-cost, hassle-free provider covers younger consumers’ basic health needs — such as annual check-ups and emergency services — so they can experience that #FridayFeeling all week long. Our integrated marketing campaign accesses out-of-home and pre-roll media to relay this sense of freedom to 27- to 39-year-olds. The 15-second spots use music, special effects (slo-mo, animation) and declarations (“When your insurance rocks as hard as you do”) to illustrate the emotion that defines that Friday state of mind.

Friday Health Plans: Livin

After a long, draining week, many people see Friday as an oasis from the stress of work and responsibility, and they celebrate the day with the hashtag #FridayFeeling. Aptly named Friday Health Plans applies this concept to health insurance. The low-cost, hassle-free provider covers younger consumers’ basic health needs — such as annual check-ups and emergency services — so they can experience that #FridayFeeling all week long. Our integrated marketing campaign accesses out-of-home and pre-roll media to relay this sense of freedom to 27- to 39-year-olds. The 15-second spots use music, special effects (slo-mo, animation) and declarations (“When your insurance rocks as hard as you do”) to illustrate the emotion that defines that Friday state of mind.

Friday Health Plans: Booty

After a long, draining week, many people see Friday as an oasis from the stress of work and responsibility, and they celebrate the day with the hashtag #FridayFeeling. Aptly named Friday Health Plans applies this concept to health insurance. The low-cost, hassle-free provider covers younger consumers’ basic health needs — such as annual check-ups and emergency services — so they can experience that #FridayFeeling all week long. Our integrated marketing campaign accesses out-of-home and pre-roll media to relay this sense of freedom to 27- to 39-year-olds. The 15-second spots use music, special effects (slo-mo, animation) and declarations (“When your insurance rocks as hard as you do”) to illustrate the emotion that defines that Friday state of mind.

Ataxia: The Wallet

A young man living ataxia, a group of neurological and degenerative diseases, crosses the line of what’s acceptable when it comes to raising funds for research.

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Stove Top Made Stretchy Thanksgiving Dinner Pants, and a Loony Ad for Them

Food marketers love, love, love, love making campy clothing lines. The latest to jump into apparel is Stove Top, the Kraft Heinz stuffing brand, which is rolling out just one item–the Thanksgiving pants you never knew you needed. Has this ever happened to you? You gorge yourself at Thanksgiving to the point where your regular…

2017 Web Summit: From Trump to Blockchain


Learn about how blockchain, AI, VR and other tech will affect marketing in 2018 by attending the Ad Age Next this Wednesday and Thursday in New York. Check out the full agenda and all the speakers.

Web Summit attendees last year were blindsided by Donald Trump’s victory in the vote for U.S. president, which took place during the conference. One year later, they haven’t moved on.

At last week’s 2017 Web Summit, many people shared stories along the lines of, “I remember exactly where I was when I found out.” Others made political appeals in light of subsequent events.

Continue reading at AdAge.com

Macy's Airs Poignant Holiday Ad Created by Third Agency in Three Years


It’s holiday crunch time and Macy’s, the retailer some might say is the most closely associated with Christmas due to “Miracle on 34th Street,” is out this week with a new campaign from a new agency relationship. Earlier this year, the beleaguered department store chain selected BBDO New York as agency-of-record, making it the third agency to handle Macy’s holiday work in three years.

The workMacy’s first from BBDOis certainly different. A minute-long spot, “Lighthouse,” skews so close to the emotional that it’s not clear until the final few seconds that the ad is for Macy’s, a contrast to prior years where the retailer’s name featured more prominently. In the spot, a little boy watches a nearby lighthouse, where his friend lives who has recently lost her mother. Using Morse code and the soccer lamp he received for Christmas, he invites the girl and her dad to dinner. It is not until the tagline, “The perfect gift brings people together,” comes on screen that a Macy’s shopping bag is shown.

The poignant spot strikes the same emotional tone of holiday ads from U.K retailers like John Lewis, whose heart-wrenching Christmas ads are one of the most eagerly anticipated spots of the season in a region where holiday commercials are on par with those in America’s Super Bowl.

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'The Good Doctor,' 'This Is Us' Are This Season's C7 Darlings


If the definition of insanity is doing the same thing over and over again and expecting a different result, then the TV industry has lost its goddamn mind.

A decade into the stopgap measure that is the C3 ratings currency, the compromise still isn’t doing nearly enough to offset the ravages of the DVR and the extended dance remix of C7 is faring little better.

Ad Age has gotten its grubby little meathooks on the first three weeks of commercial deliveries for the new broadcast season, the only benchmarks that advertisers and anyone else interested in the state of the TV marketplace really care about — no matter how much the networks cloud the waters with DVR-inflated program ratings.

Continue reading at AdAge.com