Hasta La Creative!

Your kids may not listen to you, but they will listen to batman.

Readers of Adland should be familiar with several consumer boycott movements against brands due to where their ads are placed, rather than the content of the ads, by now.

In 2014 the Gamergate movement shunned big names like Mercedes, Intel and Adobe, and somehow this snowballed into the fall of the Gawker empire. Gawker and their poor press ethics lost their case against Hulk Hogan, who was awarded 115 million dollars for Gawker’s invasion of his privacy. Similar movements have existed for a long time, but there seems to be an avalanche as of late. Kellogg’s removed their ads from Breitbart, and people are still tweeting #StopFundingHate to brands that support tabloids like The Sun, The Daily Mail and Breitbart due to programmatic ad buys.

The recent years of boycotting of brands assoisciated with news networks are making news networks not very profitable… — adland ® (@adland) July 5, 2017

Youtube clamps down on what content can be monetized in response to global brands boycotting the Goggle Ad network. Advertisers have stepped away from all kinds of controversy, from Bill O’Reilley’s show to Kathy Griffin’s photographs.

In this new Twitterverse of fast-paced new social media, and easily fired up communities celebrities and journalists alike have stirred up all kinds of controversy with tweets of gifs and old memes. In the end, a cartoon frog did decide the U.S. election, as a 71-year old man turned out to be the greatest Twitter shitposter of all time. Three days ago President Trump tweeted a gif, which is an edited version of Trump wrestling WWE CEO Vince McMahon to the ground in 2007. The CNN logo is superimposed on McMahon’s face.

Since long before he was POTUS; Trump has accused CNN of being “Fake news.” Most of the U.S. media immediately rallied to have live panel discussions, think pieces, and reports on how memes like this incite violence on the media itself. Journalists are at risk in war zones and in oppressive regimes, so their concern is not unfounded. However, the media itself can be used as a propaganda tool to incite violence against specific groups or people, and it often is, even in the U.S.

#FraudNewsCNN #FNN pic.twitter.com/WYUnHjjUjg— Donald J. Trump (@realDonaldTrump) July 2, 2017

CNN tracked down the originator of the meme via Reddit and wrote a piece “How CNN found the Reddit user behind the Trump wrestling GIF”, and now the meme-wars were suddenly cranked up to 11, due to a single line in the article. Twitter has finally unified the world, as all media went nuts..

CNN is not publishing “HanA**holeSolo’s” name because he is a private citizen who has issued an extensive statement of apology, showed his remorse by saying he has taken down all his offending posts, and because he said he is not going to repeat this ugly behaviour on social media again. In addition, he said his statement could serve as an example to others not to do the same.
CNN reserves the right to publish his identity should any of that change.

While the news media continues the write stories about the meme-makers apologies, about how Julian Assange’s tweets that have been retweeted by Donald Trump Jr are wrong, and whatever other angles they might find interesting, we here at Adland have only one thing to say to you, dear advertising and marketing readers: Brace yourselves for here comes a giant boycott avalanche. And it will not be just the brands seen on CNN that will be boycotted, all the cable providers that carry CNN will be cancelled too.

You see, this giant Twitter maelstrom of bullying has more similarities to the aforementioned Gawker case than you’d think. Let’s look back to this CNN reporter’s Tweets of December 2013…. Specifically one about Justine Sacco who was fired from her job and basically had her life ruined, for cracking a joke on Twitter. It was Sam Biddle of Gawker who first picked up the joke, which created a global Twitter mob and countless articles in new media tabloids like Buzzfeed.

Justine Sacco Got On A Plane To Africa, You Won’t Believe What Happened Next http://t.co/eWLC2BhR9Y— andrew kaczynski (@KFILE) December 20, 2013

CNN and their reporter Andrew Kaczynski have in effect picked a fight with the entire internet by finding the WWE meme-maker. And not the fluffy unicorn filled part of the internet, but the young rebellious anti-authoritarian mean-joke-laughing part of the internet where a fast-paced culture thrives and things go in and out of fashion ten times as fast as a CNN news cycle. The part of the internet where meme-soldiers march, Sarge yells: “Question authority!” and the footsoldiers yell back in unison “Oh yeah? Sez who?”

It remains to be seen if this is CNN’s “Gawker” moment. The symbolism of WWE wrestling somehow making an appearance in every one of these hyped up scandals is quite interesting too. The WWE is the gladiators of today, the entertainment meant to control the masses. But somehow the masses are using that tail to wag the dog.

Quick Update, it appears this Twitter maelstrom will only increase in speed, as Buzzfeed just pointed out that the meme tweeted by the President, was not the same as the one created by HanAssholeSolo, which means CNN’s Andrew Kaczynski outed the wrong guy.

How A Random GIF From Reddit Probably Ended Up On President Trump’s Phone https://t.co/9UR0DVcXZi via @BuzzFeedNews pic.twitter.com/sjXX5aPYwk— Ryan Broderick (@broderick) July 5, 2017

Buzzfeed’s Editor-in-Chief seems to lack an Occam’s razor. The logical explanation is that President Trump simply tweeted a meme of the same idea, probably created by someone else, which is why they look slightly different. Trump’s tweet also has audio. It’s not unusual for someone to see a meme and then attempt to make a better version of it, but like Badlanders it’s often impossible to find the original when both appear in the wild at the same time.

And for all that, it seems like someone actually re-staged the original meme for presidential tweeting https://t.co/ktH9W2R8V0— Ben Smith (@BuzzFeedBen) July 5, 2017

Stories are anywhere and everywhere your eyes can find them. To prove this and inspire the celebration of everyday moments, W+K Amsterdam produced a multi-channel, integrated campaign that presents the world through the lens of the stories platform on Instagram. The ‘Stories Are Everywhere’ campaign, which first launched in April in the USA, Germany and Italy, was
inspired by the endless ways that the Instagram community is already using Stories tools. It demonstrates the infinite ways that stickers, boomerangs, brushes and live video can help turn any moment into something special – that stories really are everywhere. The ambitious multi-channel approach wove together a playful mix of epic and everyday moments both on and off line. To embrace the spirit of expression through Stories features, the agency team had fun experimenting and creating directly on the platform itself. This lead to the production of 26 films; over 270 billboards and guerrilla OOH; 13 digital billboards; dominating multiple train stations in Philadelphia and Milan; wrapping up trams in Milan; taking over a cinema in Cologne from the floor to the toilet signs and making more moments of topical and local relevance than residents could imagine. All in under three months. The campaign culminated with an Insta Stories Festival in Cologne on Saturday 24 June, featuring German influencer Dagi Bee, a giant BOOM BOOM BANG BANG confetti cannon, donut wall, Oguturi boom forest and many other Stories inspired activations. The festival kick started the summer and celebrated an array of attendees Stories’ content, which was created in and around the event.

Today’s world is busy building walls, erecting borders and turning inwards. But the Irish national postal service (An Post) have always determined to look outwards, break down barriers and reject insularism, exporting Ireland to the world and the world to Ireland.

There are no limits. Welcome to a World Wide Open.

Every day thousands of children are forced to live in extreme situations. This campaign attempts to raise awareness about this dramatic situation by comparing them with the daily lives of more fortunate children.