RIP Colette: Lessons From the Paris Boutique's Coolest, Craziest Brand Collaborations


Luxury labels used to be snobbish about associating with mass consumer brands or street culture. Eclectic, eccentric Paris boutique Colette helped break down those barriers, selling Balenciaga boots and Barbie dolls, along with merch from both Coca-Cola and Chanel. Somehow it all made perfect sense, thanks to the taste-making talents of its founders, namesake Colette Roussaux and her daughter Sarah Andelman, the shop’s creative director and purchasing manager.

The 20-year-old boutique is preparing to close down in December as Roussaux retires. That’s sad news for fashionistas and for mass consumer brands too. Colette was famous for its limited edition products in collaboration with both high-end fashion labels and everyday brands, and for allowing brands to take over its store displays on the chic rue Saint Honore near the Louvre. Overnight, its windows would suddenly fill with Apple watches or Ikea Billy shelves and Lack tables, and often the photos would go viral.

“Any brand that that was picked by Colette automatically gained some coolness,” said Isabelle Tardieu, associate director at BETC Pop in Paris, part of the big Havas-owned French agency that has worked on collaborations between Colette and clients including Evian and Air France. She added that Colette’s tactics have caught on, as the “idea of doing limited editions and odd brand partnerships has now become quite ordinary.”

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Prince Estate’s $31 Million Distribution Deal Is Rescinded

A Minnesota judge‘s decision means the Universal Music Group’s money must be refunded and a new buyer found for rights to much of the star’s catalog.

Oreo – Forest (2017) :40 (USA)

Oreo - Forest (2017) :40 (USA)
Directed by Maurizio Zappettini who has just signed with Untitled, Inc in Los Angeles.
Commercials: 
Country: 

Expedia – Cubicle – (2017) :30 (USA)

Expedia - Cubicle - (2017) :30 (USA)
Directed by Maurizio Zappettini who has just signed with Untitled, Inc in Los Angeles.
Commercials: 
Country: 

Fiat – Elevator (2017) :50 (USA)

Fiat - Elevator (2017) :50 (USA)
Directed by Maurizio Zappettini who has just signed with Untitled, Inc in Los Angeles.
Commercials: 
Country: 

SoundCloud: Another lesson in "disruption"

Things move so quickly in the disruptor Big Data category it’s hard to take the long view. Back in January of 2016, TechCrunch ran an article entitled Why SoundCloud Will Be Worth More Than Spotify. And now, just over a year and a half later, the winds have changed.
On July 6th, SoundCloud, the audio streaming site that is the darling of podcasters, indie kids, samplers and hiphop phenoms alike, let go of 173 of its employees. In a blog post written by co-founder Alex Ljung, the company also mentioned it would be shuttering a few of its offices (London and San Francisco) and consolidating strengths in Berlin and New York.
Ljung ended the post on a particularly hopeful note:
“The SoundCloud platform listeners and artists love will remain available in more than 190 countries globally. SoundCloud will continue to be the place for what’s new, now and next in music, powered by the world’s most diverse music community. I look forward to sharing more about our future plans in the weeks and months ahead.”
TechCrunch’s new article on the heels of that post is entitled SoundCloud sinks as leaks say layoffs buy little time and paints a much bleaker picture. Far from being solvent by laying off forty percent of its workforce, SoundCloud may not even be able to keep the lights on by the end of summer, a notion that SoundCloud quickly denied.
Yet the article paints a portrait of a company seemingly oblivious to the severity of its financial dire straits:

“Some of SoundCloud’s offices had catered lunches twice a week and had lavishly stocked kitchens and bathrooms, according to a source. When team members joined, they were given company swag, headphones and brand new Apple laptops. Employees were confused how the company was ‘blowing through money, but now is saying they don’t have any money. People would have made sacrifices, to be honest. It’s a fun company to work at, but there was no indication.'”

Much like other tech companies specializing in disruption (Twitter, Uber, etc) the issues SoundCloud faces follow a familiar pattern: a revolving door of C-suite executives, relying too much on an exit strategy (i.e. being bought out) rather than becoming profitable, trying to move consumers to a paid tier after years of being free, running ads after years of being ad free, and making revenue but not sharing the revenue with content creators. Add to that pissing off record labels for copyright infringement, and never being a profitable company and its no wonder people are starting to ring the death knell for SoundCloud. Although it’s interesting to note Spotify is also not profitable either, they at least have been paying royalties. As Music Business Worldwide points out, “by the end of 2015, SoundCloud was yet to spend a penny on music licensing fees.”
If they weren’t paying royalties in 2015 and still couldn’t turn a profit, it’s going to be hard to keep the company going now without another massive infusion of cash. Why on earth people are still funding companies that aren’t profitable after a decade or more is beyond me. But one thing is for certain–if you don’t make a profit, eventually the revenue stream will dry up. And as usual it’s the content creators who uploaded their work in good faith who will ultimately pay the largest price.

Adland: 

90s Television-Inspired Apparel – Nickelodeon and BoxLunch are Reviving Classic 90s Cartoons (GALLERY)

(TrendHunter.com) Retailer BoxLunch has partnered with Nickelodeon to generate a nostalgic clothing line that produces 90s television-inspired apparel featuring designs that pay homage to classic 90s cartoons.

The…

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Maurizio Zappettini Signs with Untitled

Award-winning commercial director Maurizio Zappettini has signed with Jim and Kristin Evans’ production company Untitled, Inc.

Zappettini most recently completed Fiat’s Elevator spot. He is also known for his work on Expedia’s Cubicle and Oreo’s Forest campaigns. All three have earned him a slew of accolades at the AICP, the Telly and the American Advertising Awards.

“MZ has brilliant sense of comedic timing and is a charming storyteller. He is very stylish with the ladies and creates seamless effects,” says Jim Evans. “What else could a human being want in life?”

“I’ve had the pleasure of working with Maurizio on spots for a range of clients,” says Saatchi and Saatchi creative director/writer Dan Sorgen. “Even though the scripts were tonally diverse, he brought a deft, confident touch to every aspect of the craft.Most importantly, he has an instinct for presenting a product in the best light. In the Fiat spot we made together, he put the sheet metal front and center, without sacrificing the story in any way.”

“I’m so proud to be joining Untitled,” says Zappettini. “I love how they call themselves a family. I’m glad they like my work and took me aboard; I feel very fortunate.”

Zappettini is admired for his ability to combine high-concept scripts with meticulous visual style: “My goal is to merge the two worlds; directing commercials that marry an implicit subtext with a strong visual impact.”

In addition to directing, Zappettini has cultivated a sideline career as a VFX supervisor and brings this expertise to his projects: “It’s a subjective approach where you are constantly looking for the perfect balance between digital and practical shots. Visual effects must serve the story without letting the latest technologies blur your vision.”

He attributes his love of short-form storytelling to his beginnings in music video, including Bazooka’s Red Aroma and Filo Q’s debut single E’ quasi estate, which was enormously successful and aired nationally in Italy.

Zappettini joins directors Devon Dickson, Paul Freedman, Steph Green, Grant Heslov, J + J, Brad Kettlety, Jillian Martin, Tamir Moscovici, Nico + Pix, Phedon Papamichael ASC, GSC, Adam Reed, Peter Rodger, Paul Santana, Marc Schölermann and Scott Zacaroli on the Untitled roster.

Untitled is a Los Angeles based production company, which represents an elite roster of directors. The company creates compelling entertainment that both thrills audiences and builds brands via commercials, film/TV and broadband content for the web and mobile devices.

Adland: 

Why marketers should strive to build beautiful brands

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How many bitcoins for a bath bomb? Lush is now accepting cryptocurrency

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20 VR Toy Innovations – From Digitized Stacking Games to Virtual Fidget Spinners (TOPLIST)

(TrendHunter.com) These VR toy innovations range from digitized stacking games to connected fidget spinners. The advent of virtual reality has allowed for more advanced technologies to be developed, which in turn…

Boecker: Ratyochka

Boecker: Antryoshka

Boecker: Antryoshka

Pregnancy Test Stick

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As ‘Game of Thrones’ Returns, Is Sharing Your HBO Password O.K.?

Are you using your friend’s ex-boyfriend’s parents’ password to watch the latest television shows? You’re not alone.

Already Turned, 1

The smart fortwo has one of the smallest turning circles available.

It makes you feel as if you already turned the moment you see a reason to turn. The campaign visualizes this unique benefit in a humorous, disruptive and simple way.

Smart: Already Turned, 2

The smart fortwo has one of the smallest turning circles available.

It makes you feel as if you already turned the moment you see a reason to turn. The campaign visualizes this unique benefit in a humorous, disruptive and simple way.