‘A Horse Walks Into a Bar’ Wins Man Booker International Prize
Posted in: UncategorizedThe novel by David Grossman, about a stand-up routine that goes off the rails, won the prize honoring a work written in a language other than English.
The novel by David Grossman, about a stand-up routine that goes off the rails, won the prize honoring a work written in a language other than English.
A police task force leader and his crew aren’t much better than the criminals they pursue in this gritty thriller, set in New York.
“Fair and Balanced,” the motto that has long been a rallying cry for Fox News fans, has been replaced by “Most Watched, Most Trusted.”
To showcase Darbo’s locally-sourced honey, we let Austrian bees create the first-ever organic labels for honey jars using their own beeswax. We developed special porcelain jars that were delivered to beekeepers in Austria. The honey jars were placed into the hives, so that the bees could create the organic labels. To strengthen Darbo’s position as Austrian market leader in honey, we turned a simple honey jar into a unique design piece.
Living life takes guts. But living your best life takes strong, healthy guts. Being Human Takes Guts sheds light on the power that lives inside of us all. We want to celebrate the human spirit while educating people on the amazingness that literally lives in our gut and the power of probiotics. The spot features real people with real stories that show all sides of being human.
Open University has launched an initiative with Channel 4 it insists is “much more than an advertising campaign”, starting with three 60-second spots airing tomorrow during the show “The Last Leg”.
Barnaby Dawe, global chief marketing officer at Just Eat, has been named The Marketing Society Marketing Leader of the Year for 2017.
-john st. wants to help prevent you from leaving your pet behind when you move with pet-friendly packaging!
-Anomaly L.A. beat out The Community to win Minute Maid.
-TV ad sales declined for the first time since 2009, quelle horreur!
-Who spend the most last week? Wonder Woman, duh.
-Meanwhile, David Sable of Y&R wishes his agency’s work got as much attention as the Comey hearings…
–Nils Leonard thinks everyone should focus on the ugly side of advertising at Cannes this year: egotistical dudes getting blasted!
-Vice’s Virtue is active in EMEA, and Facebook vet Rob Newlan is its new CEO.
-Schafer Condon Carter of Chicago Cubs fame has combined its PR, influencer marketing and social media divisions to form SCC|PRISM, which will be led by managing partner Mike Grossman, social director Lauren Sanborn and influencer/PR strategists Laura Colar and Paige Robinson.
-ICYMI, Traci Alford of Shell is the new president of the Effie Awards.
Media
Tesla
The Problem: Many parts of North Carolina are in shambles due to Hurricane Matthew. Over 100,000 homes and business were affected in October of 2016. With the Disaster Relief Fund underfunded, they’re in need of help.
Solution: Tesla and SolarCity will donate their new solar roofs to the relief efforts. In return, they’ll receive the roofs’ excess solar energy, which usually has to be purchased back from the property owner. With the average home producing 20-40% more energy than it uses, the resale value of this energy will make for an even trade, covering the full cost of restoring North Carolina.
Advertising Agency:Miami Ad School, New York, USA
Art Director:Oleg Pak
Copywriters:Jon Gruber, Matt Tennenbaum
“Fair and Balanced,” the motto that has long been a rallying cry for Fox News fans, has been replaced by “Most Watched, Most Trusted.”
Living life takes guts. But living your best life takes strong, healthy guts. Being Human Takes Guts sheds light on the power that lives inside of us all. We want to celebrate the human spirit while educating people on the amazingness that literally lives in our gut and the power of probiotics. The spot features real people with real stories that show all sides of being human.
The hottest musical show of the season isn’t on the Great White Way … it’s on Madison Avenue!
But first, no great Broadway production is complete without a little backstory. In March, the Havas network announced that it would mash up its Havas Health and consumer health practices to create Havas Health & You, a new entity involving several thousand employees within a few different networks across the larger Havas Group.
Newly promoted CEO Donna Murphy told MM&M at the time: “We see the market moving across the whole health and wellness continuum. It’s not two different silos.”
So pharma brands and OTCs will now be bunched together, kind of like when Publicis and Omnicom did the same thing last year. Now get ready to tap your toes.
That wasn’t quite Hamilton-level, but it was intense.
Oh, and Havas doesn’t just want to help you. They also want to hire you!
The launch coincided with Global Wellness Day on June 10, and Havas also partnered with charity Save the Children so all of its agencies could sponsor their own child for a week.
Then there were the parties.
Celebrating the new #HHandYOU this morning! pic.twitter.com/hXlZgVDU7r
— Havas Health & You (@HavasHealthYou) June 12, 2017
Our main takeaway from this effort is that healthcare in America is like a big, weird-looking quilt composed of pieces that don’t really fit together, thereby leaving some gaping holes that pretty much anyone could fall through. And the medical professionals who spent tens of thousands of dollars going to school for this stuff really just want to do their jobs and serve the patients … by explaining the side effects of those medications they saw advertised on TV.
Havas Tonic made the videos. Now who was that Sinatra soundalike?!
CREDITS
Phil Silvestri, Managing Director/Chief Creative Officer
John Rea, Executive Creative Director/Art Director
Dave Hubbert, Creative Director/Writer
Andrew Kim , Digital Designer
Jordan Rich, Junior Designer
Denise Wilkinson, Project Manager
Tamal Mannan, Executive Producer
Lauren O’Driscoll, Producer
Cameron Lewis, Post Producer
Anne Camille Charpie, Business Manager
Hana Stopnicki, Production Intern
Peter Berthold, Animation Director
Abigail Kim, Motion Designer
DJ Shon, Motion Designer/Animator
Hanne Vaughn, Editor
Joe D’Amelio, Content Creator/Live Action
Theresa Notartomaso, Executive Music Producer
RPA launched a new “Keep The Peace” spot promoting the 2018 Honda Odyssey minivan.
It opens on a pair of giant monsters terrorizing a city while fighting over a bus. A pair of soldiers soon hatches a plan, as one distracts the monstrous duo while the other pulls a lever cracking the street in half and tearing apart the duo.
That’s when the scene shifts to reveal it’s just the little monsters in the backseat fighting over a toy. Mom utilizes the Odyssey’s “Magic Slide” seats to separate fighting siblings and offers up another toy to keep peace. It’s not exactly a surprising reveal, but the initial action sequence should appeal to the backseat crowd while mom and dad see the appeal in such peacekeeping smart features.
The campaign also includes a 30-second “Now Boarding” spot running on Telemundo, Univision, and ESPN Deportes, a print component and a sweepstakes in partnership with Disney offering participants a chance to win a 2018 Honda Odyssey and a family trip to Disneyland.
“When kids are happy, parents are happy, so the goal of this new campaign is to communicate that the all-new Honda Odyssey has the connectivity, functionality, flexibility and fun-to-drive handling to keep everyone in the family happy,” Honda Marketing assistant vice president Susie Rossick told The Drum, in a statement.
Credits:
Agency: RPA
Client: Honda
EVP, Chief Creative Officer: Joe Baratelli
SVP, Chief Creative Development: Jason Sperling
SVP, Chief Production Officer: Gary Paticoff
VP, Executive Producer: Isadora Chesler
VP, Creative Director: Chuck Blackwell
VP, Creative Director: Ken Pappanduros
Sr. Art Director: Hide Konishi
Copywriter: Anthony Cardenas
Sr. Producer: Fran Wall
Production Coordinator: Elijah Jones
VP, Director of Business Affairs: Maria Del Homme
EVP, Chief Client Officer: Brett Bender
SVP, Group Account Director: Fern McCaffrey
VP, Group Account Director: Adam Blankenship
Management Supervisor: Jacob Gentry
Account Director: Jane LoSasso
Account Executive: Chris Varela
Account Executive: Cathlyn Gonzales
SVP, Group Strategic Planning Director: Christian Cocker
Associate Director Strategic Planning: Nargis Pirani
Associate Director Strategic Planning: Rich Bina
Strategic Planner: Cody Levin
Product Information Manager: Marco Fantone
Every weekday, we bring you the Ad Age/iSpot Hot Spots, new and trending TV commercials tracked by iSpot.tv, the real-time TV ad measurement company with attention and conversion analytics from 10 million smart TVs. The New Releases here ran on TV for the first time yesterday. The Most Engaging ads are ranked by digital activity (including online views and social shares) over the past week.
Among the new releases, Mazda master fabricator Osamu Fujiki talks about the brand’s devotion to craftsmanship — specifically the craftsmanship that went into the “all-new” Mazda CX-5. A State Farm spot celebrates all the hard work it took for a man to be able to afford his beloved truck, which is, of course, protected by a State Farm policy. And a severely elegant Tom Ford ad for his fragrance Black Orchid features a thin, topless model who fortunately has a bottle of Black Orchid to hold in such a way as to keep her from being fully exposed.
Mattel’s Margo Georgiadis, recruited from Google earlier this year, is shaking up the 72-year-old company by cutting its dividend and investing the money in entertainment and internet-connected toys.
The chief executive officer, who started in February, told analysts that she wants shift Mattel away from being a vendor of Barbie dolls and Hot Wheels at physical stores and into a company centered on mobile technology and activities. The strategy will be funded in part by reducing the dividend 61%.
“It’s time to reinvent this company to ensure it reflects where consumers and the market is going,” Georgiadis said in an interview before a presentation to analysts in New York. Mattel will go from being considered a traditional toymaker to a “future-proofed kid-experience company.”
As much as the Golden State Warrior’s particular brand of metronomic perfection arguably took much of the fun out of the NBA postseason, hoops fans didn’t seem put off by the Dubs’ relentless march to victory. In a development that all but flew in the face of conventional wisdom, the Warriors’ five-game trouncing of Cleveland in the 2017 NBA Finals managed to deliver the largest nightly audience in nearly 20 years.
According to Nielsen live-plus-same-day data, the short series averaged 20.4 million viewers on ABC, making it the most-watched NBA Finals since 1998, When Michael Jordan and the Chicago Bulls scared up an average audience of 29 million viewers during their six-game set against the Utah Jazz. In claiming its second NBA title in three seasons, Golden State somehow managed to out-deliver last year’s thrilling seven-game Finals, which averaged 20.3 million viewers.
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“Or rather… Spandau vs Speedcore?” And so begins the soothing tunes of Spandau Ballet’s ‘True’ for the calm scenes, while the harsh speedcore was composed in house by Richard Devine. The films cut back and forth between idyll and disaster, the rose tinted-train travel vs a calamity car journey. With tunes like these, the choice seems obvious. Plus, you don’t want to end up as a warning on youtube as security carries you away.
Commenting on the process, music supervisor Chris Phelps says: “We worked closely with Anomaly from the beginning to ensure we found the perfect tracks for this spot. It was important we chose music that would work in harmony with the fast cut but would be completely opposing to each other in both mood and speed. We worked with the creatives and post audio house to edit the tracks so that they flowed nicely with the scenes. It was great fun working with the Anomaly guys and we were thrilled to be bought back on board with Virgin Trains once again.”
Oli Beale, Executive Creative Director and Partner at Anomaly says: “It’s just great that the Speedcore genre is finally getting the public recognition that it’s so long deserved.” Indeed, Oli, we all hate it.