Stena Line: Radio Road Trip


Radio
Stena Line

The single best way to get swedes to leave the cold north and go road tripping in southern Europe is of course to let them experience how great it is. But how do we give people a french road tripping experience when they’re in Sweden? The solution was to troll commuters radio by letting it sound like it lost connection for a second and then let them listen to some authentic french radio. That way we let France itself spark the idea of driving down to the ferry and continue south.

Advertising Agency:CP+B, Gothenburg, Sweden
Creative Director:Markus Lindsjo
Art Director:Jakob Eriksson
Copywriter:Niklas Moberg
Account Manager:Mimi Svensson
Account Director:Melina Aristiadou
Sound Design:Flickorna Larsson

Salvation Army: Two Stories


Film
Salvation Army

Poverty is a growing problem also in Finland. Salvation Army wanted to raise willingness to help. For that you need to have empathy for the people in need. This film shows that anyone can suffer misfortune. Including you. Campaign website: autaihmista.fi

Advertising Agency:Make it simple, Helsinki, Finland
Creative Directors:Jarkko Tuuri, Jukka Mannio
Production Company:Lucy Loves Stories
Director:Johannes Salonen
Producer:Marko Antila
DoP:Tuomo Virtanen
Production Coordinator:Iida Seppä
Music:Juri Seppä, Humina
Sound Design:Tuomas Seppanen

Greenpeace: Happy Birthday


Film
Greenpeace

Advertising Agency:Y&R, São Paulo, Brazil
Creative Vp:Rafael Pitanguy
Creative Directors:Victor Sant´anna, Felipe Pavani, Rafael Pitanguy
Head Of Art:Felipe Pavani
Creatives:Marina Erthal, Mariana Villela
Client Services:Vivianne Brafmann, Heloisa Guimarães, Débora Carvalho
Rtvc:Nicole Godoy, Caroline Reis
Film Editing:Rodrigo Castro
Postproduction:7 Filmes Produções
Sound Production:Cabaret
Sound Producer:Guilherme Oliveira, Guile

El Faro: Title Case


Online
El Faro

Advertising Agency:Publicidad Comercial MullenLowe, El Salvador
General Creative Directors:Orlando Alvarez, Rodrigo Canjura
Creative Director:Carolina Lemus
Planner:Beatriz Olmedo
Art Director:Carlos Lainez, Nicole Payés, Edgardo Barahona, Miguel Rivera, Benjamín Galdamez
Copywriter:Orlando Alvarez
Photographer:Xavier Aguirre
Producers:Fabricio Rivera, Roberto Maravilla
Digital Manager:Reyna Cardona
Additional Credits:Osvaldo Chaves, Max Chavez, Carlos Escalón, Rocket A, V, Carlos Salamanca, José luis Sanz, Javier Guerrero, Carlos Navas, Happy Punk Panda

Hansaplast: Hearts


Outdoor
Hansaplast

Hansaplast introduces Hearts. A new type of heart-shaped plasters, created to help parents heal those broken little hearts. Each Heart comes with a specific design that is linked to a heart-warming story, developed with a child psychologist.

Advertising Agency:Happiness/FCB, Brussels, Belgium
Chief Creative Officer:Geoffrey Hantson
Creative Director:Philippe Fass
Creation:Laurie Lacourt, Catherine Hermans
Copywriter:Bill Bilquin
Chief Client Officer:Erika Darmstaedter
Worldwide Account:Erika Darmstaedter
Global Account Director:Heike Brunjes
Design:Lenert Vedts
Project Manager:Anne Lore Vestraets
Dtp:Romaine Dhainaut
Graphic Designer:Anna Touvron
Producer:Sophie Gunsbourg
Film Director:Kassim Olivier
DoP:Kassim Olivier
Editor:Simon Schuurman
Animator:Simon Schuurman
Child Psychologist:Carole Grosman
Illustrators:Julie Hoyas, Andrea Rivola, Belle Lee, Toyzmachin & Wazza Pink

Angel Bins: Foot Shake

Print
Angel Bins

Fundraising through shoe donation.

Advertising Agency:Alma, Miami, USA
Creative Chairman:Luis Miguel Messianu
Ceo:Luis Miguel Messianu
CoPresident:Alvar Sunol
Chief Creative Officer:Alvar Sunol
Senior Creative Director:Monica Marulanda
Creative Director:Virgilio Flores, Juan Camilo Valdivieso
Senior Art Director:Ricardo Vallejo
Senior Copywriter:Humberto Maldonado
Senior Print Manager:Mimi Cossio
Producer:Mimi Cossio
New Business Director:Carola Chaurero
Production Company:Napolitano
Photographer:Claudio Napolitano
Retoucher:Eduardo Gomes

Greenfield Natural Meat Co.: Farmvertising


Media
Greenfield Natural Meat Co.

Advertising Agency:Havas, Toronto, Canada

Gasco: Gasco Getaways


Media
Gasco

We Launched Portable Gas creating Gasco Getaways. We selected the 4 best recipes from each extreme zone and made a gastronomic gastronomy with chef Mikel Zulueta. We take typical dishes in places where we have never tried, and we have managed to unite the country with the taste of its land.

Advertising Agency:Global Interactive, Santiago, Chile
Dgc:Antonieta Arellano
Creative Director:Mauricio Bignami
Art Director:Hedo Maulen
Copywriter:Jota Bustamante

KFC: Suppertime Stories


Direct Marketing
KFC

Advertising Agency:Ogilvy & Mather, Johannesburg, South Africa

McDonald's: My Way


Film
McDonald’s

Advertising Agency:DDB Tribal, Copenhagen, Denmark
Director:Sune Svanborg Sørensen
DoP:Michal Dabal
Production:OTO Film
Producer:Tomek Kozera
Executive Producer:Kuba Ranik

LeYa: #QuoteOfTheDay


Online
Leya

A Messenger Bot that creates a link between the habit of posting images accompanied by quotes and the portfolio of works and authors of LeYa, one of Brazil’s biggest publishing houses.

Advertising Agency:WMcCann, Sao Paulo, Brazil
Chief Creative Officer:Washington Olivetto
Creative Vp:Guime Davidson
Creative Directors:Nicolas Romano, Viviane Pepe
Creatives:Alexandre Xela Oliveira, Mateus Cerqueira, Eduardo César
Production VP:Marcelo Hack
Rtv:Juliana Lutterbach, Ana Borges
Film Production:Studio Great
Post Production:Studio Great
Sound Production:Liquo Audio
Digital Production:Vitor Henckel
Project Manager:Mylena Moraes
Account Service:Marcio Borges, Mylena Moraes
Client Approval:Leila Name

Jaguar F-Pace: Jaguar Musicdrome


Promo
Jaguar

In order to launch Jaguar’s first SUV, the Jaguar Musicdrome, the first turntable in the world, was introduced. By tracking the car with a camera the F-Pace controls the music. The faster it drives, the faster the music goes. The higher it drives, the louder it gets. Popularly known as “wheels of death” these type of tacks are reserved for motorbikes and fast racing cars. Only a light weight SUV like the F-Pace and Jaguar’s superior performance made this feat possible. The one week event with Jaguar Musicdrome attracted 90,000 spectators while saw 55% increase in catalog online orders as well as 114% increase in website traffic.

Advertising Agency:Geometry Global, Tokyo, Japan

Hairshopeurope.com: Hair Memorial

Print
Hairshopeurope.Com

Your hair will no longer be just a memory.

Advertising Agency:Thecomfortablepigs, Milan, Italy
Creative Director:Riccardo Ciunci, Roberto Piazza
Copywriter:Riccardo Ciunci
Art Director:Roberto Piazza
Photographer:Luigi Ziliani
Post Production:Wookiee Studio

Aaron Pinto : Illustrator & Graphic Designer

DesiCreative
DesiCreative – Indian Advertising Creative Blog and Community (beta 1.4)

Aaron Pinto, also known as Kidsquidy. He has been Illustrating and designing for about 4 years now. Currently working for MTV India as a Senior Designer.
He also works closely with bands and musicians from the Metal and Indie scene, Indian and Global. Also plays drums for 2 metal bands – Providence and Gutslit.
He loves drawing skulls and tentacles. He is obsessed with the grotesque and also loves the colour pink.

Why are you a Graphic Designer?
I actually never planned on being a Graphic Designer. It happened by chance i guess. Was interning at MTV India in the shows department when 2 of my now close friends from the design team saw that i had a knack for designing and asked if id like to work under them. One thing led to another and now i don’t remember a life before this. Its a part of me and I’m very grateful for that one opportunity which has led to me to great heights and given me so much.

Did you attend school for fine art or design?
I studied 3D modelling and texturing and have a degree in animation
But i hardly use anything that i learnt over there.
Learnt Photoshop and Illustrator on the job actually.
Completely self taught.

You have a distinct style of Design. How long did it take you to develop your style?
I’d say its been about 4 years of me doing what i do. Though I’m still not happy where I’m at and really am just exploring and consuming design till i can find something that i can call my own and instantly recognisable.

Were there any particular role models for you when you grew up?
Very lucky to have been exposed to a lot of comics, cartoons and video games growing up. Perks of growing up abroad i guess. Also i used to think Tattoo artists were the coolest, still do.
Also TV in general during the 90’S i think played a huge role in my design sensibilities.

Who was the most influential personality on your career in graphic design?
Favourite artist in the world, hands down its the great Dan Mumford. I think he’s the best and I’m very influenced by him.
Also artists like Godmachine, Alex Pardee, Mark Riddick, Nychos, Frank Miller, Skinner, Felip Pantone, Ken Taylor, John Dyer Baisley , HYDRO74,
SignalNoise are some of my favourites,

When did you start freelancing?
Don’t freelance that much nowadays. I’ll work with musicians though. Love doing merchandise and album art for bands, specially metal.

Was there any time when you wanted to quit graphic design?
Everytime i have to deal with Marketing noobs.

Are many advertising agencies hiring graphic designers? Do you work more with agencies or publishers?
I honestly have no clue whats the trend with advertising agencies nowadays. But i do work agencies more. My style apparently translates well for the kind of work they are looking for.

Do you have clients who give you steady work or do you advertise for new clients often?
Have a steady client base, but I’m always on the lookout for new challenges. But i absolutely love working with new bands and trying to recreate their vision to go with their music. Its a great rush.

Any other Indian graphic designers who you admire?
Arushi Kathuria, Avinash Jai Singh, Aaquib Wani, Sajid Wajid Sheikh.

What advice do you have for aspiring creative professionals? Would you advise them to take on graphic design as a career option?
GOD is in the details.

Do you think Clients are opening up to keeping aside a decent respectable budget for design work? Do you think clients are understanding that they need to invest in Design as a communication tool and also to cut the clutter, and that good design comes at a price?
I honestly think that in general India doesn’t have respect for art. Be it music, design, theatre, etc. Everything should be cheap and asking for more than their low quote is rude and its basically just drawing.
Though the new breed of ‘clients’ is changing this by giving an actual shit about how they want their product to be perceived and investing in good design. Its still a small community but hopefully soon the wave will catch on.

You are also a drummer? tell us something about it…
I play drums for 2 Bombay based metal bands, Providence and Gutslit.
Been playing for the past 8 years and it’s my one true love. I love illustrating, but i love drums more.

Mac or PC?
Started on a PC. Now I’m a slave to Apple. FML.

Who would you like to take out for dinner?
Dave Chapelle.

What’s on your iPod?
Swetshop Boys – Cashmere
Death – Symbolic
Benighted – Necrobreed
Code Orange – Forever
Camo & Krooked – Good Times Bad Times
Whats your Twitter Handle?
Hate twitter.
Follow me on Instagram – KIDSQUIDY

 

 

The post Aaron Pinto : Illustrator & Graphic Designer appeared first on DesiCreative.

NBC Wins Broadcast TV's Annual War of Attrition


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Continue reading at AdAge.com

Advertising: Brands Expand Into New Niches With Care, but Not Without Risk

A growing number of companies are putting their names on areas outside their expertise, like real estate, but experts caution that missteps could taint an image.

Q. & A.: Tell Us 5 Things About Your Book: Ben Falcone on the Father-Son Bond

In “Being a Dad Is Weird,” the comedic actor and screenwriter juxtaposes his childhood in Illinois with modern-day fatherhood in Los Angeles.

‘Pirates of the Caribbean’ Sequel Tops Box Office as ‘Baywatch’ Flops

“Dead Men Tell No Tales,” the latest film in the “Pirates” franchise, overcame poor reviews. “Baywatch” continued a string of lackluster TV adaptations.

Super Bowl 2017: Home of the outraged

In Hero’s Journey, Kia’s spot for the Niro hybrid, Melissa McCarthy’s valiant attempts to save the environment at the behest of someone on a loud speaker telling her what to do are foiled by the very things she wishes to help. She wants to save the environment, but the environment fights back. A whale sends her flying toward a giant ship with a Greenpeace-like banner on it. She desperately clings to a tree she is trying to save, even as it falls. She proudly plants a “save the ice caps,” poster in the arctic, only to cause the ice cap to break. And a rhino she is also trying to save ends up picking her up in its tusk as she runs for her life. With each episode, a disembodied voice on a speaker instructs her to go somewhere else. The look on her face is increasingly unsure, but the voice tells her to do it and she does it, and fails each time despite her intentions. It’s almost as if nature wants to be left alone and does not appreciate her intrusions. This is also an apt assessment of the more deliberately “disruptive,” ads that Audi and 84 Lumber put out this Super Bowl and the audience who received it.
First let’s put this into context, at least within America. It should come as no shock in the wake of the election that a segment of the population voiced a frustration that they were not being listened to. Over the past few years polls routinely showed among both Republicans and Democrats that jobs (or lack there of) healthcare, the economy and national security were the top issues, with climate change at the lowest priority. Any politician who didn’t focus on these issues with any sort of substance would have been part of the problem, not the solution. (Which still makes it insane to me Bernie Sanders was not given a fair chance by his own party.)
Without turning this into a political think piece, my point is America is at a point in history where when it comes to issues, we’re sitting on a powder keg ready to explode at a moment’s notice with vociferous support or opposition. You’d have to be living under a rock to realize this. Which makes Audi and 84 Lumber’s decision to wade into gender politics and immigration issues either an admirable move or a colossally myopic mistake. It’s tempting to say it depends on what side of the fence you stand, as we will see, that is all too simplistic in these times.

First let’s start with Audi’s downer of a spot in which a father makes his daughter a victim before she’s even hit puberty, asking a series of questions that begin with “what do I tell her?” My first reaction was “why the fuck don’t you teach her instead of tell her.” The spot ends with the line that “Audi of America is committed to equal pay for equal work.” So Audi is committed to following the Equal Pay Act which was signed in 1963. Slow clap. I will leave discussions of the intricacies of the earnings gap to professionals. And never mind Audi was caught cheating on gas emissions tests along with Volkswagen. Let’s just all believe what they have to say now.

Audi, new champion of women’s equity at work, has no women on their board pic.twitter.com/y32FVAr6eP— Judd Legum (@JuddLegum) February 6, 2017

Problem with a virtue signal is that the very people who want to buy it are also conditioned to fact check you.

@Audi You pay your female employees less than males? You know that’s against the law, right?— Prepper Frog (@TueborFrog) February 1, 2017

Or call you out.

@TueborFrog When we account for all the various factors that go into pay, women at Audi are on par with their male counterparts.— Audi (@Audi) February 1, 2017

Hi @Audi,Thank you for debunking the pseudo economic feminist gender pay gap so eloquently. https://t.co/8vWhezHpqS @TueborFrog pic.twitter.com/DpSEE8W8OT— Harry Khachatrian (@Harry1T6) February 4, 2017

And then you have to spend the night answering questions like this.

@Audi do you also give equal opportunity to advance to executive levels? Your website list 2 women and 12 men on the executive team— Jessica Buchberger (@BuchbergerJm) February 1, 2017

@BuchbergerJm We have pledged to put aggressive hiring and development strategies in place to increase the number of women in our workforce.— Audi (@Audi) February 1, 2017

@Audi @BuchbergerJm so, your saying you would give preferences to hiring based on gender?— Thomas Hatfield (@jesustheplumber) February 1, 2017

The conversation has continued with people split between like and hate. Many showing support of Audi’s spot, while just as many others voicing vitriol. Want to know a secret? Audi doesn’t care what you think. They want the publicity. This spot had zero substance. It costs Audi nothing to make some pledge. What does that even mean? Except for the most rabid out there, very few people are going to check up a year from now to see if they’ve implemented their pledge at all. So why are you cheering?

Wanna know something else? Audi dealers also don’t give a toss what you think. You could be a build-the-wall red hat wearin’ Trump supporter as long as you buy the car. And despite questionable clickbait sites, they’re not going to throw you out of their dealership. They want your money.

And then there’s 84 Lumber.

The reaction to 84 Lumber’s excellent Pittsburgh-made spot was absurdly hysterical. With people viewing it either as a pro-illegal immigration spot (some accusing them of hiring illegal laborers) while some celebrated it as being this message of inclusiveness from a brand no one outside of Pittsburgh really knows. Me, I thought the spot made immigration wrongly look like a mother daughter camping trip, but that’s beside the point. 84 Lumber was a spot designed for the times, and achieved what it wanted– a response. Any kind of response. And it came from a Trump supporter. That’s right.

The CEO of 84 Lumber is a Republican who supports Trump, wants to restrict immigration and build the wall. It’s true. 84 Lumber CEO Hardy Magerko told People magazine:

Hardy Magerko says she personally helped develop the commercial and its striking imagery, but her personal beliefs don’t play into the commercial.

“This came from the heart and I didn’t do it for personal gain,” she says. “It’s not about me or my beliefs or the wall, it’s about individuals… treating people with dignity and respect.”

She adds: “My intent was to show, through the mother and daughter, that through struggles we will do anything we possibly can to make (the world) a better place for our children. If I thought the wall was negative, I wouldn’t have had the wall.”

“There were many interpretations, but the message is in the eyes of the beholder,” adds Hardy Magerko, who took over Pittsburgh-based 84 Lumber from her father, now 94. “So, depending on what struggles and what you’re going through… it’s all in (the viewers) interpretation.”

So that leaves you in kind of a bind. If you are pro-immigration, do you support a company whose CEO stands against everything you do, but made a spot suggesting otherwise? How do you trust the company to do the thing you believe in when they don’t believe it themselves?

At least Magerko was honest enough to admit her true intentions “During market research, we found that people 40 and younger don’t know about [the company], so I thought ‘Okay… let’s tie in what is going on in the world.”

Mission accomplished?

@84LumberNews There was a beautiful message and then you caved saying it was ProTrump and u are for his ideas. Fool me once…— Maith (@jmflatham) February 7, 2017

@jmflatham We understand ur confusion.Our message is symbolic highlighting the fact that dedication & determination can bring opportunity.— 84 Lumber Company (@84LumberNews) February 7, 2017

@Linda52 This is the land of hope for everyone & that goes for all people. And in this country, tht should never be a controversial message.— 84 Lumber Company (@84LumberNews) February 7, 2017

@Matthew43990102 We don’t condone illegal immigration. The journey symbolizes the characteristics we look for in our people at 84 Lumber.— 84 Lumber Company (@84LumberNews) February 7, 2017

@sarmsr We don’t condone illegal immigration. The journey is meant to symbolize the characteristics we look for in our people at 84 Lumber.— 84 Lumber Company (@84LumberNews) February 7, 2017

@Egnaro_Rewop We wanted the ad to get people talking and we’re glad it did. This is a land of hope & opportunity for everyone.— 84 Lumber Company (@84LumberNews) February 7, 2017

As with Audi the conversation was evenly and passionately split, and it certainly got 84 Lumber’s name out there. Whether or not it attracts people to their business, in light of the fact that the CEO supports our current President and thinks a wall is necessary remains to be seen.

And beyond instant conversation spikes on social media, it also remains to be seen if support will turn into a spike in sales, or whether the anger will result in boycotts. For more context, after Target’s Transgender bathroom policy back in April of last year, 1.4 million people signed a pledge to boycott the store. The boycott must have been effective as it caused Target to spend twenty million dollars to add single toilet options to their stores. Their stock whose high was at almost 84 dollars pre-boycott is at sixty-three dollars and fifty-seven cents today. I realize there are other mitigating factors as to why this might be the case, but that is still a significant drop that has yet to recover for the publicity or ensuing conversation.

The question is how many brands will be a little less inclined to go down the cause marketing route, especially ones where that don’t feel like a natural fit. Some brands might be taking a cue from Melissa McCarthy’s character in the Kia Niro spot. It doesn’t matter how well-meaning you are today. It doesn’t matter if your intentions are noble or cynical. It doesn’t even matter if you are right. If you decide the only way to get America talking is by wading anywhere near politics right now, don’t be surprised if half the population responds with screaming.

Adland: 

VIA Rail "Selfie" (2017) :15 (Canada)

Dumb dad-to-be can’t stop taking selfies even as his wifey’s going into labor. She asks him “Why do you always have to take selfies?” he answers ‘Why don’t you take the train?” Not shown: the scene in which she screams “i don’t know, because I’m in labor?!” while gouging his eyes out. Somewhere in this execution is an idea about changing habits, but it’s a bit easier to understand why you should stop doing something you already do than it is to understand why you should change your habit of not doing something.
Moreover, I hear ‘Why don’t you take the train,” and I answer “Because it’s expensive and I have to leave on someone else’s schedule, and sit with a bunch of people I don’t know” or a handful of other reasons. This campaign never doesn’t attempt to persuade me with a benefit. As entertaining as it is, it’s easy to dismiss, unfortunately.

See the other two here:

Ketchup
Poker

Commercials: 
Country: