SXSW Could Be the Beginning of the End for an Uber-less Austin


Austin, Texas, has spent the last 10 months engaged in a big experiment in urban transportation. Uber and Lyft suddenly stopped operating there last May in protest of a law requiring drivers to be fingerprinted. Since then, a wave of startups emerged to fill the gap left by the U.S. ride-hailing giants. Success would be proof that alternative visions of ride-sharing can flourish in a major American city.

But the model will face its biggest test yet on Friday, when crowds in the several hundreds of thousands will start descending upon Austin for the annual South by Southwest festival, a nine-day event that could be accurately described as a tech conference, a music and film festival, and a huge mess. In tech circles, SXSW is renowned for propelling Twitter Inc. and other apps to prominence, at least temporarily. This year’s speakers include Mark Cuban, Gawker’s Nick Denton and Reddit Inc. co-founder Alexis Ohanian.

There are currently seven ride-hailing apps operating in Austin, all of which were in compliance with fingerprinting rules as of Feb. 15, the city said. None of their names will sound familiar to most SXSW attendees. Two apps are leading the pack: RideAustin and Fasten. Both claim to be the city’s leading ride-hailing provider. Michael Ferguson, a professional realtor and recreational beer consumer, prefers RideAustin to get him home after a night of drinking. “RideAustin is pretty normal, man; the app works pretty good, and they have a lot of drivers,” Mr. Ferguson said. “I don’t think that for the customer, getting around this town is an issue anymore.”

Continue reading at AdAge.com

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SXSW Could Be the Beginning of the End for an Uber-less Austin


Austin, Texas, has spent the last 10 months engaged in a big experiment in urban transportation. Uber and Lyft suddenly stopped operating there last May in protest of a law requiring drivers to be fingerprinted. Since then, a wave of startups emerged to fill the gap left by the U.S. ride-hailing giants. Success would be proof that alternative visions of ride-sharing can flourish in a major American city.

But the model will face its biggest test yet on Friday, when crowds in the several hundreds of thousands will start descending upon Austin for the annual South by Southwest festival, a nine-day event that could be accurately described as a tech conference, a music and film festival, and a huge mess. In tech circles, SXSW is renowned for propelling Twitter Inc. and other apps to prominence, at least temporarily. This year’s speakers include Mark Cuban, Gawker’s Nick Denton and Reddit Inc. co-founder Alexis Ohanian.

There are currently seven ride-hailing apps operating in Austin, all of which were in compliance with fingerprinting rules as of Feb. 15, the city said. None of their names will sound familiar to most SXSW attendees. Two apps are leading the pack: RideAustin and Fasten. Both claim to be the city’s leading ride-hailing provider. Michael Ferguson, a professional realtor and recreational beer consumer, prefers RideAustin to get him home after a night of drinking. “RideAustin is pretty normal, man; the app works pretty good, and they have a lot of drivers,” Mr. Ferguson said. “I don’t think that for the customer, getting around this town is an issue anymore.”

Continue reading at AdAge.com

Creative agency Open is helping fashion label Smythe rebrand and relaunch its website with e-commerce.

After more than 10 years of bringing a sense of occasion to everyday wardrobe essentials, design duo Christie Smythe and Andrea Lenczner felt ready for a refresh. From letteheads to animated films Smythe has been rebranded.

It began with a design evolution from making only jackets, coats and blazers to full ready-to-wear, and continued with a full rework of the Smythe identity. “Working with Open, we landed on a design that stayed true to our origins but also elevated the brand,” explains Lenczner.

The latest bold move for the Toronto designers is a plunge into e-commerce. As part of this project, the agency created a beautiful film to launch the new site. “This was our way of saying ‘we’re now live’ to our followers and friends in a playful, creative way” says Christie Smythe.

“With everything we do for this this brand, we always look to capture that elegant aesthetic” says Martin Beauvais, Creative Partner at Open. “Something simple, refined and utterly Smythe.”

It’s no surprise Open is very clear about what ‘utterly Smythe’ means, having worked with the fashion label for the last five years, on everything from celebrating their 10 year anniversary, to promoting their move into pants, to details like button bags.

shopsmythe.com is Smythe’s new destination for fashion, editorial and online shopping. Designed by Open, built by development partner Design Lab, powered by Shopify. shopsmythe.com is being promoted through SEO, Smythe’s social platforms and PR outreach.

When asked to describe the Smythe aesthetic, co-designers Andrea Lenczner and Christie Smythe choose words like “modern and emotional”. Since launching in 2004 with blazers and jackets, the pair have brought a unique sense of occasion to everyday wardrobe essentials and gained a cult-status following. Today their full ready-to-wear collections continue to be relevant, versatile and timeless. shopsmythe.com

Founded in Toronto by Christian Mathieu and Martin Beauvais, Open is a creative company focusing on strategy, advertising and design. Open has done work for a broad range of clients including Twitter, Food Basics, Metro Pharmacy, Toys“R”Us, Babies“R”Us Boulart and Cara (KELSEYS). openacreativecompany.com

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#TheRaceIsOn in mcgarrybowen London’s Latest for Western Union

Across the pond, mcgarrybowen London introduced a new spot for Western Union entitled “#TheRaceIsOn” in time for International Women’s Day.

The anthem ad opens with the line, “Okay girls, the race is on,” as girls around the world break into a sprint. But this is no ordinary race. Rather, the spot calls on girls to be “the first female to run the United Nations,” “the first female to run the United States” and other pioneering roles.

The spot concludes by calling on girls to “study hard and dream bigger,” tying the message to Western Union’s role in supporting education. Viewers are told to visit a campaign landing page to learn more. Among Western Union’s “Chain of Betters” initiatives is a WU Scholars program which provides students around the world with help funding their education. It’s also Western Union’s second consecutive International Women’s Day effort.

“International Women’s Day is an opportunity to shine a light on the accomplishments of women, especially the hundreds of millions that cross borders and are economic change agents for their families, their home countries, and their host nations across the globe,” Western Union president and CEO Hikmet Ersek said in a statement.

ASICS and 180 Amsterdam Help Runners Achieve Liftoff

Despite breaking with 180LA late last year, sneaker brand ASICS still works with the agency’s Amsterdam office on its global account.

The latest collaboration between the two promotes Flytefoam, a new innovation in shoe tech that supposedly uses “organic fibres for better performance giving runners the perfect combination of lightness and protection.”

These new tricked out shoes are so good, they make hardcore performance runners feel like they can fly. (SPOILER: they cannot.)

Beyond the anthem ad above, the campaign also includes a series of literal training films. They are quite intense, and they also play on the athlete-as-plane theme.

As consumers, would can point out that—machine metaphors aside—ASICS does indeed make really good running shoes.

Regarding the new work, 180 Amsterdam president and chief creative officer Al Moseley said, “180 Amsterdam is obsessed with delivering ideas that help brands bring influence and utility to culture. This is a unique campaign that motivates, trains and inspires any runner to get faster. We expect to see a lot of personal bests in the weeks ahead.”

You may notice the new creative leads on the business in the credits. Dan Treichel and Dave Canning, who had led the ASICS account and worked on several others in Amsterdam, moved to New York in January to become co-ECDs at Joan Creative.

CREDITS

CREDITS
President and chief creative officer: Al Moseley
Creative director team: Martin Terhart & Adam Noel
Creative: Lachlan Palmer-Hubbard & Chase Kimball
Head of production: Bethany Papenbrock
Film Producer: James Southward
Print Producer: Mike Winek
Account Director: Jim O’Regan
Communications Strategy director: Pete Fishman
Planner: Vincent Johnson
Business affairs manager: Pamela Villaflores

Production Company: Stink London
Director: Jones & Tino
Producer: Simon Eakhurst
Production Manager: Lucy Banks
DOP: Mattias Rudh

Edit House: Stitch London
Editor: Leo King

Sound Studio: Wave Amsterdam
Sound Designer: Randall MacDonald

Post House: MPC Amsterdam
VFX Producer: Kayleigh Dugdale
2D Supervisor: Ricky Weissman
Colourist: George K (out of MPC London)

Photographers: The Wade Brothers

“Silêncio” é uma nova obra-prima de Martin Scorsese

Andrew Garfield protagoniza adaptação do livro de Shusaku Endo, obsessão do diretor há décadas

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SXSW 2017: O segredo do sucesso é o segredo do sucesso

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Secretário de Imprensa da Casa Branca faz propaganda acidental de “House of Cards”

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Droga5’s First Ad for Seat Stars the Loneliest Race Car in the World

Many of you will feel bad for the race car in Droga5 London’s first ad for automaker Seat. That is because you’re crazy. It has no feelings! Oh, but it does, and they’re expertly drawn out by director Noam Murro in the 90-second spot below, which cleverly rubbishes the idea that race cars are the…

Peterson Milla Hooks Parts With President David Denham After 15 Months

Peterson Milla Hooks has let its president go after just over one year. David Denham joined the independent, Minneapolis-based agency in December 2015.

“PMH and David Denham have made a decision to part ways,” said founder and executive creative director Dave Peterson in a statement regarding today’s news. “We appreciate all his efforts and sincerely wish him the best in his future endeavors.”

An agency spokesperson declined to elaborate on the reasons for his departure or the agency’s plans to find a successor. According to one party, agency leadership simply had different ideas regarding the future of the organization.

Denham replaced Tom Nowak, who sent us a note announcing his resignation in March of 2015 after nearly eight years in the role.

Nowak, who formerly worked in accounts at Wieden + Kennedy and co-founded Minneapolis’ One and All, didn’t let on at the time that he had other plans: one month later he became chief creative officer at Best Buy.

Before joining PMH, David Denham spent three years as president and chief strategy officer at space150. He previously held roles at Colle+McVoy, Sapient and Franklin-Covey, and in a 2016 Star Tribune interview he said that he joined PMH to help Peterson plan its post-Target future.

PMH specializes in retail, and the agency was best-known for a 20-plus year relationship with Target that ended in 2011 as the chain sent its business to fellow Minnesota agency mono. In 2013, AdAge named the shop—which currently works with Fossil, Nine West and others—as its comeback agency of the year.

The team’s most recent staffing news concerned the hire of mono, FCB and Olson veteran Laura Buckley as director of strategy.

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Folktandvården – Nollhålsvisonen / Zero holes – (2017) :90 (Sweden)

Folktandvården - Nollhålsvisonen / Zero holes - (2017) :90 (Sweden)
To advertise the national dental services, “Folktandvården”, decided to show the population what they really mean by “Nollhålsvisionen” (literal translation: the zero holes vision”)

At night they taped up familiar holes all over Stockholm with nice flexible plexiglass. Holes in public garbage bins? Gone. Keyholes? Gone. Tunnel holes? Gone!
Most people are in on the stunt here, obviously because you can’t just let bicyclist slam into tunnel walls doing their best Roadrunner impression, but it’s realistic nonetheless.

Folktandvården handle around 75% of all children’s dental needs in Stockholm, while the remaining percentage can afford to go to private dentists. Every third adult still goes to Folktandvården for dental care. Folktandvårdens goal is that children should have no cavities.

Commercials: 
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20th Century Fox "Alien: Covenant -Meet Walter" (2017) 2:19 (USA)

The All New Walter. Created to Serve. 20th Century Fox’s first in-branded short for the new Ridley Scott-directed Alien: Covenant is centered around Walter.
Walter is the latest synthetic android with intelligence powered by a real brand: AMD and its RyzenTM and RadeonTM processors. The AI is manufactured by the film’s fictional corporation Weyland-Yutani. Walter even has his own microsite
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SHOPSMYTHE.COM – the site now live (2017) :30 (Canada)

SHOPSMYTHE.COM - the site now live (2017) :30 (Canada)
After more than 10 years of bringing a sense of occasion to everyday wardrobe essentials, design duo Christie Smythe and Andrea Lenczner felt ready for a refresh.

It began with a design evolution from making only jackets, coats and blazers to full ready-to-wear, and continued with a full rework of the Smythe identity. “Working with Open, we landed on a design that stayed true to our origins but also elevated the brand,” explains Lenczner.

The latest bold move for the Toronto designers is a plunge into e-commerce. As part of this project, the agency created a beautiful film to launch the new site. “This was our way of saying ‘we’re now live’ to our followers and friends in a playful, creative way” says Christie Smythe.

Commercials: 
Country: 

Kids Are Getting Older Quicker. And Disney Tries to Adapt.

With “Andi Mack,” a comedic drama that’s bitter and sweet, Disney Channel stretches its brand. It’s part of an effort to lift sinking ratings.

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