Zulu Alpha Kilo: Clinton and Trump


PR, Online
Zulu Alpha Kilo

Advertising Agency:Zulu Alpha Kilo, Toronto, Canada
Creative Director:Zak Mroueh
CD:Jon Webber
Writer:Jon Webber
Art Director:Allan Mah
Agency Producer:Tara Handley, Ola Stodulska, Christina Hill
Production House:Zulubot
Director:Zak Mroueh
Director Of Photography:Mike Headford
Casting Director:Shasta Lutz, Shasta Lutz
Editor:Jay Baker
Talent:Doug Murray
Transfer:Pixel Underground, Roslyn Di Sisto
Colourist:Roslyn Di Sisto
Engineer:Stephen Stepanic
Sound Recordist:Jeff Reyes
Stylist:Sansyrae St. Martin, Plutino Group, Sansyrae St. Martin
Locations:Paula Nadj, Daniel Kaplan
Social Media Team:Jamie Cuthbertson, Emma Brooks, Sean Bell, Sam Kamiel

LG G4 Stylus: Linkedin vs Tinder, Instagram vs WhatsApp, Facebook vs Ashley Madson

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The best pictures for all your social networks. 

Advertising Agency:Y&R, São Paulo, Brazil
Chief Creative Director:Rui Branquinho
Creative Director:Victor Sant´anna
Art Director:Paulo Monteiro
Copywriter:Pedro Cavalcanti
Head Of Art:Felipe Pavani
Account Director:Diego Passos
Planner:Tatiana Tsukamoto
Client Services Director:Alessandro Cardoni
Print Producer:Ronaldo Cavalcante
Image Bank:Getty Images
Art Buyer:Monica Beretta, Stephanie Wang
Media:Gustavo Gaion, Thiago Franzão

Comedy Director Joe Schaak Joins STORY

CHICAGO—STORY today announces that it has signed award-winning comedy director Joe Schaak for exclusive representation. Schaak, whose work has been short-listed at Cannes and included in the permanent collection at MOMA, specializes in character-driven comedy and is known for delivering genuine performances whether working with actors, celebrities or real people.

“Joe is a true comedy pro,” says STORY Executive Producer Mark Androw. “Agencies love working with him because he always shows great insight to the strategy and brings great ideas to the table. We’re very excited to welcome him to our roster.”

Schaak has directed more than 200 commercials over the course of his 20-year career. His classics include a Johnsonville spot in which a rogue bratwurst vendor takes over the broadcast booth at Lambeau Field, and a Super Bowl ad for Century 21 that featured guest appearances by Deion Sanders, Apolo Ohno and Donald Trump.

Recent efforts include a campaign for technology reseller Gazelle.com featuring real people reading actual online reviews and cleverly staged to bring out their personality quirks. He also directed a deliciously deadpan campaign for health services nonprofit Baby Can Wait. In one spot, a man presents his nephew with an unusual gift: a breast pump. The boy, it turns out, is pregnant. “I loved that campaign because the agency was so collaborative and I was able to have a hand in developing the concepts,” he says.

The director adds that he enjoys directing comedy because each project offers new opportunities for invention. “I love finding the magic in characters,” he says. “The discovery process is always fun…that’s what keeps it fresh.” Schaak’s reel also includes work for McDonald’s, Target, Purina, Kellogg’s, Nyquil, ESPN and other top brands.

Schaak says he was attracted to STORY by its success in working with comedy directors and diverse agency relationships. “I was looking for a company with strong, established executive producers and footholds in Chicago, Texas and across the Midwest,” he notes. “STORY has a great reputation and impressed me their knowledge of the advertising market.”

STORY expects its relationship with Schaak to extend beyond traditional commercials. The director has experience in directing branded content, web series, reality and scripted television and features. He is currently independently developing a comedy television series called RenFest (www.renfest.tv), a behind-the-scenes look at the office politics in the world of Renaissance festivals.

STORY is represented on the East Coast by Elyse Emmer (212) 580-8568; in the Midwest by Melissa Thornley (312) 752-5369, in the Southeast by Miller + Associates, (954) 563-6004; in the Southwest by Gossip!, (214) 288-2813 and on the West Coast by Yvette Lubinsky, (310) 827-2626.
For more information, visit http://www.storyco.tv/

Adland: 

Paid $75,000 to Love a Brand on Instagram. But Is It an Ad?

Companies are spending big to have celebrities praise their products to millions of social media followers, raising questions about disclosure rules.

Fox Wants Ex-Host’s Harassment Suit Sent to Arbitration

The former host, Andrea Tantaros, “is not a victim; she is an opportunist,” the network said in a motion filed in New York State Supreme Court.

Jamie Foxx Transforms Into 'Ryan Stoan Cowboy' in Verizon's Latest Ad


Every weekday, we bring you the Ad Age/iSpot Hot Spots, new and trending TV commercials tracked by iSpot.tv, a company that catalogs, tags and measures activity around TV ads in real time. The New Releases here ran on TV for the first time over the weekend. The Most Engaging ads are showing sustained social heat, ranked by SpotShare scores reflecting the percent of digital activity associated with each one over the past week. See the methodology here.

Among the new releases, Adidas imagines terrifying visions of the future in its haunting “Your Future Is Not Mine” campaign, featuring Iman Shumpert, Cleveland Cavaliers basketball player and recent star of Kanye West’s “Fade” music video.

Jordan shows Oklahoma City Thunder player Russell Westbrook hitting the runway in Air Jordan XXXI, and Taco Bell promotes its Foundation’s 2016 Live Ms Scholarship, in which the company awarded $1 million to 220 “dreamers.”

Continue reading at AdAge.com

Monday Odds and Ends

-Creative Energy launched a new campaign for Texas Pete (video above).

-Twitter hired ad industry vet Jayanta Jenkins as global group creative director. 

-Facebook’s ad manager went dark for certain marketers over this past weekend.

Why did TBWA not make this Gatorade Serena Williams mobile game?

Donald Trump agrees with the experts who say TV ads don’t work. And look what it’s done for him so far!

-Pandora will have Questlove and guests deliver native ads on his Questlove Supreme show mixing music and interviews. 

TracyLocke created Pizza Hut’s new “flick football” box.

Vogue’s editor tweeted, “Nothing worries me more about the youth of america than the ads that are playing during the #vmas.” We agree!

Gene Wilder Dies at 83; Star of ‘Willy Wonka’ and ‘Young Frankenstein’

Mr. Wilder’s neurotic comic persona added a special edge to numerous hits, like “Blazing Saddles,” “Stir Crazy” and “The Producers.”

Books of The Times: In ‘Good Vibrations,’ Summer Fun Soured by Mike Love’s Score Settling

Mr. Love’s memoir of his long Beach Boys career offers lots of inside information but tends to be overpowered by boasts and grudges.

Ratings Are No Hit for MTV Video Music Awards

The Sunday broadcast for this show had a 34 percent decrease in viewership from last year’s show, though MTV did point to gains online.

Privacy Groups Pounce on WhatsApp Data Handover to Facebook


In 2014, when Facebook announced its proposed acquisition of mobile messaging service WhatsApp, the news rang data privacy alarm bells at the Federal Trade Commission. Now, just days after WhatsApp said it will alter its privacy policy to allow it to transfer user phone numbers and other data to Facebook to enable communications between brands and consumers, two privacy groups have petitioned the FTC to block the move.

In their letter to the commission on Monday, the Electronic Privacy Information Center and the Center for Digital Democracy asked the FTC to investigate WhatsApp. The groups called the data handover to Facebook “unfair and deceptive,” noting, “WhatsApp users could not reasonably have anticipated that by selecting a pro-privacy messaging service, they would subject their data to Facebook’s data collection practices.”

EPIC argued the data transfer should take place only on an opt-in basis.

Continue reading at AdAge.com

Maureen Morrison Leaves AdAge for MUH-TAY-ZIK|HOF-FER

Don’t call it a trend, but more agencies have begun seeking talent in a somewhat surprising place: trade journalism.

Maureen Morrison of AdAge is the latest to make the move; she left the publication last week after accepting an in-house position at San Francisco’s MUH-TAY-ZIK|HOF-FER.

The precise nature of Morrison’s job at is unclear at this time, and the agency’s PR firm declined to provide more information before principal John Matejczyk releases a public statement. But we hear from various individuals that she will be working in a content-focused role similar to that of former AdAge and Fast Company editor Teressa Iezzi, who now holds the director of PR and publishing title at Wieden + Kennedy New York.

Abbey Klaassen, the former editor and publisher AdAge, also joined the agency world almost exactly a year ago when she became 360i’s chief marketing officer.

Earlier this month, AdAge agency beat reporter Alexandra Bruell went to the Wall Street Journal, where she has been reporting on such topics as The Barbarian Group firing its most recent CEO and Sir Martin’s decision to double down on data.

In unrelated news, we know of several agencies that would almost certainly never even let us visit their offices, much less hire us to work there.

Just kidding, we love everyone.

Saatchi & Saatchi N.Y. Parts with CEO Brent Smart and CCO Jay Benjamin

Saatchi & Saatchi New York CEO Brent Smart and CCO Jay Benjamin are leaving the agency, to be replaced by Andrea Diquez and Javier Campopiano at the beginning of September.

Smart was appointed CEO in November of 2013, replacing Durk Barnhill, who spent a little over a year in the position. Before being named CEO of Saatchi & Saatchi New York, Smart spent two years serving as worldwide managing director, leading the General Mills account globally. Prior to joining Saatchi & Saatchi, Smart spent two years as managing director with BBDO San Francisco, following over four and a half years in the same position with Colenso BBDO in Auckland, New Zealand.

“Jay and I started this journey of reinventing Saatchi New York together as partners, and we’ve decided to finish as partners, as we both leave the agency to pursue other opportunities,” Smart said in a statement. “For me personally, after five years with the agency it’s time for a change, and the time is right to do that now with the right succession in place, which is something we’ve been talking about for a while.”

Benjamin joined Saatchi & Saatchi New York as CCO from Leo Burnett in April of 2014. He spent four years as CCO for Leo Burnett New York, following two years as executive vice president, executive creative director with Leo Burnett Sydney and a year as executive creative director with JWT before that.jay benjamin“I’m incredibly proud of the team at Saatchi & Saatchi New York, and especially of being named Creativity’s Comeback Agency of the Year,” Benjamin said. “It’s been a true labor of love and an honor to work with such an amazing roster of brands. I’m very excited for what’s next for myself and for the agency. The view was pretty good too.”

Diquez has served as president, global director of Saatchi & Saatchi since last October, tasked with leading day-to-day operations, client relations and running P&G’s global Olay account, a task she previously handled as executive vice president, global director for three years, also leading P&G operations in the Americas. Prior to that she spent nearly two and half years as CEO of Saatchi & Saatchi Mexico. She originally joined Saatchi & Saatchi as vice president, management supervisor of Saatchi & Saatchi New York in 1997, rising to the rank of senior vice president, global equity director at the New York office before leaving to lead Saatchi & Saatchi Mexico.

Campopiano has served as senior vice president, chief creative officer for Conill Saatchi & Saatchi U.S. and Latin America, working with clients including P&G, Toyota, Mondelez and T-Mobile. Prior to that he served four four and a half years as CCO and regional executive creative director for FCB International and FCB New York, leading working for clients such as SC  Johnson, Johnson & Johnson, Kraft, Nissan, Jack Daniels, FDA and Amtrak. Prior to that he spent nearly three years as a  creative director for Saatchi & Saatchi Buenos Aires, working with clients including P&G, Ambev and Cadbury.

“We greatly appreciate the vision and passion that Brent and Jay have brought to the agency during their time here and we thank them for their contribution,” said Saatchi & Saatchi worldwide CEO Robert Senior. “We’re looking forward to the next chapter of Saatchi NY under Andrea and Javier’s leadership as we continue to focus on the success of our clients.”

The leadership changes follow the announcement earlier this month that Saatchi & Saatchi executive chairman and Publicis Groupe head coach Kevin Roberts will resign his position at the start of September, in the wake of theBusiness Insider interview in which he made controversial comments about gender diversity issues and Cindy Gallop.

These moves follow General Mills’ July announcement that it would hold a closed review of its creative and content agencies. Since then, multiple sources have told us that Fallon is representing Publicis in that review two years after GM hired the agency’s former strategy lead Michael Fanuele as its in-house chief creative officer.

Subaru "Take the Subaru" (2016) 1:00 (USA)

From nunchucks to skiis to blowtorches to hair clippers to boyfriends to chainsaws to sledgehammers, there are so many things your parents won’t allow you to take because they aren’t safe. The Subaru however, is the one thing they’re cool with– even in a rainstorm– because it’s a safe car to drive. Feels like someone over at Carmichael Lynch has some firsthand experience in this matter.

Commercials: 

Country: 

Subaru "Sorry" (2016) 1:00 (USA)

At the end of the day when your kids call to tell you they’ve been in an accident, the only thing the you will care about is the fact they are okay. And Subaru can’t help increase the chances of that becuase it’s a pretty safe car to drive. “A lifetime commitment to getting them home safely,” is a nice thought as well.

Commercials: 

Country: 

Reekbok wants you to stop using the wrong shoes at the gym

Running shoes are great for treadmills, but when it comes to everything else in the gym they are definitely the wrong shoe. Stability is key. To get people to understand this, Animal Stockholm created Workout TR 2.0. IN selected gyms across Stockholm, Oslo and Copenhagen, gym rats can go and try out Reebok’s gym equipment that approximated what it’s like to work out while wearing the wrong shoes. The box jumps are higher, the weights are heavier, and the rope climb is a lot longer. Fun idea– let’s just hope the gym rats don’t see it as a challenge to overcome Ha..

Commercials: 

Ad type: 

BETTY B (2016) 1:42 (USA)

BETTY B (2016) 1:42 (USA)
In this introspective, thought provoking film, we see through the eyes of a young girl voice over telling us about her friend Betty B. In one scenario she’s a great friend. In another scenario, the B in her last name stands for Bully. Nicely shot. Great voice over. It shows how you can make a powerful ad with little more than a bunch of still shots and the occasional moving swing.
And while it is a great self-promotion piece for Matt Bieler, I do wish they would have found a client to go along with the idea. Because the ending of this gives me zero indication as to how I’m supposed to stop the Betty B’s of this world, or who I’m supposed to turn to if I’m the one being bullied.
Commercials: 

Country: 

Abe Lincoln Trashes Clinton and Trump in This Insane Ad for Libertarian Gary Johnson

And now for something completely different in an election season dominated by Hillary Clinton and Donald Trump—a political ad starring “Dead Abe Lincoln” telling voters they “just got screwed” by the two-party system.

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Jayanta Jenkins Named to Top Creative Post at Twitter


“That was really about step one, which was to take the reasearch that showed very clearly over the years that awareness of our existence is well over 90%, but usage it much smaller,” said Mr. Lunenfeld. “There were misconceptions that Twitter was just another social network, so we really wanted to inform people of what Twitter is about,” he said. “Twitter is where you go to see what’s happening everywhere in the world right now,” Ms. Berland noted in a blog post introducing the first ads.

“There are some really raw tools I’ve played with in other points of my career, but honestly, this place will open up the aperture of what I’ve done,” Mr. Jenkins said.

Mr. Jenkins made the move from agency to client side when he joined Beats in July of last year. He began his career as an art director at the Martin Agency before going on to senior roles at Wieden & Kennedy and TBWA/Chiat/Day.

Continue reading at AdAge.com

Frank Ocean Takes an Unusual Journey to No. 1 With ‘Blonde’

The album, which was released independent of a record label but with the support of Apple, debuted at the top of the Billboard 200.