Minimal Matching Wedding Bands – These Rings Connect to Form Various Shapes (GALLERY)
Posted in: UncategorizedMature Model Photography – These Photos Show What Models Look Like "Post-Playboy" (GALLERY)
Posted in: UncategorizedTime Inc. to Lay Off Employees in Reorganization
Posted in: UncategorizedMagazine and digital publisher Time Inc. plans to lay off a number of employees as part of a organizational restructuring, a spokeswoman confirmed to Ad Age on Wednesday. She declined to discuss how many people will lose their jobs, but multiple reports put the number around 110.
“Over the last couple of weeks, we have been realigning our organizational structure to better leverage our content creation, sales and marketing and brand development operations,” the spokeswoman said in a statement. “Our primary objective has been to better position ourselves to operate with greater agility and optimize the growth areas of our operation. As a result, there will be some job eliminations. That is always painful but an unfortunate reality in today’s business climate.”
“I think we all saw this coming,” a Time Inc. employee said.
A Little Perspective
Posted in: UncategorizedThose who praise President Obama for his current rhetoric on Cuba seem unaware of U.S.-backed atrocities under cooperative dictators like Pinochet, Somoza and the Duvaliers in Latin America. Of special note was Panama’s Manuel Noriega: paid by the CIA until he became too independent for their liking. In the eyes of U.S. power brokers who viewed Cuba as American property, excessive independence was Cuba’s greatest sin.
Would Canada or America accept a foreign prison like Guantanamo Bay on their soil? After ejecting U.S. organized crime from Cuba, Castro made the mistake of defying the Monroe Doctrine and pursuing an independent course. The Monroe Doctrine, for those unfamiliar with it, was a turn of the century understanding that North and South America were U.S. territory and therefore off-limits to the European powers, with the exception of the existing colonies that doted the Caribbean.
While Castro’s regime was undoubtedly guilty of human rights abuses, a little perspective is necessary before passing judgement upon him. It is reasonable to assume that the Cuban government, like any other, found it necessary to pursue and prosecute foreign-backed agents working to destabilize it from within. Since protection of state institutions is the rationale behind our own Bill C51, it shouldn’t be too difficult for us to empathize with the Cuban situation.
The CIA waged a covert terrorism campaign against Cuba from 1959 until the late 1990s and possibly beyond. Yet, a Republican Congressmen criticized Canada for failing to, “…denounce human rights abuses in Cuba.” According to leaked internal U.S. documents, “…the United States [also] accuses other countries, including China, Russia and those in Latin America and Africa, as taking a ‘best friends forever’ approach in Cuba, which avoids raising human rights abuses in private or in public.” We may trace Cuban engagement with these States, specifically Soviet Russia, to the early 1960s, when the suffocating U.S. trade embargo forced the Cubans to seek assistance.
The state of Florida is home to any number of anti-Castro militants recruited, trained and shielded by the CIA. In Cuba, they stand accused of various crimes of terror that occurred between the years 1960 through to the late 1990s. People like Orlando Bosch, who lives free in Miami after being pardoned by George H.W. Bush for his role in the 1976 destruction of a Cubana airliner that killed 76 people.
In 1998, the Cuban government invited the FBI to Havana, providing them with extensive evidence of anti-Castro terrorism and the identities of several Cuban agents who had infiltrated the anti-Castro terrorist cells in Miami. Ironically it was the infiltrators, not the terrorists, who were arrested and sent to U.S. prisons. I doubt if these facts will appear on the pages of our mainstream press.
–Morgan Duchesney writes political essays and short fiction.
The post A Little Perspective appeared first on Adbusters | Journal of the mental environment.
Leo Burnett Detroit, DigitasLBi and GMC Explain the Difference Between Conductors and Maestros
Posted in: UncategorizedThe Detroit offices of Leo Burnett and DigitasLBi (which joined forces to form Engage M-1 earlier this summer) launched a campaign for GMC introducing “The Next Generation of SUV” with a 30-second spot promoting the 2017 GMC Acadia.
The spot opens on a orchestra playing the intro to “Eminence Front,” The Who’s “classic” song from well-past-their-prime 1982 album “It’s Hard.” A voiceover says, “There are conductors and then there are maestros” as the scene shifts back and forth between the orchestra and a GMC Acadia driving into the city. A maestro, it continues, “leads with confidence, exactness, inspiration” — unlike a mere conductor.
At GMC, the voiceover adds, they are “in tune with that degree of precision.”
Apart from the poor song selection — beyond overlooking any number of actual classic songs they could have used, “Eminence Front” has been described by Pete Townshend as being “about what happens when you take too much white powder,” probably not the best choice for a car commercial — the spot is somewhat obvious in its messaging.
The 73 musicians in the spot were led by Kazem Abdullah, “an American-born conductor who serves as General Music Director of the city of Aachen, Germany.” Music house Mophonics were behind the special orchestration of the song, which was performed and recorded live.
“None of the musicians had met before, but after a couple practice sessions, they sounded like they had been playing together for years,” said Bully Pictures director Sebastian Weiland, who directed the spot. “It was an amazing experience.”
“We use very clean shots throughout,” Weiland added. “It was important to me that we built the story. Near the end, we transition from inside the cabin of the car to a wide shot of the audience giving the orchestra a standing ovation. That leads to our hero moment, as we reveal the car in all its beauty and glory.”
Credits:
Agencies: Leo Burnett, Detroit: Steve Chavez, Chief Creative Officer; Erik Zaar, Executive Producer.
Digitas: Patrick McHugh, Group Creative Director; Bill Woodard, Senior Copywriter; Jason Talbot, Senior Art Director.
Production: Bully Pictures: Sebastian Weiland, Director/Director of Photography; Jason Forest, Executive Producer; Gianfilippo Pedrotti, Executive Producer.
Edit: Butcher Editorial: David Henegar, Editor; Rob Van, Executive Producer.
Music: Mophonics, Kris Roggemann, Executive Producer.
Arnold Boston Managing Partner Leaving after 20 Years to Join DraftKings
Posted in: UncategorizedManaging partner Don Lane, who has been with Arnold Worldwide in Boston for more than two decades, will leave the agency later this month to take a top marketing position with Boston-based fantasy sports giant DraftKings.
A statement from an Arnold spokesperson:
“After nearly 21 years with the Arnold Worldwide family, Managing Partner, Executive Director Don Lane will be leaving the agency on August 15th to pursue a terrific new client-side opportunity. We thank Don for his many contributions and wish him all the best.”
Lane graduated from the University of Richmond with a degree in journalism and sports management, joined Arnold in an accounts role in 1995, and continued to move up within the organization over the next 20 years. He led the team behind Volkswagen’s “Drivers Wanted” campaign and also helped develop work for client ESPN’s various properties, including its Fantasy Sports division.
After serving as SVP/group account director, Lane was promoted to EVP/executive director in 2008 and later became a managing partner.
Lane confirmed today that he has accepted a job with DraftKings. His title will be SVP of brand & creative, and he will be working closely with CMO Janet Holian, who joined the company in January. A company representative declined to comment on the news.
“It’s a once in a lifetime experience to build a great brand in a category I love,” Lane says. “I had an incredible run working with some amazingly talented people at Arnold … I’m very excited to challenge myself and do something new.”
His hire comes at a very good time: Three days ago, the Massachusetts general court passed a law that would effectively legalize the services of DraftKings and its competitors within the state. This legislation was attached to a larger economic development package passed during the final day of the now-elapsed summer legislative session. It has yet to be signed by Governor Charlie Baker, but it follows a similar law passed by New York State in June to “legalize and protect daily fantasy sports” businesses. That law negated a March arrangement in which DraftKings and Fan Duel agreed to stop taking bets in a compromise with state Attorney General Eric Schneiderman. (New York is currently the largest source of business for both companies.)
Last July, DraftKings chose Butler, Shine, Stern & Partners as its creative agency of record after a review. The company spent $35 million on paid media in 2014 according to the most recent numbers provided by Kantar Media, but last summer Adweek reported that review participants had been told that the total could rise to as much as $200 million annually.
Sensual Tattoo Designs – 'Silly Jane' Creates Tattoos That Celebrate Human Sexuality (GALLERY)
Posted in: UncategorizedFox News Sexual Harassment Inquiry Is Said to Look at What Others Knew
Posted in: UncategorizedInvestigators are examining whether other executives failed to report improper behavior by Roger Ailes, the network’s former chairman, people briefed on the inquiry said.
A-B's Shock Top Up for Grabs as Brewer Talks to Agencies
Posted in: UncategorizedAgencies looking to land a beer account might have a willing listener in Anheuser-Busch InBev. The brewing giant has begun discussions with shops about its Shock Top wheat beer brand, AB InBev confirmed to Ad Age.
“What we’re doing right now is simply having a few conversations with leading creative agencies,” Jake Kirsch, VP of Shock Top, said in a statement. “This isn’t a review, as we haven’t had a creative AOR for some time. As we plan for 2017, and beyond, we’re having these conversations as part of our normal course of business. Shock Top is always open to new ideas and discussions with the best and brightest creative minds in the industry.”
The brew had been using Anomaly, Toronto, which this year created the brand’s first Super Bowl spot as part of the “Live Life Unfiltered” campaign. The campaign starred comedian/actor T.J. Miller bantering with Shock Top’s orange “Wedgehead” mascot. The brand had previously used 72andSunny. But that relationship ended a couple years ago, prior to Shock Top beginning its first national TV campaign in early 2014, which was handled by independent agency Group 360, St. Louis.
Ebiquity and K2 Capitalize on ANA Investigation With New Media Transparency Services
Posted in: UncategorizedEbiquity and K2 Intelligence, the firms hired by the Association of National Advertisers to investigate media agency transparency, have begun offering services for any marketers that are now concerned about their agencies’ media buying processes.
Ebiquity has partnered with international law firm Reed Smith to create a media agency contract management service, it said Monday in a company blog post. K2 has formed a practice group to help marketers detect, prevent and remediate damange from non-transparent buying behavior.
The ANA in October hired Ebiquity and K2 to investigate whether agencies were taking incentives from media partners and other vendors in the U.S. without telling their clients, and to develop a set of transparency principals for the industry.
#DumpTrump Roars Back to Life
Posted in: UncategorizedSimon Dumenco, aka Media Guy, is an Ad Age editor-at-large. You can follow him on Twitter @simondumenco.
Acne Imagines 18th Century Social Media for IKEA
Posted in: UncategorizedAcne launched a new IKEA campaign created for AOL Platforms, entitled “Let’s Relax.”
A 90-second spot imagines what the 18th century equivalent of social media would look like. As a family sits down to dinner, a hungry daughter is about to dig in when her father stops her. First, the family must wait for an artist to paint the scene. It doesn’t end there though, after the painting is finished it is rushed off to the community, up the aristocratic ranks, where it is met with approval and finally finds its way back to the family with a thumbs up. Only then may they begin their meal.
The scene returns to the modern day with another hungry daughter visibly annoyed at her father meticulously photographing their dinner. “It’s a meal. Not a competition,” reads the text on the screen, followed by the tagline, “Let’s Relax.”
While the clever approach, looking back at history to show how thoroughly tied to our time the more ridiculous aspects of social media are, is novel, the subject isn’t. Ogilvy New York documented one such social media-obsessed families with “Meet the Socialtons,” part of its “Together We Eat” campaign for IKEA U.S. last September. Acne’s effort is a bit more focused on pointing out just how absurd such behavior can get as part of its advocacy to relax and focus on just enjoying the moment, and more memorable for it.
Credits:
Client: Ikea
Agency: Acne
Creative Director: Johan Holmgren
Executive Producer: David Olsson
Art Director: Cecilia Dufils
Copywriter: Markus Bjurman
Creative (Ikea): Fredrik Preisler, Katie Copeland
Creative Director (Ikea): Morten Kjaer
Head of Planning (Ikea): Morten Lundholm
Project Manager (Ikea): Mia Malmström
Producer: Fredrik Skoglund
Director: Tompa & Rondo
Director of Photography: Anders Jedenfors
Final Art: Oliver Juan
Production Company: Acne