May 12

AntiCast 234 – Explicando a Síria

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ANTICAST_POST

Olá, antidesigners e brainstormers! Neste episódio, Ivan Mizanzuk entrevista o professor Paulo Hilu, da UFF (RJ), um dos maiores especialistas sobre a Síria no país. Foi uma conversa gravada para ser usada no Projeto Humanos, mas que apenas alguns trechos foram para lá. Tendo em vista a riqueza da conversa, decidimos publicá-la integralmente aqui no […]

> LEIA MAIS: AntiCast 234 – Explicando a Síria

Brainstorm9Post originalmente publicado no B9
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May 12

Morley Safer Retiring as Longest-Serving ‘60 Minutes’ Reporter

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Mr. Safer was known as much for his hard-hitting reporting as the quirky stories he covered.

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May 12

40 Examples of Smart Cleaning Solutions – From Window-Washing Drones to Modular Vacuum Cleaners (TOPLIST)

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(TrendHunter.com) These smart cleaning solutions range from window-washing drones to modular vacuum cleaners that are designed to work on a variety of floor surfaces. Standouts include eco-friendly and transformative…

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May 12

Songkick’s Request for an Injunction Against Ticketmaster Is Denied

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A federal judge in California largely sided with Ticketmaster in Songkick’s antitrust case, which could still go to trial.

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May 12

Off-Grid Stone Residences – This Off-Grid House Is Made From a Volcanic Rock Material (GALLERY)

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(TrendHunter.com) ‘Casa Caldera’ is an off-grid house located near the US-Mexico border that was recently re-designed by DUST to be a secure and sustainable vacation home.

The house is made of “…

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May 11

El Hatillo Police: The invisible police

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May 11

Playful Networking Offices – Omaha's LinkedIn Headquarters Supports Creativity and Exchange of Ideas (GALLERY)

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(TrendHunter.com) A mix of colors, art and unique conversation areas makes this new office space at the LinkedIn Headquarters in Omaha ideal for creative work and an exchange of ideas. While photographing offices can…

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May 11

RadioShack-Oh, Snap- (2009) :15 (USA)

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RadioShack-Oh, Snap- (2009) :15 (USA)
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May 11

RadioShack- Nutcracker – (2009) :15 (USA)

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RadioShack- Nutcracker - (2009) :15 (USA)
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May 11

RadioShack- Lit Up – (2009) :15 (USA)

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RadioShack- Lit Up - (2009) :15 (USA)
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May 11

RadioShack- Paraphone Troopers – (2009) :15 (USA)

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RadioShack- Paraphone Troopers - (2009) :15 (USA)
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May 11

RadioShack- Sugarplum Fairies – (2009) :15 (USA)

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RadioShack- Sugarplum Fairies - (2009) :15 (USA)
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May 11

RadioShack- Product Tree Farm – (2009) :15 (USA)

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RadioShack- Product Tree Farm - (2009) :15 (USA)
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May 11

RadioShack- Tear Into It – (2009) :15 (USA)

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RadioShack- Tear Into It - (2009) :15 (USA)
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May 11

Infiniti- Master Driver- (2010) :30 (USA)

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Infiniti- Master Driver- (2010) :30 (USA)
“Master Driver” seamlessly blends Japanese-inspired watercolor visual effects with live-action to communicate how the Infiniti G series “unites engineering and emotion, connecting driver to road.”

The spot relied heavily on 3D and fluid simulation software. To achieve a totally organic look, VFX Supervisor Jay Barton and his team shot practical elements at the Digital Domain stage, including wetting down paper on which ink was dropped and brushed, and shooting big ink drops that were dropped onto a sheet of glass lit from underneath. These elements were used both in 2D and 3D and were tracked onto items in the scene. Digital Domain also added CG poppies that kick up and fly around. The primary software package included Autodesk Maya, V-Ray, Houdini, some After Effects, Nuke and Autodesk Flame 2010.

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May 11

Infiniti- G Line- (2010) :30 (USA)

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Infiniti- G Line- (2010) :30 (USA)
“G Line” seamlessly blends Japanese-inspired watercolor visual effects with live-action to communicate how the Infiniti G series “unites engineering and emotion, connecting driver to road.”

The spot relied heavily on 3D and fluid simulation software. To achieve a totally organic look, Barton and his team shot practical elements at the Digital Domain stage, including wetting down paper on which ink was dropped and brushed, and shooting big ink drops that were dropped onto a sheet of glass lit from underneath. These elements were used both in 2D and 3D and were tracked onto items in the scene. Digital Domain also added CG poppies that kick up and fly around. The primary software package included Autodesk Maya, V-Ray, Houdini, some After Effects, Nuke and 2010 Autodesk Flame.

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May 11

Titleist- Yardage Book- (2010) :30 (USA)

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Titleist- Yardage Book- (2010) :30 (USA)
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May 11

XFINITY-Internet-(2010) :30 (USA) and XFINITY-Anthem- (2010) :60 (USA)

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XFINITY-Internet-(2010) :30 (USA) and XFINITY-Anthem- (2010) :60 (USA)
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May 11

Toyota- Sponsafier- (2010) :60 (USA)

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Toyota- Sponsafier- (2010) :60 (USA)
Brickyard VFX recently created CG cars that appear alongside live-action counterparts and added graphics to other live action cars in a new NASCAR-themed ad campaign for Toyota Racing that spans TV, print and the web. Titled “Sponsafier,” the campaign invites NASCAR fans to get involved with the season and drivers by ‘sponsifying’ a Toyota Racing car. A series of three hilarious :30 TV spots (and one :60 combined version) introduces the concept and drives fans to the ToyotarRacing.com website, where they can design a custom skin for the race-version Toyota Camry that could earn them a trip to a NASCAR all-star race.
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May 11

Mitsubishi – No Fairytale – 2010 :30 (Canada)

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Mitsubishi - No Fairytale - 2010 :30 (Canada)
Mitsubishi recently tapped Brickyard for extensive CG work, most notably on the frogs, in “No Fairytale,” a new spot showcasing the 2010 Mitsubishi Lancer. A majority of the frogs featured in the ad are completely CG, although for one close-up the Brickyard team carefully layered shots of real frogs to create the illusion of hundreds of frogs in the road. The hero frog in the spot was created using a combination of live action and CG which gave Brickyard artists the freedom to animate his speaking lines and manipulate facial movements to sell the realism of a talking frog prince.
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