iWireless: Exterminator

Advertising Agency: Hunt Adkins, Minneapolis, USA
Chief Creative Officer: Doug Adkins
Creative Director: Glenn Gray
Copywriter: Doug Adkins
Broadcast Producer: Nicole Erdmann
Account Supervisor: Jennifer Broman
Account Manager: Joe Mielzarek
Production Company: Committee Films
Directors: Marco Baca, Ben Krueger
Line Producer: Tom Lynch
Executive Producer: Donna Drewick
DP: Mike Welckle
Account: Randy Smith
DIT / VTR: John Griese
Gaffer: Ralph Lindell
Electric: Mike Parker
Key grip: Victor Korte
Grip: Jeff Villars
Art director: Michelle Gilstead
Art assist: Chris Thickins, Cari Merryman
Wardrobe stylist: Vicky Jenkins
Makeup: Natalie Hale
Location manager: Anne Healy
Sound: Gerard Bonnette
Production coordinator: Beth Hoogenakker
PA: Alyssa Yule, Ryan Soule
Craft services: Sarah Storbakken
PRroduction intern: Lindsey Steer
Post Production: Splice

iWireless: Soul mate

Advertising Agency: Hunt Adkins, Minneapolis, USA
Chief Creative Officer: Doug Adkins
Creative Director: Glenn Gray
Copywriter: Doug Adkins
Broadcast Producer: Nicole Erdmann
Account Supervisor: Jennifer Broman
Account Manager: Joe Mielzarek
Production Company: Committee Films
Directors: Marco Baca, Ben Krueger
Line Producer: Tom Lynch
Executive Producer: Donna Drewick
DP: Mike Welckle
Account: Randy Smith
DIT / VTR: John Griese
Gaffer: Ralph Lindell
Electric: Mike Parker
Key grip: Victor Korte
Grip: Jeff Villars
Art director: Michelle Gilstead
Art assist: Chris Thickins, Cari Merryman
Wardrobe stylist: Vicky Jenkins
Makeup: Natalie Hale
Location manager: Anne Healy
Sound: Gerard Bonnette
Production coordinator: Beth Hoogenakker
PA: Alyssa Yule, Ryan Soule
Craft services: Sarah Storbakken
PRroduction intern: Lindsey Steer
Post Production: Splice

iWireless: Security camera

Advertising Agency: Hunt Adkins, Minneapolis, USA
Chief Creative Officer: Doug Adkins
Creative Director: Glenn Gray
Copywriter: Doug Adkins
Broadcast Producer: Nicole Erdmann
Account Supervisor: Jennifer Broman
Account Manager: Joe Mielzarek
Production Company: Committee Films
Directors: Marco Baca, Ben Krueger
Line Producer: Tom Lynch
Executive Producer: Donna Drewick
DP: Mike Welckle
Account: Randy Smith
DIT / VTR: John Griese
Gaffer: Ralph Lindell
Electric: Mike Parker
Key grip: Victor Korte
Grip: Jeff Villars
Art director: Michelle Gilstead
Art assist: Chris Thickins, Cari Merryman
Wardrobe stylist: Vicky Jenkins
Makeup: Natalie Hale
Location manager: Anne Healy
Sound: Gerard Bonnette
Production coordinator: Beth Hoogenakker
PA: Alyssa Yule, Ryan Soule
Craft services: Sarah Storbakken
PRroduction intern: Lindsey Steer
Post Production: Splice

Ping Pong Association Sport: Seaside


Media, Outdoor
Ping Pong Association

Advertising Agency:Thecomfortablepigs, Milan, Italy
Creative Directors:Riccardo Ciunci, Francesco Caruso, Davide Fiori, Roberto Piazza
Photographer:Nicoletta Ciunci

Chase Relaunches Website With Focus on Branded Content, Simplicity


JPMorgan Chase is retooling its website to create a more cohesive experience across its digital channels. The new look — unveiled on the bank’s homepage Sunday — mimics the Chase Mobile app, which was refreshed last April and has more than 21 million active users.

The homepage breaks the mold of many bank websites, like those from Bank of America, Citibank and Wells Fargo. It highlights evocative lifestyle images rather than product shots and employs responsive design, which adapts to the size of the window.

“We’re taking the same design and innovative philosophy that you saw in the mobile app and implementing it [on the website],” said Tim Parsey, head of digital customer experience at Chase, adding that the design is simple, personal and cohesive to create the sense of a human relationship. “It’s part of the journey of modernizing the digital experience at Chase.”

Continue reading at AdAge.com

Why There's No Escaping the 'Trivago Guy'


It’s not your imagination. You are seeing even more of Trivago Guy lately.

Trivago Guy isn’t in all of the travel website’s ads, but the company, which is owned by Expedia, has launched eight new spots since June 29, according to iSpot. The most recent spot, “Trivago Check,” which has only been on air since July 8, has already amounted to $1.4 million in spending, iSpot reports.

Though Trivago, a German-based travel band that aggregates hotel prices from over 200 booking sites, launched in 2005, it didn’t start advertising in the U.S. until 2011. In 2013, the legend of Trivago Guy was born after he made his first ad appearance sort of looking like he just rolled out of bed and threw on whatever was closest to hand. By last year, the spokesman — who is now a bit more dapper (thanks to some help) — had spurred memes, GIFs, fake Twitter accounts, a Funny or Die parody and a slew of articles from Rolling Stone to Slate to Elle.

Continue reading at AdAge.com

Tom's of Maine Turns to 'Micro-Influencers' to Tackle Instagram


Instagram is growing faster than Facebook or Twitter, and its engagement rates with content are far higher. But packaged-goods brands without obvious visual punch like toothpaste or skincare products remain largely invisible there.

Now Tom’s of Maine, a natural-products brand owned by Colgate-Palmolive Co., is looking to make a visual splash without resorting to such steps as $15,000 payments to Instagram mega-influencers to post photos for their millions of followers.

Working with Mavrck (pronounced Maverick), a social-influence analytics and marketing platform that’s launching an Influencer Activation Engine, Tom’s this month has turned to what Mavrck CEO and Co-Founder Lyle Stevens calls “micro-influencers.”

Continue reading at AdAge.com

Ole Smoky Moonshine Sheds Its Hillbilly Roots


If a new campaign by Ole Smoky Tennessee Moonshine works, bars across America will soon be howling.

The effort — which marks a vastly different marketing approach for the five-year-old brand — incorporates a new wolf mascot whose job is to encourage drinkers to order a shot, chug it and unleash a howl. Creating a new barroom tradition is no easy task, of course. But Ole Smoky marketers hope the custom catches on and brings new life to the moonshine category, which has slowed after bursting out of the gate a few years ago when states began legalizing it.

Moonshine’s U.S. sales grew to $46 million in 2014 from $5 million in 2011, but sales dropped to $41 million in the 52 weeks ending June 20, according to Nielsen.

Continue reading at AdAge.com

Hershey, Mondelez, Kraft Heinz Come Together to Push S'mores


When it comes to candy, Mondelez International and Hershey Co. are fierce competitors. But the two marketers have united, along with Kraft Heinz. Co., for a new campaign that seeks to generate a bigger sales bang from s’mores season.

A video launching today on social media promotes Hershey’s chocolate, Kraft Heinz’s Jet-Puffed marshmallows and Mondelez’s Honey Maid graham crackers as ingredients for the timeless campfire treat.

But the stars of the spot are a bunch of cute kids who go camping for the first time — in Brooklyn’s Fort Greene Park of all places. The kids have also never had s’mores. So the video shows them frolicking in the park and ending their adventure with the gooey treats. Instead of a campfire, the kids use a grill.

Continue reading at AdAge.com

How Advertisers' Cookies Are Helping the NSA's Data-Collection Efforts


On July 1, The Intercept published an expos on and NSA program it called, “The NSA’s Google for the World’s Private Communications.” It turns out advertisers and the data they rely on are facilitating the government’s bulk surveillance.

The National Security Agency’s XKeyscore program, first reported by The Guardian, is designed to collect and analyze global Internet traffic. Along with information on the breadth and scale of the NSA’s data collection, The Intercept revealed how the NSA relies on unencrypted cookie data to identify users:

“The NSA’s ability to piggyback off of private companies’ tracking of their own users is a vital instrument that allows the agency to trace the data it collects to individual users. It makes no difference if visitors switch to public Wi-Fi networks or connect to VPNs to change their IP addresses: the tracking cookie will follow them around as long as they are using the same web browser and fail to clear their cookies.”

Continue reading at AdAge.com

Princesa de Chocolate: Warning


Print
Princesa de Chocolate

Everything starts with a good dessert.

Advertising Agency:MCV, Ecuador
Creative Director:Tebo Samaniego
Art Director:Iveth DValencia
Copywriter:Tebo Samaniego
Published:Jul, 2015

Jovem Pan Curitiba FM Radio Station: World Jovem Pan


Print
Jovem Pan Curitiba FM

Advertising Agency:Intermix Comunicação, Curitiba, Brazil
Creative Director:Gustavo Asth
Art Director:Fellipe Rinschede
Copywriter:Gustavo Asth
Illustrator:Jhonas Almeida, Fellipe Rinschede

Cineart Multiplex: Titanic, Star Wars, Terminator


Print
Cineart Multiplex

Get it the right way. Say no to piracy.

Advertising Agency:Numb9, Sao Paulo, Brazil
Creative Director:Bruno Ramos
Art Director:Lucas Bandeira
Copywriter:Vinicius Pinto

Land Rover Genuine Parts: Desert


Print
Land Rover

Depend on Land Rover Genuine Parts.

Advertising Agency:Y&R, Johannesburg, South Africa
Chief Creative Officer:Graham Lang
Executive Creative Director:Rui Alves
Creative Director:Nkanyezi Masango
Art Director:Gareth Cohen, Gareth Owen
Copywriter:Patrick Robertson
Photographer:Bryan Traylor
Art Buyer:Ashleigh Hamilton

Suman Das : In A Chat With A Senior Creative Director

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desicreative – Indian Advertising Creative Blog and Community (beta 1.4)

A bookworm, a foodie and driven by the passion for advertising he went extra miles trying his hands at possibly everything related to advertising. By profession a clinical nutritionist, he always knew he was meant for advertising.  Suman works with Wex Inc, Kolkata.
 
“There are so many problems – disease, hunger, poverty, racial and religious intolerance, crime, personal distress and failure – but each of these problems provides opportunities to make a true difference. It works the other way as well. Bringing fun, laughter, success and happiness are equally important. I apply my expertise, skills and talent to be a force for good in the world.”

Why are you into Advertising?
I had an unconscious brush with advertising the first time. It was an audio-visual advertisement. I was a baby, hungry and crying for food while my mother was my TG. That is how it all started! It’s a part of life. Nobody can live without it.

Did you attend school for fine art or design or Communications?
Although I am a Landmark Graduate and a certified Clinical Nutritionist, I believe in self-teaching, I am a student of ‘school of life’. Got any better place to learn anything?

How has winning awards impacted your career?
Award is not metal for me. Never was it. The results that the brands, I work for, reap off are my awards.

Were there any particular role models for you when you grew up?
Swami Vivekananda, Netaji Subhas Chandra Bose, Pandit Iswar Chandra Vidyasagar.

Who was the most influential personality on your career in Advertising?
Satyajit Ray, Alyque Padamsee.

Where do you get your inspiration from?
I have always derived inspiration from people who have discouraged me.

Tell us something about the work environment at your agency…
We work hard to understand and build a brand. We take time off. We crack jokes. Read something good, something absolutely shit. Write some nice lines, some swear words, some for us and some for clients. We get inspired and get back to work again!

Do you have any kind of a program to nurture and train young talent?
Workshops help nurture young talent a lot. I conduct creative workshops for the young guns from time to time.

What about new and young film makers/photographers? Do you consciously keep looking for newer talent and try someone completely new?
Yes sure. I think it doesn’t matter from whom the idea is coming as long as it is a great idea. Film makers, photographers, artists all are prone to create something, if I ever find their creation worthy enough then why not.

What do you think of the state of Print advertising right now? At least here in India, the released work is most often too sad? Why do you think it has lost the shine? Why are the younger lot more interested in TV?
Not really. I would not say print advertising has lost all its charm. It definitely can be better, shine more but it has not lost yet.
It is natural for the younger generation to be more interested in TV and digital because of the digital revolution. It has now become a habit, they live a digital life.

More and more young people are web savvy and want to work on the internet or on more entrepreneurial ventures. Has that affected the quality of people advertising has been getting?
Yes, may be a little has affected but not much yet.

Do you think brands whose advertising wins awards, do well in the market?
To a certain extent, yes.

What advice do you have for aspiring creative professionals?
To be creative means to be as much open minded as possible. If you don’t go out of the box how will you create one? And learn to work with different kinds of people and in team. Enjoy that balance of work. Develop the habit of going extra miles. Go out; interact with the TG for whom you will be working for. Get involved more than ever.

What is your dream project?
One of my dream projects is to enhance Bengali advertising. The current scenario in it is sad. My dream is to do something for Bengali advertising by or with the people concerned, in a big way.

Mac or PC?
Both.

Who would you like to take out for dinner?
Deepika Padukone (If not Swati Bhattacharya – Principal Partner -MAMA Labs, Dentsu India)

What’s on your iPod?
“Leaving on a jet plane” (John Denver), Jaatishwar (Kabir Suman)

Whats your Twitter Handle?
@hellosudas

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The post Suman Das : In A Chat With A Senior Creative Director appeared first on desicreative.

Nuns Intensify Fight Over Sale of Convent to Katy Perry

Several of five surviving nuns in the Sisters of the Most Holy and Immaculate Heart of the Blessed Virgin Mary said in court papers that they were being bullied and betrayed by the Archdiocese of Los Angeles into supporting a sale to Katy Perry.


Libra "I am fearless- Megan Washington" (2015) 1:00 (Australia)

Libra and Clemenger BBDO Melbourne are launching ‘I Am Fearless’, to help young women learn to deal with their fears. This spot in particular starts singer Megan Washington who talks about her debilitating stutter. “All the things I have done in my life that I am proud of are all things on the threshold of which I felt immense fear.” It will be followed up by Miranda Tapsell talking about bullying and racism, and yoga entrepreneur Sammy Veall who will reveals she didn’t want to be known only as “the girl who got burned.”

If this spot is any indication, we’ll be treated to some tasty animation along with some life affirming stories.

The goal is to make iamfearless.com.au the place for young women to visit, share their own stories, and most importantly, feel like they aren’t alone as they face their fears, big or small.

Oh yeah– here’s the best part for those of us in the States who aren’t familiar: Libra’s a tampon brand. Obviously this has zero to do with the product itself, but as a brand it’s taking a stand. Libra is for fearless girls, and women.

Love it.

Bill Cosby, in Deposition, Said Assistants Could Choose Not to Sign Confidentiality Agreements

Mr. Cosby’s testimony in a lawsuit that accused him of drugging and molesting a young woman, reveals that perhaps not all of his domestic staff had signed the agreements.


Campaign: We get you


Print
Campaign

Advertising Agency:Saatchi & Saatchi, London, United Kingdom
Executive Creative Directors:Andy Jex, Rob Potts
Copywriter:Victor Moron
Art Director:José Hernandez
Illustrator:Luke Ramsey
Planners:Richard Huntington, Larissa Vince
Account Handler:Larissa Vince
Art Buyer:Kate Mahon

A Wizard at Prying Government Secrets From the Government

Jason Leopold of Vice News uses an encyclopedic knowledge of the Freedom of Information Act to obtain tens of thousands of government documents.