EVP/Executive Tech Director Leaves CP+B

This week CP+B confirmed that Dan Fox, a veteran of the agency’s tech department, had resigned his position as Executive Vice President/Executive Creative Technology Director.

Fox officially joined Crispin when parent company MDC acquired his previous employer, Texture Media (where he was a partner), in 2008; he went on to work on campaigns like this one for Jell-O among many others. After spending nearly four years as VP/creative technology director, he received a promotion and added “executive” to his title in 2012.

Fox announced his departure on Twitter yesterday:

A huge thank you to @cpbgroup for treating me so well over the past 7 yrs and giving me the opportunity to do the best work of my career.

— Dan Fox (@danfox) June 9, 2015

An agency spokesperson says that he is no longer with CP+B effective immediately. The source who originally shared this information also claims that Fox’s departure stems, at least in part, from a larger shift within the Crispin tech department. According to this source, the agency has reduced the size of its team over the past year-plus in the interest of streamlining operations and farming more tech work out to third-party entities.

During his time at Crispin, Fox oversaw work on VW’s website and campaigns for clients including Best Buy, Old Navy and Bolthouse Farms.

We have no information on his future plans at the moment.

Staffing Cuts at mcgarrybowen New York

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mcgarrybowen made a series of layoffs in its New York office today.

The agency’s statement:

“Our clients’ businesses are constantly evolving, and we, as their agency partner, must be well positioned to meet those needs. As such, we made staffing adjustments in our New York office today to right size our team.”

According to a spokesperson, these cuts affected less than 10 percent of total staff in Manhattan–and while we have no information on the reason for the move at this moment, the agency tells us that it had nothing to do with its ongoing work for Verizon.

Verizon did make quite a few changes to its agency roster in the months leading up to its $4.4 billion acquisition of AOL: the telecoms giant signed W+K in January, followed by shifting more of its sponsorship/entertainment work to Momentum Worldwide, and began reviewing its “digital agency support.” This translated to a loss for several of its agency partners; in April, CMO Joe Saracino of Erwin Penland (himself a former Verizon employee) discussed a series of layoffs that followed a change in that agency’s relationship with the client.

mcgarrybowen CMO Brandon Cooke, however, is quick to dispel misconceptions regarding the account. He writes:

“The rumor that we no longer work with Verizon or will no longer work with them is absolutely not true. We continue to work with Verizon as their wireless network creative agency and have not been informed otherwise.”

No word on when Verizon will release its newest campaign.

My Dear Gnome

Produit par ChezEddy et réalisé par le duo Emmanuelle & Julien, « My Dear Gnome » est un joli court-métrage animé mettant en scène une biche qui rencontre un nain prisonnier de son corps. Ils tentent ensemble de jouer aux dames, en vain. Le bande originale a été conçue par Fabien Carouge et Johnson & Johnson.

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25 Futuristic Furniture Offerings – From Multitouch Touchscree Tables to Tech-Integrated Furniture (TOPLIST)

(TrendHunter.com) There was a time when the concept of futuristic furniture was confined to a very niche space, but these days there are a wide variety of designers, engineers and inventors coming up with furniture…

ABTO: Beach

People shouldn’t be in need of something everyone has to give. Be a donor.

Advertising Agency: Leo Burnett Tailor Made, Sao Paulo, Brazil
Chief Creative Officer / Executive Creative Director: Marcelo Reis
Creative Directors: Alessandro Bernardo, Vinicius Stanzione
Art Director: Martin Insua
Copywriter: Ezequiel Soules
Graphic Producers: Zezinho Lima, Ricardo Sotelo
Art Buyer: Stella Crippa
Graphic: Burti
Published: March 2015

ABTO: Marathon

ABTO-Marathon

People shouldn’t be in need of something everyone has to give. Be a donor.

Advertising Agency: Leo Burnett Tailor Made, Sao Paulo, Brazil
Chief Creative Officer / Executive Creative Director: Marcelo Reis
Creative Directors: Alessandro Bernardo, Vinicius Stanzione
Art Director: Martin Insua
Copywriter: Ezequiel Soules
Graphic Producers: Zezinho Lima, Ricardo Sotelo
Art Buyer: Stella Crippa
Graphic: Burti
Published: March 2015

ABTO: Stadium

People shouldn’t be in need of something everyone has to give. Be a donor.

Advertising Agency: Leo Burnett Tailor Made, Sao Paulo, Brazil
Chief Creative Officer / Executive Creative Director: Marcelo Reis
Creative Directors: Alessandro Bernardo, Vinicius Stanzione
Art Director: Martin Insua
Copywriter: Ezequiel Soules
Graphic Producers: Zezinho Lima, Ricardo Sotelo
Art Buyer: Stella Crippa
Graphic: Burti
Published: March 2015

Toyota: Let the city fail, 1

Advertising Agency: Y&R, Lima, Perú
Creative Director: Daniel Lobatón
Art Director: Gonzalo Paredes
Copywriter: Jim Pino
Photographer: Alex Freundt
Account Director: Romina Fuss
Account Executives: Giuliana Rojas, Karen Salkeld
Published: May 2015

Toyota: Let the city fail, 2

Advertising Agency: Y&R, Lima, Perú
Creative Director: Daniel Lobatón
Art Director: Gonzalo Paredes
Copywriter: Jim Pino
Photographer: Alex Freundt
Account Director: Romina Fuss
Account Executives: Giuliana Rojas, Karen Salkeld
Published: May 2015

Toyota: Let the city fail, 3

Advertising Agency: Y&R, Lima, Perú
Creative Director: Daniel Lobatón
Art Director: Gonzalo Paredes
Copywriter: Jim Pino
Photographer: Alex Freundt
Account Director: Romina Fuss
Account Executives: Giuliana Rojas, Karen Salkeld
Published: May 2015

Mortein: The hidden ad

Advertising Agency: Havas Worldwide São Paulo, Brazil
Creative Director: Rodrigo Corbari
Art Director: Felipe Perles
Copywriter: Akira Tateyama
Published: February 2015

Jamie Oliver Barbecues: Dropping Jamie

Advertising Agency: Natwerk, Netherlands
Production company: Fat Lemon, London
Director: Chris Faith

National Library of Romania: Dracula Selfie

Bring the classics to digital times. Support the digitization of The National Library on www.bibnat.ro

Advertising Agency: Publicis, Bucharest, Romania
Chief Creative Officer: Jorg Riommi
Creative Director / Art Director: Bob Toma
Copywriter: Andreea Popa
Illustrators: Mihai Tenovici, Vali Petridean, Bob Toma
Senior Account Manager: Ana Chreih
Account Director: Adina Albu
PR: Ioana Moasa
Published: April 2015

PopClik Headphones and Earphones: Escape


Outdoor, Print
PopClik

Sometimes life calls for an escape, but can you go anywhere? Life’s duties and oblations can feel smoother thanks to the pure sound and unique design that Popclik headphones and earphones offer.

Advertising Agency:Bravo/Y&R, Miami, USA
Chief Creative Director:Claudio Lima
Creative Director:Carmelo Rodríguez, Willy Lomana
Art Director:Demian Nájera
Copywriter:Alex Toedtli
Retoucher:Raul Pardo

Mitsubishi Motors do Brasil Auto Insurance: Just Fun


Outdoor, Print
Mitsubishi

No worries. Just fun.

Advertising Agency:Africa, São Paulo, Brazil
CCO:Sergio Gordilho
Executive Creative Director:Rafael Pitanguy, Eco Moliterno, Álvaro Rodrigues
Creative Director:Jeferson Rocha, Sergio Gordilho, Andrea Siqueira
Copywriter:Lucas Ribeiro, Henrique Zirpoli
Art Director:Ivan Loos, Jeferson Rocha
Art Buyer:Carmen Castillo, Isabela Ximenes
Print Producers:Carla Lustosa, Edson Harada
Illustration:Fuze Image
Client Services Team:Márcio Santoro, Carolina Barreto, Carolina Pires, Juliana Carvalho, Carolina Gatti
Planning Director:Marcia Neri
Media Team:Luiz Fernando Vieira, Rodrigo Rodrigues

ArtsBeat: Raven-Symoné to Join ABC’s ‘The View’ as Newest Co-Host

She has made 37 guest host appearances.




Wells Fargo – Learning Sign Language – (2015) :60 (USA)

Wells Fargo - Learning Sign Language - (2015) :60 (USA)
Wells Fargo wants to position themselves as the bank for your big steps in life, and have started their new campaign with an emotional story about a lesbian couple adopting an older child.

The first time I watched this ad I forgot to pay attention, and thought that the blond woman was learning sign language as the brunette was hearing impaired. On second view I see that both of the new mommies aren’t hearing impaired, only the child is, and at that point the tearjerking story feels quite forced, as if checking all the boxes. While it’s great to see a positive promotion of adopting an older child, many kids out there are shunned by potential adoptive parents simply because they are older, the story itself could have sold anything from online learning tools to GLAAD memberships. Wells Fargo have a terrible reputation as a bank, and I doubt emotional ads will change that perception as it doesn’t address it at all. They did hit a parental nerve though, parents will do anything for kids, including mastering ASL if needed. Naturally there was some people who disliked the ad, and some controversy around it due to the subject of a lesbian couple adopting, but not enough to make it go viral twice.

Credits were not included but it sounds like Queen Latifah handles the VO: “Everyone works hard for a reason. Working together we can help you prepare financially for when two becomes three.”

Arnold Makes Three Executive Appointments

Arnold Worldwide appointed three new executives as “part of global chief creative officer Jim Elliott’s plan to bolster Arnold’s creative offering, fuel company momentum, and establish ‘long hallways’ between the agency’s Boston and New York offices.” Jim Elliot, as you may recall, was appointed to the newly created position at the beginning of the year. James Clunie joins the agency as senior vice president and group creative director and will partner with Boston executive vice president, group creative director David Register on the CenturyLink account. Matt McGregor-Mento arrives in the role of senior vice president, director of creative technology and will be responsible for overseeing Arnold’s technology and creative production across its Boston and New York offices. Ricardo Landim joins Arnold as senior vice president, creative director and will partner with McGregor-Mento to lead an innovation unit for Progressive Insurance.

Clunie arrives at Arnold from BBDO New York, where he served as a creative director for twelve years, working with clients including HBO, Chrysler, AT&T, Foot Locker, FedEx, eBay, Twix, Best Buy and The Special Olympics, while rising to the role of senior vice president, senior creative director. Prior to joining BBDO, Clunie spent three years as an associate creative director at Carmichael Lynch. He also founded The Paranteer, which provides “News and resources for today’s modern parent and the nannies who raise their children,” in 2012.

McGregor-Mento, a self-described “creative geek who got his start coding his own Atari 800 games in BASIC in elementary school,” joins the agency from WeMakeCoolSh.it, a creative consultancy he founded in 2011. That followed a stint as executive creative director with mcgarrybowen, working primarily on digital and social aspects for Verizon. Prior to that, he spent nearly a year in the same role for business to business agency GyroHSR, which followed two years as executive creative director for Mr. Youth managing the agency’s creative/interactive department. Over the course of his career, he has also worked with such agencies as Tribal DDB, Kaplan Thaler Group and Ogilvy Interactive, and with clients including Nike, Levi’s, Sony, IBM, MoMA, and LEGO.

Landim arrives at the agency following a nearly yearlong stint as a freelance creative director and art director, working with clients including The New York Times and Apple. That followed a year Hudson Rouge as a senior vice president, integrated creative director. Prior to that, he served as integrated group creative director at BBDO New York, working with clients including FedEx and Snickers. He has also spent time with kbs+ as a creative director, R/GA as an associate creative director and GS&P as an art director and worked with such clients as BMW, HP, Sprint, Absolut and MTV.

M&C Saatchi Stockholm Invite You to ‘Smell the Difference’ for LG G4

Since most of the appeal of leather is in the feel and smell, M&C Saatchi Stockholm highlight those components in a new campaign for the leather-encased LG G4.

A new leather print ad (show in the video above), invites readers to “Smell the Difference.” The very minimalist ad features just that phrase, the LG G4 logo and the line, “A smartphone dressed in genuine leather” on a page of real black leather. This way the agency lets the leather do the talking, allowing the phone’s claim to innovation to stand out amidst glossy paper. We’re guessing vegans won’t be rush ordering any, though.

Interior Divided into a Half-Graffitied Room

Le Designer basé à Kiev Pavel Vetrov a créé cette étonnante pièce qui semble avoir été photographiée avant et après décoration. Cette même pièce est en fait divisée en deux parties, l’une blanche et minimaliste et l’autre décoré de toutes parts et ornée d’un grand graffiti coloré. Une illusion d’optique très réussie à découvrir.

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