Norwegian Cancer Society: Donate for life
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Advertising Agency: Ernö, Oslo, Norway
Art Director: Henrik Sæther
Copywriter: Eirik Hovland
Director: Marius Holst
Production Company: 4 1/2
Published: February 2015
Advertising Agency: Ernö, Oslo, Norway
Art Director: Henrik Sæther
Copywriter: Eirik Hovland
Director: Marius Holst
Production Company: 4 1/2
Published: February 2015
Advertising Agency: Brothers and Sisters, UK
Executive Creative Director: Andy Fowler
Creative Directors: Will Flack , Aaron Willmer
Copywriter: Josh Pearce
Head of Comedy: Lucy Robinson
Agency Producer: Phoebe Rixon
Director: Ninian Doff
Production Company: Pulse Films
Producer: Shirley O’Connor
Production Manager: James Greenall
Editor: Leo King – Stitch
Post Production/VXF: Jason Watts, Paul Harrison / Finish
Executive Producer: James Sorton
Composition/Composer: Lorenzo Piggici
Sound: Wave Studios
Sound Designer: Parv Thind
Media: Cinema
Advertising Agency: BBDO, Pakistan
Senior Art Director / Concept: Muhammad Ahmed Mustafa
Strategic Planning Director: Assam Khalid
General Manager: Aamir Allibhoy
Associate Creative Director: Sahar Mullick
Junior Art Director: Imran Khan
Creative Director: Ali Rez
Production Manager: Atif Pasha
Deputy General Manager: Faisal Durrani
Senior Account Manager: Idrees Hussain
Creative Director: Madeeha Noor
Video / Photography: Muhammad Ahsan
Director of Photography / Cinematographer: Mujtaba Hussain Shah
Published: April 2015
Advertising Agency: Y&R, Rome, Italy
Executive Creative Director: Vicky Gitto
Creative Director: Mariano Lombardi
Art Director: Andrea Giovannone
Copywriter: Filippo Testa
Director: Igor Borghi
Production Company: Cattleya
Account Supervisor: Roberta Lancieri, Emanuela Zaffino
Post production: Frame by Frame
Create your own road. Audi Allroad quattro.
Advertising Agency: Almap BBDO, Sao Paulo, Brazil
Creative Directors: Luiz Sanches, Bruno Prosperi, Renato Simões, Pernil, Andre Gola, Marcelo Nogueira, Benjamin Yung
Art Director: Ronaldo Fonseca
Copywriter: Dudu Barcelos
Illustrator: Lightfarm Studios
Published: May 2015
Create your own road. Audi Allroad quattro.
Advertising Agency: Almap BBDO, Sao Paulo, Brazil
Creative Directors: Luiz Sanches, Bruno Prosperi, Renato Simões, Pernil, Andre Gola, Marcelo Nogueira, Benjamin Yung
Art Director: Ronaldo Fonseca
Copywriter: Dudu Barcelos
Illustrator: Lightfarm Studios
Published: May 2015
W+K New York launched a Father’s Day spot for Delta in collaboration with Park Pictures and husband and wife director/producer team The Mercadantes, dedicated to all the “pilots on the ground” navigating their children through childhood.
The spot, which gains authenticity through the casting of real father-child pairings, shows dads playing a game of airplane with their kids, or using the familiar airplane method to get their finicky youngsters to eat their food. It’s a simple yet emotional approach, yet an emotional and easily-relatable one that ties to the brand well. “Airplane” launched yesterday on DeltaFathersDay.com, as well as the brand’s social media channels, days ahead of the holiday this weekend.
Credits:
W+K NEW YORK
Executive Creative Directors: David Kolbusz and Jaime Robinson
Creative Directors: Sean McLaughlin and John Parker
Copywriter: Ian Hart
Art Director: Jessica Shriftman
Head of Content Production: Nick Setounski
Producer: Luiza Naritomi
Assistant Content Producer: Christine Young
Brand Strategist: Sam Matthews
Account Team: Liz Taylor, Meghan Mullen, Jasmina Almeda
Business Affairs: Sara Jagielski, Keri Rommel, Sonia Bisono
Project Manager: Ava Rant
PRODUCTION
Production Company: Park Pictures
Director: The Mercadantes
Executive Producer: Justin Pollock
Executive Producer: Jackie Kelman Bisbee
Line Producer: Jed Hubbard
Director of Photography: Daniel Mercadante
EDITORIAL
Editorial Company: Joint
Editor: John Resner
Post Producer: Michelle Carman/Alex Thiesen
Editorial Assistant: Stephen Nelson
VFX
VFX Company: Joint
VFX Artists: Katrina Salicrup / David Jahns
TELECINE
Telecine Company: Joint
Colorist: David Jahns
MIX
Mix Company: Joint
Mixer: Noah Woodburn
Producer: Sarah Fink
MUSIC
Song: Abandon Window
Artist: Jon Hopkins
Advertising Agency / Idea: Tribal Buenos Aires, Argentina
Creative VP DDB Group: Hernan Jauregui
General Creative Director: Walter Ioli
Account Director: Sebastian Zuddio
Creative Directors: Leo Orsolini, Juan Calvo
Account Supervisor: Gonzalo Semperena
Digital PR Manager: Florencia Lujani
Social Media Manager: Gabriela Fernandez Sanchez
Advertising Agency / Execution: DDB, Copenhagen, Denmark
Client Services Director: Thomas Sonberg
Art Director: Kasper Dohlmann
Copywriter: Clara Therese Prior-Knock
Final Artwork: Dorthe Gerhard
Account Manager: Katja Thorhauge
Advertising Agency: McCann, Mexico City, Mexico
Chief creative officer: Javi Carro
Creative director: Breno Cotta
Copywriters: Breno Cotta, Juan Pablo Balcazar, Eduardo Espinoza
Art director: Alejandro López
Production team: Juan González, Rafael López
Production house: The Maestros
Director: Gonzalo Oliveró
Production Team: Enrique Nava
Sound production: Look As Audio
After a long delay at the starting gate, the 2015-16 upfront horserace has begun, as Fox has lurched out onto the track ahead of the rest of the field.
Media buyers confirmed that Fox has begun nailing down deals in advance of the fall broadcast TV season, while rivals ABC, CBS, NBC and sprightly filly the CW remain in their stalls.
Fox is selling its 15 weekly hours of prime-time inventory along with a portfolio of cable networks that includes FX, FXX and National Geographic Channel. While initial reports indicate that the broadcast pricing is flat-to-down versus the year-ago ratesone buyer suggested that Fox has shaved as much as 2% off its legacy CPMsit’s worth noting that the Fox Cable inventory is said to be fetching higher rates than it did last June.
Stuart Harkness, formerly a creative director at Wieden+Kennedy’s Portland headquarters, has been hired to serve as co-ECD at 72andSunny Amsterdam.
In the new role, Harkness will lead the agency’s creative department along with fellow ECD Carlo Cavallone, another Wieden veteran who joined 72 in 2010 as the agency beefed up its creative team (he previously worked on Nike, Heineken, Coca-Cola, etc. at W+K’s Amsterdam office).
After spending more than seven years as a copywriter at TBWA London, Harkness served as CD at both W+K London and W+K Portland, where he worked on campaigns for Nike, Honda, Powerade and Facebook; his headshot tells us he’s already made the move back to Europe.
Harkness has a colorful portfolio, and he’s given to creative block quotes like this one:
“72andSunny Amsterdam have done an amazing job assembling a brilliantly diverse bunch of talent and a client list that would turn David Banner green with envy. There’s a palpable energy and the Amsterdam office is poised to do groundbreaking work, in any market. Carlo is also a seriously smart cookie who cares not just about creating provocative ideas but nurturing the people who make them in the process.”
Cavallone tries to top him by going literary:
“We are extremely excited to have Stu joining us. He brings a lot of experience to this place, a very unique take on creativity and a dedication to his job that can rival Captain Ahab’s. His long track record of amazing work combined with his very tall figure will definitely contribute to him becoming a new point of reference for this company.”
72 Amsterdam recently surprised many by beating AXE’s agency of record BBH in a review to win project-based work for every teenage pervert’s favorite deodorant brand. Its most recent work includes an ongoing campaign for Carlsberg.
FCB Garfinkel launched a new business to business campaign for Vonage, promoting the brand’s ability to help businesses reach their potential, with the 60-second “The Business of Better.” The campaign marks the agency’s first work for Vonage since being named agency of record back in April.
The spot opens on a man interrupted by an unexpected guest while working in his small home office. His guest describes how Vonage revolutionized home phone service while ripping off the man’s shirt to reveal a better one underneath. As they walk into the next room, the small business owner is surprised to find that he has employees. Over the course of the ad his business keeps expanding, while the Vonage spokesman describes how Vonage services helps businesses big and small get better, ending with the tagline “The Business of Better.” While the tagline works well for the campaign and the approach visualizes how Vonage can help businesses fairly well, it can’t help but come across as a bit dry and repetitive with its 60 second runtime. In addition to the broadcast spot, the campaign includes online ads, radio spots, print ads running in business publications and a social media activation calling on companies to share their stories with the hashtag #BizBetter.
“The goal of the campaign is to demonstrate how Vonage, known for revolutionizing home phone service, is now also a leading provider of cloud communications for business,” Vonage chief marketing officer Ted Gilvar explained to AdAge. “This is a brand campaign designed to help us scale the business side of our portfolio,” he added. “What’s important is that our solutions can grow with a growing business. So if you are a business owner with a home office, or maybe you need one, two or five lines today, as your business grows, our service scales with you.”
Grey Shanghai launched what is very likely the strangest ad you will ever see for California Walnuts, with the K-Pop inspired music video ad
“Recess for the Mind,” aimed at the Chinese youth market. Yes, you read that correctly, a music video for walnuts.
The nearly three minute ad touts the brain-boosting powers of walnuts with a catchy tune featuring such classic lines as “California Walnuts…kakakakakakaka/Boost brainpower, score higher…kakakakakakaka” and “Brain cells, brain cells jumpstarting quickly.” It opens on some struggling students receiving failing test scores. Walnuts are launched into the classroom, and a girl group known as Recess Princess magically emerges, delivering the feel-good walnut anthem of the summer and promising “Better marks and no more worried family.” Just try to get this one out of your head.
Très talentueux pour composer des mises en scènes créatives et effectuer des retouches numériques, le photographe Ukrainien Evgeni Kolesnik crée des portraits de femmes dont la tête est encadrée par des brassées de fleurs, engloutie sous l’eau ou dissimulée par la neige, ne laissant apparaître que le visage. À découvrir dans la suite.
The Charleston Courier and Post has apologized “to those who were offended” by a gun-range ad stuck on the front-page of certain editions Thursday, the day after a gunman shot and killed nine people in a Charleston church.
Angry commenters poured onto the paper’s Facebook page, denouncing the ad, which is a sticker placed just above a headline about the attack. “What were you thinking?” One person wrote. “Posting a gun sale sticker above the article about murder committed with a gun is beyond disrespectful. Shame!”
The paper issued the following mea culpa in response:
This video honors single moms who have to be both mom and dad. Women who have to be soft and strong at the same time. These unsung heroes take on both parental roles and balance them with grace every single day. This year let’s also say #HappyFathersDayMom
Like most of the emotional people who are interviewed in this piece, I too lost my father, and will next year have actually outlived him. I’ve witnessed my mother go from a stay at home to a single parent household career woman. I know first hand what both a two parent and a single parent household is like for a child. This is why I suspect the idea here was conceived by creatives who grew up in two parent households. Or at least people who think that mothers are soft while fathers are strong. Good lord, didn’t anyone stop you and point out that’s a little seventies in its gender stereotyping? “And balance them with grace” – ugh, heavy handed writing, calm down. Look, I know what you were trying to do here, you’re running with the “A-HA” of wishing mom a happy fathers day, what an unexpected twist, le snore. And this is well executed with a good selection of people who grew up with a single mother, their mothers all sound great – plus you’ve avoided the “deadbeat dad” trap by having people state their fathers sadly died, well done. These peoples emotional responses and cutesy stories are pushing all the right buttons. There’s even a little humor in “I don’t know if that’s a thing” regarding moms idiotic fighting tips.
But “Happy Fathers day Mom”? Watch me hiss like a big cat and tell you; that’s what Mothers day is for.
But then, perhaps the target market are all “graceful” widows in middle America, what do I know.
From Adbusters #120:
The Montreal student body is divided over the immediate future of its notorious activism. One side — Comité Printemps — wants to revive the pot-banging spirit of 2012 and fight the Liberal government’s new austerity measures all summer. The others — ASSÉ — want to commence protests in the fall, just in time for a federal election that could potentially complete a full decade of Stephen Harper’s dogma.
And though the students may be at loggerheads internally, they are also the only ones in Canada — maybe even the entire North American continent — who truly give a damn about what happens to our future. Their noise in 2012 brought down the provincial Liberal government and gave hope that young demos may actually not collapse under crippling student debt and that the playing field would level off a bit for everyone else.
However, under the Parti Québécois, conditions did not change and the buds of the student cause withered away in the caustic egotism of the elected. Debt was still looming and the “belt tightening” seemed unavoidable just the same. The Parti Québécois shat the bed.
The Liberals are back in power now, so the students are back in the streets for a second time in less than five years: pissed at anything that reeks of legislative assembly. The hundreds of student arrested in March, April and May on grounds of illegal assembly in Montreal are only a symptom of a more insidious gut rot ailing not only Quebec, but Greece, France, Spain and definitely the United States. The tools of a modern democracy are not cutting it anymore. Elections and government sanctioned protests are ineffective because our elected leaders do not speak the populist language. They speak a language of coercion and violence — and it is the only one they understand.
Montrealers are not lashing out against the (expected) failed promises and hopes of campaign platforms anymore. They are aiming at a mental virus pervasive in almost all governments: the compulsion to bulldoze civilization into accepting austerity measures that will somehow rid us of the ailments our profit-optimizing system created.