Amnesty International: Hostage

Advertising Agency: Y&R, Buenos Aires, Argentina
Executive Creative Directors: Fernando Tchechenistky, Lisandro Grandal 
Copywriters: Carlos Napoli, Francisco Ibarrola
Art Director: Santiago Fernandez 
Agency Producer: Fernando Costanza

Movistar: Cars, 1

One character does it.

Advertising Agency: Y&R, Buenos Aires, Argentina
Executive Creative Directors: Lisandro Grandal, Fernando Tchechenistky 
Creative Director / Art Director: Martin Stuart   
Copywriter: Francisco Ibarrola   
Account Director: Belen Yusso 
Agency Producer: Fernando Costanza 

Movistar: Cars, 2

One character does it.

Advertising Agency: Y&R, Buenos Aires, Argentina
Executive Creative Directors: Lisandro Grandal, Fernando Tchechenistky 
Creative Director / Art Director: Martin Stuart   
Copywriter: Francisco Ibarrola   
Account Director: Belen Yusso 
Agency Producer: Fernando Costanza 

Danonino: Factory

They grow, everything grows.

Advertising Agency: Y&R, Buenos Aires, Argentina
Executive Creative Directors: Fernando Tchechenistky, Lisandro Grandal 
Creative Directors: Sergio Anesini, Adrian Musso, Julian Carrera
Copywriter: Adrian Musso
Art Director: Sergio Anesini 
Agency Producer: Fernando Costanza 

Activia: Flower bomb

Yes, she goes too.

Advertising Agency: Y&R, Buenos Aires, Argentina
Executive Creative Directors: Fernando Tchechenistky, Lisandro Grandal 
Creative Director: Julian Carrera 
Copywriter: Fermin Varangot 
Art Director: Patricio Lovato 
Group of Accounts Director: Mariana Iesulauro 
Agency Producer: Fernando Costanza

Freddo Ice Cream: Brain freeze

Advertising Agency: Y&R, Buenos Aires, Argentina
Executive Creative Directors: Lisandro Grandal, Fernando Tchechenistky
Copyywriter: Gonzalo Trigo
Art Director: Emanuel Ventura
Account Director: Luisa Goldaracena
Director: Ale Rey
Music: Gabriel Chwojnik
Agency Producer: Sofia Saint Genez
Production Company: Huinca Cine

Freddo Ice Cream: Vanilla

Advertising Agency: Y&R, Buenos Aires, Argentina
Executive Creative Directors: Lisandro Grandal, Fernando Tchechenistky
Copywriter: Gonzalo Trigo
Art Director: Emanuel Ventura
Account Director: Luisa Goldaracena
Photographer: Andres Slater
Agency Producer: Fernando Costanza

Freddo Ice Cream: Mint

Advertising Agency: Y&R, Buenos Aires, Argentina
Executive Creative Directors: Lisandro Grandal, Fernando Tchechenistky
Copywriter: Gonzalo Trigo
Art Director: Emanuel Ventura
Account Director: Luisa Goldaracena
Photographer: Andres Slater
Agency Producer: Fernando Costanza

Freddo Ice Cream: Chocolate

Advertising Agency: Y&R, Buenos Aires, Argentina
Executive Creative Directors: Lisandro Grandal, Fernando Tchechenistky
Copywriter: Gonzalo Trigo
Art Director: Emanuel Ventura
Account Director: Luisa Goldaracena
Photographer: Andres Slater
Agency Producer: Fernando Costanza

Herokid: Skateboards

Advertising Agency: DDB Spain
Executive Creative Director: Jose María Roca de Viñals
Creative Directors: Javier Meléndez, Pedro Andragnes, Paco Cabrera
Art directors: Aldo Ferreto, Ariadna Castells
Copywriters: Iratxe Cabodevilla, Tino Barreiro
Producer: Vicky moñino
Traffic Director:: Brigitte Villalonga
Managing director: Gorka Lozano
Account direct: Javier Villalba Menéndez
Account manager: Esther Serrano

Skype: Bedtime calls

Advertising Agency: Look At Media, Russia
Digital Creative Lead: Maria Gelman
Sr. Digital Creative: Maxim Kayumi
Project Manager: Alexei Zaikin
Art Director: Olga Sen
Copywriter: Philipp Karetov
Front end developers: Alexander Yakunichev, Maxim Vorozhtsov
Technical Director: Alexander Rybyakov
Animation designer: Alexei Astafiev
Illustrator: Philipp Chekunov
Sound Designer: Andrei Mitroshin
Fairytale therapist: Anna Filatova
Psychologist: Elena Kayumi
Account Director: Anastasiya Komolova
Junior account executive: Irina Manych
Digital Special Projects Group Head: Anna Litvenko
Digital Account Group Head: Darya Krasnyakova
Innovation Director: Meriem Kamal
Published: March 2015

New Media's Marketing Departments Cozy Up to Advertisers


To gin up audiences, an untraditional news publisher is leaning on a very traditional strategy: advertising. Ozy.com — a slick-looking website that’s flush with investor cash but had just 1.2 million unique visitors in April, according to ComScore — is spending more than a million bucks across May and June to buy ads on several bigger sites, including The New York Times and Slate, as well as on NPR and in The New Yorker.

“This is a bold way to get in front of people,” Aneesh Raman, Ozy’s VP-marketing, said of the campaign, which the agency Division of Labor spearheaded.

The ad campaign comes on the same week that a much more established new-media brand, BuzzFeed, hired veteran Pepsi exec Frank Cooper as the site’s first chief marketing officer. (He’ll also serve as chief creative officer.) But consumer marketing will be only a smart part of his job, according to a BuzzFeed spokeswoman. One significant part will be working with marketers and advertising executives on forming partnerships.

Continue reading at AdAge.com

Samsung Hires Unilever's No. 2 Marketer Marc Mathieu


Samsung has hired Unilever Senior VP-Marketing Marc Mathieu for a marketing role, a Unilever spokeswoman confirmed today, more than two months after he began talks with the Korean tech company.

Executives of Samsung couldn’t immediately be reached for comment. Advertising Age reported in March that Samsung was in talks with Mr. Mathieu about an unspecified marketing position, the latest in a series of outside hires for the company’s mobile telecom business as it faces an increasingly tough battle with Apple and others.

Mr. Mathieu, who also couldn’t immediately be reached for comment, appears to have been chosen to replace Todd Pendleton, Chief Marketing Officer of Samsung’s U.S. mobile division, who left in April. He’ll join another Coca-Cola veteran, Pio Schunker, who joined the Korean conglomerate in March as senior VP-integrated marketing in its mobile and information technology business. Samsung has loaded up on packaged-goods vets in recent years, having also brought on former Procter & Gamble Co. executive Vince Hudson last year as VP-marketing strategy and operations for Samsung Electronics USA.

Continue reading at AdAge.com

INNOCEAN Names Doner Vet to EVP Role

Last week, Huntington Beach-based INNOCEAN named a new leader: Timothy Blett, former senior partner/president at Doner.

Blett will be EVP/managing director, a newly-created role that will see him “overseeing the agency’s disciplines and driving its continued growth.”

Blett spent a majority of his career with Doner, joining the agency to work on new business development back in 1986 before some of our readers had even been born. After 25 years with the company, he decided to sell his interests and step down from his role in June 2011 according to a memo from Rob Strasberg and David DeMuth. While the agency didn’t confirm it at the time, we heard that his departure was directly related to Doner’s loss of the Mazda account. (The client did keep the “Zoom Zoom” tagline.)

Following his departure, Blett served as a partner at eMaxx and LCX Digital, two marketing/consulting companies based in the Newport Beach area. He will now report to INNOCEAN USA CEO Tony Kim, who writes:

“INNOCEAN USA is growing rapidly, and we’ve grown significantly since we opened our doors five years ago…Tim is the perfect match for our culture and business foundation, and his values closely align with our mission to operate at the highest levels of creativity, collaboration and efficiency.”

From Blett himself:

“INNOCEAN is a young, vibrant agency that has experienced exceptional growth in the last several years. I feel privileged to have an opportunity to contribute to the agency’s continued growth and help move the business forward.”

Over the past few months, we received several tips claiming that INNOCEAN COO Brad Fogel‘s role had changed and that he would be focusing on recent win NRG and other accounts rather than that of the agency’s biggest client, Hyundai. A source close to the matter, however, tells us today that Fogel will retain the COO title and that his position within the agency will not be affected by the Blett hire.

Fogel, who held senior management roles at FCB, Y&R, Hill Holliday and others, served as president of Grey West, Atlanta and San Francisco before joining INNOCEAN in 2013.

Baldwin&, Abby Wambach Shoot the Lights Out for Cree

With the Women’s World Cup kicking off tomorrow, Raleigh agency Baldwin& launched a timely spot for LED lighting company Cree featuring star forward and captain of the U.S. Women’s Soccer Team Abby Wambach.

The ad opens on Wambach on an empty field, illuminated only by a series of fluorescent, metal halide and incandescent bulbs about half a field away. She utters the spot’s only dialogue, “Check this out,” with a smirk and then proceeds to shoot out the lights, one by one. After she’s brought darkness to the stadium, she flicks on its LED lights, followed by the message, “Time to end bad lighting. Cree. Light a better way.” The ad was uploaded to YouTube today, supported by paid Facebook and Twitter posts and will make its broadcast debut tomorrow at the start of Women’s Wold Cup games, continuing to run during the rest of the tournament. If you’re wondering how exactly Baldwin& and Wambach pulled off the stunt, you’re going to have to keep wondering for a while, as the agency won’t release its behind-the-scenes footage until after the end of the Women’s World Cup.

Credits:

CDs: David Baldwin, Bob Ranew
AD: Jimmie Blount
CW: Britton Upchurch
Agency Producer: Natalie Lum Freedman

Production Co.: Pecubu Productions, Santa Monica
Dir.: Patrick Murphy
DP: Joseph Messier
Producer: Terry Gallagher
Production Designer: Jeremy Carmone

Post: Elastic, Santa Monica
Animator: Steven Do
Executive Producer: Jennifer Sofio Hall

VFX: a52, Santa Monica
VFX Supervisor: Jesse Monsour
Head of 3D: Kirk Shintani
CG Supervisor: Max Ulichney
Colorist: Paul Yacono
Conform: Kevin Stokes
Executive Producer: Patrick Nugent
Producer: Michael Steinmann

Editorial: Rock Paper Scissors, Santa Monica
Editor: Louis-Philippe Charette
Executive Producer: Angela Dorian
Producer: Dina Ciccotello

Music: JSM Music, New York
Composer/CCO/EP: Joel Simon
Composer: Seamus Kilmartin

Sound Design: Pony Sound, Austin
Engineer: Corey Roberts

19th Century Japanese Life in Color

Voici une sélection peu ordinaire de photographies en couleurs datant de 1863-1877 réalisées par Felice Beato. Des clichés de l’époque d’Edo au Japon, montrant courtisanes, samouraïs, geishas dans des scènes de la vie quotidienne. Coloriées à la main par l’artiste, cette sélection est considérée comme l’une des premières séries de photojournalisme.

Felice-Beato-04
Felice-Beato-11
Felice-Beato-10
Felice-Beato-09
Felice-Beato-08
Felice-Beato-07
Felice-Beato-06
Felice-Beato-01
Felice-Beato-05
Felice-Beato-03
Felice-Beato-02

65 Fun Fitness Apps – From Guided Yoga Apps to Military-Inspired Exercise Apps (TOPLIST)

(TrendHunter.com) Exercise apps have become a great way to not only enhance individual workouts, but to also add a social element to our athletic endeavors. Whether you are looking for a guided yoga class or a…

Contrário ao cinismo atual, “Tomorrowland” é um blockbuster imaginativo para toda a família

Tomorrowland

Brad Bird une seu virtuosismo com a receita básica de Hollywood para imaginar um futuro otimista

> LEIA MAIS: Contrário ao cinismo atual, “Tomorrowland” é um blockbuster imaginativo para toda a família

Brainstorm9Post originalmente publicado no B9
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Reflections on BMA15: 'It's the Customer, Stupid'


Coming off last week’s BMA15, the annual conference of the Business Marketing Association in Chicago, four words resoundingly echo in my brain:

“It’s the customer, stupid.”

Much as James Carville famously strategized that the key to Bill Clinton’s 1992 presidential victory was “the economy, stupid,” BMA15 offered up blunt and constant reminders of what should be obvious. Whatever the topic — from big data, the marketing cloud and millennials to content marketing, buyer journeys and marketing-attributable revenue — virtually every conversation came back to one elementary supposition.

Continue reading at AdAge.com

Don't Sacrifice Your Brand for Entertainment's Sake


Brands placed big bets at Coachella, Bonnaroo and other music festivals this year, paying up to seven-figure sponsorship fees and multiples of that number to build brand experiences to please the crowds. Post-festival, the brands that provided free hairstyling and build-your-own light shows hope they’ll be remembered. Those activities are fun, but did they make enough of an emotional connection with consumers — one that will last long after the stages are broken down? The way to do that is to make sure the brand identity is baked directly into the experience.

To get there, ensure that before, during and after a brand experience, consumers receive positive reinforcement.

First, understand whom you are trying to talk to. Then, connect with your target in a different, interesting way. For example, during NBA All-Star Week, Kumho Tire (a Pearl Media client) got subway riders in Times Square to stop and shoot hoops with NBA star Carmelo Anthony at a subway stop (digitally, anyway). The interactive game, “Pop-A-Shot”, wove the brand into the experience by using digital Kumho tires instead of basketballs that bounced off the backboard the way a tire would. The subtle integration of playing with the product reinforced the brand within the fun part of the experience.

Continue reading at AdAge.com