Pop Culture Characters Into Classical Paintings

David Irvine est un artiste de Toronto qui insuffle une nouvelle vie à de vieilles peintures trouvées dans des friperies. Pour remettre sur pied ces vieilleries, il y ajoute de nouveaux éléments issus de la pop culture. Selon le tableau, il choisit de faire correspondre son style à celui d’origine ou de s’y opposer intentionnellement. Découvrez une sélection de ses oeuvres dans la suite.

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After 171 Years, The Economist Publishes Its First Foreign-Language Edition


The Economist has avoided publishing foreign-language editions in the past, considering them too pricey and impractical. The 171-year-old weekly is getting in the game now with a bilingual app aimed at Chinese speakers.

The Economist’s Global Business Review publishes in both Chinese and English, so readers can toggle between versions handy for people who want to improve their English but aren’t fluent. It offers 30 articles a month on business, finance and technology, translated from the original edition.

Hyundai is sponsoring the launch, meaning the app will be free in April and May. After that subscriptions run about $75 a year or $8 a month, though a small amount of content will remain free. The Economist says it’s also exploring the market for languages including Portuguese, Japanese and Korean.

Continue reading at AdAge.com

Madonna vai usar o Meerkat para fazer livestreaming da estreia de “Ghosttown”

madonna-meerkat

Quem quiser acompanhar pode se inscrever para ser avisado quando a transmissão começar

> LEIA MAIS: Madonna vai usar o Meerkat para fazer livestreaming da estreia de “Ghosttown”

Brainstorm9Post originalmente publicado no B9
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Nos EUA já é possível pedir divórcio via mensagem no Facebook (!)

FB-Divorce

Juiz autorizou o formato de comunicação em casos extremos

> LEIA MAIS: Nos EUA já é possível pedir divórcio via mensagem no Facebook (!)

Brainstorm9Post originalmente publicado no B9
Twitter | Facebook | Contato | Anuncie

Opportunity Today Will Help Achieve Tech Diversity Tomorrow


Last month six teenagers from the Bronx got on stage in front of hundreds of people at New York Tech Meetup. They presented two mobile apps they coded from scratchapps designed to make a positive impact in their communities. These young programmers are all high achievers, but many of them have grown up facing adversity and lacking the resources to realize their full potential.

They don’t have access to tech opportunities at school but, thanks to help from others, they have access to mentors who are tapping into their intelligence, potential and creativity to prepare them for careers in tech.

In the tech industry, the demand for qualified candidates is quickly outpacing supply. While computer science jobs represent 60% of science, technology, engineering and mathematics careers in the U.S., less than 3% of college students graduate with a degree in computer science annually. In fact, by 2020, there will be 1 million more computer science jobs than computer science students.

Continue reading at AdAge.com

Oyster to Sell E-Books Alongside Its Subscription Service

The company said that it would sell e-books, letting customers buy titles that aren’t available through its all-you-can-read subscription service.



Dove's Latest Film Makes Women Choose If They Are 'Beautiful' or 'Average'

Over the past decade, Dove has had a laser focus, challenging women’s concepts of beauty and championing “real women” to see themselves as beautiful. The brand has received overwhelming praise for its work. But at times its ads can feel treacly, even cloying.

This is one of those times. 

In the new spot below, Dove asks women all over the world to walk through doorways labeled “Beautiful” and “Average.” Throughout the three-minute short film, women who originally choose the “Average” label lament doing so—and eventually decide they should have chosen “Beautiful.”

Let’s unpack this. Sure, many women may have low self-esteem, and asking them to embrace a positive attribute like “Beautiful” can help buoy the way they see themselves. Fine. And yes, this fits in with Dove’s general messaging.

But the fact that the brand has a good-or-bad, this-or-that idea of beauty, without any gray areas, is problematic.

Here’s the thing: Someone doesn’t have to be beautiful to matter, or to value themselves. This spot’s concept is more complicated than it seems, too—forcing women to put themselves into two distinct categories and positioning “Average” as a negative concept.

People, women especially, are keenly aware of how the world sees them. It is likely that some of the women who walked through the “Average” door see themselves as beautiful, but knowing that cameras were on them, did not want to appear immodest.

Beyond that, Dove’s focus can be a detriment. At this point, most people are aware of what Dove has been doing to challenge how people understand beauty and how it is tied to self-worth. But why not branch out at this point? Why not challenge other notions of women’s self-worth, and tie that to personal care?

At any rate, the new campaign comes across as unnatural and doesn’t have the same convincing narrative arc that many of the brand’s more successful campaigns do. 



Lane Bryant Bashes Victoria's Secret With 'I'm No Angel' Campaign

Lane Bryant’s new #ImNoAngel campaign is sexy as hell.

The video features gorgeous plus-size models sporting bras and panties from the new Cacique by Lane Bryant collection. The 30-second spot is done in black-and-white and without any music (it feels the tiniest bit empty without it), with a few soundbites from the models, who all declare that they’re no angels.

“The Lane Bryant #IMNOANGEL initiative celebrates women of all shapes and sizes by redefining society’s traditional notion of sexy with a powerful core message: ALL women are sexy,” the brand says.

It’s a direct dig at Victoria’s Secret, and social media is loving it. Women have jumped on the trending hashtag, posting their own photos and declarations with #ImNoAngel.

Ashley Graham, one of the stars of the Lane Bryant campaign (she was also in that Swimsuits for All ad in the Sports Illustrated swimsuit issue), posted this fun photo to Instagram yesterday, writing: “On the F train, literally. Can’t hide these curves!!!”
 

 
Victoria’s Secret, of course, hasn’t responded—though its latest tweet reminds you that its models even have “angel” in their Twitter handles.



Jameson Irish Whiskey: Red wall

Advertising Agency: BEING France
Executive Creative Director: Alasdhair Macgregor Hastie
Creative Director: Thierry Buriez
Art Director: Nicolas Comastri
Copywriter: Jérémy Jamet
Art buyer: Jonas Texier
Photographer: Vincent Dixon

Jameson Irish Whiskey: White wall

Advertising Agency: BEING France
Executive Creative Director: Alasdhair Macgregor Hastie
Creative Director: Thierry Buriez
Art Director: Nicolas Comastri
Copywriter: Jérémy Jamet
Art buyer: Jonas Texier
Photographer: Vincent Dixon

La Roche-Posay: Become a SkinChecker

Advertising Agency: BETC, Paris, France
Agency management: Mercedes Erra, Beatrice Ruty
Creative Director: Stephane Xiberras
Art Director: Jean-Michel Alirol
Copywriter: Dominique Marchand
Strategic planner: Elisabeth Jamot
Account executive: Clement Roumegous
TV producer: Sebastien Lintingre
Production house: Passion Paris
Sound production: Schmooze
Director: Owen Trevor

FEBE: Be yourself

Advertising Agency: Grey, Spain
Creatives: Antonio Montero, Enric Nel-lo, Javier García Monserrat, Tontcho Ponsoda, Nuño Martín, Andrés Alcázar, Guillermo Cotanda, María Salomón
Producers: Carmen Orbe, Jose Coloma
Film company: Sal Gorda
Film director: Luis Germanó
Sound studio: Rayden

Zyrtec: Allergies

Advertising Agency: Protein, Saint-Petersburg, Russia
Creative Directors: Natalia Smelova, Vlad Makarov
Account Director: Irina Arebinya
Account Manager: Kirill Nessin
Copywriter: Viktor Smirnov
Art Director: Viktoria Yanchuk
Designer: Anna Dolgova
Production Company: Filmservice Production
Producer: Valeria Shmakova
Director: Gleb Orlov
DoP: Sergei Trofimov
Post Production Company: Faust

Amnesty International: Signatures against torture, 1

Advertising School: ESA Saint Luc Tournai, Belgium
Art Director: Yann Gressier
Copywriter: Steven Millescamps

Amnesty International: Signatures against torture, 2

Advertising School: ESA Saint Luc Tournai, Belgium
Art Director: Yann Gressier
Copywriter: Steven Millescamps

Amnesty International: Signatures against torture, 3

Advertising School: ESA Saint Luc Tournai, Belgium
Art Director: Yann Gressier
Copywriter: Steven Millescamps

Hunt's: Play with your food

Advertising Agency: HN Markadssamskipti, Reykjavik, Iceland
Director: Gudjon Jonsson
Creative Director: Gulli Maggi
Production: Sagafilm
Music: Haraldur Vignir
Published: Spring 2014

Orbital Gallery by Cosmonaut Oleg Kotov

Oleg Kotov est un cosmonaute ukrainien né en 1965. De septembre 2013 à mars 2014, il a passé son temps dans la capsule d’un Soyuz TMA-10M pour deux expéditions dans l’espace. Depuis la lucarne, il a capturé plusieurs endroits de notre planète, telle qu’il la voyait au quotidien. Un beau voyage cosmique où on peut admirer les reliefs russes, les aurores boréales, le Kilimandjaro et les Emirats Arabes.

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With Campaign in Masters Tourney, AT&T Puts Money Behind Enterprise Push


In January, AT&T promised shareholders that its enterprise arm would be its biggest by the year’s end. Now the telecom giant is putting ad money where its mouth is.

During the 2015 PGA Masters golf tournament, on Wednesday, AT&T will air a trio of spots at the center of its new ad campaign, called “Focus on what Matters,” aimed at business clients. Each spot focuses on one of the pillars — security, workplace collaboration and connected devices or the Internet of Things — AT&T is promoting in its enterprise offerings.

BBDO, New York, created the spots. MEC, the WPP-owned media agency of record for the carrier, will handle media buying.

Continue reading at AdAge.com

iHeartMedia to Offer Automated Purchasing for Broadcast Radio


Radio giant iHeartMedia will make its broadcast inventory available for automated purchasing later this year.

The goal is to bring an additional level of sophistication and operational ease for buyers purchasing broadcast radio. iHeartMedia’s move follows the lead of a digital ad ecosystem’s widescale movement towards automated buying and selling.

“This is our ability to introduce targeting and insights for radio at scale,” said Brian Kaminsky, the company’s president-programmatic and data operations in a phone interview.

Continue reading at AdAge.com