Puy du Fou: Painting, 3

History is just waiting for you.

Puy du Fou is a historical theme park in Les Epesses in the heart of the Vendée region of Western France. This campaign draws on great pictorial frescoes combining all the eras at Puy du Fou where visitors travel through time.

Advertising Agency: Les Gros Mots, Paris, France
Creative Director: Ghislain Lesec
Art Director: Damien Real
Copywriter: Nicolas Moreau
Photographer: Finlay MacKay
Published: April 2015

Right Job: Medication

In the wrong job, being very good can be very bad.

Advertising Agency: Africa, Sao Paulo, Brazil
Creative Directors: Sergio Gordilho, Rafael Pitanguy
Art Directors: Bernardo Romero, Humberto Fernandez
Copywriter: Beto Rogoski
Illustrators: Edson Rosa, Daniel Leitão
Photographer: Rodrigo Pirim
3D: Eduardo Gomes
Retouch: Lightfarm
Published: March 2015

Right Job: Uniform

In the wrong job, being very good can be very bad.

Advertising Agency: Africa, Sao Paulo, Brazil
Creative Directors: Sergio Gordilho, Rafael Pitanguy
Art Directors: Bernardo Romero, Humberto Fernandez
Copywriter: Beto Rogoski
Illustrators: Edson Rosa, Daniel Leitão
Photographer: Rodrigo Pirim
3D: Eduardo Gomes
Retouch: Lightfarm
Published: March 2015

Right Job: Sketch

In the wrong job, being very good can be very bad.

Advertising Agency: Africa, Sao Paulo, Brazil
Creative Directors: Sergio Gordilho, Rafael Pitanguy
Art Directors: Bernardo Romero, Humberto Fernandez
Copywriter: Beto Rogoski
Illustrators: Edson Rosa, Daniel Leitão
Photographer: Rodrigo Pirim
3D: Eduardo Gomes
Retouch: Lightfarm
Published: March 2015

Meural, um quadro digital que “roda” diversas obras de arte

meural-dst

A ideia de um quadro digital faz muito sentido, mas nem sempre funcionou. Seja pela qualidade da imagem ou pela preferência por fotos pessoais no lugar de obras de arte, o máximo que chegamos de um produto assim foram os porta-retratos digitais. Mas uma nova startup de Nova York chegou para mudar isso. Desde de 2013, […]

> LEIA MAIS: Meural, um quadro digital que “roda” diversas obras de arte

Brainstorm9Post originalmente publicado no B9
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Scrawny-Arms Rob Lowe Isn't Going Anywhere, According to DirecTV


Will we be saying goodbye to the Scrawny Arms, Painfully Awkward and Far Less Attractive versions of Rob Lowe? Apparently not, according to DirecTV. The fate of the popular spokescharacters seemed uncertain yesterday when the National Advertising Division of the Better Business Bureau issued a recommendation that DirecTV discontinue, or at least modify ads in the campaign featuring the celebrity and his alter-egos, on the basis of unsupported claims they make about the company’s service.

But the advertiser says the campaign isn’t going anywhere and may continue. The company will be appealing the recommendation and provided a statement to Ad Age saying it has “not pulled the campaign. The Rob Lowe spots were always scheduled to end at the end of Q1, we always planned to launch our new campaign with Hannah Davis in the Final Four. Even though we have a direct competitor trying to restrict our advertising, we definitely reserve the right to bring back the Rob Lowe campaign, either in its current form or with new spots … It has been extremely successful for the brand.”

The ads, created by Grey, New York, have been a worthy comedic follow-up to the brand’s award-winning “Cable Effects” campaign, but have apparently ticked off competitor Comcast, who filed the complaint leading to the NAD’s recommendations, which are not legally binding.

Continue reading at AdAge.com

TV Sports: Coverage of Final Leaves Room for Improvement in a Crowded TV Booth

Bill Raftery proved that he belonged as the lead analyst for the N.C.A.A. men’s basketball tournament over the past few weeks, but Grant Hill, his rookie partner, still has much to prove.

Another ‘Serial’ Chapter, From Group of Lawyers

Starting Monday a group of lawyers and advocates connected to Adnan Syed, the subject of the podcast “Serial,” will debut another podcast, “Undisclosed: The State v. Adnan Syed.”



72andSunny Does Dairy Right for Tillamook

72andSunny launched a simple and direct campaign for 106-year-old Tillamook Dairy, entitled “Dairy Done Right.”

The campaign, which spans television, print and digital is designed to promote the dairy’s commitment to quality and transparency. In the broadcast and online spots, Tillamook products are shown against a minimalist background underscoring the brand’s “no tricks” approach. Each spot contains a simple message, delivered via text, related to Tillamook’s quality. The messages range from the titular “Farmer’s Not Shareholders” to the genuineness of their products in “Cheese Product” and the rBST-bashing “Dairy With Standards Not Artificial Growth Hormones.” Beyond the obvious messages delivered, the implicit message is that, while big brand competitors rely on gimicks and trickery, Tillamook just stands behind the quality of its products.

Geometric Abstract Installations

A ses heures perdues, l’artiste norvégien Kjell Varvin construit des installations abstraites et géométriques temporaires dans le coin de son atelier. Il a récemment créé les représentations numériques de ces installations en superposant les photos des sculptures. Des détails dans la suite.

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Sprite Taps Wieden & Kennedy for Creative Duties


Wieden & Kennedy’s New York office is picking up creative duties for Sprite, Ad Age has learned.

Sprite had been working with Translation, a piece of business won in September 2013. Prior to that Leo Burnett handled creative, but Sprite has worked with a number of other agencies — BBH and Johannes Leonardo, for instance — over the years.

According to people familiar with the matter, the pitch, which was conducted without a consultant, came down to Wieden and Interpublic’s R/GA. Both agencies declined to comment. A representative for Sprite also declined to comment.

Continue reading at AdAge.com

Amnesty International: Signatures against torture


Print
Amnesty International

Advertising School:ESA Saint Luc Tournai, Belgium
Art Director:Yann Gressier
Copywriter:Steven Millescamps

Corpo Ativo Gym: Hugo, Vanessa, Gisele


Print
Corpo Ativo

You determine your weight.

Advertising Agency:Marcca, Florianópolis, Brazil
Creative Director:Joao Claudio Lins
Copywriter:Joao Claudio Lins
Art Directors:João Cavalcante, Diego Rodovalho

A megacity runs dry

A water shortage in São Paulo, the largest city in a country that holds 20 percent of Earth’s fresh water supply.

From Adbusters #119:

I am writing by candle light. The aching in my hand and the irregular handwriting reminds me that it’s been a long time since I wrote on paper and not a keyboard. The power cut has already lasted more than eight hours and I fear that the combination of events and outcome of what we are going through might be a foreshadowing of what’s soon to come around the world.

It started with an irony, that may well be the perfect metaphor: the largest city in a country that holds 20 percent of Earth’s fresh water supply ends up without any. A combination of climate change, years of deforestation, privatization and a badly managed and corrupt political system have come together in a perfect storm to throw my city into one of its darkest crises ever. We now face a reality of four days without water and two with. We might as well call it what it is: a total collapse. 

Imagine a megacity like São Paulo as schools are forced to close, hospitals run out of resources, diseases spread, businesses shut down, the economy nose dives. Imagine the riots, the looting … what the police force, infamously known as one of the most violent in the world, will do as this dystopian scenario engulfs us. One of the great modern, rising capital cities of the world suddenly falls apart.

We brought this on ourselves. We buried our rivers under concrete, we polluted the reservoirs, chopped down trees, erased the local biome to grow sugar cane, soy and corn to fuel our vehicles, feed our appetites, our extravagant lifestyles. 

I read the IPCC reports warning us of catastrophe. I watched the documentaries exposing corporations’ hidden agendas
… the YouTube videos showing polluted oceans, overfishing, extracting, fracking and burning. I knew all this. And how markets march “forward” no matter what. How leaders pose for group shots with those golden pledges they never deliver … and how we, the People, march demanding change.

This is personal … it’s about everything I love. And you have no idea how terrifying it is. It’s the kind of fear that you have no control over, that makes you grind your teeth at night while you sleep. There’s no language to describe this feeling of dread. No way to fix it. No time to fix it. This is the future that science warned us about. The new normal. And the truth is, I never realized it could happen so fast and that my friends, family and I would be forced to live through it, suffer like this.

The battery on my phone is almost dead. The power has been out for 16 hours now. Still no water. 

I scroll the photos I took last month on our trip to NYC.
My wife comes to me and in a low voice asks what we are going to do. “I don’t know,” I reply. 

What will 22 million people do in the dark?

— Pedro Inoue

Source

The Year's Tastiest Ad? This Life-Size Benedict Cumberbatch Made of Chocolate

Through no fault of his own, the very Britishly named Benedict Cumberbatch has acquired a supremely weird fan base, which will only get worse with the unveiling of a milk chocolate sculpture in the Sherlock actor’s likeness.

Made for the premiere of UKTV’s new on-demand channel Drama, and inspired by a poll naming Benedict the “dishiest” actor in England, the life-size, fully edible sculpture was made from 500 bars of Belgian milk chocolate.

The team of chocolatiers who made the thing are calling it Benedict Chocobatch, because of course they are.

I must say, for a gimmick chocolate statue, the likeness is pretty close, and the making-of video shows just how much real art goes into a stunt project like this. (It also looks way tastier than a chocolate Mario Lopez.) I’m curious about Benedict’s reaction to this kind of attention, but something tells me he purposely ignores stuff like this out of fear.

The stunt was orchestrated by the always buzz-worthy agency Taylor Herring, whose prior successes have included a dripping-wet, 12-foot-tall Colin Firth, a realistic-looking polar bear strolling around London and a giant Game of Thrones dragon skull that appeared to have washed up on a British beach.

Via Design Taxi.



Marks & Spencer Chocolate Ad

Marks & Spencer a déployé une délicieuse vidéo promotionnelle destinée aux amateurs de chocolat. Réalisée par Y&R London et intitulée « Adventures in Chocolate », la vidéo met subtilement en images et en musique une somptueuse chorégraphie chocolatée. Explosions et virevoltes d’ingrédients sucrés sont au rendez-vous et vont vous faire saliver.

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Anthony Davis: 'It's Always Game Night' in Boost Mobile Spot


Every weekday, we bring you the Ad Age/iSpot Hot Spots, new and trending TV commercials tracked by iSpot.tv, a company that catalogs, tags and measures activity around TV ads in real time. The New Releases here ran on TV for the first time yesterday. The Most Engaging ads are showing sustained social heat, ranked by SpotShare scores reflecting the percent of digital activity associated with each one over the past week. See the methodology here.

Among the new releases, Lowe’s explores the psychology of buying lawn furniture, and Buick customers are surprised as magician Michael Carbonaro pulls stuff out of an envelope. Did customers win trick handcuffs or novelty playing cards? A magician never tells. (You’ll have to visit buick.com/surprise to find out.)

Meanwhile, is it date night or game night? A blonde Anthony Davis jumps out of a movie screen to announce it’s always game night with Boost Mobile’s free NBA Game Time App, solving the problem of having to engage with your significant other.

Continue reading at AdAge.com

Interactive Travel Agencies – The Addin Store Has Tourism Displays That Customize to Dream Vacations (GALLERY)

(TrendHunter.com) Imagination plays an enormous role in planning one’s dream holiday, so this scheme for an interactive travel shop really enhances the booking experience for consumers. With the tagline of &#…

JWT Brazil Enlists Hometown Stars to Promote Organ Donation

After noting a lack of awareness among families in Brazil regarding organ donation (especially in regard to their own loved ones), JWT teamed up with 200-year-old Porto Alegre Holy House of Mercy and handful of national stars to inspire more people to publicly identify themselves as organ donors.

The likes of soccer player Zé Roberto, director Fernando Meirelles (City of God) and writer Luis Fernando Verissimo star in a series of slo-mo, black-and-white short films in which they announce their status as donors — specifically of the organs that play the largest role in their individual talents. Mereilles, for one, announces in his clip that he’s donating his eyes while Roberto his lungs.

Regarding the somewhat clever concept behind the campaign, which is aptly titled “Talent Donors,” JWT Brazil creative director Diego Wortmann says:

“We wanted stars to be part of the campaign, but in a different way. So we arrived at the ‘Talent Donor’ concept. After all, talent is like an organ, which can stay alive even after death.”

You can check out the Roberto and Verissimo spots below.

Clemenger BBDO Pulls ‘Strings’ for Transport Accident Commission

Clemenger BBDO Melbourne launched a new campaign for Transport Accident Commission emphasizing the importance of parental role models in determining childrens’ future driving behavior.

The 60-second “Strings” marks a drastic change in approach for Transport Accident Commission, which historically has relied on depicting car accidents to show the potential outcomes of poor driving decisions. “Strings,” on the other hand, the first work from Clemenger BBDO, doesn’t even have a car in it. Rather, it takes a simple but impactful approach to teach parents how their children are mirroring their driving behaviors. A child, attached to strings, mimics a series of driving gestures — such as checking his self phone for text messages, yelling at another driver and answering the phone. As the camera pans out, it is revealed his movements are controlled by his father in front of him, followed by the message, “What kind of driver are you raising?”

The shoot was not exactly easy to pull off, as Stephen de Wolf, Clemenger BBDO Melbourne creative director explains it involved “an intricate rig that linked our father and son, with professional puppeteers directing our talent,” with the spot filmed in a singled take, requiring “a perfectly timed and synchronised performance from both of them.”

Clemenger BBDO has carved out something of a niche for itself with thought-provoking driving PSAs such as “Local Legends” and “Mistakes,” so it’s no surprise that its Melborune division delivers a compelling take here for Transport Accident Commission.

Credits:

TAC

Amy Cockerell – Marketing Coordinator

Cherie Chandler – Marketing Project Manager

Samantha Buckis – Road Safety Project Coordinator

Samantha Cockfield – Senior Manager Road Safety

Clemenger BBDO Melbourne

James McGrath – Creative Chairman

Ant Keogh – Executive Creative Director

Stephen de Wolf – Creative Director

Jim Robbins – Senior Copywriter

Luke Thompson – Senior Art Director

Sharon Adams – Print Producer

Sonia Von Bibra – Executive TV Producer

Karolina Bozajkovska – Senior Agency TV Producer

Steve Pratt – Retoucher

Lee Simpson – Managing Partner

Naomi Gorringe – Group Account Director

Kate Joiner – Senior Account Manager

Patrick Nally – Account Executive

Production:

Tomas Mankovsky – Director (Blink)

Camilla Dehnert – Producer

Geoffrey Simpson – DOP/Cinematographer

Elodie Fouqueau – Editor

Lucinda Thompson – Designer

Duncan Horn – Flame Artist

Theodore Vidgen – Music Composer/Arranger

Stephen Boniface – Photographer (Match Photography)

Paul Le Coutier – Sound Designer/Engineer

Production Company – Finch/Blink (Co-production)

Post Production Company – Method Studio/Glassworks

Sound House – Flagstaff

Special/Visual Effects – Glassworks