SeeMe: Forging Hearts

Audi: The Drones

Advertising Agency: Venables Bell & Partners, USA
Founder / Chairman: Paul Venables
Executive Creative Director: Will McGinness
Creative Directors: Tyler Hampton, Lee Einhorn
Art Directors: Greg Wyatt, Byron Del Rosario
Copywriter: Bryan Karr
Director of Integrated Production: Craig Allen
Executive Producer: Mandi Holdorff
Producer: Hannah Murray
Account Director: Justin Pitcher
Account Managers: Natalia Montero, Oliver Glenn
Production Company: MJZ
Director: Dante Ariola
DP: Matthew Libatique
Executive Producer: Scott Howard
Line Producer: Natalie Hill
Editorial: Rock Paper Scissors
Editor: Adam Pertrofsky
Assistant Editor: Marjorie Sacks
Executive Producer: Angela Dorian
Producer: Shada Shariatzadeh
VFX: The Mill
VFX Supervisor, 2D Lead: Gareth Parr
VFX Supervisor, 3D Lead: Simon Brown
Creative Director: John Leonti
Executive Producer: Enca Kaul
Producer: Chris Harlowe
Production Coordinator: Karina Ford
Music: Elias Arts
Executive Creative Director: Vincenzo LoRusso
Creative Director: Mike Goldstein
EP: Vicki Ordeshook
Head of Production: Katie Overcash
Sound Design: Brian Emrich / Trinitite
Mix: Loren Silber / Lime Studios

Murals of Greek Gods by Pichi & Avo

Le duo de street artistes espagnols Pichi & Avo ont imaginé un fascinant mélange de graffitis et de rendus de personnages mythologiques inspirés par les sculptures grecques de l’Antiquité. La précision de chaque pièce est impressionnante, les ombres et les couleurs sont parfaitement maîtrisées. A découvrir en images dans la suite de l’article.

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Lionel Messi (and 180LA) Keep Adidas Atop Most Engaging Ads


Every weekday, we bring you the Ad Age/iSpot Hot Spots, new and trending TV commercials tracked by iSpot.tv, a company that catalogs, tags and measures activity around TV ads in real time. The New Releases here ran on TV for the first time yesterday. The Most Engaging ads are showing sustained social heat, ranked by SpotShare scores reflecting the percent of digital activity associated with each one over the past week. See the methodology here.

Among the new releases, Cheerios promotes its multi-grain cereal down on the farm. Lowe’s updates the deck with the aid of the Greeks. And Jewish grandmother recipes are pitted against one another for dating site JDate.com.

With its dramatic “Take It” spot from agency 180LA, meanwhile, Adidas continues to command the lead for most engaging spot over the past week. But Adidas today confirmed that it was moving its global sports business to 72andSunny. “We’ve made incredible work for Adidas throughout the years,” a spokeswoman for 180LA told Ad Age in a statement. “We were asked to remain on their agency roster but we’ve decided to open up the category for new creative opportunities.”

Continue reading at AdAge.com

Brrraaainnss! The CW Cooks Up a Tasty Marketing Stunt for 'iZombie'


If the way to a viewer’s heart is through her stomach, then the CW’s marketing efforts for the new horror-comedy “iZombie” are nothing if not brainy.

Beginning Wednesday, the network is deploying “iZombie”-branded food trucks in select pedestrian-friendly locations in New York and Chicago. On the menu: cerebrum-shaped cake pops and ramen burgers (depending on your perspective, the noodle-y buns either resemble brains or viscera).

The first “iZombie” truck rolled up Wednesday afternoon outside 195 Broadway, which just so happens to be the headquarters of OMD USA. On Thursday, the CW will greet passersby near Carat North America’s 42nd Street HQ with a hearty “brain apptit,” while Friday will find the truck doling out brain food in Times Square.

Continue reading at AdAge.com

Tena Men "Control" (2015) :50 (UK)

Here’s a humorous way to deal with a serious problem. Male urine leakage. Featuring a character called Stirling Gravitas who demonstrates all the control he has, from juggling chainsaws to silencing a crying baby, and more. This man has no time for urine leakage.

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The Salt Institute "Longevity" (2015) 1:15 (USA)

Everything is better with a little salt, including awkward conversations about the oldest living clam. This salty spokesman (Olde Salty) is like the Gorton’s fisherman’s older brother.

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The Salt Institute "Recipe" (2015) 1:15 (USA)

Olde Salty is makin’ a goose as he’s driving along a perfectly salted winter road. A little hiccup happens when the road becomes less salty. This campaign is so odd it’s very appealing to me, right down to the weird pseudo-reggae soundtrack. I also love the legal lines.

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Nielsen Reports 2 in 5 U.S. Households Subscribe to Video Streaming Services

The company’s report says streaming subscribers are spending more time in front of a screen.



Grey SF Introduces Olde Salty for The Salt Institute

Grey San Francisco created a public awareness campaign for The Salt Institute, a “North American-based, non-profit trade organization dedicated to advancing the benefits of salt,” introducing the character Olde Salty.

Olde Salty is an elderly gentleman with white hair and a long, white beard who is passionate about the idea that “Everything’s better with a little salt.” In the spot above that includes the roads (salt reduces accidents 88 percent) and the goose he’s cooking (salt increases poultry deliciousness by at least that much). Other spots see Olde Salty share his distinctive take on non-alcoholic beverages, longevity, history and more.

“Our goal was to create an iconic personality that could spread the word on many important uses of salt from traffic safety to softening water to the better
performance of household appliances,” explained Milan Martin, president of Grey San Francisco, in a statement. “He follows in a long line of Grey’s advertising icons that include the ETrade Baby and Rob Lowe for DirecTV.”

Credits:

Advertiser: The Salt Institute, Alexandria, VA

Agency: Grey San Francisco

Spot Title: Olde Salty Campaign

First Air Date: March 9, 2015

Agency:  Grey San Francisco

Chief Creative Officer: Curt Detweiler

Creative Director: E Slody

Art Directors: Tatum Cardillo, Jessica Churchill,

Copywriters: Curt Detweiler, Anthony Pagaza, E Slody

Agency Producer: Julie Costanzo

Production Company (location): Hungry Man, Los Angeles, CA

Director: Dave Laden

Director of Photography: Stoeps Langersteiner

Editor (person & company): Patrick O’Leary, HutchCo Technologies, LA, CA

Visual Effects: Jon Howard, HutchCo Technologies, LA, CA

Colorist: Jonny McPheeters, Libertad Soul, Redondo Beach, CA

Music/Sound Design (person & company): Chris Forrest, Studio Guapo, San Francisco, CA

Principal Talent:  Madison Mason “Olde Salty”

Moxie CCO Goes on ‘Extended Leave’

moxie

Moxie, the Atlanta-based Publicis agency that recently hosted a certain dancing Frenchman, appears to have parted ways with its chief creative officer Anthony Reeves.

Reeves, who joined the shop in late 2012 as EVP of creative after Chris Gomersall left for a gig at Facebook, is officially “on extended leave,” but the fact that his executive assistant is also leaving strongly implies that he will not return to Moxie.

Reeves began his career at Grey Worldwide and served as a writer/ACD for various shops including Ogilvy, JWT, and more than one BBDO before joining Rauxa as senior creative/strategy director in late 2003. He later spent nearly four years in the FCB creative department, where he became ECD/VP and worked on AT&T, Western Union, Netflix, Chipotle, and other accounts.

Less than a year after being hired by Moxie, he was promoted to CCO, overseeing the Creative, Experience and Future Experience teams and developing the agency’s “Unit 3C” model.

A source tells us that several other employees were dismissed in addition to Reeves and his assistant.

Here’s the internal memo from Moxie CEO Suzy Deerling, who confirmed the closing of its Columbus, Ohio office in January 20 minutes after our post on the subject went live and three weeks after we began trying to get a statement on the move:

Effective immediately, Anthony Reeves is on extended leave from his position as CCO for Moxie.

We have two strong leaders in the Creative department that will report directly into Suzy Deering.  Renee Blake is the Creative lead on Verizon and Adam Albrecht is the Creative lead on Moxie Core Clients.

Within the Creative department, the following reporting structure changes will be effective immediately:

o   Future Experience will report into Renee Blake.
o   User Experience will report into Matt Fleischman.
o   Unit 3C will report into Solange Claudio.
o   Broadcast Production will report into David Burke.

Effective today, Sasha Von Hanna will be leaving her role as Executive Assistant to Anthony.  For the interim, support for the Creative department will be provided by Ellen Cole.

Please speak with your Department Head or HR if you have any questions.

Thank you,
Suzy Deering
CEO

Pauls Dairy: Maurice

Advertising Agency: The Monkeys, Australia
Executive Creative Director: Scott Nowell
Head of Production: Thea Carone
TV Producer: Jade Rodriguez
Art Directors: Dave Ladd, Barbara Humphries
Copywriter: Paul Bruce
Group Content Director: Kate Blackadder
Senior Content Directors: Gini Sinclair, Mitchel O’Donohue
Senior Content Manager: Katie Wong-Hee
Production Company: Photoplay Films
Director: Scott Otto Anderson
Executive Producer: Oliver Lawrance
Line Producer: Karel Chvojka / Moloko Film
DoP: Ginny Loane
Production Designer: Martin Krejzlik
Concept Artists: Matt Hatton, Kurt van der Basch
Editor: Simon Njoo
Post: Alt VFX
Flame: Karen Fabling
Colourist: Billy Wychgel
VFX Supervisor: Jesse Bradstreet
Music: Elliot Wheeler / Turning Studios
Sound Design: James Martell / Nylon Studios

Pauls Dairy: Twins

Advertising Agency: The Monkeys, Australia
Executive Creative Director: Scott Nowell
Head of Production: Thea Carone
TV Producer: Jade Rodriguez
Art Directors: Dave Ladd, Barbara Humphries
Copywriter: Paul Bruce
Group Content Director: Kate Blackadder
Senior Content Directors: Gini Sinclair, Mitchel O’Donohue
Senior Content Manager: Katie Wong-Hee
Production Company: Photoplay Films
Director: Scott Otto Anderson
Executive Producer: Oliver Lawrance
Line Producer: Karel Chvojka / Moloko Film
DoP: Ginny Loane
Production Designer: Martin Krejzlik
Concept Artists: Matt Hatton, Kurt van der Basch
Editor: Simon Njoo
Post: Alt VFX
Flame: Karen Fabling
Colourist: Billy Wychgel
VFX Supervisor: Jesse Bradstreet
Music: Elliot Wheeler / Turning Studios
Sound Design: James Martell / Nylon Studios

Homer Hudson: Babies

If Daisy Duke and a monster truck had ice cream babies.

Advertising Agency: The Monkeys/Maud, Australia
Tub Artwork: Serge Seidlitz
Product photography: Derek Henderson

IKEA Italy: Gift

Make room for your passions.

A little girl finds out that she shares the same passion with her little friend.

Advertising Agency: Auge Headquarter, Milan, Italy
Executive Creative Directors: Federica Ariagno, Giorgio Natale
Creative Directors: Federica Ariagno, Williams Tattoli
Art Director: Williams Tattoli
Copywriter: Niccolò Bossi
Producers: Silvia Cattaneo
Director: Pep Bosh
DOP: Paco Femenia
Production Company: Mercurio Production
Published: February 2014

Amnesty International: Terrorists

Advertising Agency: Contrapunto BBDO, Madrid, Spain
Creative Directors: Carlos Jorge, Félix del Valle
Art Director: Antonio Castillo
Copywriter: Lolo Ortega
Film Director: Space Monkeys
Film Productions: Pueblo
Published: 2015

Samsung: The way you are

Advertising Agency: Leo Burnett, Paris, France
Creative Director: Xavier Beauregard
Art Director: Mohamed Bareche
Copywriter: Stephane Gaubert
Account: Luc Lepelletier
TV Producer: Antoine Grujard
Director: Didier Borgel
Production company: Prodigious
Sound producer: Joel Tessoneau
Music: Brice Davoli
Published: March 2015

Apple Watch Ad

Lors de la Keynote du 9 mars, Apple a officiellement présenté son Apple Watch. La toute première publicité vidéo du produit n’a pas tardé à faire son apparition. Intitulé « The Watch Reimagined » et réalisé par TBWAMedia Arts Lab, le spot fait une démonstration de l’objet sous tous les angles.

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Vox Opens Video Studio in L.A., Prompting the Question: Are We Nearing Peak Video?


Vox Media — the digital publisher behind sites like The Verge, SB Nation and Vox.com — has opened a department in Los Angeles aimed at making more digital video and, possibly, traditional TV.

As Vox Creative Director Chad Mumm told The Hollywood Reporter about the new Vox Entertainment:

Continue reading at AdAge.com

72andSunny Picks Up Global Adidas Sports Account


72andSunny has been named the global agency for Adidas’ sports business.

The MDC agency will be responsible for creative for global brand campaigns for the company’s basketball, running, soccer and women’s efforts, much of which had been handled by Omnicom’s 180LA.

“We’ve made incredible work for Adidas throughout the years,” a spokeswoman for 180LA said in a statement. “We were asked to remain on their agency roster but we’ve decided to open up the category for new creative opportunities.”

Continue reading at AdAge.com