Governing Social Media — an Oxymoron Brands Must Address


How do you govern the ungovernable? Isn’t social media by definition the ultimate democratic medium that empowers anyone who wants to publish content? And don’t you want a tone of freedom that drives organic, authentic engagement instead of command and control that yields shiny pre-packaged ad campaigns? Besides, power is so yesterday. To wit: “Power is decaying” (from “The End of Power,” by Moises Naim, 2014).

This may all be true, but in companies with tens of thousands of employees, hundreds of products and services, and hundreds of thousands of customers to support, social governance teams must impose guidelines to avoid confusion and disorder. You should commit to delivering a simplified digital experience that will make it easy for anyone to do business with you online.

So, how does one govern social media? Here’s a three-pronged approach we’ve used at SAP:

Continue reading at AdAge.com

Regions Bank Says Content is Rebuilding Trust With Consumers


Regions Bank is relying on content marketing to combat the distrust for banks bred by the financial crisis.

“Do customers trust us?” Ginny Franks, VP-financial education and content management at Regions Bank, asked an audience of bankers at American Banker’s 2015 Retail Banking conference in Austin, Texas.

Laughs answered her.

Continue reading at AdAge.com

Guinness: St. Patrick's Day

With any other beer it’s just Tuesday.

Advertising Agency: Traffik, Toronto, Canada
Executive Creative Directors: Cam Boyd, Troy McGuinness
Art Director: Phil Smith
Copywriter: Sarah Deziel
Typographer: Travis Lalonde
Account Director: Andrew Reeves
Account Supervisor: Amanda Johnston
Published: March 2015

Sao Paulo PSA: Rain Dance

Advertising School: Miami Ad School, São Paulo, Brazil
Creative Director: Dió Wenderly
Art Directors: Eduardo Lunardi, Leonardo Arcoverde, Luka Vasconcelos, Victor Yves
Copywriter: Daniel Guerreiro
Production Company: Produtora Reclame
Producer: Giba Cuscianna
Director: John Porciuncula
Executive Directors: Emerson Souza, Roger Garcia
Director of Photography: Lucas Pupo
Director’s Assistant: Pedro Sokol
Cameraman: Lucas Pupo
Editing: Eduardo Lunardi
Sound Design: Lógico Music
Published: January 2015

Toshiba: Bring life forward

Advertising Agency: Gyro, San Francisco, USA
Executive Creative Director: Steffan Postaer
Creative Director: Steve Mawhinney
Management Supervisor: Blythe Graham-Jones
Account Director: Maye Chua
Producer: Kathryn Redekop
Art Director: Toby Petersen
Senior Art Director: Rei Young
Senior Copywriter: Eric Flynn
Creative Directors: Guto Terni, Vinicius Costa / Roof Studio
Executive Producer: Crystal Campbell
Line Producer: Stephanie Haberman
Director of Photography: Christopher Webb
Vfx Supervisor: Fred Palacio, Shane O`Hara, Mike Merron
Storyboard Artist: Carlos Ancalmo
Modeling: Alex Liki, Danilo Athayde, Todd Daniele, Wes Roblett
Rigging: Wesley Schneider
Tracking: Martin Gunnarsson
Animation: Lucas Ribeiro Fernandes, Shane O`Hara
UI Interface design: Piano Fuzz, Arvid Niklasson
Matte Painting: Fred Palacio, Guto terni
Render and Texture: Pedro Kobuti, Shane O’Hara, Guto Terni, Vinicius Valente
Effects: Pedro Kobuti
Compositing: Jason Conradt, Shane O’Hara, Guto Terni, Vinicius Costa, Pedro Kobuti, Fabio Zeveti, Oscar Tornincasa
Edit: Guto Terni
Additional Footage: Getty Images and Shutterstock
Original Music: Huma-Huma

Spritex: Cockroach

Being a cockroach doesn’t pay off.

Advertising Agency: TBWA, Luanda, Angola
Creative Director: Diogo Peixoto, Miguel Reis
Art Director: Joao Martins
Copywriter: Sara Sezifredo
Illustrator: Carlos Antunes
Account Manager: Joana Miranda
Published: March 2015

Spritex: Fly

Being a fly doesn’t pay off.

Advertising Agency: TBWA, Luanda, Angola
Creative Director: Diogo Peixoto, Miguel Reis
Art Director: Joao Martins
Copywriter: Sara Sezifredo
Illustrator: Carlos Antunes
Account Manager: Joana Miranda
Published: March 2015

Spritex: Mosquito

Being a mosquito doesn’t pay off.

Advertising Agency: TBWA, Luanda, Angola
Creative Director: Diogo Peixoto, Miguel Reis
Art Director: Joao Martins
Copywriter: Sara Sezifredo
Illustrator: Carlos Antunes
Account Manager: Joana Miranda
Published: March 2015

The Hong Kong Timelapse

Ce timelapse a été capturé au Canon 5D Mark III par le photographe et vidéaste biélorusse Dima Vazhnik lors de deux voyages réalisés avant et après la révolution des parapluies. Dima raconte alors le troublant changement de l’atmosphère urbaine entre ces deux visites dans la ville chinoise.

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Honda Ad Campaign: There's a Recall, Get Your Car Fixed ASAP


American Honda on Monday will launch an ad campaign urging owners to fix vehicles recalled for Takata airbag inflators at risk of exploding during a crash.

Full-page ads will run in more than 120 newspapers, and 30-second radio spots will air in more than 110 regional markets, the automaker said.

Honda will also serve customized ads to Facebook users who own recalled Honda and Acura vehicles under the campaign. Honda spokesman Chris Martin said the automaker provided data identifying owners of the recalled vehicles to be cross-referenced with Facebook data about its users to target the ads to affected owners using Facebook’s ad-targeting service.

Continue reading at AdAge.com

BMA, Now Part of ANA, Gears Up for Much Bigger Annual Conference


The Business Marketing Association, which merged with the Association of National Advertisers in October, is gearing up for its largest annual conference yet, which is expected to attract more than 1,300 b-to-b marketers this year — up 30% over last year.

The “BMA15 — Be More” conference will be held in Chicago May 27 to 29. Bob Liodice, president-CEO of the ANA, will kick off the conference with opening remarks, and Howard Sherman, global CEO of b-to-b agency Doremus, will take over as chairman of the BMA for the 2015-2016 term. Mr. Sherman will succeed BMA conference chairman Steve Liguori, CEO of Liguori Innovation and former executive director-global innovation and new models at GE.

“The ANA has many b-to-b marketer members who haven’t traditionally been active in the BMA, and vice versa,” said Gary Slack, BMA conference chairman and CEO at b-to-b agency Slack and Co., Chicago. He noted that of the ANA’s approximate 650 member companies, about 150 are purely b-to-b, although many others have b-to-b lines of business.

Continue reading at AdAge.com

Samsung divulga atendimento a deficientes auditivos com ação emocionante

samsung

Vez ou outra, algumas ações publicitárias conseguem ser tão maiores do que o produto ou serviço que estão divulgando, que são capazes até de fazer a gente acreditar na humanidade. Um exemplo recente disso é Hearing Hands, que a Leo Burnett de Istambul criou para divulgar o atendimento a deficientes auditivos via chamada em vídeo da Samsung.

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O projeto exigiu um mês de preparação antecipada: câmeras foram espalhadas pela cidade, enquanto os moradores de Bagcilar, na Turquia, aprendiam a se comunicar pela linguagem de sinais.

Quando chega o grande dia, as câmeras seguem os passos de Muharrem, um deficiente auditivo que, de repente, percebe que é entendido e entende o que dizem todas as pessoas que cruzam o seu caminho. É claro que o rapaz fica desconfiado, mas no final acaba sendo mais uma vítima das impiedosas cebolas-ninjas.

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It's Not a Post — It's a Gift. How to Embrace the Intimacy of Snapchat


Snapchat wasn’t built for brands, and barely behaves like a typical social platform. And yet, as it enters a new round of funding that would value the company at $19 billion, the photo-and-video-sharing app is working to become a more attractive place for advertisers. Brands see the opportunity to reach an audience that has grown to upwards of 100 million users, but how much value is there in paid placements that are ephemeral — up in smoke in ten seconds? And is there any room for organic success on a platform that takes pride in making discoverability difficult?

While Snapchat has its share of challenges for marketers, it offers something unique in the world of mostly-broadcast, feed-centric social media — intimacy at scale. Every time a user opens a snap, she has no idea who else if anyone is seeing it. It’s a tiny, personal gift, even when broadcast to a huge audience. And brands can use it to bring people closer to their culture, events and personalities. It’s the perfect behind-the-scenes platform because it’s built to deliver unfiltered, intimate content.

Here are a few things to keep in mind before you give up the ghost:

Continue reading at AdAge.com

What’s Wrong With the ‘Blurred Lines’ Copyright Ruling

In basing its verdict on sheet music, a critic argues, a jury in Los Angeles ignored how songs are actually created today.

Clever Outdoor Ads List Cost of Their Own Square Footage If They Were Homes in England

Several hard-hitting outdoor campaigns have protested soaring home prices in the U.K. lately, including these bleak billboards narrated by people who’ve been priced out of London. Now, AMV BBDO has unleashed a clever campaign on behalf of Homes for Britain, which advocates pressuring politicians to help build homes people can afford.

The centerpiece is an outdoor campaign in the Westminster subway station. The ads call attention to their own square footage and calculate how much that amount of space would cost if it were part of a home in London, Edinburgh, Bath, York or Oxford.

In addition to wall posters, there are more intriguing placements, including ads on escalator steps (the area of a single step would cost £6,111 in central London) and inside train cars (a single car would cost £618,375 in Westminster and £302,182 on average in London).

Check out more ads below. Via The Inspiration Room.



Twix: Twix Peanut Butter Celebrity Endorsement

Advertising Agency: BBDO, New York, USA
Chief Creative Officers: David Lubars, Greg Hahn
Executive Creative Directors: Gianfranco Arena, Peter Kain
Creative Directors: Peter Alsante, Andre Massis
Director of Integrated Production: David Rolfe
Group Executive Producer: Amy Wertheimer
Executive Producer: Alex Gianni
Executive Art Producer: Betsy Jablow
Managing Director: Kirsten Flanik
Global Account Director: Susannah Keller
Group Planning Director: Crystal Rix
Planner: Alaina Crystal
Account Directors: Lisa Piliguian, Phil Brolly
Account Manager: Ashley Gill
Account Executive: Aparna Joshi
Celebrity Talent Acquisition: The Marketing Arm
Production Company: O Positive, LLC

Twix: Nick

Advertising Agency: BBDO, New York, USA
Chief Creative Officers: David Lubars, Greg Hahn
Executive Creative Directors: Gianfranco Arena, Peter Kain
Creative Directors: Peter Alsante, Andre Massis
Director of Integrated Production: David Rolfe
Group Executive Producer: Amy Wertheimer
Executive Producer: Alex Gianni
Executive Art Producer: Betsy Jablow
Managing Director: Kirsten Flanik
Global Account Director: Susannah Keller
Group Planning Director: Crystal Rix
Planner: Alaina Crystal
Account Directors: Lisa Piliguian, Phil Brolly
Account Manager: Ashley Gill
Account Executive: Aparna Joshi
Celebrity Talent Acquisition: The Marketing Arm
Production Company: O Positive, LLC

Empik: In Search of Lost Reader

Advertising Agency: Change, Warsaw, Poland
Creative Director: Jan Majle
Senior Art Director: Rafa? Nagiecki
Senior Copywriter: Zuzanna Wro?ska
Client Service: Jola Mazurek, Micha? Tyburcy
Postproduction: Rio de Post
Sound: Studio Ucho
Media: Ma?gorzata Majewska / Value Media
Published: February 2015

Independent Health Foundation: Vending Machine Prank – Work off your snack

Advertising Agency: Gelia, Buffalo, USA
Creative Directors: Bill Paterson, Kathy Kastan
Associate Creative Director / Editor: Jason Yates
Voice: Peter Cumbo
Audio: John Davis
Cameras: Alex Brown
Producers: Kathy Kristich, Michaela Kowalick
Account Executive: Jon Boal
Published: March 2015

Independent Health Foundation: Vending Machine Prank – Read the ingredients

Advertising Agency: Gelia, Buffalo, USA
Creative Directors: Bill Paterson, Kathy Kastan
Associate Creative Director / Editor: Jason Yates
Voice: Peter Cumbo
Audio: John Davis
Cameras: Alex Brown
Producers: Kathy Kristich, Michaela Kowalick
Account Executive: Jon Boal
Published: March 2015