Hellmann’s promete storydoing ao invés de histórinhas “Do Bem”

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Bem quando marcas como a Diletto e Do Bem estão sendo observadas de perto pelo Conar, a Hellmann’s chega com uma proposta de “storydoing” – contar uma história e fazer algo com ela.

A campanha Vamos Plantar, criada pela Cubocc, vai fazer uma espécie de um reality show de uma plantação de tomates. Os consumidores poderão acompanhar o desenvolvimento do plantio, o crescimento da fruta e até interagir com o fazendeiro. Dessa safra de tomates que sobreviverem ao Big Brother Tomate, será criada uma série especial de ketchups.

O timing do lançamento da campanha é incrível – tanto a historinha do nonno da Diletto quanto o storytelling do seu Francisco da Do Bem estão sendo investigados pelo Conar por serem propaganda enganosa. Me pergunto: será que vai ter auditoria para garantir que apenas os tomates observados pelas câmeras vão ser usados na produção do ketchup da Hellmann’s?

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Nesse ponto, até a Do Bem podia alegar storydoing ao colocar o seu Francisco em um hangout live.

O foco, acredito eu, é mais saber se a publicidade está destacando atributos e características reais dos produtos que vende, ou se está fazendo propaganda ficcional, com um toque dramático aqui ou um reality show acolá.

Brainstorm9Post originalmente publicado no Brainstorm #9
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Little Mermaid House

« The Seashell House » (ou « Casa Caracol ») est une des belles maisons proposées à la location sur le site Airbnb. Située à Isla Mujeres au Mexique et pour 186€ par nuit, elle comporte deux chambres pour accueillir quatre personnes plongées dans un univers sous-marin au coeur d’un coquillage blanc, le temps de profiter de quelques semaines de vacances.

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Samsung's top marketer could take fall for weak mobile sales

Samsung’s prominent marketing chief DJ Lee is reportedly set to leave the company, after mobile profits tanked in the third quarter.

The Money Shop launches 'empathetic' TV ad

The Money Shop, the loans company, is advertising its new loan product with an ad that explains how it can help people afford everyday items.

Underwater Spiral City Project

L’entreprise de construction japonaise Shimizu a récemment introduit son nouveau projet d’architecture « Ocean Spiral » réalisable pour 2030. Il s’agit d’une ville construite sous l’eau autonome en énergie grâce à des grandes spirales connectant chaque maison au fond de l’océan où de l’énergie sera générée par la production de methane (un constituant du gaz naturel). Un Atlantis moderne, à découvrir.

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Calling all Rebel Economists!

Meme War: Join us at the American Economics Association annual conference in Boston, January 3-5 2015

Read more on Adbusters.org

Source

Antique Calculators Photography

Le photographe Kevin Twomey, basé en Californie, a décidé de rendre hommage aux anciennes calculettes à travers une série de photographies intitulée « Calculators ». Il s’est intéressé aux mécanismes complexes et internes (qui existaient il y a 60 ans) en dévoilant à l’objectif leurs squelettes et engrenages. Des reliques à découvrir dans la galerie.

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Top 10 marketing moments of 2014

From the #icebucketchallenge to the hype around this year’s Christmas ads, Nicola Kemp unveils the biggest moments in marketing in the past 12 months.

First Direct's 'Little Frill' ad is a little bit of a yawn

Brian “You re all different!” The Crowd “Yes, we ARE all different!” Man in crowd “I m not ” The Crowd “Shh!”
In my eyes, the above is the one and only time you re allowed to shout that you re different.
Back in 1989, First Direct really was different. No branches, but 24-hour customer access for those of us who didn t have time (or couldn t be arsed) to nip to the high street. The bank launched with two ads that ran concurrently on ITV and Channel 4. The first showed the negatives of normal banking, the second the positives of banking with First Direct.
It was clever, groundbreaking and had something to say. But it never shouted it was different. Its offering was. And its creative work was.
As this new campaign broke, a spokesperson said: “In many ways it s typical First Direct: very quirky, irreverent and dialling back up what we stood for 23 years ago.” Believe me it s not.
There s a lizard, called Little Frill. He has a DJ tarsier housemate. He s ordered a pizza, chased the delivery bloke down the road and called him “dough ball”. There s no killer insight. There s this: “Why can t my takeaway be more like First Direct? They ve got award-winning service.”
The endline is The unexpected bank . Fair play, it is unexpected, in that it must have researched well.
That this ad has more than 200,000 views on YouTube. That there s even been budget set aside for the making of . (I wonder how many of those fans have switched to First Direct. That s if they re old enough to have an account.)
Financial advertising is hard. There s so much you can t say. But why not just be honest? If you are unexpected, tell us why. If not, find something you can say.
First Direct talks about who it is, or was, on its website: We predicted the future. It did. It launched PC banking in 1997, was text-messaging customers in 1999, and internet banking in 2000. But it s been 14 years since it s done anything new. If there s something in the pipeline, tell us about it.
First Direct was a pioneer, but that spirit appears to be gone. What s left is an obvious attempt to attract a younger audience with something wacky . Yawn. This is a classic demonstration of trying to get the creative work to do all the hard work. In this case, having creative unlike any other banking campaign out there isn t enough.

Why 2015's 'digital general election' will be fascinating for marketers

Next year’s general election, the first in the UK to centre on digital campaigns, will be captivating for marketers, writes Will Harris.

Netherlands Nutrition Center "Invisible Made Visible" (2014) 1:00 (Netherlands)

So there’s a Dutch ad agency called Lemz who made this ad warning the Dutch about food borne illness, by growing bacteria in petri dishes that then spelled out messages for all to read and get disgusted by.

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Don’t Kill The Copywriter: A Short Guide to Treating Freelancers Like Human Beings

Editor’s Introduction: This is our first piece from Joel Wayne, a writer and director in Boise. He’s chosen to explore a topic that is near and dear to us. The great majority of creative people in advertising have worked freelance at one time or another, and have suffered the indignities common to the position. It’s […]

The post Don’t Kill The Copywriter: A Short Guide to Treating Freelancers Like Human Beings appeared first on AdPulp.

Novotel is so much better.

Novotel gives the weary traveler, tourist or businessman alternatives to those other hotels that are…less than inviting. These are quite fun.

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San Diego Zoo "The Power of Bees" (2014) :30 (USA)

I’n not sure what San Diego Safari Park’s Tigers have to do with growing a bee beard, but I guess they’re trying to continue the campaign from earlier this year.

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HBO Plans Documentary on Robert Durst

HBO plans to broadcast a six-part documentary on Robert Durst, the real estate heir notorious for leading the police on a nationwide manhunt after decapitating his neighbor.



Nescafe: Bad day

Advertising Agency: Artificial Group / Publicis, Hungary
Director: Menzkie
Director of Photography: Tamas Dobos, Ivan Vermes
Editor: Peter Tiba / AG
Colorist: Adam Halasz / 4Cut
Production Managers: Andrea Benyei, Katalin Csenyi
1st Assistant Director: Sebastien Praznoczy
Location Manager: Attila Nikleczy
Actors: Katalin Kovacs & Robin Kecskes
Casting: Playground Casting
Gaffer: Laszlo Toth
Focus Puller: Gabor Kasza
Styling: Madar Annamari & Haberland-Isai Anita / StyleLab
Makeup: Fibi Veger
Hair: Kaszon Hortobagyi @ Close
Props: Tamas Pataki & Szabolcs Alb / Prop Club
Food Stylist: Ferenc Urbanyi
Voice Over: Mr. Gyula Szersen
Music: Paul Mottram
Sound Post Production: Focus Fox Studio
Werk: Bence Darvas
Storyboard Artist: Daniel Csordas
Head of Design: Istvan Aved
Creative Director: Vilmos Farkas
Copywriter: Antal Horvath
Head of TV: Ilona Baroti
Client Service and Production Director: Timi Kovacs
Senior Production Manager: Kitti Maretics
Account Director: Orsolya Sallai

Canal Sony / The Voice: Skip Ad Festival

Advertising Agency: Publicis Brasil, São Paulo, Brazil
Creative Directors: Hugo Rodrigues, Kevin Zung, Henrique Mattos, Daguito Rodrigues
Art Director: Elias Carmo
Copywriter: Kiko Mattoso
Agency producers: Tato Bono, Cayan Lobo
Production House: Casa do Vaticano
Director: Guilherme Petry
Director of Photography: Pablo Chasseraux
Postproduction: Casa do Vaticano
Sound company: Lua Nova

Lefdal: Ice

Advertising Agency: Ahlstrand & Wållgren, Sweden
Creative Director: Joakim Wållgren
Art Director: Johan Schönfeldt
Account director: Ulf Ahlstrand
Event producers: Joakim Wang, Nordic Areana
Production partner: Schjarven reklame

Reproquinol: Bunny, 1

The complete range of hormones and nutritional supplements for a better animal reproduction.

Advertising Agency: Les Argentins
Account Director: Didier Zakine
Creative Director: Mariano Favetto
Art Director / Copywriter: Alexandre Tissier
Account Manager: Elena Ramon

Reproquinol: Bunny, 2

The complete range of hormones and nutritional supplements for a better animal reproduction.

Advertising Agency: Les Argentins
Account Director: Didier Zakine
Creative Director: Mariano Favetto
Art Director: Alexandre Tissier
Copywriter: Alejandro Cifuentes
Account Manager: Elena Ramon