Sennheiser: URBANITE headphone bass

Advertising Agency: McKinney, USA
Chief Creative Officer: Jonathan Cude
Art Directors: Josh Souter, Jordan Eakin
Copywriters: David Sloan, Madeleine Trebenski
Creative Technologist: Josh Souter
Experience Design: Jordan Clayton
Broadcast Producer: Nick Brenton
Production Company: PicRow / The Hall
Director: The Hall
Director of photography: Mandy Walker
Executive Producer: Bill Reilly
Interactive Producer: Megan Wade
Print Producer: Suzanne Moore
Experiential Director: Frank Moran
Account Planner: Alex Brands
Media Director: Swap Patel

Sennheiser: URBANITE headphone durability

Advertising Agency: McKinney, USA
Chief Creative Officer: Jonathan Cude
Art Directors: Josh Souter, Jordan Eakin
Copywriters: David Sloan, Madeleine Trebenski
Creative Technologist: Josh Souter
Experience Design: Jordan Clayton
Broadcast Producer: Nick Brenton
Production Company: PicRow / The Hall
Director: The Hall
Director of photography: Mandy Walker
Executive Producer: Bill Reilly
Interactive Producer: Megan Wade
Print Producer: Suzanne Moore
Experiential Director: Frank Moran
Account Planner: Alex Brands
Media Director: Swap Patel

Sennheiser: Our Song

Advertising Agency: McKinney, USA
Chief Creative Officer: Jonathan Cude
Art Directors: Josh Souter, Jordan Eakin
Copywriters: David Sloan, Madeleine Trebenski
Creative Technologist: Josh Souter
Experience Design: Jordan Clayton
Broadcast Producer: Nick Brenton
Production Company: PicRow / The Hall
Director: The Hall
Director of photography: Mandy Walker
Executive Producer: Bill Reilly
Interactive Producer: Megan Wade
Print Producer: Suzanne Moore
Experiential Director: Frank Moran
Account Planner: Alex Brands
Media Director: Swap Patel

Sennheiser: Public Places

Advertising Agency: McKinney, USA
Chief Creative Officer: Jonathan Cude
Art Directors: Josh Souter, Jordan Eakin
Copywriters: David Sloan, Madeleine Trebenski
Creative Technologist: Josh Souter
Experience Design: Jordan Clayton
Broadcast Producer: Nick Brenton
Production Company: PicRow / The Hall
Director: The Hall
Director of photography: Mandy Walker
Executive Producer: Bill Reilly
Interactive Producer: Megan Wade
Print Producer: Suzanne Moore
Experiential Director: Frank Moran
Account Planner: Alex Brands
Media Director: Swap Patel

Sennheiser: What's it Like?

Advertising Agency: McKinney, USA
Chief Creative Officer: Jonathan Cude
Art Directors: Josh Souter, Jordan Eakin
Copywriters: David Sloan, Madeleine Trebenski
Creative Technologist: Josh Souter
Experience Design: Jordan Clayton
Broadcast Producer: Nick Brenton
Production Company: PicRow / The Hall
Director: The Hall
Director of photography: Mandy Walker
Executive Producer: Bill Reilly
Interactive Producer: Megan Wade
Print Producer: Suzanne Moore
Experiential Director: Frank Moran
Account Planner: Alex Brands
Media Director: Swap Patel

iBall: Story of Shubhreet

Advertising Agency: Palasa, Mumbai, India
Director: Shakun Batra
DOP: Siddharth Diwan
Editor: Abhimanyu Choudhary
Music: Sameeruddin

Epsilon CEO: Buying Conversant Will Help Connect Cross-Channel Dots


All the consumer data in the world is useless if marketers can’t act on it, and Alliance Data wants to ensure it can do that across channels. The owner of data and email powerhouse Epsilon has agreed to spend $2.3 billion to buy digital-marketing-services firm Conversant in part to help ad clients target messages across devices, an especially complex thing to do in mobile.

For much of its 16-year-long life, Conversant was known as ValueClick, which stood as the last remaining large independent ad network before ad exchanges and programmatic buying began to dominate the display ad industry. The company changed its name to Conversant in February.

Though Conversant still offers legacy services for affiliate marketing, the firm’s ability to tie individual devices together using an anonymized ID without cookies — which don’t operate in the mobile environment — is crucial for Alliance. Alliance historically has focused more on personally-identifiable offline data than connecting anonymized digital IDs, a necessity for mobile targeting.

Continue reading at AdAge.com

Jerko Houseboat

En plus de naviguer sur le Gowanus Canal de Brooklyn, cet étrange navire nommé Jerko fait également office de maison écologique par son auto-suffisance énergétique. À l’intérieur, la décoration vintage donne un cachet particulier à cette incroyable maison, que son propriétaire Adam Katzman et ses amis oeuvrent à faire voguer. Un projet à découvrir en vidéo et à travers les photos d’Elizabeth Weinberg.

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Domino's Pizza launches TV ad for cheese and smokey bacon stuffed crust

Domino’s Pizza has launched a TV ad to support the introduction of a new flavour to its Stuffed Crust range.

IPhone What? Samsung Takes Top Two Spots in Viral Video Chart


Apple may have won the news cycle last week with the launch of the iPhone 6 and iPhone 6 Plus, but Samsung rocketed to the top of the Visible Measures Viral Video Chart with a 3-minute-plus video introducing the Galaxy Note 4. And Apple’s biggest competitor in the smartphone market took the No. 2 spot with a video mocking Apple.

Samsung last week claimed that those mocking “It Doesn’t Take a Genius” ads weren’t even supposed to be part of a U.S. effort. “The social videos were produced in Korea and are not part of the U.S. marketing campaign,” said a Samsung spokeswoman.

Apple did nab three spots on the chart. And the company is no doubt crying all the way to the bank after selling out its new phones during the pre-order phase.

Continue reading at AdAge.com

How Brands Should Measure in a Programmatic World


Last week I stressed the fact that brands must measure their programmatic buys. Brand marketers can be tempted to let the algorithms do the work, rather than measuring campaign effectiveness based on core brand objectives, but that’s flawed thinking. Sound, independent measurement focused on core brand objectives matters in a programmatic buying environment every bit as much as in a non-programmatic one.

What would measurement mean in the programmatic buying environment? Obviously, programmatic buying is an entirely different process from traditional ad buying. Simply importing traditional measurement processes into programmatic buying will not succeed. What is needed is measurement that fits the workflow of this new process.

In addition, however, actionable measurement in a programmatic environment must:

Continue reading at AdAge.com

L'Oreal Retools Online Shopping Cart Thanks to Digital Mentorship Effort


Heather Marie had always found online shopping unreasonably difficult. So the former retail and digital ad-sales executive did something about it, launching a company in 2011 that lets people add items to a global shopping cart no matter where they are on the web.

Last week, L’Oral became the first brand marketer to use Ms. Marie’s company, Shoppable, and its checkout technology to create a universal shopping cart that can be used across its brands, divisions and digital content.

She came to L’Oral’s attention through its Women In Digital Next Generation program, which aims to identify and honor female-led digital startups. The collaboration is exactly what Rachel Weiss, VP-digital strategy and innovation, was hoping for when she launched the program in 2012. Her goal was not just to boost the underdeveloped pool of female-led digital startups, but put them to work solving problems for L’Oral.

Continue reading at AdAge.com

Kraft, Estee Lauder, Coca-Cola Will Share Success Stories at Ad Age Data Conference


For today’s marketers, it’s near impossible to get through the day without hearing or seeing the phrase “big data” at least once. Much of the conversation around big data or data-driven marketing focuses on the fact that marketers must use new data sources and analytics to inform smarter campaigns and business decisions.

What that discussion lacks, however, are real-world examples from the brands and companies that are winning with data.

So what do data winners do differently? They take great analytics and add strategy (looking for the right things) and innovation (using that information to explore new opportunities, build their brands, and create more value).

Continue reading at AdAge.com

Vividly Poetic Photography – Emma Hartvig's Portfolio Represents a Rich Reality (GALLERY)

(TrendHunter.com) Swedish native Emma Hartvig is making quite a name for herself in the photography world.

As a recent graduate of the London College of Communication, Hartvig is cultivating an impressive portfolio….

How to build an African concept car in 12 weeks

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Visual artist Melle Smets and researcher Joost van Onna followed the travel of discarded cars from Europe to Ghana and ended up at Suame Magazine, near the town of Kumasi, in Ghana. In this area, 200,000 artisans are working in 12,000 workshops, stores and factories to repair and give a new life to European disused vehicles.

Smets and van Onna then collaborated with local craftsmen and mechanics to build a African concept car in three months continue

Jennifer Garner Returns to TV as Capital One's Newest Spokes-Celebrity

Jennifer Garner is back on TV and very upset with chairs in two new ads for Capital One’s Venture Card.

The visuals in the two spots, titled “Seats” and “Musical Chairs,” are bright and whimsical, which contrasts with Garner’s concerned vocal delivery. Did one of those chairs kick a puppy or something? /p>

She hasn’t gone full Clint Eastwood, but she’s still pretty intense about the first-world problem of airline mile blackout dates.

Garner joins a growing roster of big-name celebrities who’ve starred in Capital One ads, including Alec Baldwin and Samuel L. Jackson.



The View From DMexco: The Biggest Advertising Conference You've Never Heard Of


Late last week, over 30,000 people descended on Cologne, Germany, for the mega advertising conference DMexco. Now in its sixth year, the event appears to be asserting itself as a critical stop for many North American marketers, who showed up in force.

Continue reading at AdAge.com

How Reckitt Benckiser Became 'Digital at Heart'


Getting brand marketers to buy into digital and social media wasn’t always easy at Reckitt Benckiser, acknowledges Laurent Faracci, general manager-North American marketing. But the demonstrable return-on-investment — critical for a company he describes as “cost obsessed” — is now strong enough to easily get their attention and dollars. And it’s transforming the marketing operation well beyond the media mix.

What Mr. Faracci describes as the movement to become “digital at heart” is affecting everything from the U.K.-based company’s agency relationships to how it recruits marketers and works with retailers.

It played a pivotal role in RB’s decision earlier this year to partially unwind its years-long consolidation of creative assignments with Havas in a global review that moved five brands, including Air Wick and Clearasil, to Droga5; Finish to Wieden & Kennedy; and Mucinex and Delsym (previously handled in-house) to McCann.

Continue reading at AdAge.com

Transformative Burlesque Photography – Sean Scheidt Captures Before and After of Sensual Performers (GALLERY)

(TrendHunter.com) When people think of burlesque, they probably think of the timeless elegance of Dita Von Teese; yet this series of burlesque photography shows that such performers often adopt more of an alter ego…

The Sound of COS

Dans ce petit film signé Lernert & Sander pour la marque COS, les deux artistes traduisent et interprètent de manière exacerbée les bruitages d’une personne qui revêt un manteau. On y voit deux mannequins marcher et se vêtir, chaque mouvement étant décortiqué par les deux artistes et recréé avec des mécanismes et des frottements d’objets et de tissus. À découvrir en vidéo.

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