Tirendo Car Tire: Seductives Curves, Miss December

Curves have never felt so seductive.

Advertising Agency: Grabarz & Partner, Hamburg, Germany
Executive Creative Director: Ralf Heuel
Group Head Creation: Timm Weber
Creative Directors: Christoph Stricker, Constantin Sossidi
Art Directors: Kaloyan Yanev, Matthias Preuss, Mark Koehler
Copywriters: Jakob Eckstein, Enno Rangnick
Account Supervisor: Martina Thalhammer, Matthias van Stein
Advertisers Supervisor: Dirk Busse
Final Artwork: Marc Janocha
Graphic Artists: Anne Klakow, Alexander Harder, Jan Stempfle
Producer: Kristina Mohr
Published: April 2014

La Cocina VA: Plating

Advertising Agency: Grupo Gallegos, Huntington Beach, USA
Art Director: Annick Hernandez
Copywriter: Graham Davis
Composer: Carlos Reyes
Published: June 2014

Sea Shepherd: Ocean's wings, 1

Advertising School: Universidad Latina de Costa Rica, Costa Rica
Creatives: Juan Gabriel Sánchez, Rodrigo Aguilar
Copywriter: Juan Gabriel Sánchez
Illustrator: Rodrigo Aguilar
Published: March 2014

Sea Shepherd: Ocean's wings, 2

Advertising School: Universidad Latina de Costa Rica, Costa Rica
Creatives: Juan Gabriel Sánchez, Rodrigo Aguilar
Copywriter: Juan Gabriel Sánchez
Illustrator: Rodrigo Aguilar
Published: March 2014

Sea Shepherd: Ocean's wings, 3

Advertising School: Universidad Latina de Costa Rica, Costa Rica
Creatives: Juan Gabriel Sánchez, Rodrigo Aguilar
Copywriter: Juan Gabriel Sánchez
Illustrator: Rodrigo Aguilar
Published: March 2014

Modern Textured Fashion – The Ryota Shiga AW14 Collection Makes a Big Splash (GALLERY)

(TrendHunter.com) The Ryota Shiga AW14 collection offers fun and feminine pieces for the fall and winter seasons this year. Although still full of chic sophistication, there is a concentration on aline cuts and short…

Advertising Jobs: JWALK, Blue State Digital, Pace Communications

This week, JWALK is hiring an art director, while Blue State Digital needs a senior digital analyst. Pace Communications is seeking a director of digital strategy/social media, and Beson4 Media Group is on the hunt for an agency project manager. Get the scoop on these openings and more below, and find additional just-posted gigs on Mediabistro.

Find more great advertising jobs on the AgencySpy job board. Looking to hire? Tap into our network of talented AgencySpy pros and post a risk-free job listing. For real-time openings and employment news, follow @MBJobPost.

New Career Opportunities Daily: The best jobs in media.

ICA – made by Jerry / Sweden June 6 – (2014) :30 (Sweden)

ICA - made by Jerry / Sweden June 6 - (2014) :30 (Sweden)

ICA is running this ad “made by Jerry” this week, because today is Sweden’s national day. The song in the ad, sung by Jerry, is our unofficial national anthem “Du gamla, du fria”. But Jerryfied, or something.

Country: 

Commercials: 

Deep Anger

With this much at stake, we need to rediscover something we lost along the way.

From Adbusters #113: Blueprint for a New World, Part 2: Eco

In a better world, there’d be no reason to write this. In that world, plastic bags would be outlawed, rednecks would voluntarily stop driving those obnoxious Ford F-350s and the yogis in yuppie neighborhoods would stop believing that a hybrid SUV could save the planet. But that’s not the world we live in.

In this world, when push comes to shove, most of us are too comfortable to care, too polite to speak out. With so much at stake we need to rediscover something we lost along the way: our anger.

I’ve been around a while now and all I can say is that everything has gotten worse. Deforestation. Species extinction. Overfishing. Melting glaciers. CO2 through the roof. We won a few symbolic victories here and there, but the big picture is total loss. And that’s why this isn’t your standard a-better-world-is-possible-peace-and-love-we’re-all-in-this-together-be-the-change-you-want-to-see circle jerk that has become the cachet of an entire generation of professional activists.

I’m a child of the “awareness generation,” the one who grew up learning to reduce, reuse and recycle. I remember first learning about global warming and climate change in high school in the 90s. Back then it was called the Greenhouse Gas Effect. Most of my early environmental knowledge came from classroom videos about acid rain, slash-and-burn logging in the Amazon and the hole in the ozone layer. There was also the slogan “think globally, act locally” plastered across my Social Studies 11 class wall. Those of us who cared two cents about anything believed in that mantra religiously, even though by that point almost everything around us—the school supplies, the clothes on our backs, even the food in our stomachs—came from across an ocean.

At the same time that we were learning to be more conscientious about our market choices, the global bazaar was pried open by the WTO, NAFTA and GATT trade regimes, effectively eliminating any possibility we had to make truly environmental choices. Before we were even old enough to know about our carbon footprint, it was already ten times that of a kid in the developing world. Meanwhile, our history books were full of inspirational Gandhi, MLK and Mandela quotes, all driving home the point that change, even revolution, was sentimental, nice, easy, positive. The first time the cops threatened to arrest us at an environmental protest, we shit our pants. Turns out positivity has its limits. And that’s exactly how we got into this mess.

There’s nothing worse than interorganizational bitching, especially among environmental campaigners and NGOs. We’re like a bunch of abused children taking out our frustrations on each other when we should be unified and directing our focus elsewhere. But since we don’t have the collective gumption to stand up to the man, we squabble among ourselves; it’s the only way to release the impotent rage we all feel. Even so, I have this to say: every time I see one of my environmental heroes jump on the corporate bandwagon to say some stupid-ass shit about how there are no sides in the climate struggle—how pessimism is an affront to the imagination—my heart breaks.

Recently, best-selling environmental author, TED talker, anthropologist and National Geographic explorer-in-residence Wade Davis went down that road. In an interview with a Vancouver newspaper he reflected proudly on his days as an energy company consultant, saying, “In all these resource conflicts, there are no enemies, only solutions.” This kind of well mannered sweetness, in the face of such a violent problem, is our greatest problem.

So if we’re going to get serious about disrupting an increasingly apocalyptic horizon, we’ve got to challenge the feel-good Hallmark sentiments that inundated my generation. We have to say fuck the TED talks, with their sincere but vacuous optimism. Fuck the positivity gurus claiming the world is not dying, it’s only changing. And fuck environmentalists willing to play nice with Big Oil and Big Energy, saying things like: “you’re not going to stop the tar sands. It’s naive to think you can,” as Davis recently proclaimed. This type of thinking sounds a lot like those fearful souls who thought apartheid was too entrenched to defeat, that Big Tobacco was too rich to take on, that austerity was too fixed to shake—that there’s nothing you, or I, or we can do in the face of a multi-trillion dollar industry. Truth is, nothing on this Earth is inevitable.

Last year, I watched in amazement as a group of radical First Nations scholars brought down the house in Vancouver at an academic conference called Global Power Shifts. Rather than reply with academia’s standard response when confronted with a social issue—“that’s problematic”—they had the guts to take a stand. One in particular, Dr. Glen Coulthard of the Yellowknife Dene, delivered a paper saying that folks on the front-lines of land, climate and environmental battles in Canada are tired of being told not be angry; that given the ongoing process of colonization, theft and exploitation, anger is not only the natural response, but the only moral response.

What he hinted at was a resurgent anger. Deep Anger. The type of anger that overturns tables, defends the weak from the strong, would rather die than live on its knees. Most mainstream environmentalists don’t like this kind of language. It means you have to do more than sign a petition. It means you can’t count miniscule corporate concessions as victories. It means you have to let yourself unravel a bit.

In our culture, anger is seen as impolite, brutish, violent and indulgent. It’s politically incorrect. It makes people squeamish. We’re afraid of anger like we’re afraid of obsessive passion and overt eroticism. Anger is dark and dirty, but Deep Anger is a form of empathy, care, even love.

Psychologists explain that anger is a natural and appropriate response to violating behavior, to situations where our boundaries have been crossed. Not having a say in whether or not ecocide is going to happen—and being asked to participate in a calm and nice debate about whether or not the tar sands should expand or not—is a violation of our boundaries. Yet somehow, we’re expected to smile and keep our imaginations open as if positivity were the goal of the movement.

The great irony is that, despite our civilization’s claim to reason, there is a deep irrationality, a fatal blind spot blocking out emotion and sanity. We’re so deeply in denial about what is happening to our planet that we’re risking our own extinction.

Unless humanity breaks through the denial, unless we start to get angry—fuckin’ angry—then we won’t ever be able to accept the challenge at hand. We won’t ever be able to rise up and face our planetary reality … we won’t ever be able to fight … and we won’t be able to win.

Source

MEO: Batman

Telepizza. On your video on demand. It’s not fiction.

Advertising Agency: MSTF Partners, Portugal
Creative Director: Susana Sequeira, Lourenco Thomaz
Art Director: Ivo Purvis
Copywriter: Pedro Lima
Photography / 3D Artist: Frederico Vanzeller

MEO: Tron

Telepizza. On your video on demand. It’s not fiction.

Advertising Agency: MSTF Partners, Portugal
Creative Director: Susana Sequeira, Lourenco Thomaz
Art Director: Ivo Purvis
Copywriter: Pedro Lima
Photography / 3D Artist: Frederico Vanzeller

MEO: Ghostrider

Telepizza. On your video on demand. It’s not fiction.

Advertising Agency: MSTF Partners, Portugal
Creative Director: Susana Sequeira, Lourenco Thomaz
Art Director: Ivo Purvis
Copywriter: Pedro Lima
Photography / 3D Artist: Frederico Vanzeller

Belgium National Lottery: The amazing experience of a lotto player

Advertising Agency: Eric & Gilles Worldwide, Belgium
Creative Directors: Gilles de Boncourt, Eric Becker
Copywriter: Eric Becker
Art Director: Gilles de Boncourt
Designer: Aurore de Boncourt
Director: Dagmar Duportail
Executive Producer: Hans Buyse
Producer: Brechje Depourcq
Music: Thomas De Smedt
Singer: Kapinga Gijsel
Production: Poetry In Motion
Editor: Chess Bonte
Assistant editor: Stijn Dessel

Honda: Anderson's Accord

Advertising Agency: RPA, USA
Chief Creative Officer: Joe Baratelli
Executive Creative Director: Jason Sperling
Associate Creative Director / Art Director: Joao Medeiros
Associate Creative Director / Copywriter: Alex Goulart
Chief Production Officer: Gary Paticoff
Executive Producer: Isadora Chesler
Producer: Joshua Herbstman
Broadcast Production Coordinator: Angela Pascal
Production Company: Reset
Managing Director: Dave Morrison
Executive Producer: Jeff McDougall
Producer: Caroline Pham
DP: Claudio Miranda
Editorial Company: Rock Paper Scissors
Editor: Paul Kumpata
Executive Producer: Carol Lynn Weaver
Post Finishing: A-52
Lead Artist: Jesse Monsour
Producers: Carol Collins, Heather Johann
Executive Producer: Jennifer Sofio Hall
Music and Sound Design: Barking Owl
Audio Mix: Lime Studios
Mixer: Dave Wagg

Honda: Lydia's Civic

Advertising Agency: RPA, USA
Chief Creative Officer: Joe Baratelli
Executive Creative Director: Jason Sperling
Associate Creative Director / Art Director: Joao Medeiros
Associate Creative Director / Copywriter: Alex Goulart
Chief Production Officer: Gary Paticoff
Executive Producer: Isadora Chesler
Producer: Joshua Herbstman
Broadcast Production Coordinator: Angela Pascal
Production Company: Reset
Managing Director: Dave Morrison
Executive Producer: Jeff McDougall
Producer: Caroline Pham
DP: Claudio Miranda
Editorial Company: Rock Paper Scissors
Editor: Paul Kumpata
Executive Producer: Carol Lynn Weaver
Post Finishing: A-52
Lead Artist: Jesse Monsour
Producers: Carol Collins, Heather Johann
Executive Producer: Jennifer Sofio Hall
Music and Sound Design: Barking Owl
Audio Mix: Lime Studios
Mixer: Dave Wagg

FIFA World Cup 2014: Revolving Billboard

Advertising School: School of Visual Arts, New York, United States
Creative Director / Instructor: Frank Anselmo
Art Directors / Copywriters: Yung Hyuk Lee, Man Ki Kim
Photographer: Heehyun Oh
Published: May 2014

Former IAA Director Norman Vale Dies


Norman Vale, the first director general of the International Advertising Association, died June 3 after a long fight with myeloma. He was 84 years old.

Mr. Vale had a long, distinguished career in the field of international advertising. In addition to his role at the IAA, he worked at Grey Advertising for 16 years, where he ascended to the role of managing director-international, and he was a frequent graduate lecturer at universities including Columbia, Wharton and NYU. After leaving the IAA in 2001, he formed Vale International, a global consulting firm with contacts and operatives in 75 countries.

“He was an energetic, tireless worker,” said Michael Lee, the IAA’s managing director. “He helped advance the IAA globally.”

Continue reading at AdAge.com

CIA entra no Twitter com mensagem bem-humorada

A agência de inteligência norte-americana, apesar dos esforços da ficção e do entretenimento, não nutre fama de simpatia com o público. Nessa semana, porém, a CIA completou sua entrada nas principais redes sociais, na tentativa de humanizar sua comunicação. Já estava no YouTube, e agora criou perfis no Facebook e no Twitter.

A primeira mensagem foi espirituosa: “Na?o podemos confirmar nem negar que esse e? o nosso primeiro tweet”. Em poucas horas, o @CIA já ultrapassa os 115 mil seguidores.

Só falta a confirmação de que o Saul Berenson é que está controlando o perfil para eu começar a seguir.

Brainstorm9Post originalmente publicado no Brainstorm #9
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20 DIY Crafts for Girls – From Bedazzled Bead Sunnies to DIY Crayon Lip Colours (TOPLIST)

(TrendHunter.com) DIY crafts for girls are a fun way to introduce creative productivity at a young age as well as an appreciation for economical products and a head for industry. While boys may be given a head start…

Asociación Nueva Esperanza: Bed

This should not be a child’s bed.

Advertising Agency: RVN Pensamiento Estratégico, Caracas, Venezuela
Creative Director: Ronny Garcés
Art Director: Gilberto Machado
Published: May 2014