WWF: Gibbon, Leopard, Tiger, Crane, Red Panda, Elephant, Nilgiri
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Wwf
Trees save wildlife.
Advertising School:Sir JJ Institute of Applied Art, Mumbai, India
Creative:Yashika Shah
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Wwf
Trees save wildlife.
Advertising School:Sir JJ Institute of Applied Art, Mumbai, India
Creative:Yashika Shah
Media
Sos-Childrens’ Villages
What would you do if you saw a freezing child?
We set up a hidden camera and placed Johannes at a bus stop, in Oslo, Norway. Donate here: http://www.sos-barnebyer.no/syriahelp
The film is made to raise awareness of the situation for children in Syria, and to raise funds to SOS Children’s Villages is their winter-campaign. Children in Syria are freezing and you can help by dontating.
Advertising Agency:Släger Kommunikasjon, Oslo, Norway
Media, Print
City of Reno
Advertising Agency:OCCE, Reno, USA
Creative Director:Paul Klein
Department Director:Deanna Gescheider
Project Directors:Lynell Garfield, Terri Svetich
Artists:Bryce Chisholm, Pan Panjora
Photographer:Natalie Lumbo
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Mercedes-Benz
Makes hard work easier to handle. The new Mercedes-Benz Sprinter with innovative ECO Gear manual transmission.
People in the Sprinter target group don’t do nine-to-five jobs. Night shifts, overtime and unscheduled events place new demands on human and machine every day. It’s a good job that the new Sprinter with six-speed gearbox adapts perfectly to the individual needs of its drivers. To show that it is on hand to make light work of hard tasks, we developed the first ever font to be generated from real gear change manoeuvres: Shiftography. To generate the font, we tracked the gear change manoeuvres during a courier driver’s night shift. A complete alphabet was created from the various gear changes.
Advertising Agency:Lukas Lindemann Rosinski, Hamburg, Germany
Art Directors:Sön Becker, Christian Baur
Copywriters:Jan Hoffmeister, Tim Esser
Account Representative:Knut Simons
Postproduction:Markenfilm Crossing GmbH
Producer:Martin Schön
Camera:Jakob Süß
Regie:Kai Klinke
Edit:Artur Boruch
Vfx:Artur Boruch
Technichal installation:Adnen Abdallah
Renovated with OBI.
Advertising Agency: Jung von Matt/Elbe, Hamburg, Germany
Chief Creative Officers: Dörte Spengler-Ahrens, Jan Rexhausen
Creative Directors: Felix Fenz, Alexander Norvilas
Art Directors: Michael Wilde, Max Pilwat, Michael Hess
Copywriter: Felix Fenz
Creatives: Michael Wilde, Max Pilwat
Print
We want to illustrate your best ideas.
Finger Industries and other outstanding digital artists now represented in Russia. Discover all our talent at photoby.pl
We want to illustrate your best ideas.
Peter Tarka and other outstanding digital artists now represented in Russia. Discover all our talent at photoby.pl
Ads directed at the Russian market, published in the international edition of Luerzer’s Archive. Each one will be executed by a different digital artist represented by Photoby.
Advertising Agency:BBDO Proximity, Warsaw, Poland
Art Director:Magdalena Kramer
Copywriter:Kamil Redestowicz
Illustrator:Peter Tarka
In his long-awaited plan to overhaul the federal tax code, House Ways and Means Committee Chairman David Camp offered advertisers and the advertising industry a $1 million loophole to his proposal to limit the expensing of advertising costs.
But Mr. Camp’s tax plan was greeted with dismay by those who buy and sell ads.
“This is a dreadful idea,” said Dick O’Brien, a top lobbyist for the American Association of Advertising Agencies. “What he’s doing will make advertising more expensive.”
Makes hard work easier to handle. The new Mercedes-Benz Sprinter with innovative ECO Gear manual transmission.
People in the Sprinter target group don’t do nine-to-five jobs. Night shifts, overtime and unscheduled events place new demands on human and machine every day. It’s a good job that the new Sprinter with six-speed gearbox adapts perfectly to the individual needs of its drivers. To show that it is on hand to make light work of hard tasks, we developed the first ever font to be generated from real gear change manoeuvres: Shiftography. To generate the font, we tracked the gear change manoeuvres during a courier driver’s night shift. A complete alphabet was created from the various gear changes. Watch the documentation: http://vimeo.com/85438562
Advertising Agency: Lukas Lindemann Rosinski, Hamburg, Germany
Art Directors: Sön Becker, Christian Baur
Copywriters: Jan Hoffmeister, Tim Esser
Account representative: Knut Simons
Postproduction (Film): Markenfilm Crossing GmbH
Producer: Martin Schön
Camera: Jakob Süss
Regie: Kai Klinke
Edit: Artur Boruch
VFX: Artur Boruch
Technichal installation: Adnen Abdallah
Makes hard work easier to handle. The new Mercedes-Benz Sprinter with innovative ECO Gear manual transmission.
People in the Sprinter target group don’t do nine-to-five jobs. Night shifts, overtime and unscheduled events place new demands on human and machine every day. It’s a good job that the new Sprinter with six-speed gearbox adapts perfectly to the individual needs of its drivers. To show that it is on hand to make light work of hard tasks, we developed the first ever font to be generated from real gear change manoeuvres: Shiftography. To generate the font, we tracked the gear change manoeuvres during a courier driver’s night shift. A complete alphabet was created from the various gear changes. Watch the documentation: http://vimeo.com/85438562
Advertising Agency: Lukas Lindemann Rosinski, Hamburg, Germany
Art Directors: Sön Becker, Christian Baur
Copywriters: Jan Hoffmeister, Tim Esser
Account representative: Knut Simons
Postproduction (Film): Markenfilm Crossing GmbH
Producer: Martin Schön
Camera: Jakob Süss
Regie: Kai Klinke
Edit: Artur Boruch
VFX: Artur Boruch
Technichal installation: Adnen Abdallah
Makes hard work easier to handle. The new Mercedes-Benz Sprinter with innovative ECO Gear manual transmission.
People in the Sprinter target group don’t do nine-to-five jobs. Night shifts, overtime and unscheduled events place new demands on human and machine every day. It’s a good job that the new Sprinter with six-speed gearbox adapts perfectly to the individual needs of its drivers. To show that it is on hand to make light work of hard tasks, we developed the first ever font to be generated from real gear change manoeuvres: Shiftography. To generate the font, we tracked the gear change manoeuvres during a courier driver’s night shift. A complete alphabet was created from the various gear changes. Watch the documentation: http://vimeo.com/85438562
Advertising Agency: Lukas Lindemann Rosinski, Hamburg, Germany
Art Directors: Sön Becker, Christian Baur
Copywriters: Jan Hoffmeister, Tim Esser
Account representative: Knut Simons
Postproduction (Film): Markenfilm Crossing GmbH
Producer: Martin Schön
Camera: Jakob Süss
Regie: Kai Klinke
Edit: Artur Boruch
VFX: Artur Boruch
Technichal installation: Adnen Abdallah
Print
Mizuno
Advertising Agency:Talent, São Paulo, Brazil
Creative Directors:João Livi, Alexandre Nego Lee, Rodrigo Bombana
Art Director:Leonardo Rua
Copywriter:André Baldez
Illustrator:Gelmi
Photographer:Paulo Risi
Producers:Ingo Santos, Matias Santos
Art Buyers:Daniele Sampaio, Mario Coelho
Retoucher:Hadolfo Correa, Old Skull Studio
Account managers:Erick Sobral, Rafael Barajas, Gabriela Aun, Renata Flores
Print
Nissan
Advertising Agency:Share, Ecuador
Creative Director:Fernando Gavilanes
Art Director:Kléver Mendoza
Copywriter:Sara Argüello
Illustrator:Ivanna Salgado
Para apresentar sua nova linha de produtos para cabelo, a marca sueca Apotek criou um painel interativo no metrô de Estocolmo. A interação, porém, não se dava com as pessoas, mas com os trens.
Sensores ultra-sônicos detectavam a proximidade da composição, acionando uma animação que transmite o conceito: “De? vida aos seus cabelos”.
Uma execução simples, com um efeito bem marcante para os passageiros que aguardavam na plataforma.
Post originalmente publicado no Brainstorm #9
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This one’s been around awhile, but it hasn’t had much press and we felt it was worth sharing, especially if you’re a recent graduate or young creative with around 40 minutes or so to kill.
Not knowing what to do following graduation, two young creatives (William Novak and Francis Carter) embarked on a road trip and made a no-budget documentary called “The Ad-Venture,” exploring the current state of the ever-evolving world of advertising.
The creative pair interviewed industry professionals across the country, and begin the documentary by sharing inspiring messages from these individuals about the advantages and pitfalls of working advertising. Although at times it can feel overwhelmingly like a series of talking heads, these industry professionals touch on some interesting points about the current state of advertising and where it’s headed in the future. Mixed in with the interviews are intriguing relics from advertising’s golden age, which act as a welcome change of pace, and an intriguing look backwards to balance out the mostly forward-looking nature of the film.
As the documentary was dreamed up by young creatives, it shouldn’t come as a surprise that they spend a significant amount of time delving into the creative process, getting differing opinions about how best to tackle a project, and the different processes interviewees utilize in their work. This part of the film tends to drag a little bit, as, even if this is an area of interest, it gets a bit repetitive hearing people talk about the creative process (especially when different people inevitably repeat the same basic ideas).
The pair also tackle the creative differences agencies in different parts of the country tend to have in an attempt to answer for the viewer where it is in the advertising world that they might belong. Although this section can feel like a bunch of creatives pitching for their own agencies, they quickly move on to how to stand out from the pack and land a job, ending the video on something of an inspiring note. Although it’s something of a mixed bag, and you may end up utilizing the fast-forward option quite a bit, there are enough clever insights and pieces of good advice to recommend “The Ad-Venture” to interested parties. Stick around for credits after the jump. continued…
New Career Opportunities Daily: The best jobs in media.
Advertising Agency: AMV BBDO, London, UK
Creatives: Michael Jones, Adam Whitaker, Charlotte Adorjan
Agency Planners: Sarah Sternberg, Sophie Lewis
Agency Account Man: Katy Davis, Reiko Bridge, Amy Tippen, Nancy Fuller
TV Producers: Yvonne Chalkley, James Robley
Media Agency: Mediacom
Media Planner: Kate McAllister
Production Company: RSA
Director: Jim Field Smith
Photographer: Jason Hindley
Post-production Company: RSA
Advertising Agency: Saatchi & Saatchi, South Africa
Executive Creative Director: Gavin Whitfield
Associate Creative Directors: Yvonne Hall, Mimi Cooper
Stylist / Art director: Andrew Chandler
Producers: Andrew Chandler, Lee-Ann Jacobz, Ali Coetzee
Designers: Sarita Immelman, Marcelle Labuschagne
L’artiste japonais Jun Kitagawa installe des fermetures à glissière géantes dans des lieux publics à travers le Japon. Les œuvres d’art en 2D et 3D sont apparus dans les bâtiments, sur les murs, et dans les étangs révélant un coté mystérieux de ce qui se trouve sous la surface de ces fermetures éclaires entrouvertes.
Advertising Agency: BETC, Paris, France
Agency management: Carole Bilde, Romain Van Den Plas, Adeline Dupuits, Virginie Gore-Coty
Creative directors: Richard Desrousseaux, Étienne Turquet
Art director: Landry Stark
Traffic: Céline Laporte, Lena Lebras
TV producer: Laure Denizot
Production company: Bandits
Sound production: Gum
Director: Martin Hodara
Advertising Agency: BETC, Paris, France
Agency management: Carole Bilde, Romain Van Den Plas, Adeline Dupuits, Virginie Gore-Coty
Creative directors: Richard Desrousseaux, Étienne Turquet
Art director: Landry Stark
Traffic: Céline Laporte, Lena Lebras
TV producer: Laure Denizot
Production company: Bandits
Sound production: Gum
Director: Martin Hodara