Dynafil: Slurping drink on the car

Advertising Agency: Saatchi & Saatchi, Cape Town, South Africa
Executive Creative Director: Gavin Whitfield
Associate Creative Directors: Mimi Cooper, Yvonne Hall
Copywriter: Mimi Cooper
Art Directors: Yvonne Hall, Karen Vermeulen
Director: Leigh Ogilvie
Producers: Candice Brouwer, Alli Coetzee, Karen Kloppers, Shannon Gloyne
Production company: Velocity
Design: Studio Muti
Digital Development: AtPLay
Post-production: Deliverance
Editors: Lucien Barnard, Ricky Boyd
Sound: We Love Jam
Phil the Legend: Adam Neil
Account Manager: Taryn Pascal
Digital Agency: AtPlay at Saatchi & Saatchi
Creative Group Head: Alan Cronje
Senior Designer: Peter Janse van Rensburg
Designer: Myka Hecht-Wendt
Front-end Development: Jason Walter
Studio Manager: Robyn Silverstone
Account Director: Mkhuseli Mancotgua

Dynafil: Thai Chi on the beach

Advertising Agency: Saatchi & Saatchi, Cape Town, South Africa
Executive Creative Director: Gavin Whitfield
Associate Creative Directors: Mimi Cooper, Yvonne Hall
Copywriter: Mimi Cooper
Art Directors: Yvonne Hall, Karen Vermeulen
Director: Leigh Ogilvie
Producers: Candice Brouwer, Alli Coetzee, Karen Kloppers, Shannon Gloyne
Production company: Velocity
Design: Studio Muti
Digital Development: AtPLay
Post-production: Deliverance
Editors: Lucien Barnard, Ricky Boyd
Sound: We Love Jam
Phil the Legend: Adam Neil
Account Manager: Taryn Pascal
Digital Agency: AtPlay at Saatchi & Saatchi
Creative Group Head: Alan Cronje
Senior Designer: Peter Janse van Rensburg
Designer: Myka Hecht-Wendt
Front-end Development: Jason Walter
Studio Manager: Robyn Silverstone
Account Director: Mkhuseli Mancotgua

Dynafil: One in two men

Advertising Agency: Saatchi & Saatchi, Cape Town, South Africa
Executive Creative Director: Gavin Whitfield
Associate Creative Directors: Mimi Cooper, Yvonne Hall
Copywriter: Mimi Cooper
Art Directors: Yvonne Hall, Karen Vermeulen
Director: Leigh Ogilvie
Producers: Candice Brouwer, Alli Coetzee, Karen Kloppers, Shannon Gloyne
Production company: Velocity
Design: Studio Muti
Digital Development: AtPLay
Post-production: Deliverance
Editors: Lucien Barnard, Ricky Boyd
Sound: We Love Jam
Phil the Legend: Adam Neil
Account Manager: Taryn Pascal
Digital Agency: AtPlay at Saatchi & Saatchi
Creative Group Head: Alan Cronje
Senior Designer: Peter Janse van Rensburg
Designer: Myka Hecht-Wendt
Front-end Development: Jason Walter
Studio Manager: Robyn Silverstone
Account Director: Mkhuseli Mancotgua

After ‘Inspector Gadget’ and ‘Knight Rider,’ Came the Samsung Galaxy Gear


Inspector Gadget predicted not only Apple’s Siri, but he also foresaw the Samsung Galaxy Gear, the tech giant’s foray into the world of wearable technology. To promote the new device, a pair of spots from 72andSunny makes a nostalgic play, tapping into smartwatches from pop culture’s past to whet consumers’ appetites for a piece of tech that’s finally arrived. The first spot, directed by Furlined’s Stuart Parr, reads almost like a lux jewelry lineup, displaying against a black backdrop a lineup of hi-tech wristbands from classic television shows, from “Knight Rider,” to “The Jetsons” to “Star Trek,” accompanied by related sound clips

A second spot, produced out of Epoch, cuts together clips of characters such as Captain Kirk, Penny from “Inspector Gadget” and Maxwell Smart from “Get Smart” connecting to others’ through their wrists, showing that after all these years, it’s Samsung that has finally made reality what was once a longstanding piece of science fiction.

For more exciting ideas in brand creativity, tune in to Creativity-Online.com, follow @creativitymag on Twitter or sign up for the Creativity newsletter.

Continue reading at AdAge.com

Company Mailing Out Free Vibrators to Federal Workers During Shutdown

If you're a federal employee with some time on your hands, Vibrators.com has something they'd like to put in those hands—for free!

That's right, the e-commerce hub that bills itself as "the easiest way to find the perfect vibrator" is currently giving away 200 free vibrators a day to help idle workers go from being furloughed to dil-doughed. And demand is brisk, with the first batch snatched up by midday today, though another 200 will be made available each day until the crisis ends. Just use the promo code "shutdown" to unlock the free offer, which the Vibrators.com crew admit is a bit of a security flaw: "Order one even though you are not a furloughed federal employee and we won't really know, but Karma will get you."

Unfortunately, the 200-vibrator limit has to be enforced because "more than that and it will slow down our warehouse and prevent timely delivery of our paying customers' orders." You can almost hear the frenzied commotion of the vibrator warehouse, where forklift drivers are working late into the night, loading a fleet of tractor trailers with crate after crate of the undulating orifice tinglers that are keeping America running.

Via Philly.com.


    

Audi: Blue Ribbon Sailing Race

Quattro for stability.
Audi is proud to be sponsoring the Blue Ribbon Sailing Cup.

Advertising Agency: Café Communications, Budapest, Hungary
Creative Directors: Zoltán Simon, Ervin Sallai
Art Directors: Miklós Zsengellér, Róbert Gy?rgyfi
Copywriter: Gábor Sz?cs
Published: July 2013

Villa Cani Pet Center: Bath

He has enough reasons to be angry.
Vaccinate your pet against rabies.

Advertising Agency: Morya, Bahia, Brazil
Creative Director: Bruno Cartaxo
Art Director: Ivo Adams
Copywriters: Gabriela Martinez, Bruno Cartaxo
Agency Producer: Fernanda Mayoral
Photographer: Guto Esteves
Ilustrator: Desconstrutora
Published: October 2013

Villa Cani Pet Center: Dress

He has enough reasons to be angry.
Vaccinate your pet against rabies.

Advertising Agency: Morya, Bahia, Brazil
Creative Director: Bruno Cartaxo
Art Director: Ivo Adams
Copywriters: Gabriela Martinez, Bruno Cartaxo
Agency Producer: Fernanda Mayoral
Photographer: Guto Esteves
Ilustrator: Desconstrutora
Published: October 2013

Villa Cani Pet Center: Girl

He has enough reasons to be angry.
Vaccinate your pet against rabies.

Advertising Agency: Morya, Bahia, Brazil
Creative Director: Bruno Cartaxo
Art Director: Ivo Adams
Copywriters: Gabriela Martinez, Bruno Cartaxo
Agency Producer: Fernanda Mayoral
Photographer: Guto Esteves
Ilustrator: Desconstrutora
Published: October 2013

Illusion Photography

Voici le travail de Barbara Scerbo : une artiste italienne qui, avec son projet « Illusion », nous offre des photo-montages mettant en scène différentes filles tenant un cadre les cachant partiellement. Des clichés intéressants et une série à découvrir sur son portfolio et dans la suite de l’article.

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Yellow Pages: Mini pizza

Type in your search. SMS 8081.

Advertising Agency: Key Publicidad, Montevideo, Uruguay
Creative Directors: Alan Grunewald, Rodrigo Mela
Art Director: Coy Muiño
Copywriter: Camilo Fernández
Photographer: Rafael Lejtreger / Visor
Miniature: Shay Aaron
Account Directors: José Pereira Machado, Valeria Stella
Account Executive: Mariana Cabrera
Published: August 2013

How Marriott Used Video to Discover Who’s Calling Shots in Vacation Planning


When Marriott International embarked on a video ethnographic study of how families plan vacations, it assumed the grownups did all the planning. But it discovered things work more like a democracy — or at least a corporate hierarchy where moms as CEOs rely increasingly on kids as “chief information officers” to gather information online about things to do.

Brian King, the hotel chain’s global brand officer, shared with Advertising Age some of the insights he gathered — with help from MEC, Tremor Video and Sonic Rim — in this video interview prior to his Oct. 6 presentation at the Association of National Advertisers Masters of Marketing conference in Phoenix.

Continue reading at AdAge.com

FedEx Express: Crutches

Advertising School: Escola Cuca, São Paulo, Brazil
Creative Director: Murilo Melo
Art Directors: Amanda Perensin, Caio Almeida
Copywriter: Marcelo Carvalho
Published: October 2013

Tech Company Challenges Job Applicants by Hiding Its Phone Number Inside a Complex Puzzle

Big Commerce, an Australian tech company, is looking for software engineers who can solve complex problems. So, it replaced the phone number in its ads with a complex code and asked potential applicants to solve it. Various media outlets have been reporting that no one called the company because the problem is too hard—but that appears not to be true. A number of people have posted solutions on Big Commerce's Facebook wall, and the company itself tweeted its thanks this weekend to "everyone who 'cracked the code' and called in to the special batphone." (In fact, it linked to a photo showing 1,641 messages in its Skype inbox.) If you're not smart enough to figure it out, don't worry—scroll down to read one Facebook fan's solution to the problem.

"1BP49B(36) is a positional numeral system using 36 as the radix. The choice of 36 is convenient in that the digits can be represented using the numerals 0–9 and the letters A–Z, where A=10, B=11, C=12. Hence, B = 11 and P = 25. Therefore the phone number is 11 + 9*36 + 4*36^2 + 25*36^3 + 11*36^4 + 1*36^5 = 80113871. So, the bat phone number is +61 (02) 8011 3871."


    

Pop Art Cosmetic Photography – The ‘Perfect Line’ Editorial Focuses on Bold Eye Makeup Techniques (GALLERY)

(TrendHunter.com) This eye-fixated editorial focuses on attention-grabbing eye makeup techniques. Each shot in this series features popping colors and dramatic eyeliner. This editorial, which can be found in MIXTE…

Skoda: All-Yellow Palette

If you can’t choose the colour, at least choose quality and good price.

From 2014 all taxis in Budapest must have the same yellow colour. Cabbies need to spend a fortune to either buy a new and yellow car, or paint their old one yellow. With the all-yellow colour palette flyer ŠKODA showed them that they indeed have a choice: though they can’t choose the colour of their taxis, they can at least choose good value for their money. The all-yellow palettes were handed out like leaflets at the Hungarian Taxi Expo to cabbies.

Advertising Agency: Café Communications, Budapest, Hungary
Creative Directors: Zoltán Simon, Ervin Sallai
Art Director: Róbert Györgyfi
Copywriters: Gerg? Kováts, Gábor Sz?cs
Published: July 2013

Oral-B: The power of a smile

Advertising Agency: ebolaindustries, Milan, Italy
Creative Director: Mizio Ratti
Art Director: Marika Mangafà
Project Manager: Beatrice Mantero
Strategic Planner: Valerio Franco
Production Company: Enormous
Director: Cric
Published: October 2013

Campaign Spotlight: A St. Regis New York Face-Lift Spurs a Glamour Campaign

The hotel’s first advertising since 2011 is linked to the $90 million renovation of the facility.

    



How Content Marketing Helps You Pick Up Girls

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In an excruciatingly boring, overly-long “homage” to Apple’s “I’m a Mac, I’m a PC” campaign, the International Content Marketing Summit is out with a video that tells us the way to get a girl is through targeted conversation rather than a numbers-based, “spray and pray” approach. Now, on the surface, this approach aligns well with real life. After all, walking up to every single girl and asking her for sex is far less likely to get anyone any sex. Taking the time to get to know each other through conversation at least begins the process of determining whether or not, ahem, further engagement makes sense.

Of course, the whole notion of this campaign is idiotic. It leads us to believe that brands want to hook up with consumers in a way that guys want to hook up with girls. And by hook up, you know exactly what we mean. It’s not a mutually beneficial arrangement. It’s a selfish, self-centered, one-sided arrangement in which the guy/brand gets immediate gratification and the girl/consumer is duped into submission.

This is not to argue content marketing is a sleazy form of marketing. Quite to the contrary. Done right, it can be very successful and mutually beneficial. But that’s not really what this video is describing. Its creators have turned content marketing into a pick up line joke and that doesn’t do the practice of content marketing any favors.

Six Steps To Simplify Marketing, From Dunkin’ Brands Marketing Chief


Digital media and mobile screens are core to Dunkin’ Donuts marketing, but it pays to remember the basics, according to John Costello, Dunkin’ Brands president-global marketing and innovation. “If we put a picture up on the wall [of products] in our restaurants we sell more,” he said. “If we take it down, we sell less.”

Balancing traditional media with digital is a complex task, making it “easy to be overwhelmed,” said Mr. Costello, addressing the Association of National Advertisers meeting on Oct. 5. But he offered six tips to help focus marketing without getting caught up in the clutter of options.

Confront reality

Continue reading at AdAge.com